Nine Days (2021)
| Theatrical Performance | ||
| Domestic Box Office | $694,849 | Details |
| International Box Office | $309,899 | Details |
| Worldwide Box Office | $1,004,748 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $10,909 | |
| Blu-ray Sales (estimated) | $18,380 | |
| Total | $29,289 | |
| OpusData ID: 442370100 More info... | ||
| Further financial details... | ||
Synopsis
Will spends his days in a remote outpost watching the live Point of View on TVs of people going about their lives, until one subject perishes, leaving a vacancy for a new life on earth. Soon, several candidates—unborn souls—arrive at Will’s to undergo tests determining their fitness, facing oblivion when they are deemed unsuitable. But Will soon faces his own existential challenge in the form of free-spirited Emma, a candidate who is not like the others, forcing him to turn within and reckon with his own tumultuous past. Fueled by unexpected power, he discovers a bold new path forward in his own life.
Metrics
| Legs: | 2.99 (domestic box office/biggest weekend) |
| Domestic Share: | 69.2% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $817,143 |
Movie Details
| Domestic Releases: | July 30th, 2021 (Limited) by Sony Pictures Classics |
| International Releases: | July 15th, 2021 (Limited) (Australia)
December 17th, 2021 (Limited) (United Kingdom) February 17th, 2022 (Wide) (Netherlands) |
| Video Release: | November 2nd, 2021 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2632 (Cert #52731), 6/3/2020) |
| Running Time: | 124 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Social setting: | Supernatural |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Juniper Productions, Mandalay Pictures, Nowhere, Macro Media, The Space Program, Mansa Productions, Oak Street Pictures, 30 West, Baked Studios, Datari Turner Productions, Sony Pictures Classics |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 6, 2021 | 14 | $232,509 | 443 | $525 | $258,106 | 2 | |
| Aug 13, 2021 | - | $95,195 | -59% | 391 | $243 | $503,301 | 3 |
| Aug 20, 2021 | - | $28,565 | -70% | 64 | $446 | $599,628 | 4 |
| Aug 27, 2021 | - | $14,517 | -49% | 37 | $392 | $629,668 | 5 |
| Sep 3, 2021 | - | $13,880 | -4% | 27 | $514 | $651,378 | 6 |
| Sep 10, 2021 | - | $6,691 | -52% | 20 | $335 | $673,072 | 7 |
| Sep 17, 2021 | - | $4,397 | -34% | 11 | $400 | $682,677 | 8 |
| Sep 24, 2021 | - | $3,724 | -15% | 11 | $339 | $687,739 | 9 |
| Oct 1, 2021 | - | $3,050 | -18% | 8 | $381 | $691,902 | 10 |
| Oct 8, 2021 | - | $1,047 | -66% | 3 | $349 | $693,266 | 11 |
| Oct 15, 2021 | - | $394 | -62% | 3 | $131 | $693,910 | 12 |
| Oct 29, 2021 | - | $244 | 2 | $122 | $694,649 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 30, 2021 | - | $25,597 | 4 | $6,399 | $25,597 | 1 | |
| Aug 6, 2021 | 14 | $382,509 | +1,394% | 443 | $863 | $408,106 | 2 |
| Aug 13, 2021 | - | $162,957 | -57% | 391 | $417 | $571,063 | 3 |
| Aug 20, 2021 | - | $44,028 | -73% | 64 | $688 | $615,091 | 4 |
| Aug 27, 2021 | - | $22,407 | -49% | 37 | $606 | $637,498 | 5 |
| Sep 3, 2021 | - | $28,883 | +29% | 27 | $1,070 | $666,381 | 6 |
| Sep 10, 2021 | - | $11,889 | -59% | 20 | $594 | $678,270 | 7 |
| Sep 17, 2021 | - | $5,745 | -52% | 11 | $522 | $684,015 | 8 |
| Sep 24, 2021 | - | $4,827 | -16% | 11 | $439 | $688,842 | 9 |
| Oct 1, 2021 | - | $3,367 | -30% | 8 | $421 | $692,219 | 10 |
| Oct 8, 2021 | - | $1,297 | -61% | 3 | $432 | $693,516 | 11 |
| Oct 29, 2021 | - | $444 | 2 | $222 | $694,849 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/15/2021 | $34,927 | 28 | 30 | 229 | $217,021 | 10/20/2022 | |||
| Netherlands | 2/17/2022 | $23,969 | 29 | 29 | 57 | $56,288 | 2/28/2022 | |||
| United Kingdom | 12/17/2021 | $158 | 3 | 3 | 3 | $158 | 12/22/2021 | |||
| Rest of World | $36,432 | |||||||||
| International Total | $309,899 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Winston Duke | Will | |
| Zazie Beetz | Emma | |
| Bill Skarsgård | Kane | |
| Benedict Wong | Kyo | |
| Tony Hale | Alexander | |
| Arianna Ortiz | Maria | |
| David Rysdahl | Mike |
Supporting
| Perry Smith | Anne | |
| Geraldine Hughes | Colleen |
Production and Technical Credits
| Edson Oda | Director | |
| Edson Oda | Screenwriter | |
| Jason Michael Berman | Producer | |
| Mette Marie Kongsved | Producer | |
| Matthew Lindner | Producer | |
| Laura Tunstall | Producer | |
| Datari Turner | Producer | |
| Charles D. King | Executive Producer | |
| Kim Roth | Executive Producer | |
| Gus Deardoff | Executive Producer | |
| Kellon Akeem | Executive Producer | |
| Spike Jonze | Executive Producer | |
| Yandy Smith | Executive Producer | |
| Renee Frigo | Executive Producer | |
| Beth Hubbard* | Executive Producer | |
| Trevor Groth | Executive Producer | |
| Winston Duke | Executive Producer | |
| Caroline Connor | Executive Producer | |
| Will Raynor | Executive Producer | |
| Mark C. Stevens | Executive Producer | |
| Mark G. Mathis | Executive Producer | |
| Kwesi Collisson | Executive Producer | |
| Larry Weinberg | Executive Producer | |
| George A. Loucas | Executive Producer | |
| Michelle Craig | Executive Producer | |
| Piero Frescobaldi | Executive Producer | |
| Wyatt Garfield | Director of Photography | |
| Michael Taylor | Editor | |
| Jeff Betancourt | Editor | |
| Dan Hermansen | Production Designer | |
| Fernando Rodriguez | Costume Designer | |
| Antonio Pinto | Composer | |
| Mac Smith | Supervising Sound Designer | |
| Brandon Proctor | Re-recording Mixer | |
| Linda Cohen | Music Supervisor | |
| George A. Loucas | Visual Effects Supervisor | |
| Yira Vilaro | Co-Producer | |
| Patrick Raymond | Co-Producer | |
| David Horwitch | Co-Producer | |
| Jessica Kelly | Casting Director | |
| Kate Geller | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Will spends his days in a remote outpost watching the live Point of View on TVs of people going about their lives, until one subject perishes, leaving a vacancy for a new life on earth. Soon, several candidates—unborn souls—arrive at Will’s to undergo tests determining their fitness, facing oblivion when they are deemed unsuitable. But Will soon faces his own existential challenge in the form of free-spirited Emma, a candidate who is not like the others, forcing him to turn within and reckon with his own tumultuous past. Fueled by unexpected power, he discovers a bold new path forward in his own life.
Metrics
| Legs: | 2.99 (domestic box office/biggest weekend) |
| Domestic Share: | 69.2% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $817,143 |
Movie Details
| Domestic Releases: | July 30th, 2021 (Limited) by Sony Pictures Classics |
| International Releases: | July 15th, 2021 (Limited) (Australia)
December 17th, 2021 (Limited) (United Kingdom) February 17th, 2022 (Wide) (Netherlands) |
| Video Release: | November 2nd, 2021 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2632 (Cert #52731), 6/3/2020) |
| Running Time: | 124 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Social setting: | Supernatural |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Juniper Productions, Mandalay Pictures, Nowhere, Macro Media, The Space Program, Mansa Productions, Oak Street Pictures, 30 West, Baked Studios, Datari Turner Productions, Sony Pictures Classics |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 6, 2021 | 14 | $232,509 | 443 | $525 | $258,106 | 2 | |
| Aug 13, 2021 | - | $95,195 | -59% | 391 | $243 | $503,301 | 3 |
| Aug 20, 2021 | - | $28,565 | -70% | 64 | $446 | $599,628 | 4 |
| Aug 27, 2021 | - | $14,517 | -49% | 37 | $392 | $629,668 | 5 |
| Sep 3, 2021 | - | $13,880 | -4% | 27 | $514 | $651,378 | 6 |
| Sep 10, 2021 | - | $6,691 | -52% | 20 | $335 | $673,072 | 7 |
| Sep 17, 2021 | - | $4,397 | -34% | 11 | $400 | $682,677 | 8 |
| Sep 24, 2021 | - | $3,724 | -15% | 11 | $339 | $687,739 | 9 |
| Oct 1, 2021 | - | $3,050 | -18% | 8 | $381 | $691,902 | 10 |
| Oct 8, 2021 | - | $1,047 | -66% | 3 | $349 | $693,266 | 11 |
| Oct 15, 2021 | - | $394 | -62% | 3 | $131 | $693,910 | 12 |
| Oct 29, 2021 | - | $244 | 2 | $122 | $694,649 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 30, 2021 | - | $25,597 | 4 | $6,399 | $25,597 | 1 | |
| Aug 6, 2021 | 14 | $382,509 | +1,394% | 443 | $863 | $408,106 | 2 |
| Aug 13, 2021 | - | $162,957 | -57% | 391 | $417 | $571,063 | 3 |
| Aug 20, 2021 | - | $44,028 | -73% | 64 | $688 | $615,091 | 4 |
| Aug 27, 2021 | - | $22,407 | -49% | 37 | $606 | $637,498 | 5 |
| Sep 3, 2021 | - | $28,883 | +29% | 27 | $1,070 | $666,381 | 6 |
| Sep 10, 2021 | - | $11,889 | -59% | 20 | $594 | $678,270 | 7 |
| Sep 17, 2021 | - | $5,745 | -52% | 11 | $522 | $684,015 | 8 |
| Sep 24, 2021 | - | $4,827 | -16% | 11 | $439 | $688,842 | 9 |
| Oct 1, 2021 | - | $3,367 | -30% | 8 | $421 | $692,219 | 10 |
| Oct 8, 2021 | - | $1,297 | -61% | 3 | $432 | $693,516 | 11 |
| Oct 29, 2021 | - | $444 | 2 | $222 | $694,849 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/15/2021 | $34,927 | 28 | 30 | 229 | $217,021 | 10/20/2022 | |||
| Netherlands | 2/17/2022 | $23,969 | 29 | 29 | 57 | $56,288 | 2/28/2022 | |||
| United Kingdom | 12/17/2021 | $158 | 3 | 3 | 3 | $158 | 12/22/2021 | |||
| Rest of World | $36,432 | |||||||||
| International Total | $309,899 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Winston Duke | Will | |
| Zazie Beetz | Emma | |
| Bill Skarsgård | Kane | |
| Benedict Wong | Kyo | |
| Tony Hale | Alexander | |
| Arianna Ortiz | Maria | |
| David Rysdahl | Mike |
Supporting
| Perry Smith | Anne | |
| Geraldine Hughes | Colleen |
Production and Technical Credits
| Edson Oda | Director | |
| Edson Oda | Screenwriter | |
| Jason Michael Berman | Producer | |
| Mette Marie Kongsved | Producer | |
| Matthew Lindner | Producer | |
| Laura Tunstall | Producer | |
| Datari Turner | Producer | |
| Charles D. King | Executive Producer | |
| Kim Roth | Executive Producer | |
| Gus Deardoff | Executive Producer | |
| Kellon Akeem | Executive Producer | |
| Spike Jonze | Executive Producer | |
| Yandy Smith | Executive Producer | |
| Renee Frigo | Executive Producer | |
| Beth Hubbard* | Executive Producer | |
| Trevor Groth | Executive Producer | |
| Winston Duke | Executive Producer | |
| Caroline Connor | Executive Producer | |
| Will Raynor | Executive Producer | |
| Mark C. Stevens | Executive Producer | |
| Mark G. Mathis | Executive Producer | |
| Kwesi Collisson | Executive Producer | |
| Larry Weinberg | Executive Producer | |
| George A. Loucas | Executive Producer | |
| Michelle Craig | Executive Producer | |
| Piero Frescobaldi | Executive Producer | |
| Wyatt Garfield | Director of Photography | |
| Michael Taylor | Editor | |
| Jeff Betancourt | Editor | |
| Dan Hermansen | Production Designer | |
| Fernando Rodriguez | Costume Designer | |
| Antonio Pinto | Composer | |
| Mac Smith | Supervising Sound Designer | |
| Brandon Proctor | Re-recording Mixer | |
| Linda Cohen | Music Supervisor | |
| George A. Loucas | Visual Effects Supervisor | |
| Yira Vilaro | Co-Producer | |
| Patrick Raymond | Co-Producer | |
| David Horwitch | Co-Producer | |
| Jessica Kelly | Casting Director | |
| Kate Geller | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.