Normal (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $5,071,290 | Details |
| International Box Office | $880,974 | Details |
| Worldwide Box Office | $5,952,264 | |
| OpusData ID: 764110100 More info... | ||
| Further financial details... | ||
Synopsis
For Sheriff Ulysses, his provisional posting to the quaint Midwestern American town of Normal was meant to be a welcome respite from both his marital woes and recent moral injuries in the line of duty. But when a botched bank robbery interrupts the municipality’s tranquil pace, a dark secret is inadvertently exposed, and Ulysses soon discovers that the town is anything but its namesake.
Metrics
| Opening Weekend: | $2,550,311 (50.3% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 85.2% (domestic box office/worldwide) |
| Theater counts: | 2,060 opening theaters/2,060 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,071,290 |
Movie Details
| Domestic Releases: | April 17th, 2026 (Wide) by Magnolia Pictures |
| International Releases: | April 15th, 2026 (Wide) (Germany)
April 16th, 2026 (Wide), released as Normal (Нормал) (Russia (CIS)) April 16th, 2026 (Limited) (Netherlands) April 17th, 2026 (Wide) (Australia) April 17th, 2026 (Wide) (New Zealand) ... Show all releases |
| Video Release: | May 19th, 2026 by Magnolia Home Entertainment |
| MPA Rating: | R for strong bloody violence, and language. (Rating bulletin 2900 (cert #55615), 8/27/2025) |
| Running Time: | 90 minutes |
| Filming location (country): | Canada |
| Filming location (state or county): | Manitoba, Canada |
| Plot point: | Bank Robbery, Corrupt Cops, Sheriff, Extreme Weather, Yakuza |
| Social setting: | Life in a Small Town, Organized Crime |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, Ope Partners, Tradecraft Films, Le Foole Inc., QWGMIRE, Aperture Media Partners |
| Production Countries: | United States, Canada |
| Languages: | English, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 7 | $2,550,311 | 2,060 | $1,238 | $2,550,311 | 1 | |
| Apr 24, 2026 | 12 | $695,707 | -73% | 1,790 | $389 | $4,223,010 | 2 |
| May 1, 2026 | - | $35,641 | -95% | 134 | $266 | $4,676,231 | 3 |
| May 8, 2026 | - | $3,266 | -91% | 14 | $233 | $5,068,789 | 4 |
| May 15, 2026 | - | $1,069 | -67% | 7 | $153 | $5,071,290 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 7 | $3,527,303 | 2,060 | $1,712 | $3,527,303 | 1 | |
| Apr 24, 2026 | 11 | $1,113,287 | -68% | 1,790 | $622 | $4,640,590 | 2 |
| May 1, 2026 | 14 | $424,933 | -62% | 134 | $3,171 | $5,065,523 | 3 |
| May 8, 2026 | 43 | $4,698 | -99% | 14 | $336 | $5,070,221 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| India | 4/17/2026 | $0 | 0 | 0 | 0 | $21,075 | 5/8/2026 | |||
| Lithuania | 4/24/2026 | $8,580 | 0 | 0 | 0 | $11,895 | 5/8/2026 | |||
| Netherlands | 4/16/2026 | $84,358 | 66 | 66 | 174 | $210,353 | 5/4/2026 | |||
| Russia (CIS) | 4/16/2026 | $217,469 | 610 | 610 | 993 | $362,317 | 4/29/2026 | |||
| South Korea | 4/17/2026 | $34,088 | 133 | 133 | 0 | $87,619 | 5/6/2026 | |||
| Spain | 7/1/2026 | $3,313 | 98 | 98 | 148 | $69,942 | 7/16/2026 | |||
| Turkey | 6/19/2026 | $7,310 | 119 | 119 | 125 | $14,096 | 7/9/2026 | |||
| United Kingdom | 5/15/2026 | $103,677 | 212 | 212 | 212 | $103,677 | 5/21/2026 | |||
| International Total | $880,974 | 7/16/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Bob Odenkirk | Ulysses | |
| Henry Winkler | Mayor of Normal | |
| Lena Headey | Moira | |
| Jess McLeod | Alex | |
| Ryan Allen | Deputy Blaine Anderson | |
| Billy MacLellan | Deputy Mike Nelson | |
| Brendan Fletcher | Keith | |
| Reena Jolly | Lori | |
| Peter Shinkoda | Joe |
Supporting
| Derek Barnes | ||
| David Lawrence Brown | ||
| Chad Bruce | ||
| Lauren Cochrane | ||
| Dan De Jaeger | ||
| Takehiko Inoue | ||
| Brian Kawakami | ||
| John C. MacDonald | ||
| Alex MacMillan | ||
| Megan McArton | ||
| Aaron Merke | ||
| Carson Nattrass | ||
| Harry Nelken | ||
| Yosuke Nishi | ||
| Bradley Sawatzky |
Production and Technical Credits
| Ben Wheatley | Director | |
| Derek Kolstad | Screenwriter | |
| Derek Kolstad | Story Creator | |
| Bob Odenkirk | Story Creator | |
| Marc Provissiero | Producer | |
| Derek Kolstad | Producer | |
| Bob Odenkirk | Producer | |
| Molly Quinn | Executive Producer | |
| Elan Gale | Executive Producer | |
| Matthew Welty | Executive Producer | |
| Joshua Adler | Executive Producer | |
| Rhonda Baker | Executive Producer | |
| Carrie Wilkins | Executive Producer | |
| Glenn D. Feig | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Andrew C. Robinson | Executive Producer | |
| Ellen Rutter | Executive Producer | |
| Matthew Anderson | Executive Producer | |
| Jean Andre Carriere | Production Designer | |
| Jonathan Amos | Editor | |
| Harry Gregson-Williams | Composer | |
| Ryder McNair | Composer | |
| Armando Salas | Director of Photography | |
| Jillian Ennis | Music Supervisor | |
| Ellen Rutter | Line Producer | |
| Heather Neale | Costume Designer | |
| Carmen Kotyk | Casting Director | |
| David Rubin | Additional Casting | |
| Matt Lander | Additional Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
For Sheriff Ulysses, his provisional posting to the quaint Midwestern American town of Normal was meant to be a welcome respite from both his marital woes and recent moral injuries in the line of duty. But when a botched bank robbery interrupts the municipality’s tranquil pace, a dark secret is inadvertently exposed, and Ulysses soon discovers that the town is anything but its namesake.
Metrics
| Opening Weekend: | $2,550,311 (50.3% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 85.2% (domestic box office/worldwide) |
| Theater counts: | 2,060 opening theaters/2,060 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,071,290 |
Movie Details
| Domestic Releases: | April 17th, 2026 (Wide) by Magnolia Pictures |
| International Releases: | April 15th, 2026 (Wide) (Germany)
April 16th, 2026 (Wide), released as Normal (Нормал) (Russia (CIS)) April 16th, 2026 (Limited) (Netherlands) April 17th, 2026 (Wide) (Australia) April 17th, 2026 (Wide) (New Zealand) ... Show all releases |
| Video Release: | May 19th, 2026 by Magnolia Home Entertainment |
| MPA Rating: | R for strong bloody violence, and language. (Rating bulletin 2900 (cert #55615), 8/27/2025) |
| Running Time: | 90 minutes |
| Filming location (country): | Canada |
| Filming location (state or county): | Manitoba, Canada |
| Plot point: | Bank Robbery, Corrupt Cops, Sheriff, Extreme Weather, Yakuza |
| Social setting: | Life in a Small Town, Organized Crime |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, Ope Partners, Tradecraft Films, Le Foole Inc., QWGMIRE, Aperture Media Partners |
| Production Countries: | United States, Canada |
| Languages: | English, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 7 | $2,550,311 | 2,060 | $1,238 | $2,550,311 | 1 | |
| Apr 24, 2026 | 12 | $695,707 | -73% | 1,790 | $389 | $4,223,010 | 2 |
| May 1, 2026 | - | $35,641 | -95% | 134 | $266 | $4,676,231 | 3 |
| May 8, 2026 | - | $3,266 | -91% | 14 | $233 | $5,068,789 | 4 |
| May 15, 2026 | - | $1,069 | -67% | 7 | $153 | $5,071,290 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 7 | $3,527,303 | 2,060 | $1,712 | $3,527,303 | 1 | |
| Apr 24, 2026 | 11 | $1,113,287 | -68% | 1,790 | $622 | $4,640,590 | 2 |
| May 1, 2026 | 14 | $424,933 | -62% | 134 | $3,171 | $5,065,523 | 3 |
| May 8, 2026 | 43 | $4,698 | -99% | 14 | $336 | $5,070,221 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| India | 4/17/2026 | $0 | 0 | 0 | 0 | $21,075 | 5/8/2026 | |||
| Lithuania | 4/24/2026 | $8,580 | 0 | 0 | 0 | $11,895 | 5/8/2026 | |||
| Netherlands | 4/16/2026 | $84,358 | 66 | 66 | 174 | $210,353 | 5/4/2026 | |||
| Russia (CIS) | 4/16/2026 | $217,469 | 610 | 610 | 993 | $362,317 | 4/29/2026 | |||
| South Korea | 4/17/2026 | $34,088 | 133 | 133 | 0 | $87,619 | 5/6/2026 | |||
| Spain | 7/1/2026 | $3,313 | 98 | 98 | 148 | $69,942 | 7/16/2026 | |||
| Turkey | 6/19/2026 | $7,310 | 119 | 119 | 125 | $14,096 | 7/9/2026 | |||
| United Kingdom | 5/15/2026 | $103,677 | 212 | 212 | 212 | $103,677 | 5/21/2026 | |||
| International Total | $880,974 | 7/16/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Bob Odenkirk | Ulysses | |
| Henry Winkler | Mayor of Normal | |
| Lena Headey | Moira | |
| Jess McLeod | Alex | |
| Ryan Allen | Deputy Blaine Anderson | |
| Billy MacLellan | Deputy Mike Nelson | |
| Brendan Fletcher | Keith | |
| Reena Jolly | Lori | |
| Peter Shinkoda | Joe |
Supporting
| Derek Barnes | ||
| David Lawrence Brown | ||
| Chad Bruce | ||
| Lauren Cochrane | ||
| Dan De Jaeger | ||
| Takehiko Inoue | ||
| Brian Kawakami | ||
| John C. MacDonald | ||
| Alex MacMillan | ||
| Megan McArton | ||
| Aaron Merke | ||
| Carson Nattrass | ||
| Harry Nelken | ||
| Yosuke Nishi | ||
| Bradley Sawatzky |
Production and Technical Credits
| Ben Wheatley | Director | |
| Derek Kolstad | Screenwriter | |
| Derek Kolstad | Story Creator | |
| Bob Odenkirk | Story Creator | |
| Marc Provissiero | Producer | |
| Derek Kolstad | Producer | |
| Bob Odenkirk | Producer | |
| Molly Quinn | Executive Producer | |
| Elan Gale | Executive Producer | |
| Matthew Welty | Executive Producer | |
| Joshua Adler | Executive Producer | |
| Rhonda Baker | Executive Producer | |
| Carrie Wilkins | Executive Producer | |
| Glenn D. Feig | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Andrew C. Robinson | Executive Producer | |
| Ellen Rutter | Executive Producer | |
| Matthew Anderson | Executive Producer | |
| Jean Andre Carriere | Production Designer | |
| Jonathan Amos | Editor | |
| Harry Gregson-Williams | Composer | |
| Ryder McNair | Composer | |
| Armando Salas | Director of Photography | |
| Jillian Ennis | Music Supervisor | |
| Ellen Rutter | Line Producer | |
| Heather Neale | Costume Designer | |
| Carmen Kotyk | Casting Director | |
| David Rubin | Additional Casting | |
| Matt Lander | Additional Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.