A Night in the Life of Jimmy Reardon (1988)
| Theatrical Performance | ||
| Domestic Box Office | $6,264,058 | Details |
| OpusData ID: 43780100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,737,106 (43.7% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 881 opening theaters/882 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,237,582 |
Movie Details
| Domestic Releases: | February 26th, 1988 (Wide) by 20th Century Fox |
| Video Release: | December 26th, 2000 by Image Entertainment Video |
| Running Time: | 90 minutes |
| Plot point: | Coming of Age, Dysfunctional Family, Relationships Gone Wrong, Romance |
| Release detail: | Delayed Release |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Comedy Drama |
| Time period setting: | 1960s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 1988 | 6 | $2,737,106 | 881 | $3,107 | $2,737,106 | 1 | |
| Mar 4, 1988 | 9 | $1,478,376 | -46% | 882 | $1,676 | $4,725,694 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 1988 | 6 | $3,247,318 | 881 | $3,686 | $3,247,318 | 1 |
| Matthew Perry | Fred Roberts | |
| River Phoenix | Jimmy Reardon | |
| Ann Magnuson | Joyce Fickett | |
| Meredith Salenger | Lisa Bentwright | |
| Ione Skye | Denise Hunter | |
| Louanne | Suzie Middleberg |
Production and Technical Credits
| William Richert | Director | |
| William Richert | Screenwriter | |
| William Richert | Story Creator | |
| Craig Huston | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,737,106 (43.7% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 881 opening theaters/882 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,237,582 |
Movie Details
| Domestic Releases: | February 26th, 1988 (Wide) by 20th Century Fox |
| Video Release: | December 26th, 2000 by Image Entertainment Video |
| Running Time: | 90 minutes |
| Plot point: | Coming of Age, Dysfunctional Family, Relationships Gone Wrong, Romance |
| Release detail: | Delayed Release |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Comedy Drama |
| Time period setting: | 1960s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 1988 | 6 | $2,737,106 | 881 | $3,107 | $2,737,106 | 1 | |
| Mar 4, 1988 | 9 | $1,478,376 | -46% | 882 | $1,676 | $4,725,694 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 1988 | 6 | $3,247,318 | 881 | $3,686 | $3,247,318 | 1 |
| Matthew Perry | Fred Roberts | |
| River Phoenix | Jimmy Reardon | |
| Ann Magnuson | Joyce Fickett | |
| Meredith Salenger | Lisa Bentwright | |
| Ione Skye | Denise Hunter | |
| Louanne | Suzie Middleberg |
Production and Technical Credits
| William Richert | Director | |
| William Richert | Screenwriter | |
| William Richert | Story Creator | |
| Craig Huston | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.