Night Moves (2014)
| Theatrical Performance | ||
| Domestic Box Office | $271,755 | Details |
| International Box Office | $1,102,676 | Details |
| Worldwide Box Office | $1,374,431 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $234,487 | |
| Blu-ray Sales (estimated) | $111,068 | |
| Total | $345,555 | |
| OpusData ID: 205190100 More info... | ||
| Further financial details... | ||
Synopsis
Three radical activists plot to blow up Oregon’s Green Peter Dam in an act of environmental sabotage. As their plan marches towards fruition, they soon discover that small steps have enormous consequences.
Metrics
| Opening Weekend: | $24,100 (8.9% of total gross) |
| Legs: | 5.59 (domestic box office/biggest weekend) |
| Domestic Share: | 19.8% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/56 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $397,825 |
Movie Details
| Domestic Releases: | May 30th, 2014 (Limited) by Cinedigm |
| International Releases: | July 4th, 2014 (Wide) (Turkey)
April 17th, 2015 (Wide) (Poland) July 3rd, 2015 (Wide) (Mexico) |
| Video Release: | September 2nd, 2014 by Cinedigm |
| MPA Rating: | R for some language and nudity. (Rating bulletin 2316, 4/2/2014) |
| Running Time: | 112 minutes |
| Plot point: | Environment, Returning Soldiers, Terrorism |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Maybach Film Productions, RT Features, Filmscience |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 30, 2014 | 48 | $24,100 | 2 | $12,050 | $24,100 | 1 | |
| Jun 6, 2014 | 36 | $48,655 | +102% | 31 | $1,570 | $79,441 | 2 |
| Jun 13, 2014 | 40 | $48,393 | -1% | 55 | $880 | $153,036 | 3 |
| Jun 20, 2014 | 57 | $14,258 | -71% | 30 | $475 | $198,283 | 4 |
| Jun 27, 2014 | 62 | $15,377 | +8% | 14 | $1,098 | $223,684 | 5 |
| Jul 4, 2014 | 60 | $9,741 | -37% | 11 | $886 | $241,118 | 6 |
| Jul 11, 2014 | 81 | $2,213 | -77% | 6 | $369 | $248,383 | 7 |
| Jul 18, 2014 | 91 | $1,024 | -54% | 3 | $341 | $250,421 | 8 |
| Jul 25, 2014 | 109 | $463 | -55% | 2 | $232 | $251,840 | 9 |
| Aug 1, 2014 | 96 | $481 | +4% | 2 | $241 | $252,903 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 30, 2014 | 51 | $30,786 | 2 | $15,393 | $30,786 | 1 | |
| Jun 6, 2014 | 40 | $73,857 | +140% | 31 | $2,382 | $104,643 | 2 |
| Jun 13, 2014 | 40 | $79,382 | +7% | 56 | $1,418 | $184,025 | 3 |
| Jun 20, 2014 | 53 | $24,282 | -69% | 30 | $809 | $208,307 | 4 |
| Jun 27, 2014 | 62 | $23,016 | -5% | 14 | $1,644 | $231,377 | 5 |
| Jul 4, 2014 | 60 | $14,793 | -36% | 14 | $1,057 | $246,170 | 6 |
| Jul 11, 2014 | 77 | $3,227 | -78% | 6 | $538 | $249,397 | 7 |
| Jul 18, 2014 | 94 | $1,980 | -39% | 4 | $495 | $251,377 | 8 |
| Jul 25, 2014 | 104 | $1,045 | -47% | 3 | $348 | $252,422 | 9 |
| Aug 1, 2014 | 93 | $1,668 | +60% | 5 | $334 | $254,090 | 10 |
| Aug 8, 2014 | 83 | $3,168 | +90% | 3 | $1,056 | $257,258 | 11 |
| Aug 15, 2014 | 75 | $3,425 | +8% | 5 | $685 | $260,683 | 12 |
| Aug 22, 2014 | 92 | $762 | -78% | 3 | $254 | $261,445 | 13 |
| Aug 29, 2014 | 87 | $3,156 | +314% | 6 | $526 | $264,601 | 14 |
| Sep 12, 2014 | 79 | $6,413 | 5 | $1,283 | $271,014 | 16 | |
| Sep 19, 2014 | 104 | $741 | -88% | 3 | $247 | $271,755 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 7/3/2015 | $175 | 0 | 0 | 0 | $401 | 9/7/2018 | |||
| Poland | 4/17/2015 | $1,277 | 0 | 0 | 0 | $1,277 | 12/30/2018 | |||
| Turkey | 7/4/2014 | $3,417 | 21 | 21 | 21 | $3,548 | 12/30/2018 | |||
| Rest of World | $1,097,450 | |||||||||
| International Total | $1,102,676 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jesse Eisenberg | Josh | |
| Dakota Fanning | Dena |
Supporting
| Peter Sarsgaard | Harmon | |
| Alia Shawkat | Surprise | |
| Logan Miller | Dylan | |
| Kai Lennox | Sean | |
| Katherine Waterston | Anne | |
| James LeGros | Feed Factory Clerk | |
| Traber Charles Burns | Felix | |
| Autumn Nidalmia | Mable |
Production and Technical Credits
| Kelly Reichardt | Director | |
| Jonathan Raymond | Screenwriter | |
| Kelly Reichardt | Screenwriter | |
| Neil Kopp | Producer | |
| Anish Savjani | Producer | |
| Chris Maybach | Producer | |
| Saemi Kim | Producer | |
| Rodrigo Teixeira | Producer | |
| Saerom Kim | Executive Producer | |
| Lourenco Sant' Anna | Executive Producer | |
| Alejandro De Leon | Executive Producer | |
| Todd Haynes | Executive Producer | |
| Larry Fessenden | Executive Producer | |
| Christopher Blauvelt | Cinematographer | |
| Elliott Hostetter | Production Designer | |
| Kelly Reichardt | Editor | |
| Victoria Farrell | Costume Designer | |
| Kent Sparling | Sound Designer | |
| Jeff Grace | Composer | |
| Laura Rosenthal | Casting Director | |
| Mark Bennett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Three radical activists plot to blow up Oregon’s Green Peter Dam in an act of environmental sabotage. As their plan marches towards fruition, they soon discover that small steps have enormous consequences.
Metrics
| Opening Weekend: | $24,100 (8.9% of total gross) |
| Legs: | 5.59 (domestic box office/biggest weekend) |
| Domestic Share: | 19.8% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/56 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $397,825 |
Movie Details
| Domestic Releases: | May 30th, 2014 (Limited) by Cinedigm |
| International Releases: | July 4th, 2014 (Wide) (Turkey)
April 17th, 2015 (Wide) (Poland) July 3rd, 2015 (Wide) (Mexico) |
| Video Release: | September 2nd, 2014 by Cinedigm |
| MPA Rating: | R for some language and nudity. (Rating bulletin 2316, 4/2/2014) |
| Running Time: | 112 minutes |
| Plot point: | Environment, Returning Soldiers, Terrorism |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Maybach Film Productions, RT Features, Filmscience |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 30, 2014 | 48 | $24,100 | 2 | $12,050 | $24,100 | 1 | |
| Jun 6, 2014 | 36 | $48,655 | +102% | 31 | $1,570 | $79,441 | 2 |
| Jun 13, 2014 | 40 | $48,393 | -1% | 55 | $880 | $153,036 | 3 |
| Jun 20, 2014 | 57 | $14,258 | -71% | 30 | $475 | $198,283 | 4 |
| Jun 27, 2014 | 62 | $15,377 | +8% | 14 | $1,098 | $223,684 | 5 |
| Jul 4, 2014 | 60 | $9,741 | -37% | 11 | $886 | $241,118 | 6 |
| Jul 11, 2014 | 81 | $2,213 | -77% | 6 | $369 | $248,383 | 7 |
| Jul 18, 2014 | 91 | $1,024 | -54% | 3 | $341 | $250,421 | 8 |
| Jul 25, 2014 | 109 | $463 | -55% | 2 | $232 | $251,840 | 9 |
| Aug 1, 2014 | 96 | $481 | +4% | 2 | $241 | $252,903 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 30, 2014 | 51 | $30,786 | 2 | $15,393 | $30,786 | 1 | |
| Jun 6, 2014 | 40 | $73,857 | +140% | 31 | $2,382 | $104,643 | 2 |
| Jun 13, 2014 | 40 | $79,382 | +7% | 56 | $1,418 | $184,025 | 3 |
| Jun 20, 2014 | 53 | $24,282 | -69% | 30 | $809 | $208,307 | 4 |
| Jun 27, 2014 | 62 | $23,016 | -5% | 14 | $1,644 | $231,377 | 5 |
| Jul 4, 2014 | 60 | $14,793 | -36% | 14 | $1,057 | $246,170 | 6 |
| Jul 11, 2014 | 77 | $3,227 | -78% | 6 | $538 | $249,397 | 7 |
| Jul 18, 2014 | 94 | $1,980 | -39% | 4 | $495 | $251,377 | 8 |
| Jul 25, 2014 | 104 | $1,045 | -47% | 3 | $348 | $252,422 | 9 |
| Aug 1, 2014 | 93 | $1,668 | +60% | 5 | $334 | $254,090 | 10 |
| Aug 8, 2014 | 83 | $3,168 | +90% | 3 | $1,056 | $257,258 | 11 |
| Aug 15, 2014 | 75 | $3,425 | +8% | 5 | $685 | $260,683 | 12 |
| Aug 22, 2014 | 92 | $762 | -78% | 3 | $254 | $261,445 | 13 |
| Aug 29, 2014 | 87 | $3,156 | +314% | 6 | $526 | $264,601 | 14 |
| Sep 12, 2014 | 79 | $6,413 | 5 | $1,283 | $271,014 | 16 | |
| Sep 19, 2014 | 104 | $741 | -88% | 3 | $247 | $271,755 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 7/3/2015 | $175 | 0 | 0 | 0 | $401 | 9/7/2018 | |||
| Poland | 4/17/2015 | $1,277 | 0 | 0 | 0 | $1,277 | 12/30/2018 | |||
| Turkey | 7/4/2014 | $3,417 | 21 | 21 | 21 | $3,548 | 12/30/2018 | |||
| Rest of World | $1,097,450 | |||||||||
| International Total | $1,102,676 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jesse Eisenberg | Josh | |
| Dakota Fanning | Dena |
Supporting
| Peter Sarsgaard | Harmon | |
| Alia Shawkat | Surprise | |
| Logan Miller | Dylan | |
| Kai Lennox | Sean | |
| Katherine Waterston | Anne | |
| James LeGros | Feed Factory Clerk | |
| Traber Charles Burns | Felix | |
| Autumn Nidalmia | Mable |
Production and Technical Credits
| Kelly Reichardt | Director | |
| Jonathan Raymond | Screenwriter | |
| Kelly Reichardt | Screenwriter | |
| Neil Kopp | Producer | |
| Anish Savjani | Producer | |
| Chris Maybach | Producer | |
| Saemi Kim | Producer | |
| Rodrigo Teixeira | Producer | |
| Saerom Kim | Executive Producer | |
| Lourenco Sant' Anna | Executive Producer | |
| Alejandro De Leon | Executive Producer | |
| Todd Haynes | Executive Producer | |
| Larry Fessenden | Executive Producer | |
| Christopher Blauvelt | Cinematographer | |
| Elliott Hostetter | Production Designer | |
| Kelly Reichardt | Editor | |
| Victoria Farrell | Costume Designer | |
| Kent Sparling | Sound Designer | |
| Jeff Grace | Composer | |
| Laura Rosenthal | Casting Director | |
| Mark Bennett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.