Nerdland (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $4,363 | |
| Blu-ray Sales (estimated) | $9,596 | |
| Total | $13,959 | |
| OpusData ID: 276350100 More info... | ||
| Further financial details... | ||
Synopsis
A cartoon comedy about celebrity excess, and two showbiz nobodies, John and Elliott, with a plan to become famous—or even infamous—by the end of the night.
Metrics
Movie Details
| Domestic Releases: | December 6th, 2016 (Special Engagement) by Samuel Goldwyn Films |
| Video Release: | February 7th, 2017 by Sony Pictures Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Aspiring Actress / Actor, Celebrity Worship |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Titmouse Inc, Pariah Productions, AKW Worldwide |
| Production Countries: | United States |
| Languages: | English |
Leading
| Paul Rudd | John | |
| Patton Oswalt | Elliot |
Supporting
| Hannibal Buress | The King | |
| Kate Micucci | Sally | |
| Riki Lindhome | Linda | |
| John Ennis | Detective Donahue | |
| Mike Judge | Archie | |
| Reid Scott | Brett Anderson | |
| Laraine Newman | Mrs. McCullers | |
| Paul Scheer | Marvin Masterson | |
| Christopher McCulloch | Publicist |
Production and Technical Credits
| Chris Prynoski | Director | |
| Gavin Polone | Producer | |
| Andrew Kevin Walker | Producer | |
| Andrew Kevin Walker | Screenwriter | |
| Chris Prynoski | Executive Producer | |
| Shannon Barrett Prynoski | Executive Producer | |
| Kat Landsberg* | Executive Producer | |
| Antonio Canobbio | Production Designer | |
| Mark Brooks | Editor | |
| Barry J. Kelly | Editor | |
| Ben Kalina | Co-Producer | |
| Night Club* | Composer | |
| Night Club* | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A cartoon comedy about celebrity excess, and two showbiz nobodies, John and Elliott, with a plan to become famous—or even infamous—by the end of the night.
Metrics
Movie Details
| Domestic Releases: | December 6th, 2016 (Special Engagement) by Samuel Goldwyn Films |
| Video Release: | February 7th, 2017 by Sony Pictures Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Aspiring Actress / Actor, Celebrity Worship |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Titmouse Inc, Pariah Productions, AKW Worldwide |
| Production Countries: | United States |
| Languages: | English |
Leading
| Paul Rudd | John | |
| Patton Oswalt | Elliot |
Supporting
| Hannibal Buress | The King | |
| Kate Micucci | Sally | |
| Riki Lindhome | Linda | |
| John Ennis | Detective Donahue | |
| Mike Judge | Archie | |
| Reid Scott | Brett Anderson | |
| Laraine Newman | Mrs. McCullers | |
| Paul Scheer | Marvin Masterson | |
| Christopher McCulloch | Publicist |
Production and Technical Credits
| Chris Prynoski | Director | |
| Gavin Polone | Producer | |
| Andrew Kevin Walker | Producer | |
| Andrew Kevin Walker | Screenwriter | |
| Chris Prynoski | Executive Producer | |
| Shannon Barrett Prynoski | Executive Producer | |
| Kat Landsberg* | Executive Producer | |
| Antonio Canobbio | Production Designer | |
| Mark Brooks | Editor | |
| Barry J. Kelly | Editor | |
| Ben Kalina | Co-Producer | |
| Night Club* | Composer | |
| Night Club* | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.