Nico, 1988 (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $73,304 | Details |
| International Box Office | $10,252 | Details |
| Worldwide Box Office | $83,556 | |
| OpusData ID: 325470100 More info... | ||
| Further financial details... | ||
Synopsis
NICO, 1988 follows the singer-songwriter, approaching 50, leading a solitary existence in Manchester, far from her 60s glam days as a Warhol superstar and celebrated vocalist for cult band The Velvet Underground. Her life and career on the fringes, Nico’s new manager Richard convinces her to hit the road again and tour Europe to promote her latest album. Struggling with her demons and the consequences of a muddled life, she longs to rebuild a relationship with her son, whose custody she lost long ago. A brave and uncompromising musician, Nico’s story is the story of a rebirth: of an artist, a mother, and the woman behind the icon.
Metrics
| Opening Weekend: | $12,309 (16.8% of total gross) |
| Legs: | 5.96 (domestic box office/biggest weekend) |
| Domestic Share: | 87.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/12 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $96,242 |
Movie Details
| Domestic Releases: | August 1st, 2018 (Limited) by Magnolia Pictures |
| International Releases: | July 6th, 2018 (Wide) (Portugal)
October 26th, 2018 (Wide) (Lithuania) |
| Video Release: | July 1st, 2023 by Max |
| MPA Rating: | R for drug use, language, and some sexuality. (Rating bulletin 2527 (Cert #51598), 5/16/2018) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Epilogue |
| Geographical setting: | Czechoslovakia, Germany, Italy, Poland, Rome, Italy |
| Plot point: | Addiction, Dysfunctional Family, Non-Chronological, Rehab / Former Addict, Rock 'n' Roll, Singers, Travelogue, Unrequited Love |
| Social setting: | On Tour |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Magnolia Pictures, Celluloid Dreams, Vivo Film, RAI , Tarantula, VOO ET BETV |
| Production Countries: | Italy, Belgium |
| Languages: | English, German, Czech |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 3, 2018 | 52 | $12,309 | 2 | $6,155 | $12,309 | 1 | |
| Aug 10, 2018 | 55 | $12,111 | -2% | 12 | $1,009 | $31,617 | 2 |
| Aug 17, 2018 | 63 | $6,809 | -44% | 9 | $757 | $45,656 | 3 |
| Aug 24, 2018 | 84 | $2,020 | -70% | 5 | $404 | $51,517 | 4 |
| Aug 31, 2018 | 72 | $6,480 | +221% | 12 | $540 | $59,421 | 5 |
| Sep 7, 2018 | 84 | $3,011 | -54% | 6 | $502 | $68,107 | 6 |
| Sep 14, 2018 | 99 | $460 | -85% | 3 | $153 | $69,798 | 7 |
| Sep 21, 2018 | 87 | $1,485 | +223% | 6 | $248 | $71,842 | 8 |
| Sep 28, 2018 | 106 | $444 | -70% | 4 | $111 | $72,604 | 9 |
| Oct 5, 2018 | 100 | $505 | +14% | 1 | $505 | $73,304 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 3, 2018 | 52 | $19,506 | 2 | $9,753 | $19,506 | 2 | |
| Aug 10, 2018 | 54 | $19,341 | -1% | 12 | $1,612 | $38,847 | 3 |
| Aug 17, 2018 | 62 | $10,650 | -45% | 9 | $1,183 | $49,497 | 4 |
| Aug 24, 2018 | 79 | $3,444 | -68% | 6 | $574 | $52,941 | 5 |
| Aug 31, 2018 | 74 | $12,155 | +253% | 12 | $1,013 | $65,096 | 6 |
| Sep 7, 2018 | 88 | $4,242 | -65% | 8 | $530 | $69,338 | 7 |
| Sep 14, 2018 | 101 | $1,019 | -76% | 5 | $204 | $70,357 | 8 |
| Sep 21, 2018 | 94 | $1,803 | +77% | 9 | $200 | $72,160 | 9 |
| Sep 28, 2018 | 107 | $639 | -65% | 5 | $128 | $72,799 | 10 |
| Oct 5, 2018 | 111 | $505 | -21% | 1 | $505 | $73,304 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 10/26/2018 | $2,164 | 14 | 14 | 26 | $3,951 | 11/13/2018 | |||
| Portugal | 7/6/2018 | $1,494 | 6 | 6 | 14 | $6,301 | 8/15/2018 | |||
| International Total | $10,252 | 11/13/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Trine Dyrholm | Nico |
Supporting
| John Gordon Sinclair | Richard | |
| Anamaria Marinca | Sylvia | |
| Sandor Funtek | Ari | |
| Thomas Trabacchi | Domenico | |
| Karina Fernandez | Laura | |
| Calvin Demba | Alex | |
| Francesco Colella | Francesco |
Production and Technical Credits
| Susanna Nicchiarelli | Director | |
| Susanna Nicchiarelli | Screenwriter | |
| Marta Donzelli | Producer | |
| Gregorio Paonessa | Producer | |
| Joseph Rouschop | Producer | |
| Valerie Bournonville | Producer | |
| Philippe Logie | Associate Producer | |
| Alessio Lazzareschi | Executive Producer | |
| Gatto Ciliegia contro il Grande Freddo | Original Music and Arrangements by | |
| Crystel Fournier | Cinematographer | |
| Stefano Cravero | Editor | |
| Alessandro Vannucci | Production Designer | |
| Igor Gabriel | Production Designer | |
| Francesca Vecchi | Costume Designer | |
| Roberta Vecchi | Costume Designer | |
| Marc Bastien | Sound Designer | |
| Franco Piscopo | Sound Mixer | |
| Gian Luca Chiaretti | Line Producer | |
| Ciro Scognamiglio | First Assistant Director | |
| Francesca Borromeo | Casting Director | |
| Gail Stevens | Casting Director | |
| Michael Bier | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
NICO, 1988 follows the singer-songwriter, approaching 50, leading a solitary existence in Manchester, far from her 60s glam days as a Warhol superstar and celebrated vocalist for cult band The Velvet Underground. Her life and career on the fringes, Nico’s new manager Richard convinces her to hit the road again and tour Europe to promote her latest album. Struggling with her demons and the consequences of a muddled life, she longs to rebuild a relationship with her son, whose custody she lost long ago. A brave and uncompromising musician, Nico’s story is the story of a rebirth: of an artist, a mother, and the woman behind the icon.
Metrics
| Opening Weekend: | $12,309 (16.8% of total gross) |
| Legs: | 5.96 (domestic box office/biggest weekend) |
| Domestic Share: | 87.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/12 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $96,242 |
Movie Details
| Domestic Releases: | August 1st, 2018 (Limited) by Magnolia Pictures |
| International Releases: | July 6th, 2018 (Wide) (Portugal)
October 26th, 2018 (Wide) (Lithuania) |
| Video Release: | July 1st, 2023 by Max |
| MPA Rating: | R for drug use, language, and some sexuality. (Rating bulletin 2527 (Cert #51598), 5/16/2018) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Epilogue |
| Geographical setting: | Czechoslovakia, Germany, Italy, Poland, Rome, Italy |
| Plot point: | Addiction, Dysfunctional Family, Non-Chronological, Rehab / Former Addict, Rock 'n' Roll, Singers, Travelogue, Unrequited Love |
| Social setting: | On Tour |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Magnolia Pictures, Celluloid Dreams, Vivo Film, RAI , Tarantula, VOO ET BETV |
| Production Countries: | Italy, Belgium |
| Languages: | English, German, Czech |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 3, 2018 | 52 | $12,309 | 2 | $6,155 | $12,309 | 1 | |
| Aug 10, 2018 | 55 | $12,111 | -2% | 12 | $1,009 | $31,617 | 2 |
| Aug 17, 2018 | 63 | $6,809 | -44% | 9 | $757 | $45,656 | 3 |
| Aug 24, 2018 | 84 | $2,020 | -70% | 5 | $404 | $51,517 | 4 |
| Aug 31, 2018 | 72 | $6,480 | +221% | 12 | $540 | $59,421 | 5 |
| Sep 7, 2018 | 84 | $3,011 | -54% | 6 | $502 | $68,107 | 6 |
| Sep 14, 2018 | 99 | $460 | -85% | 3 | $153 | $69,798 | 7 |
| Sep 21, 2018 | 87 | $1,485 | +223% | 6 | $248 | $71,842 | 8 |
| Sep 28, 2018 | 106 | $444 | -70% | 4 | $111 | $72,604 | 9 |
| Oct 5, 2018 | 100 | $505 | +14% | 1 | $505 | $73,304 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 3, 2018 | 52 | $19,506 | 2 | $9,753 | $19,506 | 2 | |
| Aug 10, 2018 | 54 | $19,341 | -1% | 12 | $1,612 | $38,847 | 3 |
| Aug 17, 2018 | 62 | $10,650 | -45% | 9 | $1,183 | $49,497 | 4 |
| Aug 24, 2018 | 79 | $3,444 | -68% | 6 | $574 | $52,941 | 5 |
| Aug 31, 2018 | 74 | $12,155 | +253% | 12 | $1,013 | $65,096 | 6 |
| Sep 7, 2018 | 88 | $4,242 | -65% | 8 | $530 | $69,338 | 7 |
| Sep 14, 2018 | 101 | $1,019 | -76% | 5 | $204 | $70,357 | 8 |
| Sep 21, 2018 | 94 | $1,803 | +77% | 9 | $200 | $72,160 | 9 |
| Sep 28, 2018 | 107 | $639 | -65% | 5 | $128 | $72,799 | 10 |
| Oct 5, 2018 | 111 | $505 | -21% | 1 | $505 | $73,304 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 10/26/2018 | $2,164 | 14 | 14 | 26 | $3,951 | 11/13/2018 | |||
| Portugal | 7/6/2018 | $1,494 | 6 | 6 | 14 | $6,301 | 8/15/2018 | |||
| International Total | $10,252 | 11/13/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Trine Dyrholm | Nico |
Supporting
| John Gordon Sinclair | Richard | |
| Anamaria Marinca | Sylvia | |
| Sandor Funtek | Ari | |
| Thomas Trabacchi | Domenico | |
| Karina Fernandez | Laura | |
| Calvin Demba | Alex | |
| Francesco Colella | Francesco |
Production and Technical Credits
| Susanna Nicchiarelli | Director | |
| Susanna Nicchiarelli | Screenwriter | |
| Marta Donzelli | Producer | |
| Gregorio Paonessa | Producer | |
| Joseph Rouschop | Producer | |
| Valerie Bournonville | Producer | |
| Philippe Logie | Associate Producer | |
| Alessio Lazzareschi | Executive Producer | |
| Gatto Ciliegia contro il Grande Freddo | Original Music and Arrangements by | |
| Crystel Fournier | Cinematographer | |
| Stefano Cravero | Editor | |
| Alessandro Vannucci | Production Designer | |
| Igor Gabriel | Production Designer | |
| Francesca Vecchi | Costume Designer | |
| Roberta Vecchi | Costume Designer | |
| Marc Bastien | Sound Designer | |
| Franco Piscopo | Sound Mixer | |
| Gian Luca Chiaretti | Line Producer | |
| Ciro Scognamiglio | First Assistant Director | |
| Francesca Borromeo | Casting Director | |
| Gail Stevens | Casting Director | |
| Michael Bier | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.