This past May, Neil Young brought his solo tour to Toronto’s Massey Hall, an iconic venue in the city of his birth. Jonathan Demme was on hand to capture the two nights, which highlighted new songs from the album Le Noise, produced by Daniel Lanois, mixed with classics like "Ohio" and "I Believe in You." At sixty-five, Young retains a youthful vitality and musical curiosity that balances his wisdom and experience. It's no wonder he's been an inspiration to the likes of Pearl Jam and Sonic Youth. In Neil Young Journeys, Demme intersperses the Massey Hall concert footage with brief scenes from a road trip through Ontario. Driving a 1956 Ford Crown Victoria, Young visits the rural town of Omemee, where he spent a key part of his formative years, and reminisces about his former neighbors and their daughters. As he drives past bulldozers transforming the landscape, he remarks, "It's all gone...it's still in my head."
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 10,001-10,100)
|All Time International Box Office (Rank 10,301-10,400)
|All Time Worldwide Box Office (Rank 13,601-13,700)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 3,101-3,200)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||June 29th, 2012 (Limited) by Sony Pictures Classics|
||September 13th, 2012 (Wide) (Australia)
December 14th, 2012 (Wide) (United Kingdom)
||October 16th, 2012 by Sony Pictures Home Entertainment|
||PG for language including some drug references, and brief thematic material.|
(Rating bulletin 2213, 3/7/2012)
||Create your own comparison chart…|
||Musicians, Road Trip, Biography, You Can't Go Home Again, Life in a Small Town|
|Source:||Based on Real Life Events|
|Production Method:||Live Action|
||Shakey Pictures, Clinica Estetico, SalesForce Films|
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
October 16th, 2012
It's a mixed week on the home market. Granted, Madagascar 3: Europe's Most Wanted is coming out, which made more than $200 million domestically and should sell quite well on the home market. On the other hand, the second biggest first run release is That's My Boy, which failed to make an impact at the box office. There is also a flood of weaker releases, secondary Blu-ray releases, and Christmas releases, much of which I would consider filler. The signal to noise ratio is a little off. As for the best releases of the week, there are some great TV on DVD releases like Mad Men: Season Five and Degrassi: Season 11, Part 2. There are also some limited releases, like Moonrise Kingdom on Blu-ray Combo Pack and even some Direct-to-DVD releases, like Excision on Blu-ray. All of these were contenders for Pick of the Week. In the end I went with Mad Men: Season Five for Pick of the week, while Degrassi: Season 11, Part 2 earned Puck of the Week.
July 4th, 2012
Beasts of the Southern Wild was the latest limited release to have a monster start on the per theater chart. It earned $170,000 in four theaters for an average of $42,426. To Rome With Love was pushed into second place with an average of $23,872 in 29 theaters. Up next was a trio of wide releases starting with Ted with $16,800. Magic Mike and Tyler Perry's Madea's Witness Protection were close behind with $13,354 and $11,749. It's rare for three wide releases to reach the $10,000 mark on the per theater chart.
June 29th, 2012
There are not a lot of limited releases on this week's list; however, all of them are earning overwhelmingly positive reviews. Beasts of the Southern Wild is probably the film that will do the best, as it has the reviews and the buzz. Take this Waltz's Tomatometer Score isn't quite as high, but it has a lot more star power and might turn out to be the big winner on the per theater chart this weekend. Neil Young Journeys is earning perfect reviews so far, and the musician has proved in the past his concerts can draw in moviegoers. Hopefully all of the films do well and the competition doesn't result in one or more being unfairly overlooked by moviegoers.
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