Ni Hao, Zhi Hua (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $179,721 | Details |
| International Box Office | $11,648,683 | Details |
| Worldwide Box Office | $11,828,404 | |
| OpusData ID: 378860100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $80,485 (44.8% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 1.5% (domestic box office/worldwide) |
| Theater counts: | 18 opening theaters/23 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $235,947 |
Movie Details
| Domestic Releases: | November 9th, 2018 (Limited) by China Lion Film Distribution, released as Last Letter |
| International Releases: | November 9th, 2018 (Wide) (China)
November 9th, 2018 (Wide), released as Last Letter (Australia) |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Production Method: | Live Action |
| Production/Financing Companies: | Rockwell Eyes |
| Production Countries: | China |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 34 | $80,485 | 18 | $4,471 | $80,485 | 1 | |
| Nov 16, 2018 | 40 | $41,027 | -49% | 23 | $1,784 | $159,052 | 2 |
| Nov 23, 2018 | 60 | $4,593 | -89% | 4 | $1,148 | $176,483 | 3 |
| Nov 30, 2018 | 74 | $1,100 | -76% | 1 | $1,100 | $179,721 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 33 | $118,025 | 18 | $6,557 | $118,025 | 1 | |
| Nov 16, 2018 | 43 | $53,865 | -54% | 23 | $2,342 | $171,890 | 2 |
| Nov 23, 2018 | 59 | $6,731 | -88% | 4 | $1,683 | $178,621 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/9/2018 | $4,690 | 16 | 16 | 40 | $39,619 | 11/26/2018 | |||
| China | 11/9/2018 | $5,810,000 | 49,383 | 49,383 | 59,242 | $11,609,064 | 4/4/2026 | |||
| International Total | $11,648,683 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Shunji Iwai | Director | |
| Shunji Iwai | Screenwriter | |
| Qin Hong | Producer | |
| Qin Hong | Executive Producer | |
| Peter Chan | Executive Producer | |
| Shunji Iwai | Executive Producer | |
| Fan Luyuan | Executive Producer | |
| Aiken Zou | Executive Producer | |
| Sam Lee | Executive Producer | |
| Ben Luk | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $80,485 (44.8% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 1.5% (domestic box office/worldwide) |
| Theater counts: | 18 opening theaters/23 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $235,947 |
Movie Details
| Domestic Releases: | November 9th, 2018 (Limited) by China Lion Film Distribution, released as Last Letter |
| International Releases: | November 9th, 2018 (Wide) (China)
November 9th, 2018 (Wide), released as Last Letter (Australia) |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Production Method: | Live Action |
| Production/Financing Companies: | Rockwell Eyes |
| Production Countries: | China |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 34 | $80,485 | 18 | $4,471 | $80,485 | 1 | |
| Nov 16, 2018 | 40 | $41,027 | -49% | 23 | $1,784 | $159,052 | 2 |
| Nov 23, 2018 | 60 | $4,593 | -89% | 4 | $1,148 | $176,483 | 3 |
| Nov 30, 2018 | 74 | $1,100 | -76% | 1 | $1,100 | $179,721 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 33 | $118,025 | 18 | $6,557 | $118,025 | 1 | |
| Nov 16, 2018 | 43 | $53,865 | -54% | 23 | $2,342 | $171,890 | 2 |
| Nov 23, 2018 | 59 | $6,731 | -88% | 4 | $1,683 | $178,621 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/9/2018 | $4,690 | 16 | 16 | 40 | $39,619 | 11/26/2018 | |||
| China | 11/9/2018 | $5,810,000 | 49,383 | 49,383 | 59,242 | $11,609,064 | 4/4/2026 | |||
| International Total | $11,648,683 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Shunji Iwai | Director | |
| Shunji Iwai | Screenwriter | |
| Qin Hong | Producer | |
| Qin Hong | Executive Producer | |
| Peter Chan | Executive Producer | |
| Shunji Iwai | Executive Producer | |
| Fan Luyuan | Executive Producer | |
| Aiken Zou | Executive Producer | |
| Sam Lee | Executive Producer | |
| Ben Luk | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.