Oddball (2015)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $9,792,014 | Details |
| Worldwide Box Office | $9,792,014 | |
| OpusData ID: 241860100 More info... | ||
| Further financial details... | ||
Synopsis
An eccentric chicken farmer, with the help of his granddaughter, trains his mischievous dog Oddball to protect a penguin sanctuary from fox attacks in an attempt to reunite his family and save their seaside town.
Metrics
| Production Budget: | $7,000,000 (worldwide box office is 1.4 times production budget) |
Movie Details
| Domestic Releases: | December 6th, 2016 (Limited) by Momentum Pictures |
| International Releases: | September 17th, 2015 (Limited) (Australia)
October 30th, 2015 (Wide) (Italy) December 10th, 2015 (Wide) (Slovenia) January 15th, 2016 (Wide) (New Zealand) February 12th, 2016 (Limited), released as Oddball and the Penguins (United Kingdom) ... Show all releases |
| Video Release: | February 7th, 2017 by Sony Pictures Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Life on a Farm |
| Source: | Based on Real Life Events |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Roadshow Films, Screen Australia, Fox International Productions, Film Victoria, The Film Company, Kmunications, Practical Pictures |
| Production Countries: | Australia |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/17/2015 | $711,315 | 289 | 2 | 2,507 | $7,409,786 | 4/4/2026 | |||
| Italy | 10/30/2015 | $205,975 | 0 | 0 | 0 | $545,059 | 11/7/2018 | |||
| New Zealand | 1/15/2016 | $68,983 | 86 | 87 | 530 | $347,719 | 4/4/2026 | |||
| Poland | 7/8/2016 | $142,741 | 0 | 0 | 0 | $1,158,286 | 11/18/2018 | |||
| Slovenia | 12/10/2015 | $1,346 | 4 | 4 | 16 | $5,579 | 6/9/2016 | |||
| South Korea | 9/18/2017 | $0 | 0 | 1 | 0 | $866 | 4/4/2026 | |||
| United Kingdom | 2/12/2016 | $34,464 | 141 | 141 | 463 | $239,706 | 6/9/2016 | |||
| Rest of World | $85,013 | |||||||||
| International Total | $9,792,014 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Shane Jacobson | Swampy |
Supporting
| Sarah Snook | Emily Marsh | |
| Alan Tudyk | Bradley Slater | |
| Coco Jack Gillies | Olivia | |
| Richard Davies | Jack Jones | |
| Deborah Mailman | Mayor Lake | |
| Terry Camilleri | Judge Burns | |
| John Leary | Paul Watt | |
| Clay Dunn | Ladder Man | |
| Frank Woodley | Dog Catcher |
Production and Technical Credits
| Stuart McDonald | Director | |
| Sheila Hanahan Taylor | Producer | |
| Stephen Kearney | Producer | |
| Richard Keddie | Producer | |
| Peter Ivan | Screenwriter | |
| Craig Perry | Executive Producer | |
| Jason Koffeman | Executive Producer | |
| Joel Pearlman | Executive Producer | |
| Seph McKenna | Executive Producer | |
| Frank Dunphy | Executive Producer | |
| Daryl Talbot | Executive Producer | |
| Steve Oemcke | Executive Producer | |
| Ella Keddie | Co-Producer | |
| Naomi Cleaver | Line Producer | |
| Marcus D'Arcy | Editor | |
| Cindy Clarkson | Editor | |
| Max Miller | Editor | |
| Cezary Skubiszewski | Composer | |
| John Francis | Visual Effects Designer | |
| Jeanie Cameron | Costume Designer | |
| Ben Morieson | Production Designer | |
| Carrie Kennedy | Production Designer | |
| Damian Wyvill | Director of Photography | |
| Ann Robinson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An eccentric chicken farmer, with the help of his granddaughter, trains his mischievous dog Oddball to protect a penguin sanctuary from fox attacks in an attempt to reunite his family and save their seaside town.
Metrics
| Production Budget: | $7,000,000 (worldwide box office is 1.4 times production budget) |
Movie Details
| Domestic Releases: | December 6th, 2016 (Limited) by Momentum Pictures |
| International Releases: | September 17th, 2015 (Limited) (Australia)
October 30th, 2015 (Wide) (Italy) December 10th, 2015 (Wide) (Slovenia) January 15th, 2016 (Wide) (New Zealand) February 12th, 2016 (Limited), released as Oddball and the Penguins (United Kingdom) ... Show all releases |
| Video Release: | February 7th, 2017 by Sony Pictures Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Life on a Farm |
| Source: | Based on Real Life Events |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Roadshow Films, Screen Australia, Fox International Productions, Film Victoria, The Film Company, Kmunications, Practical Pictures |
| Production Countries: | Australia |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/17/2015 | $711,315 | 289 | 2 | 2,507 | $7,409,786 | 4/4/2026 | |||
| Italy | 10/30/2015 | $205,975 | 0 | 0 | 0 | $545,059 | 11/7/2018 | |||
| New Zealand | 1/15/2016 | $68,983 | 86 | 87 | 530 | $347,719 | 4/4/2026 | |||
| Poland | 7/8/2016 | $142,741 | 0 | 0 | 0 | $1,158,286 | 11/18/2018 | |||
| Slovenia | 12/10/2015 | $1,346 | 4 | 4 | 16 | $5,579 | 6/9/2016 | |||
| South Korea | 9/18/2017 | $0 | 0 | 1 | 0 | $866 | 4/4/2026 | |||
| United Kingdom | 2/12/2016 | $34,464 | 141 | 141 | 463 | $239,706 | 6/9/2016 | |||
| Rest of World | $85,013 | |||||||||
| International Total | $9,792,014 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Shane Jacobson | Swampy |
Supporting
| Sarah Snook | Emily Marsh | |
| Alan Tudyk | Bradley Slater | |
| Coco Jack Gillies | Olivia | |
| Richard Davies | Jack Jones | |
| Deborah Mailman | Mayor Lake | |
| Terry Camilleri | Judge Burns | |
| John Leary | Paul Watt | |
| Clay Dunn | Ladder Man | |
| Frank Woodley | Dog Catcher |
Production and Technical Credits
| Stuart McDonald | Director | |
| Sheila Hanahan Taylor | Producer | |
| Stephen Kearney | Producer | |
| Richard Keddie | Producer | |
| Peter Ivan | Screenwriter | |
| Craig Perry | Executive Producer | |
| Jason Koffeman | Executive Producer | |
| Joel Pearlman | Executive Producer | |
| Seph McKenna | Executive Producer | |
| Frank Dunphy | Executive Producer | |
| Daryl Talbot | Executive Producer | |
| Steve Oemcke | Executive Producer | |
| Ella Keddie | Co-Producer | |
| Naomi Cleaver | Line Producer | |
| Marcus D'Arcy | Editor | |
| Cindy Clarkson | Editor | |
| Max Miller | Editor | |
| Cezary Skubiszewski | Composer | |
| John Francis | Visual Effects Designer | |
| Jeanie Cameron | Costume Designer | |
| Ben Morieson | Production Designer | |
| Carrie Kennedy | Production Designer | |
| Damian Wyvill | Director of Photography | |
| Ann Robinson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.