Noma: My Perfect Storm (2015)
| Theatrical Performance | ||
| Domestic Box Office | $21,130 | Details |
| International Box Office | $1,590,608 | Details |
| Worldwide Box Office | $1,611,738 | |
| OpusData ID: 246850100 More info... | ||
| Further financial details... | ||
Synopsis
With automatic access to genius, Noma: My Perfect Storm is a creative journey into the unique mind of René Redzepi. How did Redzepi manage to revolutionize the entire world of gastronomy, inventing the alphabet and vocabulary that would infuse newfound pedigree to Nordic cuisine and establish a new edible world while radically changing the image of the modern chef? His story has the feel of a classic fairy tale: the ugly duckling transformed into a majestic swan, who now reigns over the realm of modern gourmet cuisine. But beneath the polished surface, cracks appear in the form of old wounds. 2013 stands as the worst year in René Redzepi’s career. We follow him as he fights his way back to the top, reinventing NOMA and reclaiming the title of best restaurant in the world in 2014 for the fourth time.
Metrics
| Opening Weekend: | $2,987 (14.1% of total gross) |
| Legs: | 3.74 (domestic box office/biggest weekend) |
| Domestic Share: | 1.3% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/5 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,709 |
Movie Details
| Domestic Releases: | December 18th, 2015 (Limited) by Magnolia Pictures |
| International Releases: | February 12th, 2016 (Wide) (Australia)
April 22nd, 2016 (Wide), released as Noma My Perfect Storm (New Zealand) July 19th, 2016 (Wide), released as Noma My Perfect Storm (South Korea) |
| Video Release: | December 18th, 2015 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Plot point: | Biography, Food, Gastronomy |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Documentree Films, Red Rental A/S, Good Rolling |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 62 | $2,987 | 4 | $747 | $2,987 | 1 | |
| Dec 25, 2015 | 54 | $5,656 | +89% | 5 | $1,131 | $12,726 | 2 |
| Jan 1, 2016 | 65 | $2,965 | -48% | 4 | $741 | $16,700 | 3 |
| Jan 8, 2016 | 74 | $2,309 | -22% | 4 | $577 | $19,554 | 4 |
| Jan 15, 2016 | 79 | $154 | -93% | 2 | $77 | $21,018 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 56 | $7,070 | 4 | $1,768 | $7,070 | 1 | |
| Dec 25, 2015 | 60 | $6,665 | -6% | 5 | $1,333 | $13,735 | 2 |
| Jan 1, 2016 | 68 | $3,510 | -47% | 5 | $702 | $17,245 | 3 |
| Jan 8, 2016 | 72 | $3,619 | +3% | 4 | $905 | $20,864 | 4 |
| Jan 15, 2016 | 81 | $266 | -93% | 2 | $133 | $21,130 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/12/2016 | $5,251 | 7 | 7 | 15 | $23,109 | 6/9/2016 | |||
| New Zealand | 4/22/2016 | $5,453 | 13 | 13 | 72 | $17,243 | 6/27/2016 | |||
| South Korea | 7/19/2016 | $0 | 0 | 15 | 25 | $1,550,256 | 4/4/2026 | |||
| International Total | $1,590,608 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Rene Redzepi | Himself |
Interviewee
| Hanne Redzepi | Herself | |
| Ali Rami Redzepi | Himself | |
| Claus Meyer | Himself | |
| Ferran Adriá | Himself | |
| Tor Nørretranders | Himself | |
| Paul Cunnigham | Himself | |
| Andrea Petrini | Herself | |
| Roland Rittman | Himself | |
| Soren Wiuff | Himself | |
| Roderick Sloan | Himself | |
| Tage Ronne | Himself | |
| Daniel Giusti | Himself | |
| Matt Goulding | Himself |
Production and Technical Credits
| Pierre Deschamps | Director | |
| Etta Thompson Deschamps | Producer | |
| Anders Holck | Executive Producer | |
| Ricardo Ceballos | Executive Producer | |
| Malene Blenkov | Executive Producer | |
| Michel Schonnemann | Executive Producer | |
| Etta Thompson Deschamps | Executive Producer | |
| Pierre Deschamps | Director of Photography | |
| Mike Brook | Editor | |
| Frans Bak | Composer | |
| Keld Haaning Ibsen | Composer | |
| Simon Astall | Music Supervisor | |
| Thomas Jaeger | Sound Mixer | |
| Brian Dyrby | Sound Designer | |
| Kristoffer Salting | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
With automatic access to genius, Noma: My Perfect Storm is a creative journey into the unique mind of René Redzepi. How did Redzepi manage to revolutionize the entire world of gastronomy, inventing the alphabet and vocabulary that would infuse newfound pedigree to Nordic cuisine and establish a new edible world while radically changing the image of the modern chef? His story has the feel of a classic fairy tale: the ugly duckling transformed into a majestic swan, who now reigns over the realm of modern gourmet cuisine. But beneath the polished surface, cracks appear in the form of old wounds. 2013 stands as the worst year in René Redzepi’s career. We follow him as he fights his way back to the top, reinventing NOMA and reclaiming the title of best restaurant in the world in 2014 for the fourth time.
Metrics
| Opening Weekend: | $2,987 (14.1% of total gross) |
| Legs: | 3.74 (domestic box office/biggest weekend) |
| Domestic Share: | 1.3% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/5 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,709 |
Movie Details
| Domestic Releases: | December 18th, 2015 (Limited) by Magnolia Pictures |
| International Releases: | February 12th, 2016 (Wide) (Australia)
April 22nd, 2016 (Wide), released as Noma My Perfect Storm (New Zealand) July 19th, 2016 (Wide), released as Noma My Perfect Storm (South Korea) |
| Video Release: | December 18th, 2015 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Plot point: | Biography, Food, Gastronomy |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Documentree Films, Red Rental A/S, Good Rolling |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 62 | $2,987 | 4 | $747 | $2,987 | 1 | |
| Dec 25, 2015 | 54 | $5,656 | +89% | 5 | $1,131 | $12,726 | 2 |
| Jan 1, 2016 | 65 | $2,965 | -48% | 4 | $741 | $16,700 | 3 |
| Jan 8, 2016 | 74 | $2,309 | -22% | 4 | $577 | $19,554 | 4 |
| Jan 15, 2016 | 79 | $154 | -93% | 2 | $77 | $21,018 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 56 | $7,070 | 4 | $1,768 | $7,070 | 1 | |
| Dec 25, 2015 | 60 | $6,665 | -6% | 5 | $1,333 | $13,735 | 2 |
| Jan 1, 2016 | 68 | $3,510 | -47% | 5 | $702 | $17,245 | 3 |
| Jan 8, 2016 | 72 | $3,619 | +3% | 4 | $905 | $20,864 | 4 |
| Jan 15, 2016 | 81 | $266 | -93% | 2 | $133 | $21,130 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/12/2016 | $5,251 | 7 | 7 | 15 | $23,109 | 6/9/2016 | |||
| New Zealand | 4/22/2016 | $5,453 | 13 | 13 | 72 | $17,243 | 6/27/2016 | |||
| South Korea | 7/19/2016 | $0 | 0 | 15 | 25 | $1,550,256 | 4/4/2026 | |||
| International Total | $1,590,608 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Rene Redzepi | Himself |
Interviewee
| Hanne Redzepi | Herself | |
| Ali Rami Redzepi | Himself | |
| Claus Meyer | Himself | |
| Ferran Adriá | Himself | |
| Tor Nørretranders | Himself | |
| Paul Cunnigham | Himself | |
| Andrea Petrini | Herself | |
| Roland Rittman | Himself | |
| Soren Wiuff | Himself | |
| Roderick Sloan | Himself | |
| Tage Ronne | Himself | |
| Daniel Giusti | Himself | |
| Matt Goulding | Himself |
Production and Technical Credits
| Pierre Deschamps | Director | |
| Etta Thompson Deschamps | Producer | |
| Anders Holck | Executive Producer | |
| Ricardo Ceballos | Executive Producer | |
| Malene Blenkov | Executive Producer | |
| Michel Schonnemann | Executive Producer | |
| Etta Thompson Deschamps | Executive Producer | |
| Pierre Deschamps | Director of Photography | |
| Mike Brook | Editor | |
| Frans Bak | Composer | |
| Keld Haaning Ibsen | Composer | |
| Simon Astall | Music Supervisor | |
| Thomas Jaeger | Sound Mixer | |
| Brian Dyrby | Sound Designer | |
| Kristoffer Salting | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.