Night of the Zoopocalypse (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $2,108,907 | Details |
| International Box Office | $13,876,872 | Details |
| Worldwide Box Office | $15,985,779 | |
| OpusData ID: 682560100 More info... | ||
| Further financial details... | ||
Synopsis
After a meteor unleashes a virus that turns zoo animals into zombies, a mountain lion and wolf lead a team of surviving animals to stop the virus and rescue their zoo.
Metrics
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 13.2% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $2,108,907 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Limited) by Viva Pictures (Canada)
March 7th, 2025 (Wide) by Viva Pictures |
| International Releases: | October 23rd, 2024 (Limited), released as ZOOPOKALYPSA (Slovakia)
January 23rd, 2025 (Limited), released as Night of the Zoopocalypse (Ночь в зоопарке) (Russia (CIS)) January 29th, 2025 (Limited), released as Une Nuit Au Zoo (France) February 20th, 2025 (Limited), released as Een nacht in de dierentuin (Netherlands) February 28th, 2025 (Limited) (Canada) ... Show all releases |
| Video Release: | April 4th, 2025 by Viva |
| MPA Rating: | PG for action/peril and scary images throughout. (Rating bulletin 2859 (cert #55249), 11/6/2024) |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Talking Animals, Zombies, Zoos |
| Subgenre: | Kids Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Anton Capital Investors, Charades, Copperheart Entertainment, Umedia, IDL Films , Apollo Films, House of Cool, Mac Guff Belgium, Elevation Pictures |
| Production Countries: | Canada, France, Belgium |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | 11 | $804,962 | 1,400 | $575 | $1,063,650 | 2 | |
| Mar 14, 2025 | - | $353,800 | -56% | 550 | $643 | $1,906,490 | 3 |
| Mar 21, 2025 | - | $58,338 | -84% | 55 | $1,061 | $2,089,864 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | 11 | $213,244 | 1,400 | $152 | $462,933 | 8 | ||
| Mar 8, 2025 | 11 | $356,233 | +67% | 1,400 | $254 | $819,166 | 9 | |
| Mar 9, 2025 | 11 | $234,893 | -34% | 1,400 | $168 | $1,063,650 | 10 | |
| Mar 10, 2025 | - | $94,681 | -60% | 1,400 | $68 | $1,158,331 | 11 | |
| Mar 11, 2025 | 10 | $173,995 | +84% | 1,400 | $124 | $1,332,326 | 12 | |
| Mar 12, 2025 | 10 | $119,298 | -31% | 1,400 | $85 | $1,451,624 | 13 | |
| Mar 13, 2025 | - | $101,066 | -15% | 1,400 | $72 | $1,552,690 | 14 | |
| Mar 14, 2025 | - | $88,348 | -13% | -59% | 550 | $161 | $1,641,038 | 15 |
| Mar 15, 2025 | - | $149,615 | +69% | -58% | 550 | $272 | $1,790,653 | 16 |
| Mar 16, 2025 | - | $115,837 | -23% | -51% | 550 | $211 | $1,906,490 | 17 |
| Mar 17, 2025 | - | $30,912 | -73% | -67% | 550 | $56 | $1,937,402 | 18 |
| Mar 18, 2025 | - | $38,785 | +25% | -78% | 550 | $71 | $1,976,187 | 19 |
| Mar 19, 2025 | - | $32,986 | -15% | -72% | 550 | $60 | $2,009,173 | 20 |
| Mar 20, 2025 | - | $22,353 | -32% | -78% | 550 | $41 | $2,031,526 | 21 |
| Mar 21, 2025 | - | $10,089 | -55% | -89% | 55 | $183 | $2,041,615 | 22 |
| Mar 22, 2025 | - | $29,222 | +190% | -80% | 55 | $531 | $2,070,837 | 23 |
| Mar 23, 2025 | - | $19,027 | -35% | -84% | 55 | $346 | $2,089,864 | 24 |
| Mar 24, 2025 | - | $4,588 | -76% | -85% | 55 | $83 | $2,094,452 | 25 |
| Mar 25, 2025 | - | $7,152 | +56% | -82% | 55 | $130 | $2,101,604 | 26 |
| Mar 26, 2025 | - | $7,303 | +2% | -78% | 55 | $133 | $2,108,907 | 27 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 26 | $249,689 | 240 | $1,040 | $249,689 | 1 | |
| Mar 7, 2025 | 11 | $1,303,001 | +422% | 1,400 | $931 | $1,552,690 | 2 |
| Mar 14, 2025 | 17 | $478,836 | -63% | 550 | $871 | $2,031,526 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/16/2025 | $45,068 | 157 | 157 | 0 | $166,835 | 4/4/2026 | |||
| Czech Republic | 10/16/2025 | $62,890 | 134 | 134 | 350 | $271,557 | 4/4/2026 | |||
| Mexico | 11/13/2025 | $436,445 | 0 | 0 | 0 | $11,466,349 | 4/4/2026 | |||
| Netherlands | 2/20/2025 | $22,347 | 27 | 31 | 87 | $81,899 | 4/4/2026 | |||
| Portugal | 10/30/2025 | $17,844 | 26 | 59 | 0 | $246,494 | 4/4/2026 | |||
| Romania | 10/31/2025 | $25,367 | 76 | 76 | 0 | $80,469 | 4/4/2026 | |||
| Russia (CIS) | 1/23/2025 | $269,352 | 1,632 | 1,632 | 3,240 | $410,766 | 2/5/2025 | |||
| Serbia and Montenegro | 7/3/2025 | $0 | 0 | 41 | 0 | $33,033 | 4/4/2026 | |||
| Slovakia | 10/23/2024 | $0 | 0 | 67 | 197 | $96,618 | 4/4/2026 | |||
| Spain | 4/25/2025 | $47,629 | 202 | 202 | 484 | $162,568 | 4/4/2026 | |||
| Turkey | 4/23/2026 | $40,851 | 222 | 222 | 447 | $195,789 | 6/25/2026 | |||
| United Kingdom | 10/10/2025 | $351,823 | 499 | 499 | 996 | $660,513 | 4/4/2026 | |||
| Rest of World | $3,982 | |||||||||
| International Total | $13,876,872 | 6/25/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gabbi Kosmidis | Wolf | |
| David Harbour | Lion |
Supporting
| Paul Sun-Hyung Lee | Felix | |
| Scott Thompson | Ash | |
| Pierre Simpson | Xavier | |
| Heather Loreto | Frida |
Production and Technical Credits
| Ricardo Curtis | Director | |
| Rodrigo Perez-Castro | Director | |
| Steven Hoban | Screenwriter | |
| James Kee | Screenwriter | |
| Clive Barker | Story Creator | |
| Steven Hoban | Producer | |
| Mark Smith | Producer | |
| Clive Barker | Executive Producer | |
| Louis Balsan | Executive Producer | |
| Jonas Benhaiem | Executive Producer | |
| Julia Gabreau | Executive Producer | |
| Sébastien Raybaud | Executive Producer | |
| Dan Levy | Composer | |
| Kevin Adams* | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a meteor unleashes a virus that turns zoo animals into zombies, a mountain lion and wolf lead a team of surviving animals to stop the virus and rescue their zoo.
Metrics
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 13.2% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $2,108,907 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Limited) by Viva Pictures (Canada)
March 7th, 2025 (Wide) by Viva Pictures |
| International Releases: | October 23rd, 2024 (Limited), released as ZOOPOKALYPSA (Slovakia)
January 23rd, 2025 (Limited), released as Night of the Zoopocalypse (Ночь в зоопарке) (Russia (CIS)) January 29th, 2025 (Limited), released as Une Nuit Au Zoo (France) February 20th, 2025 (Limited), released as Een nacht in de dierentuin (Netherlands) February 28th, 2025 (Limited) (Canada) ... Show all releases |
| Video Release: | April 4th, 2025 by Viva |
| MPA Rating: | PG for action/peril and scary images throughout. (Rating bulletin 2859 (cert #55249), 11/6/2024) |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Talking Animals, Zombies, Zoos |
| Subgenre: | Kids Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Anton Capital Investors, Charades, Copperheart Entertainment, Umedia, IDL Films , Apollo Films, House of Cool, Mac Guff Belgium, Elevation Pictures |
| Production Countries: | Canada, France, Belgium |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | 11 | $804,962 | 1,400 | $575 | $1,063,650 | 2 | |
| Mar 14, 2025 | - | $353,800 | -56% | 550 | $643 | $1,906,490 | 3 |
| Mar 21, 2025 | - | $58,338 | -84% | 55 | $1,061 | $2,089,864 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | 11 | $213,244 | 1,400 | $152 | $462,933 | 8 | ||
| Mar 8, 2025 | 11 | $356,233 | +67% | 1,400 | $254 | $819,166 | 9 | |
| Mar 9, 2025 | 11 | $234,893 | -34% | 1,400 | $168 | $1,063,650 | 10 | |
| Mar 10, 2025 | - | $94,681 | -60% | 1,400 | $68 | $1,158,331 | 11 | |
| Mar 11, 2025 | 10 | $173,995 | +84% | 1,400 | $124 | $1,332,326 | 12 | |
| Mar 12, 2025 | 10 | $119,298 | -31% | 1,400 | $85 | $1,451,624 | 13 | |
| Mar 13, 2025 | - | $101,066 | -15% | 1,400 | $72 | $1,552,690 | 14 | |
| Mar 14, 2025 | - | $88,348 | -13% | -59% | 550 | $161 | $1,641,038 | 15 |
| Mar 15, 2025 | - | $149,615 | +69% | -58% | 550 | $272 | $1,790,653 | 16 |
| Mar 16, 2025 | - | $115,837 | -23% | -51% | 550 | $211 | $1,906,490 | 17 |
| Mar 17, 2025 | - | $30,912 | -73% | -67% | 550 | $56 | $1,937,402 | 18 |
| Mar 18, 2025 | - | $38,785 | +25% | -78% | 550 | $71 | $1,976,187 | 19 |
| Mar 19, 2025 | - | $32,986 | -15% | -72% | 550 | $60 | $2,009,173 | 20 |
| Mar 20, 2025 | - | $22,353 | -32% | -78% | 550 | $41 | $2,031,526 | 21 |
| Mar 21, 2025 | - | $10,089 | -55% | -89% | 55 | $183 | $2,041,615 | 22 |
| Mar 22, 2025 | - | $29,222 | +190% | -80% | 55 | $531 | $2,070,837 | 23 |
| Mar 23, 2025 | - | $19,027 | -35% | -84% | 55 | $346 | $2,089,864 | 24 |
| Mar 24, 2025 | - | $4,588 | -76% | -85% | 55 | $83 | $2,094,452 | 25 |
| Mar 25, 2025 | - | $7,152 | +56% | -82% | 55 | $130 | $2,101,604 | 26 |
| Mar 26, 2025 | - | $7,303 | +2% | -78% | 55 | $133 | $2,108,907 | 27 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 26 | $249,689 | 240 | $1,040 | $249,689 | 1 | |
| Mar 7, 2025 | 11 | $1,303,001 | +422% | 1,400 | $931 | $1,552,690 | 2 |
| Mar 14, 2025 | 17 | $478,836 | -63% | 550 | $871 | $2,031,526 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/16/2025 | $45,068 | 157 | 157 | 0 | $166,835 | 4/4/2026 | |||
| Czech Republic | 10/16/2025 | $62,890 | 134 | 134 | 350 | $271,557 | 4/4/2026 | |||
| Mexico | 11/13/2025 | $436,445 | 0 | 0 | 0 | $11,466,349 | 4/4/2026 | |||
| Netherlands | 2/20/2025 | $22,347 | 27 | 31 | 87 | $81,899 | 4/4/2026 | |||
| Portugal | 10/30/2025 | $17,844 | 26 | 59 | 0 | $246,494 | 4/4/2026 | |||
| Romania | 10/31/2025 | $25,367 | 76 | 76 | 0 | $80,469 | 4/4/2026 | |||
| Russia (CIS) | 1/23/2025 | $269,352 | 1,632 | 1,632 | 3,240 | $410,766 | 2/5/2025 | |||
| Serbia and Montenegro | 7/3/2025 | $0 | 0 | 41 | 0 | $33,033 | 4/4/2026 | |||
| Slovakia | 10/23/2024 | $0 | 0 | 67 | 197 | $96,618 | 4/4/2026 | |||
| Spain | 4/25/2025 | $47,629 | 202 | 202 | 484 | $162,568 | 4/4/2026 | |||
| Turkey | 4/23/2026 | $40,851 | 222 | 222 | 447 | $195,789 | 6/25/2026 | |||
| United Kingdom | 10/10/2025 | $351,823 | 499 | 499 | 996 | $660,513 | 4/4/2026 | |||
| Rest of World | $3,982 | |||||||||
| International Total | $13,876,872 | 6/25/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gabbi Kosmidis | Wolf | |
| David Harbour | Lion |
Supporting
| Paul Sun-Hyung Lee | Felix | |
| Scott Thompson | Ash | |
| Pierre Simpson | Xavier | |
| Heather Loreto | Frida |
Production and Technical Credits
| Ricardo Curtis | Director | |
| Rodrigo Perez-Castro | Director | |
| Steven Hoban | Screenwriter | |
| James Kee | Screenwriter | |
| Clive Barker | Story Creator | |
| Steven Hoban | Producer | |
| Mark Smith | Producer | |
| Clive Barker | Executive Producer | |
| Louis Balsan | Executive Producer | |
| Jonas Benhaiem | Executive Producer | |
| Julia Gabreau | Executive Producer | |
| Sébastien Raybaud | Executive Producer | |
| Dan Levy | Composer | |
| Kevin Adams* | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.