Nobody Walks (2012)
| Theatrical Performance | ||
| Domestic Box Office | $25,342 | Details |
| OpusData ID: 177820100 More info... | ||
| Further financial details... | ||
Synopsis
Martine, an artist from New York, arrives in Los Angeles to work on her film. She is staying with friends of a friend, Julie, her husband Peter, Julie’s teenage daughter Kolt, and their young son. From the day that Martine walks into the lives of this open-minded, relaxed California family, everything is subtly set off balance. Peter is helping Martine complete the sound design on her art film and they collaborate closely together, working in the studio off the pool house where Martine is staying. They develop a connection that is rare for Peter and necessary for Martine to finish her movie but which begins to veer away from professional terrain. An attraction is also brewing between Martine and David’s assistant, who sixteen-year-old Kolt is crushing on as well. Meanwhile, Julie, a therapist who prides herself on being professional and together, is fending off the projective impulses of one of her patients, a screenwriter who can talk his way into anything. Each character experiences a surge of desire catalyzed by Martine’s arrival, and everyone is forced to confront the new landscape that emerges in her wake.
Metrics
| Opening Weekend: | $7,269 (28.7% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $38,081 |
Movie Details
| Domestic Releases: | October 19th, 2012 (Limited) by Magnolia Pictures |
| Video Release: | January 23rd, 2013 by Magnolia Home Entertainment |
| MPA Rating: | R for sexuality, language and some drug use. (Rating bulletin 2229, 6/27/2012) |
| Running Time: | 82 minutes |
| Plot point: | Artists, Dysfunctional Family, Infidelity, Love Triangle, Relationships Gone Wrong |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Movie Business |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Super Crispy Entertainment, Jonathan Schwartz, Andrea Sperling |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2012 | 77 | $7,269 | 2 | $3,635 | $7,269 | 1 | |
| Oct 26, 2012 | 80 | $5,372 | -26% | 7 | $767 | $15,532 | 2 |
| Nov 2, 2012 | 89 | $1,510 | -72% | 4 | $378 | $20,067 | 3 |
| Nov 9, 2012 | 84 | $2,946 | +95% | 5 | $589 | $23,773 | 4 |
| Nov 16, 2012 | 96 | $552 | -81% | 2 | $276 | $24,995 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2012 | 81 | $10,160 | 2 | $5,080 | $10,160 | 1 | |
| Oct 26, 2012 | 81 | $8,397 | -17% | 7 | $1,200 | $18,557 | 2 |
| Nov 2, 2012 | 95 | $2,270 | -73% | 4 | $568 | $20,827 | 3 |
| Nov 9, 2012 | 88 | $3,616 | +59% | 5 | $723 | $24,443 | 4 |
| Nov 16, 2012 | 100 | $899 | -75% | 2 | $450 | $25,342 | 5 |
Leading
| John Krasinski | Peter | |
| Olivia Thirlby | Martine |
Supporting
| Rosemarie DeWitt | Julie | |
| India Ennenga | Kolt | |
| Dylan McDermott | Leroy | |
| Justin Kirk | Billy | |
| Rhys Wakefield | David | |
| Emanuele Secci | Marcello | |
| Sam Lerner | Avi | |
| Mason Welch | Dusty | |
| David Call | Man | |
| Jane Levy | Caroline | |
| Anthony Saludares | Actor | |
| Samantha Ressler | Actress | |
| Stacy Barnhisel | Teacher |
Production and Technical Credits
| Ry Russo-Young | Director | |
| Kerry Barden | Casting | |
| Paul Schnee | Casting Director | |
| Kim Wilcox | Costume Designer | |
| Linda Sena | Production Designer | |
| Tiffany Anders | Music Supervisor | |
| John Walter | Editor | |
| Christopher Blauvelt | Director of Photography | |
| Warren Fischer | Co-Producer | |
| Audrey Wilf | Executive Producer | |
| Zygi Wilf | Executive Producer | |
| Jonathan Schwartz | Producer | |
| Andrea Sperling | Producer | |
| Alicia Van Couvering | Producer | |
| Lena Dunham | Co-Writer | |
| Ry Russo-Young | Co-Writer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Martine, an artist from New York, arrives in Los Angeles to work on her film. She is staying with friends of a friend, Julie, her husband Peter, Julie’s teenage daughter Kolt, and their young son. From the day that Martine walks into the lives of this open-minded, relaxed California family, everything is subtly set off balance. Peter is helping Martine complete the sound design on her art film and they collaborate closely together, working in the studio off the pool house where Martine is staying. They develop a connection that is rare for Peter and necessary for Martine to finish her movie but which begins to veer away from professional terrain. An attraction is also brewing between Martine and David’s assistant, who sixteen-year-old Kolt is crushing on as well. Meanwhile, Julie, a therapist who prides herself on being professional and together, is fending off the projective impulses of one of her patients, a screenwriter who can talk his way into anything. Each character experiences a surge of desire catalyzed by Martine’s arrival, and everyone is forced to confront the new landscape that emerges in her wake.
Metrics
| Opening Weekend: | $7,269 (28.7% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $38,081 |
Movie Details
| Domestic Releases: | October 19th, 2012 (Limited) by Magnolia Pictures |
| Video Release: | January 23rd, 2013 by Magnolia Home Entertainment |
| MPA Rating: | R for sexuality, language and some drug use. (Rating bulletin 2229, 6/27/2012) |
| Running Time: | 82 minutes |
| Plot point: | Artists, Dysfunctional Family, Infidelity, Love Triangle, Relationships Gone Wrong |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Movie Business |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Super Crispy Entertainment, Jonathan Schwartz, Andrea Sperling |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2012 | 77 | $7,269 | 2 | $3,635 | $7,269 | 1 | |
| Oct 26, 2012 | 80 | $5,372 | -26% | 7 | $767 | $15,532 | 2 |
| Nov 2, 2012 | 89 | $1,510 | -72% | 4 | $378 | $20,067 | 3 |
| Nov 9, 2012 | 84 | $2,946 | +95% | 5 | $589 | $23,773 | 4 |
| Nov 16, 2012 | 96 | $552 | -81% | 2 | $276 | $24,995 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2012 | 81 | $10,160 | 2 | $5,080 | $10,160 | 1 | |
| Oct 26, 2012 | 81 | $8,397 | -17% | 7 | $1,200 | $18,557 | 2 |
| Nov 2, 2012 | 95 | $2,270 | -73% | 4 | $568 | $20,827 | 3 |
| Nov 9, 2012 | 88 | $3,616 | +59% | 5 | $723 | $24,443 | 4 |
| Nov 16, 2012 | 100 | $899 | -75% | 2 | $450 | $25,342 | 5 |
Leading
| John Krasinski | Peter | |
| Olivia Thirlby | Martine |
Supporting
| Rosemarie DeWitt | Julie | |
| India Ennenga | Kolt | |
| Dylan McDermott | Leroy | |
| Justin Kirk | Billy | |
| Rhys Wakefield | David | |
| Emanuele Secci | Marcello | |
| Sam Lerner | Avi | |
| Mason Welch | Dusty | |
| David Call | Man | |
| Jane Levy | Caroline | |
| Anthony Saludares | Actor | |
| Samantha Ressler | Actress | |
| Stacy Barnhisel | Teacher |
Production and Technical Credits
| Ry Russo-Young | Director | |
| Kerry Barden | Casting | |
| Paul Schnee | Casting Director | |
| Kim Wilcox | Costume Designer | |
| Linda Sena | Production Designer | |
| Tiffany Anders | Music Supervisor | |
| John Walter | Editor | |
| Christopher Blauvelt | Director of Photography | |
| Warren Fischer | Co-Producer | |
| Audrey Wilf | Executive Producer | |
| Zygi Wilf | Executive Producer | |
| Jonathan Schwartz | Producer | |
| Andrea Sperling | Producer | |
| Alicia Van Couvering | Producer | |
| Lena Dunham | Co-Writer | |
| Ry Russo-Young | Co-Writer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.