Nuestro tiempo (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $14,777 | Details |
| International Box Office | $139,183 | Details |
| Worldwide Box Office | $153,960 | |
| OpusData ID: 364480100 More info... | ||
| Further financial details... | ||
Synopsis
A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horse-breaker and Juan is unable to control his jealousy.
Metrics
| Opening Weekend: | $3,000 (20.3% of total gross) |
| Legs: | 4.93 (domestic box office/biggest weekend) |
| Domestic Share: | 9.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 0.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,291 |
Movie Details
| Domestic Releases: | June 14th, 2019 (Limited) by Monument Releasing, released as Our Time |
| International Releases: | September 28th, 2018 (Wide) (Mexico)
January 18th, 2019 (Wide) (Russia (CIS)) July 12th, 2019 (Limited), released as Our Time (United Kingdom) June 19th, 2020 (Wide) (Poland) August 14th, 2020 (Wide), released as O Nosso Tempo (Portugal) ... Show all releases |
| Video Release: | June 14th, 2019 by Monument Releasing, released as Our Time |
| MPA Rating: | Not Rated |
| Running Time: | 173 minutes |
| Geographical setting: | Mexico |
| Plot point: | Infidelity, Relationships Gone Wrong |
| Social setting: | Life on a Farm |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | NoDream Cinema, Mantarraya, The Match Factory, Snowglobe, Mer Film , Eficine, Foprocine, ZDF/ARTE, Luxbox, Detalle Films, Film i Vast, Bord Cadre |
| Production Countries: | Mexico, France, Germany, Denmark, Sweden |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | 57 | $3,000 | 1 | $3,000 | $3,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | - | $4,225 | 1 | $4,225 | $4,225 | 1 | |
| Jun 21, 2019 | 68 | $3,399 | -20% | 3 | $1,133 | $7,624 | 2 |
| Jun 28, 2019 | 74 | $3,068 | -10% | 3 | $1,023 | $10,692 | 3 |
| Jul 5, 2019 | 84 | $202 | -93% | 2 | $101 | $10,894 | 4 |
| Jul 12, 2019 | 86 | $820 | +306% | 4 | $205 | $11,714 | 5 |
| Jul 19, 2019 | 87 | $652 | -20% | 2 | $326 | $12,366 | 6 |
| Jul 26, 2019 | 83 | $531 | -19% | 3 | $177 | $12,897 | 7 |
| Aug 2, 2019 | 78 | $1,669 | +214% | 2 | $835 | $14,566 | 8 |
| Aug 9, 2019 | 87 | $211 | -87% | 1 | $211 | $14,777 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Poland | 6/19/2020 | $3,719 | 47 | 47 | 47 | $5,867 | 10/19/2022 | |||
| Portugal | 8/14/2020 | $1,162 | 4 | 4 | 12 | $4,323 | 10/13/2020 | |||
| Russia (CIS) | 1/18/2019 | $6,655 | 30 | 30 | 52 | $17,674 | 3/5/2019 | |||
| United Kingdom | 7/12/2019 | $3,784 | 6 | 6 | 6 | $3,784 | 7/17/2019 | |||
| Rest of World | $107,535 | |||||||||
| International Total | $139,183 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Carlos Reygadas | Juan |
Supporting
| Natalia Lopez | Esther | |
| Phil Burgers | Phil | |
| Eleazar Reygadas | ||
| Rut Reygadas |
Production and Technical Credits
| Carlos Reygadas | Director | |
| Carlos Reygadas | Screenwriter | |
| Jaime Romandia | Producer | |
| Carlos Reygadas | Producer | |
| Emmanuel Picault | Production Designer | |
| Carlos Reygadas | Editor | |
| Diego Garcia | Director of Photography | |
| Adrian Durazo | Director of Photography | |
| Stephanie Brewster | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horse-breaker and Juan is unable to control his jealousy.
Metrics
| Opening Weekend: | $3,000 (20.3% of total gross) |
| Legs: | 4.93 (domestic box office/biggest weekend) |
| Domestic Share: | 9.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 0.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,291 |
Movie Details
| Domestic Releases: | June 14th, 2019 (Limited) by Monument Releasing, released as Our Time |
| International Releases: | September 28th, 2018 (Wide) (Mexico)
January 18th, 2019 (Wide) (Russia (CIS)) July 12th, 2019 (Limited), released as Our Time (United Kingdom) June 19th, 2020 (Wide) (Poland) August 14th, 2020 (Wide), released as O Nosso Tempo (Portugal) ... Show all releases |
| Video Release: | June 14th, 2019 by Monument Releasing, released as Our Time |
| MPA Rating: | Not Rated |
| Running Time: | 173 minutes |
| Geographical setting: | Mexico |
| Plot point: | Infidelity, Relationships Gone Wrong |
| Social setting: | Life on a Farm |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | NoDream Cinema, Mantarraya, The Match Factory, Snowglobe, Mer Film , Eficine, Foprocine, ZDF/ARTE, Luxbox, Detalle Films, Film i Vast, Bord Cadre |
| Production Countries: | Mexico, France, Germany, Denmark, Sweden |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | 57 | $3,000 | 1 | $3,000 | $3,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | - | $4,225 | 1 | $4,225 | $4,225 | 1 | |
| Jun 21, 2019 | 68 | $3,399 | -20% | 3 | $1,133 | $7,624 | 2 |
| Jun 28, 2019 | 74 | $3,068 | -10% | 3 | $1,023 | $10,692 | 3 |
| Jul 5, 2019 | 84 | $202 | -93% | 2 | $101 | $10,894 | 4 |
| Jul 12, 2019 | 86 | $820 | +306% | 4 | $205 | $11,714 | 5 |
| Jul 19, 2019 | 87 | $652 | -20% | 2 | $326 | $12,366 | 6 |
| Jul 26, 2019 | 83 | $531 | -19% | 3 | $177 | $12,897 | 7 |
| Aug 2, 2019 | 78 | $1,669 | +214% | 2 | $835 | $14,566 | 8 |
| Aug 9, 2019 | 87 | $211 | -87% | 1 | $211 | $14,777 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Poland | 6/19/2020 | $3,719 | 47 | 47 | 47 | $5,867 | 10/19/2022 | |||
| Portugal | 8/14/2020 | $1,162 | 4 | 4 | 12 | $4,323 | 10/13/2020 | |||
| Russia (CIS) | 1/18/2019 | $6,655 | 30 | 30 | 52 | $17,674 | 3/5/2019 | |||
| United Kingdom | 7/12/2019 | $3,784 | 6 | 6 | 6 | $3,784 | 7/17/2019 | |||
| Rest of World | $107,535 | |||||||||
| International Total | $139,183 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Carlos Reygadas | Juan |
Supporting
| Natalia Lopez | Esther | |
| Phil Burgers | Phil | |
| Eleazar Reygadas | ||
| Rut Reygadas |
Production and Technical Credits
| Carlos Reygadas | Director | |
| Carlos Reygadas | Screenwriter | |
| Jaime Romandia | Producer | |
| Carlos Reygadas | Producer | |
| Emmanuel Picault | Production Designer | |
| Carlos Reygadas | Editor | |
| Diego Garcia | Director of Photography | |
| Adrian Durazo | Director of Photography | |
| Stephanie Brewster | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.