No Manches Frida 2 (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $9,270,920 | Details |
| International Box Office | $17,106,879 | Details |
| Worldwide Box Office | $26,377,799 | |
| OpusData ID: 375000100 More info... | ||
| Further financial details... | ||
Synopsis
When the seemingly reformed ex-con Zequi is about to marry the love of his life, the lovably nerdy Lucy, wedding day jitters turn into a full blown fiasco and Lucy calls the wedding off. Meanwhile, the school finds itself in deep trouble and the gang heads to the water to compete in the tournament of their lives. Once they’re all seaside, Lucy runs into her high school sweetheart Mario, whom since she last saw him has transformed into a smoking hot hunk. He's coach of the opposing squad and Zequi finds himself a rival in more than one competition. Now he has to pull out all the stops to wrangle in his rowdy kids, win Lucy back, and in case that wasn't enough, save the school from shutting down by leading Frida High to victory!
Metrics
| Opening Weekend: | $3,831,401 (41.3% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 35.1% (domestic box office/worldwide) |
| Theater counts: | 472 opening theaters/472 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,104,824 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by Lionsgate |
| International Releases: | April 11th, 2019 (Wide) (Mexico) |
| Video Release: | June 4th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for sexual content and teen drinking. (Rating bulletin 2568 (Cert #51994), 3/6/2019) |
| Running Time: | 102 minutes |
| Franchise: | No Manches Frida |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | Inspirational Coach, Love Triangle, Relationships Gone Wrong, Romance, Tournament, Underdog, Wedding Day Disasters |
| Social setting: | High School, Wedding Day |
| Subgenre: | Farcical / Slapstick Comedy |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pantelion Films, Alcon Entertainment, Neverending Media, Lionsgate, Selva Pictures, Constantin Film |
| Production Countries: | United States |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 6 | $3,831,401 | 472 | $8,117 | $3,831,401 | 1 | |
| Mar 22, 2019 | 7 | $1,770,786 | -54% | 472 | $3,752 | $6,617,065 | 2 |
| Mar 29, 2019 | 12 | $896,944 | -49% | 423 | $2,120 | $8,044,371 | 3 |
| Apr 5, 2019 | 15 | $404,657 | -55% | 275 | $1,471 | $8,736,784 | 4 |
| Apr 12, 2019 | 22 | $177,949 | -56% | 135 | $1,318 | $9,040,514 | 5 |
| Apr 19, 2019 | 28 | $78,398 | -56% | 73 | $1,074 | $9,185,872 | 6 |
| Apr 26, 2019 | 36 | $40,122 | -49% | 56 | $716 | $9,253,848 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 6 | $1,306,074 | 472 | $2,767 | $1,306,074 | 1 | ||
| Mar 16, 2019 | 6 | $1,261,130 | -3% | 472 | $2,672 | $2,567,204 | 2 | |
| Mar 17, 2019 | 6 | $1,264,197 | n/c | 472 | $2,678 | $3,831,401 | 3 | |
| Mar 18, 2019 | 7 | $242,032 | -81% | 472 | $513 | $4,073,433 | 4 | |
| Mar 19, 2019 | 7 | $368,886 | +52% | 472 | $782 | $4,442,319 | 5 | |
| Mar 20, 2019 | 8 | $219,589 | -40% | 472 | $465 | $4,661,908 | 6 | |
| Mar 21, 2019 | 7 | $184,371 | -16% | 472 | $391 | $4,846,279 | 7 | |
| Mar 22, 2019 | 8 | $390,069 | +112% | -70% | 472 | $826 | $5,236,348 | 8 |
| Mar 23, 2019 | 8 | $698,759 | +79% | -45% | 472 | $1,480 | $5,935,107 | 9 |
| Mar 24, 2019 | 7 | $681,958 | -2% | -46% | 472 | $1,445 | $6,617,065 | 10 |
| Mar 25, 2019 | 10 | $127,406 | -81% | -47% | 472 | $270 | $6,744,471 | 11 |
| Mar 26, 2019 | 10 | $194,735 | +53% | -47% | 472 | $413 | $6,939,206 | 12 |
| Mar 27, 2019 | 11 | $116,641 | -40% | -47% | 472 | $247 | $7,055,847 | 13 |
| Mar 28, 2019 | 10 | $91,580 | -21% | -50% | 472 | $194 | $7,147,427 | 14 |
| Mar 29, 2019 | 12 | $203,145 | +122% | -48% | 423 | $480 | $7,350,572 | 15 |
| Mar 30, 2019 | 12 | $343,855 | +69% | -51% | 423 | $813 | $7,694,427 | 16 |
| Mar 31, 2019 | 11 | $349,944 | +2% | -49% | 423 | $827 | $8,044,371 | 17 |
| Apr 1, 2019 | 12 | $69,288 | -80% | -46% | 423 | $164 | $8,113,659 | 18 |
| Apr 2, 2019 | 12 | $107,376 | +55% | -45% | 423 | $254 | $8,221,035 | 19 |
| Apr 3, 2019 | 13 | $63,944 | -40% | -45% | 423 | $151 | $8,284,979 | 20 |
| Apr 4, 2019 | 15 | $47,148 | -26% | -49% | 423 | $111 | $8,332,127 | 21 |
| Apr 5, 2019 | - | $85,315 | +81% | -58% | 275 | $310 | $8,417,442 | 22 |
| Apr 6, 2019 | 15 | $161,729 | +90% | -53% | 275 | $588 | $8,579,171 | 23 |
| Apr 7, 2019 | 14 | $157,613 | -3% | -55% | 275 | $573 | $8,736,784 | 24 |
| Apr 8, 2019 | - | $27,185 | -83% | -61% | 275 | $99 | $8,763,969 | 25 |
| Apr 9, 2019 | - | $52,212 | +92% | -51% | 275 | $190 | $8,816,181 | 26 |
| Apr 10, 2019 | - | $27,575 | -47% | -57% | 275 | $100 | $8,843,756 | 27 |
| Apr 11, 2019 | - | $18,809 | -32% | -60% | 275 | $68 | $8,862,565 | 28 |
| Apr 12, 2019 | - | $37,465 | +99% | -56% | 135 | $278 | $8,900,030 | 29 |
| Apr 13, 2019 | - | $74,695 | +99% | -54% | 135 | $553 | $8,974,725 | 30 |
| Apr 14, 2019 | - | $65,789 | -12% | -58% | 135 | $487 | $9,040,514 | 31 |
| Apr 15, 2019 | - | $15,264 | -77% | -44% | 135 | $113 | $9,055,778 | 32 |
| Apr 16, 2019 | - | $29,634 | +94% | -43% | 135 | $220 | $9,085,412 | 33 |
| Apr 17, 2019 | - | $12,225 | -59% | -56% | 135 | $91 | $9,097,637 | 34 |
| Apr 18, 2019 | - | $9,837 | -20% | -48% | 135 | $73 | $9,107,474 | 35 |
| Apr 19, 2019 | - | $21,677 | +120% | -42% | 73 | $297 | $9,129,151 | 36 |
| Apr 20, 2019 | - | $28,179 | +30% | -62% | 73 | $386 | $9,157,330 | 37 |
| Apr 21, 2019 | - | $28,542 | +1% | -57% | 73 | $391 | $9,185,872 | 38 |
| Apr 22, 2019 | - | $8,865 | -69% | -42% | 73 | $121 | $9,194,737 | 39 |
| Apr 23, 2019 | - | $9,513 | +7% | -68% | 73 | $130 | $9,204,250 | 40 |
| Apr 24, 2019 | - | $6,039 | -37% | -51% | 73 | $83 | $9,210,289 | 41 |
| Apr 25, 2019 | - | $3,437 | -43% | -65% | 73 | $47 | $9,213,726 | 42 |
| Apr 26, 2019 | - | $7,815 | +127% | -64% | 56 | $140 | $9,221,541 | 43 |
| Apr 27, 2019 | - | $15,085 | +93% | -46% | 56 | $269 | $9,236,626 | 44 |
| Apr 28, 2019 | - | $17,222 | +14% | -40% | 56 | $308 | $9,253,848 | 45 |
| Apr 29, 2019 | - | $4,179 | -76% | -53% | 56 | $75 | $9,258,027 | 46 |
| Apr 30, 2019 | - | $5,682 | +36% | -40% | 56 | $101 | $9,263,709 | 47 |
| May 1, 2019 | - | $3,398 | -40% | -44% | 56 | $61 | $9,267,107 | 48 |
| May 2, 2019 | - | $3,813 | +12% | +11% | 56 | $68 | $9,270,920 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 6 | $4,846,279 | 472 | $10,268 | $4,846,279 | 1 | |
| Mar 22, 2019 | 8 | $2,301,148 | -53% | 472 | $4,875 | $7,147,427 | 2 |
| Mar 29, 2019 | 12 | $1,184,700 | -49% | 423 | $2,801 | $8,332,127 | 3 |
| Apr 5, 2019 | 17 | $530,438 | -55% | 275 | $1,929 | $8,862,565 | 4 |
| Apr 12, 2019 | 25 | $244,909 | -54% | 135 | $1,814 | $9,107,474 | 5 |
| Apr 19, 2019 | 31 | $106,252 | -57% | 73 | $1,456 | $9,213,726 | 6 |
| Apr 26, 2019 | 36 | $57,194 | -46% | 56 | $1,021 | $9,270,920 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 4/11/2019 | $4,571,788 | 0 | 0 | 0 | $17,106,879 | 5/20/2019 | |||
| International Total | $17,106,879 | 5/20/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Omar Chaparro | Zequi | |
| Martha Higareda | Lucy | |
| Aaron Diaz | Mario | |
| Itati Cantoral | ||
| Regina Pavón | Monica | |
| Memo Dorantes | Romo | |
| Mario Moran | Cristobal | |
| Karen Furlong | Nayeli | |
| Carla Adell | Laura | |
| Raquel De Icaza |
Supporting
| Rocio Garcia | Jenny | |
| Andrea Noli | ||
| Fernanda Castillo | ||
| Raquel Garza |
Production and Technical Credits
| Nacho G. Velilla | Director | |
| David S. Olivas | Screenwriter | |
| Claudio Herrera | Screenwriter | |
| Sergio Adrian Sanchez | Screenwriter | |
| David S. Olivas | Story by | |
| Oriol Capel | Story by | |
| Nacho G. Velilla | Story by | |
| Edward Allen | Producer | |
| Martha Higareda | Producer | |
| Mauricio Arguelles | Producer | |
| Nacho G. Velilla | Producer | |
| Andrew Kosove | Executive Producer | |
| Broderick Johnson | Executive Producer | |
| Laurence Rosenthal | Executive Producer | |
| Fernando Lebrija | Executive Producer | |
| Martin Moszkowicz | Executive Producer | |
| Clifford Werber | Executive Producer | |
| Victor Leycegui | Line Producer | |
| Aaron Rivera-Ashford | Co-Producer | |
| David Omedes | Director of Photography | |
| Angel Hernandez Zoido | Editor | |
| Atzin Hernandez | Costume Designer | |
| Felix Berges | Visual Effects Designer | |
| Ricardo Arvizu | Special Effects | |
| Alex Capilla | Sound Designer | |
| Alex Capilla | Sound Supervisor | |
| Michael Hodges | Executive Producer | |
| Ashley Culp | Executive Producer | |
| Juan Jose Javierre | Composer | |
| Juan Jose Javierre | Music Supervisor | |
| Alejandro Reza | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When the seemingly reformed ex-con Zequi is about to marry the love of his life, the lovably nerdy Lucy, wedding day jitters turn into a full blown fiasco and Lucy calls the wedding off. Meanwhile, the school finds itself in deep trouble and the gang heads to the water to compete in the tournament of their lives. Once they’re all seaside, Lucy runs into her high school sweetheart Mario, whom since she last saw him has transformed into a smoking hot hunk. He's coach of the opposing squad and Zequi finds himself a rival in more than one competition. Now he has to pull out all the stops to wrangle in his rowdy kids, win Lucy back, and in case that wasn't enough, save the school from shutting down by leading Frida High to victory!
Metrics
| Opening Weekend: | $3,831,401 (41.3% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 35.1% (domestic box office/worldwide) |
| Theater counts: | 472 opening theaters/472 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,104,824 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by Lionsgate |
| International Releases: | April 11th, 2019 (Wide) (Mexico) |
| Video Release: | June 4th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for sexual content and teen drinking. (Rating bulletin 2568 (Cert #51994), 3/6/2019) |
| Running Time: | 102 minutes |
| Franchise: | No Manches Frida |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | Inspirational Coach, Love Triangle, Relationships Gone Wrong, Romance, Tournament, Underdog, Wedding Day Disasters |
| Social setting: | High School, Wedding Day |
| Subgenre: | Farcical / Slapstick Comedy |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pantelion Films, Alcon Entertainment, Neverending Media, Lionsgate, Selva Pictures, Constantin Film |
| Production Countries: | United States |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 6 | $3,831,401 | 472 | $8,117 | $3,831,401 | 1 | |
| Mar 22, 2019 | 7 | $1,770,786 | -54% | 472 | $3,752 | $6,617,065 | 2 |
| Mar 29, 2019 | 12 | $896,944 | -49% | 423 | $2,120 | $8,044,371 | 3 |
| Apr 5, 2019 | 15 | $404,657 | -55% | 275 | $1,471 | $8,736,784 | 4 |
| Apr 12, 2019 | 22 | $177,949 | -56% | 135 | $1,318 | $9,040,514 | 5 |
| Apr 19, 2019 | 28 | $78,398 | -56% | 73 | $1,074 | $9,185,872 | 6 |
| Apr 26, 2019 | 36 | $40,122 | -49% | 56 | $716 | $9,253,848 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 6 | $1,306,074 | 472 | $2,767 | $1,306,074 | 1 | ||
| Mar 16, 2019 | 6 | $1,261,130 | -3% | 472 | $2,672 | $2,567,204 | 2 | |
| Mar 17, 2019 | 6 | $1,264,197 | n/c | 472 | $2,678 | $3,831,401 | 3 | |
| Mar 18, 2019 | 7 | $242,032 | -81% | 472 | $513 | $4,073,433 | 4 | |
| Mar 19, 2019 | 7 | $368,886 | +52% | 472 | $782 | $4,442,319 | 5 | |
| Mar 20, 2019 | 8 | $219,589 | -40% | 472 | $465 | $4,661,908 | 6 | |
| Mar 21, 2019 | 7 | $184,371 | -16% | 472 | $391 | $4,846,279 | 7 | |
| Mar 22, 2019 | 8 | $390,069 | +112% | -70% | 472 | $826 | $5,236,348 | 8 |
| Mar 23, 2019 | 8 | $698,759 | +79% | -45% | 472 | $1,480 | $5,935,107 | 9 |
| Mar 24, 2019 | 7 | $681,958 | -2% | -46% | 472 | $1,445 | $6,617,065 | 10 |
| Mar 25, 2019 | 10 | $127,406 | -81% | -47% | 472 | $270 | $6,744,471 | 11 |
| Mar 26, 2019 | 10 | $194,735 | +53% | -47% | 472 | $413 | $6,939,206 | 12 |
| Mar 27, 2019 | 11 | $116,641 | -40% | -47% | 472 | $247 | $7,055,847 | 13 |
| Mar 28, 2019 | 10 | $91,580 | -21% | -50% | 472 | $194 | $7,147,427 | 14 |
| Mar 29, 2019 | 12 | $203,145 | +122% | -48% | 423 | $480 | $7,350,572 | 15 |
| Mar 30, 2019 | 12 | $343,855 | +69% | -51% | 423 | $813 | $7,694,427 | 16 |
| Mar 31, 2019 | 11 | $349,944 | +2% | -49% | 423 | $827 | $8,044,371 | 17 |
| Apr 1, 2019 | 12 | $69,288 | -80% | -46% | 423 | $164 | $8,113,659 | 18 |
| Apr 2, 2019 | 12 | $107,376 | +55% | -45% | 423 | $254 | $8,221,035 | 19 |
| Apr 3, 2019 | 13 | $63,944 | -40% | -45% | 423 | $151 | $8,284,979 | 20 |
| Apr 4, 2019 | 15 | $47,148 | -26% | -49% | 423 | $111 | $8,332,127 | 21 |
| Apr 5, 2019 | - | $85,315 | +81% | -58% | 275 | $310 | $8,417,442 | 22 |
| Apr 6, 2019 | 15 | $161,729 | +90% | -53% | 275 | $588 | $8,579,171 | 23 |
| Apr 7, 2019 | 14 | $157,613 | -3% | -55% | 275 | $573 | $8,736,784 | 24 |
| Apr 8, 2019 | - | $27,185 | -83% | -61% | 275 | $99 | $8,763,969 | 25 |
| Apr 9, 2019 | - | $52,212 | +92% | -51% | 275 | $190 | $8,816,181 | 26 |
| Apr 10, 2019 | - | $27,575 | -47% | -57% | 275 | $100 | $8,843,756 | 27 |
| Apr 11, 2019 | - | $18,809 | -32% | -60% | 275 | $68 | $8,862,565 | 28 |
| Apr 12, 2019 | - | $37,465 | +99% | -56% | 135 | $278 | $8,900,030 | 29 |
| Apr 13, 2019 | - | $74,695 | +99% | -54% | 135 | $553 | $8,974,725 | 30 |
| Apr 14, 2019 | - | $65,789 | -12% | -58% | 135 | $487 | $9,040,514 | 31 |
| Apr 15, 2019 | - | $15,264 | -77% | -44% | 135 | $113 | $9,055,778 | 32 |
| Apr 16, 2019 | - | $29,634 | +94% | -43% | 135 | $220 | $9,085,412 | 33 |
| Apr 17, 2019 | - | $12,225 | -59% | -56% | 135 | $91 | $9,097,637 | 34 |
| Apr 18, 2019 | - | $9,837 | -20% | -48% | 135 | $73 | $9,107,474 | 35 |
| Apr 19, 2019 | - | $21,677 | +120% | -42% | 73 | $297 | $9,129,151 | 36 |
| Apr 20, 2019 | - | $28,179 | +30% | -62% | 73 | $386 | $9,157,330 | 37 |
| Apr 21, 2019 | - | $28,542 | +1% | -57% | 73 | $391 | $9,185,872 | 38 |
| Apr 22, 2019 | - | $8,865 | -69% | -42% | 73 | $121 | $9,194,737 | 39 |
| Apr 23, 2019 | - | $9,513 | +7% | -68% | 73 | $130 | $9,204,250 | 40 |
| Apr 24, 2019 | - | $6,039 | -37% | -51% | 73 | $83 | $9,210,289 | 41 |
| Apr 25, 2019 | - | $3,437 | -43% | -65% | 73 | $47 | $9,213,726 | 42 |
| Apr 26, 2019 | - | $7,815 | +127% | -64% | 56 | $140 | $9,221,541 | 43 |
| Apr 27, 2019 | - | $15,085 | +93% | -46% | 56 | $269 | $9,236,626 | 44 |
| Apr 28, 2019 | - | $17,222 | +14% | -40% | 56 | $308 | $9,253,848 | 45 |
| Apr 29, 2019 | - | $4,179 | -76% | -53% | 56 | $75 | $9,258,027 | 46 |
| Apr 30, 2019 | - | $5,682 | +36% | -40% | 56 | $101 | $9,263,709 | 47 |
| May 1, 2019 | - | $3,398 | -40% | -44% | 56 | $61 | $9,267,107 | 48 |
| May 2, 2019 | - | $3,813 | +12% | +11% | 56 | $68 | $9,270,920 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 6 | $4,846,279 | 472 | $10,268 | $4,846,279 | 1 | |
| Mar 22, 2019 | 8 | $2,301,148 | -53% | 472 | $4,875 | $7,147,427 | 2 |
| Mar 29, 2019 | 12 | $1,184,700 | -49% | 423 | $2,801 | $8,332,127 | 3 |
| Apr 5, 2019 | 17 | $530,438 | -55% | 275 | $1,929 | $8,862,565 | 4 |
| Apr 12, 2019 | 25 | $244,909 | -54% | 135 | $1,814 | $9,107,474 | 5 |
| Apr 19, 2019 | 31 | $106,252 | -57% | 73 | $1,456 | $9,213,726 | 6 |
| Apr 26, 2019 | 36 | $57,194 | -46% | 56 | $1,021 | $9,270,920 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 4/11/2019 | $4,571,788 | 0 | 0 | 0 | $17,106,879 | 5/20/2019 | |||
| International Total | $17,106,879 | 5/20/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Omar Chaparro | Zequi | |
| Martha Higareda | Lucy | |
| Aaron Diaz | Mario | |
| Itati Cantoral | ||
| Regina Pavón | Monica | |
| Memo Dorantes | Romo | |
| Mario Moran | Cristobal | |
| Karen Furlong | Nayeli | |
| Carla Adell | Laura | |
| Raquel De Icaza |
Supporting
| Rocio Garcia | Jenny | |
| Andrea Noli | ||
| Fernanda Castillo | ||
| Raquel Garza |
Production and Technical Credits
| Nacho G. Velilla | Director | |
| David S. Olivas | Screenwriter | |
| Claudio Herrera | Screenwriter | |
| Sergio Adrian Sanchez | Screenwriter | |
| David S. Olivas | Story by | |
| Oriol Capel | Story by | |
| Nacho G. Velilla | Story by | |
| Edward Allen | Producer | |
| Martha Higareda | Producer | |
| Mauricio Arguelles | Producer | |
| Nacho G. Velilla | Producer | |
| Andrew Kosove | Executive Producer | |
| Broderick Johnson | Executive Producer | |
| Laurence Rosenthal | Executive Producer | |
| Fernando Lebrija | Executive Producer | |
| Martin Moszkowicz | Executive Producer | |
| Clifford Werber | Executive Producer | |
| Victor Leycegui | Line Producer | |
| Aaron Rivera-Ashford | Co-Producer | |
| David Omedes | Director of Photography | |
| Angel Hernandez Zoido | Editor | |
| Atzin Hernandez | Costume Designer | |
| Felix Berges | Visual Effects Designer | |
| Ricardo Arvizu | Special Effects | |
| Alex Capilla | Sound Designer | |
| Alex Capilla | Sound Supervisor | |
| Michael Hodges | Executive Producer | |
| Ashley Culp | Executive Producer | |
| Juan Jose Javierre | Composer | |
| Juan Jose Javierre | Music Supervisor | |
| Alejandro Reza | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.