The Nowhere Inn (2021)
| Theatrical Performance | ||
| Domestic Box Office | $54,094 | Details |
| International Box Office | $5,738 | Details |
| Worldwide Box Office | $59,832 | |
| OpusData ID: 443170100 More info... | ||
| Further financial details... | ||
Synopsis
From real-life friends Annie Clark and Carrie Brownstein comes the metafictional account of two creative forces banding together to make a documentary about St. Vincent’s music, touring life, and on-stage persona. But they quickly discover unpredictable forces lurking within subject and filmmaker that threaten to derail the friendship, the project, and the duo’s creative lives.
Metrics
| Opening Weekend: | $19,054 (35.2% of total gross) |
| Legs: | 2.84 (domestic box office/biggest weekend) |
| Domestic Share: | 90.4% (domestic box office/worldwide) |
| Theater counts: | 46 opening theaters/48 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $63,615 |
Movie Details
| Domestic Releases: | September 17th, 2021 (Limited) by IFC Films |
| International Releases: | September 16th, 2021 (Wide), released as Мотель «Нигде» (Russia (CIS))
October 29th, 2021 (Wide) (United Kingdom) |
| Video Release: | September 16th, 2021 by IFC Video |
| Running Time: | 92 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Plot point: | Mockumentary |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Topic , Ways and Means, Crazy Galore |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | - | $19,054 | 46 | $414 | $19,054 | 1 | |
| Sep 24, 2021 | - | $11,294 | -41% | 48 | $235 | $40,086 | 2 |
| Oct 1, 2021 | - | $3,626 | -68% | 21 | $173 | $52,142 | 3 |
| Oct 8, 2021 | - | $171 | -95% | 3 | $57 | $53,974 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | - | $7,297 | 46 | $159 | $7,297 | 1 | ||
| Sep 18, 2021 | - | $7,012 | -4% | 46 | $152 | $14,309 | 2 | |
| Sep 19, 2021 | - | $4,745 | -32% | 46 | $103 | $19,054 | 3 | |
| Sep 20, 2021 | - | $2,431 | -49% | 46 | $53 | $21,485 | 4 | |
| Sep 21, 2021 | - | $2,397 | -1% | 46 | $52 | $23,882 | 5 | |
| Sep 22, 2021 | - | $2,525 | +5% | 46 | $55 | $26,407 | 6 | |
| Sep 23, 2021 | - | $2,385 | -6% | 46 | $52 | $28,792 | 7 | |
| Sep 24, 2021 | - | $3,889 | +63% | -47% | 48 | $81 | $32,681 | 8 |
| Sep 25, 2021 | - | $4,632 | +19% | -34% | 48 | $97 | $37,313 | 9 |
| Sep 26, 2021 | - | $2,773 | -40% | -42% | 48 | $58 | $40,086 | 10 |
| Sep 27, 2021 | - | $2,281 | -18% | -6% | 48 | $48 | $42,367 | 11 |
| Sep 28, 2021 | - | $2,054 | -10% | -14% | 48 | $43 | $44,421 | 12 |
| Sep 29, 2021 | - | $2,385 | +16% | -6% | 48 | $50 | $46,806 | 13 |
| Sep 30, 2021 | - | $1,710 | -28% | -28% | 48 | $36 | $48,516 | 14 |
| Oct 1, 2021 | - | $819 | -52% | -79% | 21 | $39 | $49,335 | 15 |
| Oct 2, 2021 | - | $1,443 | +76% | -69% | 21 | $69 | $50,778 | 16 |
| Oct 3, 2021 | - | $1,364 | -5% | -51% | 21 | $65 | $52,142 | 17 |
| Oct 4, 2021 | - | $320 | -77% | -86% | 21 | $15 | $52,462 | 18 |
| Oct 5, 2021 | - | $356 | +11% | -83% | 21 | $17 | $52,818 | 19 |
| Oct 6, 2021 | - | $688 | +93% | -71% | 21 | $33 | $53,506 | 20 |
| Oct 7, 2021 | - | $297 | -57% | -83% | 21 | $14 | $53,803 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | - | $28,792 | 46 | $626 | $28,792 | 1 | |
| Sep 24, 2021 | - | $19,724 | -31% | 48 | $411 | $48,516 | 2 |
| Oct 1, 2021 | - | $5,287 | -73% | 21 | $252 | $53,803 | 3 |
| Oct 8, 2021 | - | $291 | -94% | 3 | $97 | $54,094 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 9/16/2021 | $1,156 | 16 | 16 | 16 | $1,156 | 10/20/2022 | |||
| United Kingdom | 10/29/2021 | $4,582 | 1 | 1 | 1 | $4,582 | 4/4/2026 | |||
| International Total | $5,738 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annie Clark | ||
| Carrie Brownstein |
Supporting
| Dakota Johnson | ||
| Ezra Buzzington | Driver |
Production and Technical Credits
| Bill Benz | Director | |
| Carrie Brownstein | Screenwriter | |
| Annie Clark | Screenwriter | |
| Jett Steiger | Producer | |
| Lana Kim | Producer | |
| Carrie Brownstein | Producer | |
| Annie Clark | Producer | |
| Michael Bloom | Executive Producer | |
| Ryan Heller | Executive Producer | |
| Maria Zuckerman | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
From real-life friends Annie Clark and Carrie Brownstein comes the metafictional account of two creative forces banding together to make a documentary about St. Vincent’s music, touring life, and on-stage persona. But they quickly discover unpredictable forces lurking within subject and filmmaker that threaten to derail the friendship, the project, and the duo’s creative lives.
Metrics
| Opening Weekend: | $19,054 (35.2% of total gross) |
| Legs: | 2.84 (domestic box office/biggest weekend) |
| Domestic Share: | 90.4% (domestic box office/worldwide) |
| Theater counts: | 46 opening theaters/48 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $63,615 |
Movie Details
| Domestic Releases: | September 17th, 2021 (Limited) by IFC Films |
| International Releases: | September 16th, 2021 (Wide), released as Мотель «Нигде» (Russia (CIS))
October 29th, 2021 (Wide) (United Kingdom) |
| Video Release: | September 16th, 2021 by IFC Video |
| Running Time: | 92 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Plot point: | Mockumentary |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Topic , Ways and Means, Crazy Galore |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | - | $19,054 | 46 | $414 | $19,054 | 1 | |
| Sep 24, 2021 | - | $11,294 | -41% | 48 | $235 | $40,086 | 2 |
| Oct 1, 2021 | - | $3,626 | -68% | 21 | $173 | $52,142 | 3 |
| Oct 8, 2021 | - | $171 | -95% | 3 | $57 | $53,974 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | - | $7,297 | 46 | $159 | $7,297 | 1 | ||
| Sep 18, 2021 | - | $7,012 | -4% | 46 | $152 | $14,309 | 2 | |
| Sep 19, 2021 | - | $4,745 | -32% | 46 | $103 | $19,054 | 3 | |
| Sep 20, 2021 | - | $2,431 | -49% | 46 | $53 | $21,485 | 4 | |
| Sep 21, 2021 | - | $2,397 | -1% | 46 | $52 | $23,882 | 5 | |
| Sep 22, 2021 | - | $2,525 | +5% | 46 | $55 | $26,407 | 6 | |
| Sep 23, 2021 | - | $2,385 | -6% | 46 | $52 | $28,792 | 7 | |
| Sep 24, 2021 | - | $3,889 | +63% | -47% | 48 | $81 | $32,681 | 8 |
| Sep 25, 2021 | - | $4,632 | +19% | -34% | 48 | $97 | $37,313 | 9 |
| Sep 26, 2021 | - | $2,773 | -40% | -42% | 48 | $58 | $40,086 | 10 |
| Sep 27, 2021 | - | $2,281 | -18% | -6% | 48 | $48 | $42,367 | 11 |
| Sep 28, 2021 | - | $2,054 | -10% | -14% | 48 | $43 | $44,421 | 12 |
| Sep 29, 2021 | - | $2,385 | +16% | -6% | 48 | $50 | $46,806 | 13 |
| Sep 30, 2021 | - | $1,710 | -28% | -28% | 48 | $36 | $48,516 | 14 |
| Oct 1, 2021 | - | $819 | -52% | -79% | 21 | $39 | $49,335 | 15 |
| Oct 2, 2021 | - | $1,443 | +76% | -69% | 21 | $69 | $50,778 | 16 |
| Oct 3, 2021 | - | $1,364 | -5% | -51% | 21 | $65 | $52,142 | 17 |
| Oct 4, 2021 | - | $320 | -77% | -86% | 21 | $15 | $52,462 | 18 |
| Oct 5, 2021 | - | $356 | +11% | -83% | 21 | $17 | $52,818 | 19 |
| Oct 6, 2021 | - | $688 | +93% | -71% | 21 | $33 | $53,506 | 20 |
| Oct 7, 2021 | - | $297 | -57% | -83% | 21 | $14 | $53,803 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | - | $28,792 | 46 | $626 | $28,792 | 1 | |
| Sep 24, 2021 | - | $19,724 | -31% | 48 | $411 | $48,516 | 2 |
| Oct 1, 2021 | - | $5,287 | -73% | 21 | $252 | $53,803 | 3 |
| Oct 8, 2021 | - | $291 | -94% | 3 | $97 | $54,094 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 9/16/2021 | $1,156 | 16 | 16 | 16 | $1,156 | 10/20/2022 | |||
| United Kingdom | 10/29/2021 | $4,582 | 1 | 1 | 1 | $4,582 | 4/4/2026 | |||
| International Total | $5,738 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annie Clark | ||
| Carrie Brownstein |
Supporting
| Dakota Johnson | ||
| Ezra Buzzington | Driver |
Production and Technical Credits
| Bill Benz | Director | |
| Carrie Brownstein | Screenwriter | |
| Annie Clark | Screenwriter | |
| Jett Steiger | Producer | |
| Lana Kim | Producer | |
| Carrie Brownstein | Producer | |
| Annie Clark | Producer | |
| Michael Bloom | Executive Producer | |
| Ryan Heller | Executive Producer | |
| Maria Zuckerman | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.