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Ocean’s 8 (2018)

Ocean’s 8
Theatrical Performance
Domestic Box Office $135,639,512Details
International Box Office $118,508,796Details
Worldwide Box Office $254,148,308
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Upon her release from prison, Debbie, the estranged sister of legendary conman Danny Ocean, puts together a team of unstoppable crooks to pull of the heist of the century. Their goal is New York City’s annual Met Gala, and a necklace worth in excess of 150 million dollars.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 401-500) 411 $135,639,512
All Time International Box Office (Rank 701-800) 721 $118,508,796
All Time Worldwide Box Office (Rank 501-600) 551 $254,148,308

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$70,000,000
Domestic Releases: June 8th, 2018 (Wide) by Warner Bros.
International Releases: June 8th, 2018 (Wide) (Argentina)
June 8th, 2018 (Wide) (Australia)
June 8th, 2018 (Wide) (Brazil)
June 8th, 2018 (Wide), released as Debbie a její parťačky (Czech Republic)
June 8th, 2018 (Wide) (Indonesia)
... Show all releases
MPAA Rating: PG-13 for language, drug use, and some suggestive content.
(Rating bulletin 2524 (Cert #51567), 4/25/2018)
Running Time: 110 minutes
Franchise: Ocean's Eleven
Comparisons: vs. Ocean's Eleven
Create your own comparison chart…
Keywords: Heist, Life on the Outside, Fashion, Delayed Sequel, Genderbending Casting, New York City, Confidence Men
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Warner Bros., Village Roadshow Productions, Rahway Road
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Independence Day (All Movies, 3-Day) 240 $5,067,750 Jul 6, 2018 31
Independence Day (All Movies, 3-Day, Inflation Adjusted) 334 $5,189,457 Jul 6, 2018 31
Biggest Domestic June Weekend 63 $41,607,378 Jun 8, 2018 3
Top Contemporary Fiction Weekend Domestic 64 $41,607,378 Jun 8, 2018 3
Top Warner Bros. Weekend Domestic 75 $41,607,378 Jun 8, 2018 3
Top 2018 Theater Average 71 $10,038 Jun 8, 2018 3
Widest Opening Weekend 55 4,145 Jun 8, 2018 3

Lead Ensemble Members

   Debbie Ocean
   Lou
   Daphne Kluger
   Amita
   Tammy
   Constance
   Nine Ball
   Rose

Supporting Cast

Griffin Dunne    Parole Board Officer
Deidre Goodwin    Prison Guard
Daniella Rabbani    Bergdorf Salesperson
Brian J. Carter    Mr. Randall
Gemma Forbes    Mrs. Randall
Katherine Hozier-Adams    Plaza Hotel Front Desk Clerk
Freddy J. Davila    Plaza Hotel Doorman
Francesca Calo    Plaza Hotel Maid
Midori Francis    April
Elliott Gould    Reuben
Richard Armitage    Claude Becker
Charlotte Kirk    Cara
Linda Atkinson    Chairwoman
Sas Goldberg    Press Conference Reporter
Steven Hauck    Omaha Banker
David Gibson    Omaha Banker
Craig Waletzko    Omaha Banker
Alexandre De Betak    Fashion Show Designer
Naheed Khan    Amita’s Mother
Dakota Fanning    Penelope Stern
Whitney White    Cynthia
Stephen Will    3 Card Monty Chump
Timothy Woods    Derek
Talia Cuomo    Keri
Charles Prendergast    Charlie
Richard Robichaux    Lawrence
Alexander Blaise    Cartier President
Asher Bailey    Tinder Boy
Brian Anthony Wilson    American Wing Guard
Damian Young    David Welch
Gideon Glick    Kyle McCallister
James Hindman    Paul Damanian
Eaddy Kiernan    Eaddy
David Little    Bingo Master
Liana Wright-Mark    Gallery Receptionist
Christopher Batyr    Maitre’d
Clark Carmichael    Undercover Man
Nancy Lemenager    Undercover Woman
Bianca Laverne Jones    Detective
McNally Sagal    Detective Morris
Caitlin Mehner    Pamela
James Biberi    Yuri
Migs Govea    Guillermo
Nathanya Alexander    Veronica
Natasha Harper    Museum Gala Head Waiter
Shannon Freyer    Lorraine
Grant Hyun    Hipster Customer
Edward Barsamian    Vogue Red Carpet Host
Whit Anderson    Museum Gala Host
Conor Donovan    Bus Boy
Michael Gandolfini    Bus Boy
Jimmy Kieffer    Museum Gala Security Guard
Kevin Brown    Museum Gala Security Guard
James Corden    John Frazier
Marlo Thomas    Rene
Dana Ivey    Diana
Mary Louise Wilson    Marlene
Elizabeth Ashley    Ethel
Simon Feil    Yardley Executive
Suzanne Jaehne    Yardley Executive
Doug Yasuda    Yardley Executive
Robert G. McKay    Detective
Soraya Butler    Auctioneer
Jill Marie Lawrence    Costume Exhibit Security Guard
Daniel May Wong    Costume Exhibit Security Guard
Damian Lewis    David Welch

Cameos

Waris Ahluwala    Himself
Lily Aldridge    Herself
Hailey Baldwin    Herself
Dennis Basso    Himself
Derek Blasberg    Himself
Andrew Bolton    Himself
Hamish Bowles    Himself
Leon Bridges    Himself
Cindy Bruna    Herself
Common    Himself
Desiigner    Himself
Anna Ewers    Herself
Tonne Goodman    Herself
Wes Gordon    Himself
Prabal Gurung    Himself
Gigi Hadid    Herself
Matt Harvey    Himself
Dee Hilfiger    Herself
Tommy Hilfiger    Himself
Kendall Jenner    Herself
Kylie Jenner    Herself
Kim Kardashian West*    Herself
Jaime King    Herself
Heidi Klum    Herself
Aerin Lauder    Herself
Adriana Lima    Herself
Nick Mangold    Himself
John McEnroe    Himself
Wendy Murdoch    Herself
Olivia Munn    Herself
Kimberly Pauley    Herself
Zac Posen    Himself
Rainey Qualley    Herself
Sofia Richie    Herself
Amy Robach    Herself
Sofia Sanchez de Betak    Herself
Lauren Santo Domingo    Herself
Maria Sharapova    Herself
Jonathan Simkhai    Himself
Alexander Wang    Himself
Liu Wen    Herself
Serena Williams    Herself
Anna Wintour    Herself
Cameron Winklevoss    Himself
Tyler Winklevoss    Himself
Dr. Georgia Witkin    Herself
Jason Wu    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Steven Soderbergh    Producer
Susan Ekins    Producer
Gary Ross    Screenwriter
Olivia Milch    Screenwriter
Gary Ross    Story by
Michael Tadross    Executive Producer
Diana Alvarez    Executive Producer
Jesse Ehrman    Executive Producer
Bruce Berman    Executive Producer
George Clayton Johnson    Character Creator
Jack Golden Russell    Character Creator
Eigil Bryld    Director of Photography
Alex DiGerlando    Production Designer
Juliette Welfling    Editor
Sarah Edwards    Costume Designer
Daniel Pemberton    Music by
Gabe Hilfer    Music Supervisor
Devoe Yates    Music Supervisor
Debra Zane    Casting Director
Shayna Markowitz    Casting Director
Michael Pitt    Unit Production Manager
John R. Saunders*    First Assistant Director
Jeremy Marks    Second Assistant Director
Olivia Milch    Co-Producer
John R. Saunders*    Co-Producer
Karen Heston    Visual Effects Supervisor
Paul Hsu    Supervising Sound Editor
Paul Hsu    Re-recording Mixer
Sandino Moya-Smith    Associate Producer
Charbel Youssef    Production Supervisor
Chris Shriver    Supervising Art Director
Henry Dunn    Art Director
Kim Jennings    Art Director
Rena DeAngelo    Set Decorator
Tom Nelson    Sound Mixer
Jeff Brink    Special Effects Supervisor
Kate Edwards    Wardrobe Supervisor
Marcia Patten    Wardrobe Supervisor
Louise McCarthy    Make up
Joanna McCarthy    Make up
Alan D'Angerio    Hairstylist
Liliana Meyrick    Hairstylist
Brad Rohrer    Post-Production Supervisor
Gershon Hinkson    Additional Editor
Patrick Smith    First Assistant Editor
Peter Dudgeon    First Assistant Editor
Adam Schaefer    Second Assistant Editor
Chelsea Dinsdale    Second Assistant Editor
Gina R. Alfano    Sound Editor
Dave B. Flynch    Sound Editor
Branka Mrkic-Tana    Sound Editor
Fred Rosenberg    Sound Editor
Kenneth Karman    Supervising Music Editor
John Finklea    Music Editor
Todd Kasow    Music Editor
Katrina Schiller    Music Editor
Nevin Seus    Music Editor
Robert Striem    Location Manager
Lauri Pitkus    Location Manager

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

International Box Office: Fallen Remains Tops, but Ant-sized Competition Looms

July 4th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom remained on top of the international chart for the fourth and final time. This past weekend, it earned $57.3 million in 68 markets for totals of $669.2 million internationally and $934.9 million worldwide. The film had no major market openings this past weekend and has no major market opening next week as well, before closing out its international run in Japan on the 13th. The film’s biggest market of the weekend was China, where it earned $14.81 million on approximately 10,000 screens over the weekend for a three-week total of $230.67 million. More...

Weekend Wrap-Up: Dinos Help the Box Office Hold On

July 3rd, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom was within a rounding error of our prediction with $60.91 million over the weekend. Additionally, both new releases, Sicario: Day of the Soldado and Uncle Drew, beat expectations, as did every other film in the top five helping the overall box office reach $178 million. Granted, this weekend still plummeted 36% from last weekend, but last weekend was the biggest ever weekend in June, so falling from that figure isn’t disappointing. In fact, it is 4.8% higher than the same weekend last year, which is higher than the rate of inflation, so I would call that a significant margin. Year-to-date, 2018 has pulled in $6.15 billion, making it the fastest year to get to the $6 billion mark. This is also $560 million or 10.0% higher than the same pace last year. I’m going to make a prediction that is the the peak lead 2018 will have over 2017, at least in terms of percentage. More...

Weekend Predictions: Putting a Hit out on the Box Office

June 28th, 2018

Sicario: Day of the Soldado

After two monster hits in a row, the weekend crashes back down to Earth. Neither Sicario: Day of the Soldado nor Uncle Drew are expected to do much at the box office, but they are expected to open with similar amounts and there’s no consensus which film will do better, so at least there’s something to talk about. This weekend last year, Despicable Me 3 opened with $72.43 million. We will be relying almost entirely on holdovers to win in the year-over-year comparison. I think we’ve got an excellent shot of doing that by a significant margin. More...

International Box Office: $100 million Threepeat for Fallen Kingdom

June 27th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom completed the hat-trick with $107.6 million in 67 markets for three-week totals of $561.5 million internationally and $709.5 million worldwide. The film’s biggest opening was in Mexico, where it earned $10.14 million over the weekend for a total opening of $12.09 million. It also did well in South America with $9.28 million during its opening in Brazil, while in neighboring Argentina, the film earned $2.51 million over the weekend for a total opening of $2.75 million. It earned $7.63 million on 734 screens during its opening in Australia. The film fell 69% in China earning $33.96 million over the weekend for a two-week total of $202.07 million. More...

Weekend Wrap-Up: Jurassic World and Incredibles Combine for Biggest June Weekend

June 26th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom beat expectations with $148.02 million over the weekend, but it wasn’t the only monster hit in theaters. Incredibles 2 added $80.35 million during its second weekend of release, which helped the overall box office become the biggest June weekend of all time. The overall box office rose just 2.3%, but that was enough to break the record with $277 million. This is also 98% higher than the same weekend last year. 2018 has had a string of hits that have dominated their 2017 counterparts, even if they missed expectations, so it is no surprise that 2018 has a lead over 2017 in the year-over-year comparison. However, that lead is surprisingly larger. It has grown to 9.1% or $490 million at $5.85 billion to $5.36 billion. No year has started as fast as 2018 has, and even its estimated ticket sales are the best in the 2010s. More...

Weekend Estimates: Fallen Starts Out on Top

June 24th, 2018

Jurassic World: Fallen Kingdom

Sequels usually start faster but fall quicker, when compared to their predecessor. However, no one expected Jurassic World: Fallen Kingdom to follow suit. In fact, many thought it would collapse. That wasn’t the case, as Fallen Kingdom opened with $150 million over the weekend. Granted, this is nearly 30% lower than Jurassic World’s opening weekend, but it could have been much worse. On the downside, its reviews are almost exactly 50% positive, which suggests weak legs. It did earn an A minus from CinemaScore, so audiences did like the film more than critics did, so we have mixed signals about what the movie will do going forward. Internationally, the film added $106.7 million over the weekend for a three-week total of $561.5 million. This includes a $12.3 million debut in Mexico. More...

Friday Estimates: Dinosaurs Dominate, Incredibles Still Doing Good

June 23rd, 2018

Jurassic World: Fallen Kingdom

Despite earning mixed reviews, Jurassic World: Fallen Kingdom’s opened on Friday with $58.68 million. It also earned an A minus from CinemaScore, so audiences liked it more than critics, and that should help it over the rest of the weekend, earning about $144 million. Granted, this is significantly lower than what Jurassic World opened with, but it didn’t fall as much as anticipated, so Universal should be happy with this result. More...

Weekend Predictions: Can Dinosaurs Stomp the Competition?

June 21st, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom is the only wide release of the week and it was expected to dominate the box office. That was until Incredibles 2 broke records last weekend. Furthermore, Fallen Kingdom’s reviews have fallen below the overall positive level. Now there might be a race at the box office, at least on the daily charts. Meanwhile, this weekend last year, Transformers: The Last Knight missed expectations with just $45 million over the weekend and $70 million in five days. Fallen Kingdom had better earn $45 million on Friday alone, or it is in serious trouble. More...

International Box Office: Fallen Kingdom Falls compared to Jurassic World

June 19th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom remained in first place with $173.6 million in 51 markets for a two-week total of $370.0 million worldwide. It opened in first place in China with $111.31 million over the weekend, for a total opening of $113.42 million. This is better than the $100.10 million opening Jurassic World managed in that market. While this is good news, there are some issues. The film suffered an average of 60% decline in holdover markets. This includes a 63% decline in South Korea ($5.44 million on 1,230 screens over the weekend for a two-week total of $37.74 million.) and in Russia ($2.78 million on 1,541 screens for a running tally of $15.16 million there.) It did hold on better in the United Kingdom, down 51% to $9.38 million in 656 theaters for a total of $33.75 million so far. The film has yet to open in Australia, Brazil, and Mexico, where it opens this weekend. Meanwhile, the film doesn’t open in Japan till next month. More...

Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It

June 18th, 2018

Incredibles 2

Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record. More...

Weekend Estimates: $180 million Opening is Beyond Incredible

June 17th, 2018

Incredibles 2

Incredibles 2 was widely expected to dominate the box office over the weekend, but after the two previous potential monster hits missed high expectations, I thought it was wise to be a little more pessimistic. I was wrong. Incredibles 2 opened with an estimated $180 million. This is not only the best opening for a Pixar film, and an animated film in general, it is the 8th biggest opening weekend of all time. (It could slip a little in tomorrow’s final numbers, putting it in 9th place behind Captain America: Civil War.) The film is already the 50th biggest animated hit of all time and unless its legs are shorter than expected, it will quickly race to the top of that chart. Speaking of legs, Incredibles 2 has the best reviews in the top ten and earned a stunning A plus from CinemaScore. To be frank, perhaps stunning isn’t the right word. Perhaps “expected” is a better term, as Pixar has earned 7 A plus ratings out of its 20 films and has never once slipped below an A minus. Internationally, the film opened in second place with $51.5 million in 25 markets and earned a Pixar-best opening in Mexico ($12.3 million) and Argentina ($3.0 million). In fact, it was outstanding in all of Latin America. It is also the fasting opening Pixar film in Australia with $7.7 million, while it managed the studio’s second biggest opening in Russia with $5.4 million. Granted, the film is not doing as well internationally as it is domestically; however, it is still on pace for $1 billion worldwide, so there’s no way the studio isn’t celebrating this opening. More...

Friday Estimates: Incredibles Smashes Animated Records

June 16th, 2018

Incredibles 2

Incredibles 2 opened with $71.55 million on Friday. To put this in perspective, it is already the biggest digital animation of 2018 and even if it doesn’t sell a single ticket on Saturday and Sunday, this would still be the fifth biggest opening weekend for a Pixar film and the 13th biggest opening for an animated film. Assuming its 93% positive reviews and its A plus from CinemaScore help its legs, it could top Solo: A Star Wars Story’s running tally by the end of the weekend. On the other hand, an opening weekend of $180 million seems like a solid goal after an opening day like this and that will put it on pace for over $500 million domestically. More...

Weekend Predictions: How Incredible can the Incredibles Open?

June 14th, 2018

Incredibles 2

Incredibles 2 leads a group of three wide releases coming out in theaters this week. It should open with more than the rest of the box office combined. Tag is a film that many will find a little unbelievable, even though it is based on real-life events. Its reviews suggest a moderate opening, but nothing too special. The buzz surrounding SuperFly is really quiet, but it is being aimed at its target audience in a much more focused ad campaign, which makes judging said campaign’s effectiveness more difficult. Ocean’s 8 should have no trouble earning second place, while it could avoid falling 50%. Meanwhile, this weekend last year, Cars 3 opened with $53.69 million, while Wonder Woman added $41.27 million over the same weekend. I would be shocked if Incredibles 2 doesn’t open with more than those two films earned combined. 2018 should win in the year-over-year comparison with relative ease. More...

Theater Averages: 2001 is Louder than the Competition

June 12th, 2018

Hearts Beat Loud

2001: A Space Odyssey returned to the top of the theater average chart earning an average of $18,969 in 5 theaters. The best new release was Hearts Beat Loud, which was right behind with an average of $18,631 in four theaters. Won’t You Be My Neighbor? was next with an average of $16,394 in 29 theaters. It won’t need to expand to earn more than $1 million domestically, and it will expand over the coming weeks. The final film in the $10,000 club is the overall box office leader, Ocean’s 8, with an average of $10,038. More...

International Box Office: Fallen Kingdom Falls compared to Jurassic World

June 12th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom opened in first place on the international chart with $150.9 million in 48 markets. The film’s biggest market was South Korea, where it set the opening day record with $9.7 million, but its overall weekend was not quite as impressive, as it earned $15.17 million for a total opening of $26.57 million. That three-day total is better than Jurassic World, but its a drop from the opening day to its weekend total. This could be a sign of weak word-of-mouth and that’s troubling as its reviews have slipped below the overall positive level. The film also cracked $10 million in both the U.K. ($19.20 million in 662 theaters) and in France ($10.91 million in 700), but this is lower than the predecessor managed in both those markets. Overall, the film will have little trouble earning $1 billion worldwide, but it very likely won’t live up to Jurassic World. More...

Weekend Wrap-Up: Ocean’s 8 has Franchise Best Opening with $41.61 million

June 12th, 2018

Ocean’s 8

The weekend was very kind to Ocean’s 8, as it opened with $41.61 million. This is not only the top result this weekend, it is the best opening weekend in the franchise. Hereditary also opened on the high end of expectations, leaving just Hotel Artemis as the only disappointment of the weekend. Overall, the box office rose 13% from last weekend to $120 million. More importantly, this was 17% lower than the same weekend last year. That said, it could have been worse and 2018 still has a 5.1% / $250 million lead over 2017 at $5.11 billion to $4.86 billion. More...

Weekend Estimates: Ocean’s 8 Tops Chart, Franchise

June 10th, 2018

Ocean’s 8

Ocean’s 8 matched expectations with $41.5 million over the weekend. If it can maintain this figure, then it will open in the $10,000 club, while even if its final numbers slips a little, it still would be on pace for $100 million domestically. Its reviews have settled to 67% positive, and it managed an acceptable B plus from CinemaScore, so its legs should be average. Fortunately, with a start like this, it only needs average legs to break even early in its home market run. More...

Friday Estimates: Ocean’s 8 Opens With $15 million, Fallen Kingdom Will Steal its Thunder

June 9th, 2018

Ocean’s 8

Two of the three new releases opened well on Friday. Ocean’s 8 open with $15.8 million, putting it on pace for an opening weekend of $42 million. This is the best opening in the franchise. It is also the cheapest installment in the franchise with a $70 million production budget, so it won’t need amazing legs to break even during its initial push into the home market. Its reviews are 69% positive, while it earned a B plus from CinemaScore. Neither of those results are particularly good, but they are no reason to panic either. Unfortunately, it won’t have the same legs as its predecessors, as the market has changed in the past decade. Furthermore, films with predominately female casts don’t do as well internationally, so the film will rely a little more on its domestic numbers to break even. That said, Warner Bros. should be happy with this result. More...

Thursday Night Previews: Ocean’s Splits $4 million Opening

June 8th, 2018

Ocean’s 8

Ocean’s 8 opened with $4 million during its previews. By comparison, the most recent gender-bent remake, Ghostbusters, earned $3.4 million during its previews on its way to a $46.02 million opening weekend. The two films also have very similar reviews, so they could have similar legs. However, we have seen a number of films over-perform during previews only to come back down to earth over the weekend, so I’m not willing to change our $40 million prediction, at least not yet. More...

Weekend Predictions: Ocean’s 8 Looks to Steal Top Spot

June 7th, 2018

Ocean’s 8

Ocean’s 8 leads a trio of new releases this week and it might be the only one to reach the top five. It is certainly the only one competing for first place. Hereditary is earning amazing reviews, but it is an art house horror movie and those tend to struggle at the box office. Finally there’s Hotel Artemis, which is earning the quietest buzz of the three releases. Solo: A Star Wars Story and Deadpool 2 should remain strong helping the overall box office. However, while this year’s new releases are better than last year’s new releases, with Wonder Woman’s sophomore stint, 2018 is going to suffer another loss. Next week will be better. More...

2018 Preview: June

June 1st, 2018

Incredibles 2

This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017. More...

Ocean’s 8 Trailer

December 19th, 2017

Thriller starring Sandra Bullock, Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Rihanna, Sarah Paulson, Mindy Kaling, and Awkwafina opens June 8, 2018 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/06/08 1 $41,607,378   4,145 $10,038   $41,607,378 1
2018/06/15 2 $18,968,184 -54% 4,145 $4,576   $78,588,354 2
2018/06/22 3 $11,546,462 -39% 3,656 $3,158   $100,282,222 3
2018/06/29 5 $8,332,661 -28% 3,426 $2,432   $115,004,842 4
2018/07/06 7 $5,067,750 -39% 2,604 $1,946   $126,533,978 5
2018/07/13 10 $2,907,356 -43% 1,618 $1,797   $132,253,292 6
2018/07/20 12 $1,575,000 -46% 1,002 $1,572   $135,639,512 7

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2018/06/08 1 $15,523,247   4,145 $3,745   $15,523,247 1
2018/06/09 1 $14,888,802 -4% 4,145 $3,592   $30,412,049 2
2018/06/10 1 $11,195,329 -25% 4,145 $2,701   $41,607,378 3
2018/06/11 1 $4,377,160 -61% 4,145 $1,056   $45,984,538 4
2018/06/12 1 $6,157,129 +41% 4,145 $1,485   $52,141,667 5
2018/06/13 1 $4,196,035 -32% 4,145 $1,012   $56,337,702 6
2018/06/14 1 $3,282,468 -22% 4,145 $792   $59,620,170 7
2018/06/15 2 $5,932,830 +81% 4,145 $1,431   $65,553,000 8
2018/06/16 2 $7,340,940 +24% 4,145 $1,771   $72,893,940 9
2018/06/17 2 $5,694,414 -22% 4,145 $1,374   $78,588,354 10
2018/06/18 2 $2,421,036 -57% 4,145 $584   $81,009,390 11
2018/06/19 2 $3,353,144 +39% 4,145 $809   $84,362,534 12
2018/06/20 2 $2,365,296 -29% 4,145 $571   $86,727,830 13
2018/06/21 2 $2,007,930 -15% 4,145 $484   $88,735,760 14
2018/06/22 3 $3,470,001 +73% 3,656 $949   $92,205,761 15
2018/06/23 3 $4,819,040 +39% 3,656 $1,318   $97,024,801 16
2018/06/24 3 $3,257,421 -32% 3,656 $891   $100,282,222 17
2018/06/25 3 $1,383,507 -58% 3,656 $378   $101,665,729 18
2018/06/26 3 $2,001,357 +45% 3,656 $547   $103,667,086 19
2018/06/27 3 $1,533,204 -23% 3,656 $419   $105,200,290 20
2018/06/28 3 $1,471,891 -4% 3,656 $403   $106,672,181 21
2018/06/29 5 $2,424,547 +65% 3,426 $708   $109,096,728 22
2018/06/30 5 $3,293,865 +36% 3,426 $961   $112,390,593 23
2018/07/01 5 $2,614,249 -21% 3,426 $763   $115,004,842 24
2018/07/02 5 $1,374,089 -47% 3,426 $401   $116,378,931 25
2018/07/03 5 $1,828,119 +33% 3,426 $534   $118,207,050 26
2018/07/04 6 $2,093,164 +14% 3,426 $611   $120,300,214 27
2018/07/05 6 $1,166,014 -44% 3,426 $340   $121,466,228 28
2018/07/06 7 $1,671,331 +43% 2,604 $642   $123,137,559 29
2018/07/07 7 $2,001,153 +20% 2,604 $768   $125,138,712 30
2018/07/08 7 $1,395,266 -30% 2,604 $536   $126,533,978 31
2018/07/09 7 $650,128 -53% 2,604 $250   $127,184,106 32
2018/07/10 7 $944,635 +45% 2,604 $363   $128,128,741 33
2018/07/11 7 $690,567 -27% 2,604 $265   $128,819,308 34
2018/07/12 7 $526,628 -24% 2,604 $202   $129,345,936 35
2018/07/13 10 $847,282 +61% 1,618 $524   $130,193,218 36
2018/07/14 10 $1,223,043 +44% 1,618 $756   $131,416,261 37
2018/07/15 10 $837,031 -32% 1,618 $517   $132,253,292 38
2018/07/16 10 $431,891 -48% 1,618 $267   $132,685,183 39
2018/07/17 10 $637,538 +48% 1,618 $394   $133,322,721 40
2018/07/18 9 $430,239 -33% 1,618 $266   $133,752,960 41
2018/07/19 10 $311,552 -28% 1,618 $193   $134,064,512 42
2018/07/20 12 $455,000 +46% 1,002 $454   $134,519,512 43
2018/07/21 - $660,000 +45% 1,002 $659   $135,179,512 44
2018/07/22 - $460,000 -30% 1,002 $459   $135,639,512 45

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/06/08 1 $59,620,170   4,145 $14,384   $59,620,170 1
2018/06/15 2 $29,115,590 -51% 4,145 $7,024   $88,735,760 2
2018/06/22 3 $17,936,421 -38% 3,656 $4,906   $106,672,181 3
2018/06/29 5 $14,794,047 -18% 3,426 $4,318   $121,466,228 4
2018/07/06 7 $7,879,708 -47% 2,604 $3,026   $129,345,936 5
2018/07/13 10 $4,718,576 -40% 1,618 $2,916   $134,064,512 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/8/2018 $0 0 0 0 $615,762 7/16/2018
Australia 6/8/2018 $4,221,965 487 487 1809 $12,396,483 7/19/2018
Brazil 6/8/2018 $1,700,000 653 653 653 $5,400,000 7/16/2018
Bulgaria 6/15/2018 $45,915 0 0 0 $196,134 7/10/2018
Czech Republic 6/8/2018 $71,833 110 110 243 $240,085 7/19/2018
Finland 6/29/2018 $308,000 77 77 77 $308,000 7/3/2018
France 6/15/2018 $1,900,000 554 571 1125 $6,000,000 7/16/2018
Germany 6/22/2018 $2,000,000 789 789 1517 $5,800,000 7/16/2018
Hong Kong 6/15/2018 $816,000 75 75 75 $2,070,000 7/3/2018
Indonesia 6/8/2018 $0 0 0 0 $2,660,000 7/16/2018
Italy 7/26/2018 $0000$0
Lithuania 6/15/2018 $31,372 139 139 338 $155,543 7/5/2018
Mexico 6/8/2018 $2,444,059 1630 1630 1630 $6,200,000 7/16/2018
Netherlands 6/22/2018 $833,906 127 128 383 $2,700,000 7/16/2018
New Zealand 6/8/2018 $524,549 101 107 549 $1,936,842 7/16/2018
Poland 6/22/2018 $286,163 0 0 0 $1,427,233 7/19/2018
Portugal 6/22/2018 $178,371 77 80 157 $433,265 7/6/2018
Russia (CIS) 6/22/2018 $2,532,891 1376 1389 4060 $6,100,000 7/16/2018
Slovakia 6/8/2018 $70,412 73 73 144 $211,677 7/5/2018
South Korea 6/13/2018 $2,908,782 821 821 2072 $10,305,615 7/20/2018
Spain 7/6/2018 $889,951 0 0 0 $2,000,000 7/16/2018
Sweden 6/29/2018 $589,000 117 117 117 $589,000 7/3/2018
Taiwan 6/15/2018 $1,800,000 172 172 172 $4,600,000 7/16/2018
Turkey 6/15/2018 $164,859 302 302 1050 $819,715 7/19/2018
United Arab Emirates 6/22/2018 $1,100,000 78 78 78 $2,800,000 7/16/2018
United Kingdom 6/22/2018 $5,763,052 641 646 2266 $12,860,123 7/18/2018
 
Rest of World $29,683,319
 
International Total$118,508,796 7/20/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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