Nelyubov (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $564,073 | Details |
| International Box Office | $4,321,223 | Details |
| Worldwide Box Office | $4,885,296 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $108,259 | |
| Total | $108,259 | |
| OpusData ID: 290750100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $30,222 (5.4% of total gross) |
| Legs: | 9.18 (domestic box office/biggest weekend) |
| Domestic Share: | 11.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/59 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $740,539 |
Movie Details
| Domestic Releases: | February 16th, 2018 (Limited) by Sony Pictures Classics, released as Loveless |
| International Releases: | June 1st, 2017 (Wide) (Russia (CIS))
September 22nd, 2017 (Wide) (France) October 6th, 2017 (Wide) (Netherlands) December 7th, 2017 (Wide) (Italy) January 19th, 2018 (Wide), released as Nemilovaní (Czech Republic) ... Show all releases |
| Video Release: | June 12th, 2018 by Sony Pictures Home Entertainment, released as Loveless |
| MPA Rating: | R for strong sexuality, graphic nudity, language and a brief disturbing image. (Rating bulletin 2500 (Cert #51304), 11/1/2017) |
| Running Time: | 127 minutes |
| Geographical setting: | Russia |
| Plot point: | Children Dealing with Divorce, Messy Divorce, Missing Child, Missing Person, Relationships Gone Wrong, Unbelieving Police |
| Time period setting: | 2010s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Non-Stop Productions, Why Not Productions, Arte France Cinema, Les Films du Fleuve, Fetisoff Illusion |
| Production Countries: | Russian Federation |
| Languages: | Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 16, 2018 | 49 | $30,222 | 3 | $10,074 | $47,263 | 1 | |
| Feb 23, 2018 | 49 | $60,256 | +99% | 12 | $5,021 | $126,768 | 2 |
| Mar 2, 2018 | 42 | $61,460 | +2% | 25 | $2,458 | $221,568 | 3 |
| Mar 9, 2018 | 43 | $53,612 | -13% | 37 | $1,449 | $302,886 | 4 |
| Mar 16, 2018 | 47 | $47,569 | -11% | 37 | $1,286 | $385,313 | 5 |
| Mar 23, 2018 | 51 | $31,378 | -34% | 46 | $682 | $444,765 | 6 |
| Mar 30, 2018 | 45 | $32,882 | +5% | 59 | $557 | $496,817 | 7 |
| Apr 6, 2018 | 60 | $12,059 | -63% | 35 | $345 | $531,664 | 8 |
| Apr 13, 2018 | 76 | $4,225 | -65% | 12 | $352 | $545,077 | 9 |
| Apr 20, 2018 | 78 | $2,695 | -36% | 12 | $225 | $551,813 | 10 |
| Apr 27, 2018 | 71 | $5,132 | +90% | 11 | $467 | $560,194 | 11 |
| May 4, 2018 | 84 | $1,926 | -62% | 7 | $275 | $564,073 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 16, 2018 | 44 | $66,512 | 3 | $22,171 | $66,512 | 1 | |
| Feb 23, 2018 | 48 | $93,596 | +41% | 12 | $7,800 | $160,108 | 2 |
| Mar 2, 2018 | 42 | $89,166 | -5% | 25 | $3,567 | $249,274 | 3 |
| Mar 9, 2018 | 43 | $88,470 | -1% | 37 | $2,391 | $337,744 | 4 |
| Mar 16, 2018 | 43 | $75,643 | -14% | 37 | $2,044 | $413,387 | 5 |
| Mar 23, 2018 | 52 | $50,548 | -33% | 46 | $1,099 | $463,935 | 6 |
| Mar 30, 2018 | 44 | $55,670 | +10% | 59 | $944 | $519,605 | 7 |
| Apr 6, 2018 | 58 | $21,247 | -62% | 12 | $1,771 | $540,852 | 8 |
| Apr 13, 2018 | 71 | $8,266 | -61% | 12 | $689 | $549,118 | 9 |
| Apr 20, 2018 | 74 | $5,944 | -28% | 12 | $495 | $555,062 | 10 |
| Apr 27, 2018 | 73 | $7,085 | +19% | 11 | $644 | $562,147 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/20/2018 | $0 | 0 | 24 | 132 | $327,988 | 8/6/2018 | |||
| Brazil | 2/8/2018 | $19,647 | 12 | 12 | 12 | $75,896 | 6/14/2018 | |||
| Czech Republic | 1/19/2018 | $4,339 | 13 | 13 | 13 | $5,971 | 1/1/2019 | |||
| France | 9/22/2017 | $420,055 | 0 | 0 | 0 | $1,169,368 | 6/28/2018 | |||
| Italy | 12/7/2017 | $65,898 | 0 | 0 | 0 | $347,856 | 1/8/2018 | |||
| Lithuania | 1/26/2018 | $2,202 | 10 | 10 | 19 | $7,409 | 3/5/2018 | |||
| Netherlands | 10/6/2017 | $68,538 | 28 | 32 | 153 | $345,450 | 11/6/2017 | |||
| Portugal | 2/2/2018 | $1,674 | 7 | 7 | 10 | $4,147 | 2/14/2018 | |||
| Russia (CIS) | 6/1/2017 | $563,313 | 493 | 493 | 1,629 | $1,702,400 | 1/1/2019 | |||
| South Korea | 4/18/2019 | $14,611 | 47 | 47 | 94 | $65,787 | 5/16/2019 | |||
| Spain | 1/26/2018 | $47,214 | 30 | 30 | 30 | $49,281 | 2/2/2018 | |||
| Turkey | 1/26/2018 | $10,029 | 21 | 23 | 44 | $35,590 | 2/26/2019 | |||
| United Kingdom | 2/9/2018 | $174,142 | 39 | 39 | 39 | $174,142 | 4/4/2026 | |||
| Rest of World | $9,938 | |||||||||
| International Total | $4,321,223 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Maryana Spivak | ||
| Alexei Rozin | ||
| Matvey Novikov | ||
| Marina Vasilyeva | ||
| Andris Keishs | ||
| Alexey Fateev |
Production and Technical Credits
| Andrey Zvyagintsev | Director | |
| Andrey Zvyagintsev | Screenwriter | |
| Oleg Negin | Screenwriter | |
| Alexander Rodnyansky | Producer | |
| Sergey Melkumov | Producer | |
| Vincent Maraval | Executive Producer | |
| Pascal Caucheteux | Executive Producer | |
| Gregoire Sorlat | Executive Producer | |
| Andrey Ponkratov | Production Designer | |
| Anna Mass | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $30,222 (5.4% of total gross) |
| Legs: | 9.18 (domestic box office/biggest weekend) |
| Domestic Share: | 11.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/59 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $740,539 |
Movie Details
| Domestic Releases: | February 16th, 2018 (Limited) by Sony Pictures Classics, released as Loveless |
| International Releases: | June 1st, 2017 (Wide) (Russia (CIS))
September 22nd, 2017 (Wide) (France) October 6th, 2017 (Wide) (Netherlands) December 7th, 2017 (Wide) (Italy) January 19th, 2018 (Wide), released as Nemilovaní (Czech Republic) ... Show all releases |
| Video Release: | June 12th, 2018 by Sony Pictures Home Entertainment, released as Loveless |
| MPA Rating: | R for strong sexuality, graphic nudity, language and a brief disturbing image. (Rating bulletin 2500 (Cert #51304), 11/1/2017) |
| Running Time: | 127 minutes |
| Geographical setting: | Russia |
| Plot point: | Children Dealing with Divorce, Messy Divorce, Missing Child, Missing Person, Relationships Gone Wrong, Unbelieving Police |
| Time period setting: | 2010s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Non-Stop Productions, Why Not Productions, Arte France Cinema, Les Films du Fleuve, Fetisoff Illusion |
| Production Countries: | Russian Federation |
| Languages: | Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 16, 2018 | 49 | $30,222 | 3 | $10,074 | $47,263 | 1 | |
| Feb 23, 2018 | 49 | $60,256 | +99% | 12 | $5,021 | $126,768 | 2 |
| Mar 2, 2018 | 42 | $61,460 | +2% | 25 | $2,458 | $221,568 | 3 |
| Mar 9, 2018 | 43 | $53,612 | -13% | 37 | $1,449 | $302,886 | 4 |
| Mar 16, 2018 | 47 | $47,569 | -11% | 37 | $1,286 | $385,313 | 5 |
| Mar 23, 2018 | 51 | $31,378 | -34% | 46 | $682 | $444,765 | 6 |
| Mar 30, 2018 | 45 | $32,882 | +5% | 59 | $557 | $496,817 | 7 |
| Apr 6, 2018 | 60 | $12,059 | -63% | 35 | $345 | $531,664 | 8 |
| Apr 13, 2018 | 76 | $4,225 | -65% | 12 | $352 | $545,077 | 9 |
| Apr 20, 2018 | 78 | $2,695 | -36% | 12 | $225 | $551,813 | 10 |
| Apr 27, 2018 | 71 | $5,132 | +90% | 11 | $467 | $560,194 | 11 |
| May 4, 2018 | 84 | $1,926 | -62% | 7 | $275 | $564,073 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 16, 2018 | 44 | $66,512 | 3 | $22,171 | $66,512 | 1 | |
| Feb 23, 2018 | 48 | $93,596 | +41% | 12 | $7,800 | $160,108 | 2 |
| Mar 2, 2018 | 42 | $89,166 | -5% | 25 | $3,567 | $249,274 | 3 |
| Mar 9, 2018 | 43 | $88,470 | -1% | 37 | $2,391 | $337,744 | 4 |
| Mar 16, 2018 | 43 | $75,643 | -14% | 37 | $2,044 | $413,387 | 5 |
| Mar 23, 2018 | 52 | $50,548 | -33% | 46 | $1,099 | $463,935 | 6 |
| Mar 30, 2018 | 44 | $55,670 | +10% | 59 | $944 | $519,605 | 7 |
| Apr 6, 2018 | 58 | $21,247 | -62% | 12 | $1,771 | $540,852 | 8 |
| Apr 13, 2018 | 71 | $8,266 | -61% | 12 | $689 | $549,118 | 9 |
| Apr 20, 2018 | 74 | $5,944 | -28% | 12 | $495 | $555,062 | 10 |
| Apr 27, 2018 | 73 | $7,085 | +19% | 11 | $644 | $562,147 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/20/2018 | $0 | 0 | 24 | 132 | $327,988 | 8/6/2018 | |||
| Brazil | 2/8/2018 | $19,647 | 12 | 12 | 12 | $75,896 | 6/14/2018 | |||
| Czech Republic | 1/19/2018 | $4,339 | 13 | 13 | 13 | $5,971 | 1/1/2019 | |||
| France | 9/22/2017 | $420,055 | 0 | 0 | 0 | $1,169,368 | 6/28/2018 | |||
| Italy | 12/7/2017 | $65,898 | 0 | 0 | 0 | $347,856 | 1/8/2018 | |||
| Lithuania | 1/26/2018 | $2,202 | 10 | 10 | 19 | $7,409 | 3/5/2018 | |||
| Netherlands | 10/6/2017 | $68,538 | 28 | 32 | 153 | $345,450 | 11/6/2017 | |||
| Portugal | 2/2/2018 | $1,674 | 7 | 7 | 10 | $4,147 | 2/14/2018 | |||
| Russia (CIS) | 6/1/2017 | $563,313 | 493 | 493 | 1,629 | $1,702,400 | 1/1/2019 | |||
| South Korea | 4/18/2019 | $14,611 | 47 | 47 | 94 | $65,787 | 5/16/2019 | |||
| Spain | 1/26/2018 | $47,214 | 30 | 30 | 30 | $49,281 | 2/2/2018 | |||
| Turkey | 1/26/2018 | $10,029 | 21 | 23 | 44 | $35,590 | 2/26/2019 | |||
| United Kingdom | 2/9/2018 | $174,142 | 39 | 39 | 39 | $174,142 | 4/4/2026 | |||
| Rest of World | $9,938 | |||||||||
| International Total | $4,321,223 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Maryana Spivak | ||
| Alexei Rozin | ||
| Matvey Novikov | ||
| Marina Vasilyeva | ||
| Andris Keishs | ||
| Alexey Fateev |
Production and Technical Credits
| Andrey Zvyagintsev | Director | |
| Andrey Zvyagintsev | Screenwriter | |
| Oleg Negin | Screenwriter | |
| Alexander Rodnyansky | Producer | |
| Sergey Melkumov | Producer | |
| Vincent Maraval | Executive Producer | |
| Pascal Caucheteux | Executive Producer | |
| Gregoire Sorlat | Executive Producer | |
| Andrey Ponkratov | Production Designer | |
| Anna Mass | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.