Now and Then (1995)
| Theatrical Performance | ||
| Domestic Box Office | $27,067,247 | Details |
| OpusData ID: 20200100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $7,440,173 (27.5% of total gross) |
| Legs: | 3.64 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,572 opening theaters/1,713 max. theaters, 7.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $70,350,666 |
Movie Details
| Domestic Releases: | October 20th, 1995 (Wide) by New Line |
| Video Release: | November 15th, 2005 by Warner Home Video |
| MPA Rating: | PG-13 for adolescent sex discussions |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple, Voiceover/Narration |
| Plot point: | Coming of Age, Doctors, Dysfunctional Family, Film Actor, Non-Chronological, Pregnant Women, Sexual Awakening, Writing and Writers |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1970s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 20, 1995 | 2 | $7,440,173 | 1,572 | $4,733 | $7,440,173 | 1 | |
| Oct 27, 1995 | 5 | $4,462,819 | -40% | 1,713 | $2,605 | $13,378,443 | 2 |
| Nov 3, 1995 | 7 | $3,821,444 | -14% | 1,713 | $2,231 | $18,107,917 | 3 |
| Nov 10, 1995 | 6 | $2,699,679 | -29% | 1,713 | $1,576 | $21,789,827 | 4 |
| Nov 17, 1995 | 10 | $1,510,371 | -44% | 1,662 | $909 | $23,868,750 | 5 |
| Nov 24, 1995 | 14 | $683,462 | -55% | 839 | $815 | $24,918,475 | 6 |
| Dec 1, 1995 | 25 | $206,659 | -70% | 540 | $383 | $25,219,979 | 7 |
| Dec 8, 1995 | 25 | $139,218 | -33% | 332 | $419 | $25,414,783 | 8 |
| Dec 15, 1995 | 36 | $56,937 | -59% | 163 | $349 | $25,516,328 | 9 |
| Dec 22, 1995 | 23 | $282,744 | +397% | 705 | $401 | $25,833,015 | 10 |
| Dec 29, 1995 | 27 | $296,135 | +5% | 505 | $586 | $26,402,222 | 11 |
| Jan 5, 1996 | 29 | $178,564 | -40% | 277 | $645 | $26,675,420 | 12 |
| Jan 12, 1996 | 39 | $143,529 | -20% | 168 | $854 | $26,885,625 | 13 |
| Jan 19, 1996 | 43 | $77,356 | -46% | 114 | $679 | $26,988,915 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 20, 1995 | 2 | $8,915,624 | 1,572 | $5,672 | $8,915,624 | 1 | |
| Oct 27, 1995 | 4 | $5,370,849 | -40% | 1,713 | $3,135 | $14,286,473 | 2 |
| Nov 3, 1995 | 8 | $4,803,675 | -11% | 1,713 | $2,804 | $19,090,148 | 3 |
| Nov 10, 1995 | 6 | $3,268,231 | -32% | 1,713 | $1,908 | $22,358,379 | 4 |
| Nov 17, 1995 | 10 | $1,876,634 | -43% | 1,662 | $1,129 | $24,235,013 | 5 |
| Nov 24, 1995 | 14 | $778,307 | -59% | 839 | $928 | $25,013,320 | 6 |
| Dec 1, 1995 | 24 | $262,245 | -66% | 540 | $486 | $25,275,565 | 7 |
| Dec 8, 1995 | 25 | $183,826 | -30% | 332 | $554 | $25,459,391 | 8 |
| Dec 15, 1995 | 30 | $90,880 | -51% | 163 | $558 | $25,550,271 | 9 |
| Dec 22, 1995 | 23 | $555,816 | +512% | 705 | $788 | $26,106,087 | 10 |
| Dec 29, 1995 | 27 | $390,769 | -30% | 505 | $774 | $26,496,856 | 11 |
| Jan 5, 1996 | 30 | $245,240 | -37% | 277 | $885 | $26,742,096 | 12 |
| Jan 12, 1996 | 38 | $169,463 | -31% | 168 | $1,009 | $26,911,559 | 13 |
Lead Ensemble Member
| Christina Ricci | Young Roberta | |
| Thora Birch | Young Teeny Tercell | |
| Gaby Hoffmann | ||
| Ashleigh Aston Moore | Chrissy | |
| Melanie Griffith | Tina | |
| Demi Moore | Samantha | |
| Rosie O'Donnell | Roberta | |
| Rita Wilson | Chrissy |
Supporting
| Janeane Garofalo | Wiladine | |
| Brendan Fraser | Vietnam Veteran (uncredited) | |
| Hank Azaria | Bud Kent | |
| Bonnie Hunt | Mrs. Dewitt (Chrissy's mom) | |
| Devon Sawa | Scott Wormer | |
| Cloris Leachman | Grandma Albertson | |
| Lolita Davidovich | Mrs. Albertson |
Production and Technical Credits
| Lesli Linka Glatter | Director | |
| I. Marlene King | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $7,440,173 (27.5% of total gross) |
| Legs: | 3.64 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,572 opening theaters/1,713 max. theaters, 7.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $70,350,666 |
Movie Details
| Domestic Releases: | October 20th, 1995 (Wide) by New Line |
| Video Release: | November 15th, 2005 by Warner Home Video |
| MPA Rating: | PG-13 for adolescent sex discussions |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple, Voiceover/Narration |
| Plot point: | Coming of Age, Doctors, Dysfunctional Family, Film Actor, Non-Chronological, Pregnant Women, Sexual Awakening, Writing and Writers |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1970s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 20, 1995 | 2 | $7,440,173 | 1,572 | $4,733 | $7,440,173 | 1 | |
| Oct 27, 1995 | 5 | $4,462,819 | -40% | 1,713 | $2,605 | $13,378,443 | 2 |
| Nov 3, 1995 | 7 | $3,821,444 | -14% | 1,713 | $2,231 | $18,107,917 | 3 |
| Nov 10, 1995 | 6 | $2,699,679 | -29% | 1,713 | $1,576 | $21,789,827 | 4 |
| Nov 17, 1995 | 10 | $1,510,371 | -44% | 1,662 | $909 | $23,868,750 | 5 |
| Nov 24, 1995 | 14 | $683,462 | -55% | 839 | $815 | $24,918,475 | 6 |
| Dec 1, 1995 | 25 | $206,659 | -70% | 540 | $383 | $25,219,979 | 7 |
| Dec 8, 1995 | 25 | $139,218 | -33% | 332 | $419 | $25,414,783 | 8 |
| Dec 15, 1995 | 36 | $56,937 | -59% | 163 | $349 | $25,516,328 | 9 |
| Dec 22, 1995 | 23 | $282,744 | +397% | 705 | $401 | $25,833,015 | 10 |
| Dec 29, 1995 | 27 | $296,135 | +5% | 505 | $586 | $26,402,222 | 11 |
| Jan 5, 1996 | 29 | $178,564 | -40% | 277 | $645 | $26,675,420 | 12 |
| Jan 12, 1996 | 39 | $143,529 | -20% | 168 | $854 | $26,885,625 | 13 |
| Jan 19, 1996 | 43 | $77,356 | -46% | 114 | $679 | $26,988,915 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 20, 1995 | 2 | $8,915,624 | 1,572 | $5,672 | $8,915,624 | 1 | |
| Oct 27, 1995 | 4 | $5,370,849 | -40% | 1,713 | $3,135 | $14,286,473 | 2 |
| Nov 3, 1995 | 8 | $4,803,675 | -11% | 1,713 | $2,804 | $19,090,148 | 3 |
| Nov 10, 1995 | 6 | $3,268,231 | -32% | 1,713 | $1,908 | $22,358,379 | 4 |
| Nov 17, 1995 | 10 | $1,876,634 | -43% | 1,662 | $1,129 | $24,235,013 | 5 |
| Nov 24, 1995 | 14 | $778,307 | -59% | 839 | $928 | $25,013,320 | 6 |
| Dec 1, 1995 | 24 | $262,245 | -66% | 540 | $486 | $25,275,565 | 7 |
| Dec 8, 1995 | 25 | $183,826 | -30% | 332 | $554 | $25,459,391 | 8 |
| Dec 15, 1995 | 30 | $90,880 | -51% | 163 | $558 | $25,550,271 | 9 |
| Dec 22, 1995 | 23 | $555,816 | +512% | 705 | $788 | $26,106,087 | 10 |
| Dec 29, 1995 | 27 | $390,769 | -30% | 505 | $774 | $26,496,856 | 11 |
| Jan 5, 1996 | 30 | $245,240 | -37% | 277 | $885 | $26,742,096 | 12 |
| Jan 12, 1996 | 38 | $169,463 | -31% | 168 | $1,009 | $26,911,559 | 13 |
Lead Ensemble Member
| Christina Ricci | Young Roberta | |
| Thora Birch | Young Teeny Tercell | |
| Gaby Hoffmann | ||
| Ashleigh Aston Moore | Chrissy | |
| Melanie Griffith | Tina | |
| Demi Moore | Samantha | |
| Rosie O'Donnell | Roberta | |
| Rita Wilson | Chrissy |
Supporting
| Janeane Garofalo | Wiladine | |
| Brendan Fraser | Vietnam Veteran (uncredited) | |
| Hank Azaria | Bud Kent | |
| Bonnie Hunt | Mrs. Dewitt (Chrissy's mom) | |
| Devon Sawa | Scott Wormer | |
| Cloris Leachman | Grandma Albertson | |
| Lolita Davidovich | Mrs. Albertson |
Production and Technical Credits
| Lesli Linka Glatter | Director | |
| I. Marlene King | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.