No Escape (1994)
| Theatrical Performance | ||
| Domestic Box Office | $15,339,030 | Details |
| International Box Office | $1,874,203 | Details |
| Worldwide Box Office | $17,213,233 | |
| OpusData ID: 29950100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,588,736 (29.9% of total gross) |
| Legs: | 3.34 (domestic box office/biggest weekend) |
| Domestic Share: | 89.1% (domestic box office/worldwide) |
| Theater counts: | 1,763 opening theaters/1,765 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $42,520,691 |
Movie Details
| Domestic Releases: | April 29th, 1994 (Wide) by Savoy |
| International Releases: | September 4th, 2015 (Wide) (United Kingdom) |
| Video Release: | 1994 |
| MPA Rating: | R for a considerable amount of strong violence, and for some language |
| Running Time: | 118 minutes |
| Plot point: | Cruel / Corrupt Wardens or Prison Guards, Gangs, Prison, Prison Break |
| Social setting: | Gang Warfare |
| Subgenre: | Action Thriller |
| Time period setting: | 2020s, Near Future, Yesterday's Tomorrow |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 1994 | 1 | $4,588,736 | 1,763 | $2,603 | $4,588,736 | 1 | |
| May 6, 1994 | 5 | $3,125,453 | -32% | 1,765 | $1,771 | $9,216,480 | 2 |
| May 13, 1994 | 7 | $1,737,561 | -44% | 1,672 | $1,039 | $11,918,178 | 3 |
| May 20, 1994 | 8 | $811,006 | -53% | 1,277 | $635 | $13,378,272 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 1994 | 1 | $6,091,027 | 1,763 | $3,455 | $6,091,027 | 1 | |
| May 6, 1994 | 3 | $4,089,590 | -33% | 1,765 | $2,317 | $10,180,617 | 2 |
| May 13, 1994 | 8 | $2,386,649 | -42% | 1,672 | $1,427 | $12,567,266 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/4/2015 | $968,895 | 427 | 427 | 853 | $1,874,203 | 9/16/2015 | |||
| International Total | $1,874,203 | 9/16/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Ray Liotta | Robbins | |
| Lance Henriksen | The Father | |
| Stuart Wilson | Marek | |
| Kevin Dillon | Casey | |
| Kevin J. O’Connor | Stephano | |
| Tom Laughlin | Killian | |
| Ian McNeice | King | |
| Jack Shepherd | Dysart | |
| David Wenham | Hotel Guard #2 | |
| Michael Lerner | Warden |
Supporting
| Ernie Hudson | Hawkins |
Production and Technical Credits
| Martin Campbell | Director | |
| Michael Gaylin | Screenwriter | |
| Joel Gross | Screenwriter | |
| Graeme Revell | Composer | |
| Allan Cameron | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,588,736 (29.9% of total gross) |
| Legs: | 3.34 (domestic box office/biggest weekend) |
| Domestic Share: | 89.1% (domestic box office/worldwide) |
| Theater counts: | 1,763 opening theaters/1,765 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $42,520,691 |
Movie Details
| Domestic Releases: | April 29th, 1994 (Wide) by Savoy |
| International Releases: | September 4th, 2015 (Wide) (United Kingdom) |
| Video Release: | 1994 |
| MPA Rating: | R for a considerable amount of strong violence, and for some language |
| Running Time: | 118 minutes |
| Plot point: | Cruel / Corrupt Wardens or Prison Guards, Gangs, Prison, Prison Break |
| Social setting: | Gang Warfare |
| Subgenre: | Action Thriller |
| Time period setting: | 2020s, Near Future, Yesterday's Tomorrow |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 1994 | 1 | $4,588,736 | 1,763 | $2,603 | $4,588,736 | 1 | |
| May 6, 1994 | 5 | $3,125,453 | -32% | 1,765 | $1,771 | $9,216,480 | 2 |
| May 13, 1994 | 7 | $1,737,561 | -44% | 1,672 | $1,039 | $11,918,178 | 3 |
| May 20, 1994 | 8 | $811,006 | -53% | 1,277 | $635 | $13,378,272 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 1994 | 1 | $6,091,027 | 1,763 | $3,455 | $6,091,027 | 1 | |
| May 6, 1994 | 3 | $4,089,590 | -33% | 1,765 | $2,317 | $10,180,617 | 2 |
| May 13, 1994 | 8 | $2,386,649 | -42% | 1,672 | $1,427 | $12,567,266 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/4/2015 | $968,895 | 427 | 427 | 853 | $1,874,203 | 9/16/2015 | |||
| International Total | $1,874,203 | 9/16/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Ray Liotta | Robbins | |
| Lance Henriksen | The Father | |
| Stuart Wilson | Marek | |
| Kevin Dillon | Casey | |
| Kevin J. O’Connor | Stephano | |
| Tom Laughlin | Killian | |
| Ian McNeice | King | |
| Jack Shepherd | Dysart | |
| David Wenham | Hotel Guard #2 | |
| Michael Lerner | Warden |
Supporting
| Ernie Hudson | Hawkins |
Production and Technical Credits
| Martin Campbell | Director | |
| Michael Gaylin | Screenwriter | |
| Joel Gross | Screenwriter | |
| Graeme Revell | Composer | |
| Allan Cameron | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.