The Novice (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $24,322 | Details |
| International Box Office | $140,733 | Details |
| Worldwide Box Office | $165,055 | |
| OpusData ID: 520180100 More info... | ||
| Further financial details... | ||
Synopsis
A queer college freshman joins her university’s rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost.
Metrics
| Opening Weekend: | $12,301 (50.6% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 14.7% (domestic box office/worldwide) |
| Theater counts: | 36 opening theaters/36 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,130 |
Movie Details
| Domestic Releases: | December 17th, 2021 (Limited) by IFC Films |
| International Releases: | April 1st, 2022 (Wide) (United Kingdom)
May 25th, 2022 (Wide), released as The Novice (더 노비스) (South Korea) October 27th, 2022 (Limited) (New Zealand) January 17th, 2023 (Limited) (France) November 1st, 2024 (Limited), released as The Novice (ノーヴィス) (Japan) ... Show all releases |
| Video Release: | December 17th, 2021 by IFC Video |
| MPA Rating: | R for language, some sexuality and brief disturbing material. (Rating bulletin 2703 (cert #53461), 10/20/2021) |
| Running Time: | 94 minutes |
| Plot point: | Miscellaneous Racing |
| Social setting: | College, College Sports |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Picture Movers Anonymous, H2L Media Group |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 2021 | - | $12,301 | 36 | $342 | $12,301 | 1 | |
| Dec 24, 2021 | - | $1,034 | -92% | 9 | $115 | $18,485 | 2 |
| Dec 31, 2021 | - | $1,222 | +18% | 6 | $204 | $20,520 | 3 |
| Jan 7, 2022 | - | $436 | -64% | 4 | $109 | $22,078 | 4 |
| Jan 14, 2022 | - | $156 | -64% | 2 | $78 | $22,558 | 5 |
| Jan 21, 2022 | - | $395 | +153% | 4 | $99 | $22,969 | 6 |
| Jan 28, 2022 | - | $939 | +138% | 3 | $313 | $24,222 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Dec 17, 2021 | - | $5,125 | 36 | $142 | $5,125 | 1 | |
| Dec 18, 2021 | - | $4,239 | -17% | 36 | $118 | $9,364 | 2 |
| Dec 19, 2021 | - | $2,937 | -31% | 36 | $82 | $12,301 | 3 |
| Dec 20, 2021 | - | $1,642 | -44% | 36 | $46 | $13,943 | 4 |
| Dec 21, 2021 | - | $1,140 | -31% | 36 | $32 | $15,083 | 5 |
| Dec 22, 2021 | - | $955 | -16% | 36 | $27 | $16,038 | 6 |
| Dec 23, 2021 | - | $1,413 | +48% | 36 | $39 | $17,451 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 2021 | - | $17,451 | 36 | $485 | $17,451 | 1 | |
| Dec 24, 2021 | - | $1,847 | -89% | 9 | $205 | $19,298 | 2 |
| Dec 31, 2021 | - | $2,344 | +27% | 6 | $391 | $21,642 | 3 |
| Jan 7, 2022 | - | $760 | -68% | 4 | $190 | $22,402 | 4 |
| Jan 14, 2022 | - | $172 | -77% | 2 | $86 | $22,574 | 5 |
| Jan 21, 2022 | - | $709 | +312% | 4 | $177 | $23,283 | 6 |
| Jan 28, 2022 | - | $1,039 | +47% | 3 | $346 | $24,322 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/27/2022 | $0 | 0 | 1 | 1 | $127 | 11/7/2022 | |||
| South Korea | 5/25/2022 | $9,224 | 50 | 50 | 93 | $39,203 | 6/23/2022 | |||
| United Kingdom | 4/1/2022 | $38,727 | 31 | 31 | 31 | $38,727 | 4/6/2022 | |||
| Rest of World | $62,676 | |||||||||
| International Total | $140,733 | 11/7/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Isabelle Fuhrman |
Production and Technical Credits
| Lauren Hadaway | Director | |
| Lauren Hadaway | Screenwriter | |
| Ryan Hawkins | Producer | |
| Kari Hollend | Producer | |
| Steven Sims | Producer | |
| Zack Zucker | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A queer college freshman joins her university’s rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost.
Metrics
| Opening Weekend: | $12,301 (50.6% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 14.7% (domestic box office/worldwide) |
| Theater counts: | 36 opening theaters/36 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,130 |
Movie Details
| Domestic Releases: | December 17th, 2021 (Limited) by IFC Films |
| International Releases: | April 1st, 2022 (Wide) (United Kingdom)
May 25th, 2022 (Wide), released as The Novice (더 노비스) (South Korea) October 27th, 2022 (Limited) (New Zealand) January 17th, 2023 (Limited) (France) November 1st, 2024 (Limited), released as The Novice (ノーヴィス) (Japan) ... Show all releases |
| Video Release: | December 17th, 2021 by IFC Video |
| MPA Rating: | R for language, some sexuality and brief disturbing material. (Rating bulletin 2703 (cert #53461), 10/20/2021) |
| Running Time: | 94 minutes |
| Plot point: | Miscellaneous Racing |
| Social setting: | College, College Sports |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Picture Movers Anonymous, H2L Media Group |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 2021 | - | $12,301 | 36 | $342 | $12,301 | 1 | |
| Dec 24, 2021 | - | $1,034 | -92% | 9 | $115 | $18,485 | 2 |
| Dec 31, 2021 | - | $1,222 | +18% | 6 | $204 | $20,520 | 3 |
| Jan 7, 2022 | - | $436 | -64% | 4 | $109 | $22,078 | 4 |
| Jan 14, 2022 | - | $156 | -64% | 2 | $78 | $22,558 | 5 |
| Jan 21, 2022 | - | $395 | +153% | 4 | $99 | $22,969 | 6 |
| Jan 28, 2022 | - | $939 | +138% | 3 | $313 | $24,222 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Dec 17, 2021 | - | $5,125 | 36 | $142 | $5,125 | 1 | |
| Dec 18, 2021 | - | $4,239 | -17% | 36 | $118 | $9,364 | 2 |
| Dec 19, 2021 | - | $2,937 | -31% | 36 | $82 | $12,301 | 3 |
| Dec 20, 2021 | - | $1,642 | -44% | 36 | $46 | $13,943 | 4 |
| Dec 21, 2021 | - | $1,140 | -31% | 36 | $32 | $15,083 | 5 |
| Dec 22, 2021 | - | $955 | -16% | 36 | $27 | $16,038 | 6 |
| Dec 23, 2021 | - | $1,413 | +48% | 36 | $39 | $17,451 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 2021 | - | $17,451 | 36 | $485 | $17,451 | 1 | |
| Dec 24, 2021 | - | $1,847 | -89% | 9 | $205 | $19,298 | 2 |
| Dec 31, 2021 | - | $2,344 | +27% | 6 | $391 | $21,642 | 3 |
| Jan 7, 2022 | - | $760 | -68% | 4 | $190 | $22,402 | 4 |
| Jan 14, 2022 | - | $172 | -77% | 2 | $86 | $22,574 | 5 |
| Jan 21, 2022 | - | $709 | +312% | 4 | $177 | $23,283 | 6 |
| Jan 28, 2022 | - | $1,039 | +47% | 3 | $346 | $24,322 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/27/2022 | $0 | 0 | 1 | 1 | $127 | 11/7/2022 | |||
| South Korea | 5/25/2022 | $9,224 | 50 | 50 | 93 | $39,203 | 6/23/2022 | |||
| United Kingdom | 4/1/2022 | $38,727 | 31 | 31 | 31 | $38,727 | 4/6/2022 | |||
| Rest of World | $62,676 | |||||||||
| International Total | $140,733 | 11/7/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Isabelle Fuhrman |
Production and Technical Credits
| Lauren Hadaway | Director | |
| Lauren Hadaway | Screenwriter | |
| Ryan Hawkins | Producer | |
| Kari Hollend | Producer | |
| Steven Sims | Producer | |
| Zack Zucker | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.