Nuevo Orden (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $304,167 | Details |
| International Box Office | $1,828,751 | Details |
| Worldwide Box Office | $2,132,918 | |
| OpusData ID: 473890100 More info... | ||
| Further financial details... | ||
Synopsis
While protests rage in the streets, Marianne’s high society family prepares for her wedding. At first, only splatters of green paint and the appearance of Rolando, a former employee seeking emergency medical funds, intrude on the festivities. But soon the party is unable to keep the reckoning at bay, and what follows is a swift disintegration of law and order defined first by class lines, then by disastrous government recapitulation.
Metrics
| Opening Weekend: | $144,533 (47.5% of total gross) |
| Legs: | 2.10 (domestic box office/biggest weekend) |
| Domestic Share: | 14.3% (domestic box office/worldwide) |
| Theater counts: | 236 opening theaters/236 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $357,700 |
Movie Details
| Domestic Releases: | May 21st, 2021 (Limited) by Neon, released as New Order |
| International Releases: | October 23rd, 2020 (Limited) (Mexico)
February 19th, 2021 (Wide) (Spain) April 26th, 2021 (Wide) (Italy) May 20th, 2021 (Wide), released as Новый порядок (Russia (CIS)) August 12th, 2021 (Limited) (Germany) ... Show all releases |
| MPA Rating: | R for disturbing and violent content, rape, graphic nudity, and language. (Rating bulletin 2672 (cert #53130), 3/17/2021) |
| Running Time: | 88 minutes |
| Plot point: | Class Warfare, Wedding Day Disasters |
| Social setting: | Wedding Day |
| Subgenre: | Political Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Teorema, Les Films d'Ici, Neon Films, The Match Factory, Videocine, Venice Prize, Pelicula Realizada , El Estimulo Otorgado, el Fondo de Inversion y Estimulos al Cine, CNC, Aides, Institut Francais |
| Production Countries: | Mexico, France |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 21, 2021 | - | $144,533 | 236 | $612 | $144,533 | 1 | |
| May 28, 2021 | - | $53,412 | -63% | 186 | $287 | $263,438 | 2 |
| Jun 4, 2021 | - | $7,628 | -86% | 15 | $509 | $300,616 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 21, 2021 | - | $49,569 | 236 | $210 | $49,569 | 1 | ||
| May 22, 2021 | - | $51,056 | +3% | 236 | $216 | $100,625 | 2 | |
| May 23, 2021 | - | $43,908 | -14% | 236 | $186 | $144,533 | 3 | |
| May 24, 2021 | - | $17,124 | -61% | 236 | $73 | $161,657 | 4 | |
| May 25, 2021 | - | $20,720 | +21% | 236 | $88 | $182,377 | 5 | |
| May 26, 2021 | - | $18,648 | -10% | 236 | $79 | $201,025 | 6 | |
| May 27, 2021 | - | $9,001 | -52% | 236 | $38 | $210,026 | 7 | |
| May 28, 2021 | - | $13,930 | +55% | -72% | 186 | $75 | $223,956 | 8 |
| May 29, 2021 | - | $18,111 | +30% | -65% | 186 | $97 | $242,067 | 9 |
| May 30, 2021 | - | $21,371 | +18% | -51% | 186 | $115 | $274,617 | 10 |
| May 31, 2021 | - | $11,178 | -48% | -35% | 186 | $60 | $285,795 | 11 |
| Jun 1, 2021 | - | $6,741 | -40% | -67% | 186 | $36 | $292,536 | 12 |
| Jun 2, 2021 | - | $5,848 | -13% | -69% | 186 | $31 | $298,384 | 13 |
| Jun 3, 2021 | - | $5,783 | -1% | -36% | 186 | $31 | $304,167 | 14 |
| Jun 4, 2021 | - | $2,249 | -61% | -84% | 15 | $150 | $295,237 | 15 |
| Jun 5, 2021 | - | $3,576 | +59% | -80% | 15 | $238 | $298,813 | 16 |
| Jun 6, 2021 | - | $1,803 | -50% | -92% | 15 | $120 | $300,616 | 17 |
| Jun 7, 2021 | - | $390 | -78% | -97% | 15 | $26 | $301,006 | 18 |
| Jun 8, 2021 | - | $978 | +151% | -85% | 15 | $65 | $301,984 | 19 |
| Jun 9, 2021 | - | $988 | +1% | -83% | 15 | $66 | $302,972 | 20 |
| Jun 10, 2021 | - | $584 | -41% | -90% | 15 | $39 | $303,556 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 21, 2021 | 13 | $210,026 | 236 | $890 | $210,026 | 1 | |
| May 28, 2021 | 19 | $82,962 | -60% | 186 | $446 | $292,988 | 2 |
| Jun 4, 2021 | 27 | $10,568 | -87% | 15 | $705 | $303,556 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Finland | 10/15/2021 | $4,477 | 28 | 31 | 28 | $8,536 | 4/21/2026 | |||
| Italy | 4/26/2021 | $2,537 | 0 | 2 | 2 | $11,861 | 5/25/2021 | |||
| Mexico | 10/23/2020 | $397,203 | 0 | 0 | 0 | $1,408,943 | 10/19/2022 | |||
| New Zealand | 10/28/2021 | $43 | 1 | 1 | 2 | $128 | 10/20/2022 | |||
| Portugal | 9/24/2021 | $4,475 | 28 | 28 | 41 | $6,677 | 10/20/2022 | |||
| Romania | 1/21/2022 | $8,648 | 31 | 31 | 53 | $19,169 | 10/20/2022 | |||
| Russia (CIS) | 5/20/2021 | $28,511 | 141 | 141 | 151 | $61,696 | 10/20/2022 | |||
| South Korea | 11/11/2021 | $7,949 | 30 | 30 | 55 | $24,183 | 12/1/2021 | |||
| Spain | 2/19/2021 | $87,013 | 184 | 184 | 655 | $275,141 | 4/1/2021 | |||
| Turkey | 10/29/2021 | $1,547 | 23 | 23 | 34 | $4,154 | 4/4/2026 | |||
| United Kingdom | 8/13/2021 | $5,336 | 6 | 6 | 6 | $5,336 | 8/20/2021 | |||
| Rest of World | $2,927 | |||||||||
| International Total | $1,828,751 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Naian González Norvind | Marianne | |
| Diego Boneta | Daniel | |
| Monica del Carmen | Marta |
Supporting
| Fernando Cuautle | Cristian | |
| Darío Yazbek | Alan | |
| Eligio Meléndez | Rolando | |
| Roberto Medina | Iván | |
| Lisa Owen | Rebeca | |
| Patricia Bernal | Pilar | |
| Enrique Singer | Victor |
Production and Technical Credits
| Michel Franco | Director | |
| Michel Franco | Screenwriter | |
| Michel Franco | Producer | |
| Cristina L Velasco | Producer | |
| Erendira Nunez Larios | Producer | |
| Lorenzo Vigas | Executive Producer | |
| Diego Boneta | Executive Producer | |
| Cecilia Franco | Executive Producer | |
| Charles Barthe | Executive Producer | |
| Claudio Ramirez Castelli | Production Designer | |
| Michel Franco | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
While protests rage in the streets, Marianne’s high society family prepares for her wedding. At first, only splatters of green paint and the appearance of Rolando, a former employee seeking emergency medical funds, intrude on the festivities. But soon the party is unable to keep the reckoning at bay, and what follows is a swift disintegration of law and order defined first by class lines, then by disastrous government recapitulation.
Metrics
| Opening Weekend: | $144,533 (47.5% of total gross) |
| Legs: | 2.10 (domestic box office/biggest weekend) |
| Domestic Share: | 14.3% (domestic box office/worldwide) |
| Theater counts: | 236 opening theaters/236 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $357,700 |
Movie Details
| Domestic Releases: | May 21st, 2021 (Limited) by Neon, released as New Order |
| International Releases: | October 23rd, 2020 (Limited) (Mexico)
February 19th, 2021 (Wide) (Spain) April 26th, 2021 (Wide) (Italy) May 20th, 2021 (Wide), released as Новый порядок (Russia (CIS)) August 12th, 2021 (Limited) (Germany) ... Show all releases |
| MPA Rating: | R for disturbing and violent content, rape, graphic nudity, and language. (Rating bulletin 2672 (cert #53130), 3/17/2021) |
| Running Time: | 88 minutes |
| Plot point: | Class Warfare, Wedding Day Disasters |
| Social setting: | Wedding Day |
| Subgenre: | Political Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Teorema, Les Films d'Ici, Neon Films, The Match Factory, Videocine, Venice Prize, Pelicula Realizada , El Estimulo Otorgado, el Fondo de Inversion y Estimulos al Cine, CNC, Aides, Institut Francais |
| Production Countries: | Mexico, France |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 21, 2021 | - | $144,533 | 236 | $612 | $144,533 | 1 | |
| May 28, 2021 | - | $53,412 | -63% | 186 | $287 | $263,438 | 2 |
| Jun 4, 2021 | - | $7,628 | -86% | 15 | $509 | $300,616 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 21, 2021 | - | $49,569 | 236 | $210 | $49,569 | 1 | ||
| May 22, 2021 | - | $51,056 | +3% | 236 | $216 | $100,625 | 2 | |
| May 23, 2021 | - | $43,908 | -14% | 236 | $186 | $144,533 | 3 | |
| May 24, 2021 | - | $17,124 | -61% | 236 | $73 | $161,657 | 4 | |
| May 25, 2021 | - | $20,720 | +21% | 236 | $88 | $182,377 | 5 | |
| May 26, 2021 | - | $18,648 | -10% | 236 | $79 | $201,025 | 6 | |
| May 27, 2021 | - | $9,001 | -52% | 236 | $38 | $210,026 | 7 | |
| May 28, 2021 | - | $13,930 | +55% | -72% | 186 | $75 | $223,956 | 8 |
| May 29, 2021 | - | $18,111 | +30% | -65% | 186 | $97 | $242,067 | 9 |
| May 30, 2021 | - | $21,371 | +18% | -51% | 186 | $115 | $274,617 | 10 |
| May 31, 2021 | - | $11,178 | -48% | -35% | 186 | $60 | $285,795 | 11 |
| Jun 1, 2021 | - | $6,741 | -40% | -67% | 186 | $36 | $292,536 | 12 |
| Jun 2, 2021 | - | $5,848 | -13% | -69% | 186 | $31 | $298,384 | 13 |
| Jun 3, 2021 | - | $5,783 | -1% | -36% | 186 | $31 | $304,167 | 14 |
| Jun 4, 2021 | - | $2,249 | -61% | -84% | 15 | $150 | $295,237 | 15 |
| Jun 5, 2021 | - | $3,576 | +59% | -80% | 15 | $238 | $298,813 | 16 |
| Jun 6, 2021 | - | $1,803 | -50% | -92% | 15 | $120 | $300,616 | 17 |
| Jun 7, 2021 | - | $390 | -78% | -97% | 15 | $26 | $301,006 | 18 |
| Jun 8, 2021 | - | $978 | +151% | -85% | 15 | $65 | $301,984 | 19 |
| Jun 9, 2021 | - | $988 | +1% | -83% | 15 | $66 | $302,972 | 20 |
| Jun 10, 2021 | - | $584 | -41% | -90% | 15 | $39 | $303,556 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 21, 2021 | 13 | $210,026 | 236 | $890 | $210,026 | 1 | |
| May 28, 2021 | 19 | $82,962 | -60% | 186 | $446 | $292,988 | 2 |
| Jun 4, 2021 | 27 | $10,568 | -87% | 15 | $705 | $303,556 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Finland | 10/15/2021 | $4,477 | 28 | 31 | 28 | $8,536 | 4/21/2026 | |||
| Italy | 4/26/2021 | $2,537 | 0 | 2 | 2 | $11,861 | 5/25/2021 | |||
| Mexico | 10/23/2020 | $397,203 | 0 | 0 | 0 | $1,408,943 | 10/19/2022 | |||
| New Zealand | 10/28/2021 | $43 | 1 | 1 | 2 | $128 | 10/20/2022 | |||
| Portugal | 9/24/2021 | $4,475 | 28 | 28 | 41 | $6,677 | 10/20/2022 | |||
| Romania | 1/21/2022 | $8,648 | 31 | 31 | 53 | $19,169 | 10/20/2022 | |||
| Russia (CIS) | 5/20/2021 | $28,511 | 141 | 141 | 151 | $61,696 | 10/20/2022 | |||
| South Korea | 11/11/2021 | $7,949 | 30 | 30 | 55 | $24,183 | 12/1/2021 | |||
| Spain | 2/19/2021 | $87,013 | 184 | 184 | 655 | $275,141 | 4/1/2021 | |||
| Turkey | 10/29/2021 | $1,547 | 23 | 23 | 34 | $4,154 | 4/4/2026 | |||
| United Kingdom | 8/13/2021 | $5,336 | 6 | 6 | 6 | $5,336 | 8/20/2021 | |||
| Rest of World | $2,927 | |||||||||
| International Total | $1,828,751 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Naian González Norvind | Marianne | |
| Diego Boneta | Daniel | |
| Monica del Carmen | Marta |
Supporting
| Fernando Cuautle | Cristian | |
| Darío Yazbek | Alan | |
| Eligio Meléndez | Rolando | |
| Roberto Medina | Iván | |
| Lisa Owen | Rebeca | |
| Patricia Bernal | Pilar | |
| Enrique Singer | Victor |
Production and Technical Credits
| Michel Franco | Director | |
| Michel Franco | Screenwriter | |
| Michel Franco | Producer | |
| Cristina L Velasco | Producer | |
| Erendira Nunez Larios | Producer | |
| Lorenzo Vigas | Executive Producer | |
| Diego Boneta | Executive Producer | |
| Cecilia Franco | Executive Producer | |
| Charles Barthe | Executive Producer | |
| Claudio Ramirez Castelli | Production Designer | |
| Michel Franco | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.