Of Mind and Music (2016)
| Theatrical Performance | ||
| Domestic Box Office | $15,083 | Details |
| International Box Office | $25,277 | Details |
| Worldwide Box Office | $40,360 | |
| OpusData ID: 238060100 More info... | ||
| Further financial details... | ||
Synopsis
Renowned Neuroscientist Dr. Alvaro Cruz returns home from a lecture in Paris, heartbroken and disillusioned. In his absence, his mother has succumbed to Alzheimer's disease. Nothing that his research or science could do could stop this from happening. As he decides to take some time off work and reconnect with the love of music that he shared with his mother finding solace in the music that permeates New Orleans' French Quarter, he hears the mesmerizing voice of Una Vida for the first time. After repeat visits to hear her sing, he realizes that she is suffering from Alzheimer's disease and that her unconventional "family" cannot cope with her declining health. Cruz puzzles his wife, Angela, by seeking out Una Vida's long lost son in hopes of finally giving her resolution to the grief, loss and longing that has overshadowed her difficult but also beautiful life.
Metrics
| Opening Weekend: | $932 (6.2% of total gross) |
| Legs: | 5.74 (domestic box office/biggest weekend) |
| Domestic Share: | 37.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,858 |
Movie Details
| Domestic Releases: | February 12th, 2016 (Limited) by Monterey Media |
| International Releases: | September 23rd, 2016 (Wide), released as O Poder da Música (Portugal) |
| MPA Rating: | PG-13 for thematic elements, drug references and some suggestive material. (Rating bulletin 2392, 9/23/2015) |
| Running Time: | 97 minutes |
| Geographical setting: | New Orleans, LA |
| Plot point: | Alzheimer, Doctors, Musicians, Terminal Illness |
| Social setting: | Jazz |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Monterey Media, South Rampart |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 85 | $932 | 1 | $932 | $932 | 1 | |
| Feb 19, 2016 | 97 | $345 | -63% | 1 | $345 | $1,716 | 2 |
| Feb 26, 2016 | 88 | $15 | -96% | 1 | $15 | $1,966 | 3 |
| Mar 4, 2016 | 84 | $2,447 | +16,213% | 2 | $1,224 | $4,557 | 4 |
| Mar 11, 2016 | 85 | $2,629 | +7% | 3 | $876 | $7,499 | 5 |
| Mar 18, 2016 | 104 | $453 | -83% | 2 | $227 | $9,097 | 6 |
| Apr 15, 2016 | 84 | $1,376 | 2 | $688 | $10,847 | 10 | |
| Apr 22, 2016 | 95 | $714 | -48% | 1 | $714 | $12,356 | 11 |
| May 20, 2016 | 98 | $961 | 1 | $961 | $15,083 | 15 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 15, 2016 | - | $107 | 1 | $107 | $1,039 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 88 | $1,371 | 1 | $1,371 | $1,371 | 1 | |
| Feb 19, 2016 | 101 | $580 | -58% | 1 | $580 | $1,951 | 2 |
| Feb 26, 2016 | 91 | $159 | -73% | 1 | $159 | $2,110 | 3 |
| Mar 4, 2016 | 91 | $2,739 | +1,623% | 3 | $913 | $4,849 | 4 |
| Mar 11, 2016 | 97 | $3,795 | +39% | 3 | $1,265 | $8,644 | 5 |
| Mar 18, 2016 | 113 | $827 | -78% | 2 | $414 | $9,471 | 6 |
| Apr 15, 2016 | 101 | $2,171 | 2 | $1,086 | $11,642 | 10 | |
| Apr 22, 2016 | 101 | $1,421 | -35% | 1 | $1,421 | $13,063 | 11 |
| May 13, 2016 | 105 | $1,049 | 1 | $1,049 | $14,122 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/23/2016 | $10,128 | 12 | 12 | 27 | $25,276 | 10/19/2016 | |||
| Rest of World | $1 | |||||||||
| International Total | $25,277 | 10/19/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joaquim de Almeida | Dr. Alvaro Cruz |
Supporting
| Bill Cobbs | Stompleg | |
| Ruth Negga | Jessica | |
| Andre Royo | Kenny | |
| Sharon Lawrence | Angela Cruz |
Leading
| Aunjanue Ellis | Una Vida |
Supporting
| Marcus Lyle Brown | Sam | |
| Ashton Leigh | Lily | |
| Stefan Solea | Jacob | |
| Laura Costine | Young Cruz's Mother | |
| John Pirkis | Dr. Laurence Guillaume | |
| Jentzen Ramirez | Young Cruz | |
| Jaedon Harmon | Young Sam | |
| Dora Pascual | Cruz's Mother | |
| Pierluigi Nicotera | Pierluigi |
Production and Technical Credits
| Richie Adams | Director | |
| Richie Adams | Screenwriter | |
| Nicolas Bazan | Screenwriter | |
| Nicolas Bazan | Based on the novel 'Una Vida: A Fable of Music and The Mind' by | |
| Richie Adams | Producer | |
| Brent Caballero | Producer | |
| Nicolas Bazan | Producer | |
| Nancy Green-Keyes | Producer | |
| Nicolas Bazan | Executive Producer | |
| Peter Cummings | Co-Producer | |
| Joel C. High | Co-Producer | |
| Phil Smoot | Line Producer | |
| Carlos Jose Alvarez | Composer | |
| Tom Lembcke | Cinematographer | |
| David Rogow | Editor | |
| Kenneth Hardy | Production Designer | |
| Chad Harris | Set Decorator | |
| Kim Martinez | Costume Designer | |
| Kristen Anthony | Costume Supervisor | |
| Kim Collea | Make up | |
| Ashley Walsh | Make up | |
| Jonathan Southard | First Assistant Director | |
| Jay Weigel | Executive Music Producer | |
| Joel C. High | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Renowned Neuroscientist Dr. Alvaro Cruz returns home from a lecture in Paris, heartbroken and disillusioned. In his absence, his mother has succumbed to Alzheimer's disease. Nothing that his research or science could do could stop this from happening. As he decides to take some time off work and reconnect with the love of music that he shared with his mother finding solace in the music that permeates New Orleans' French Quarter, he hears the mesmerizing voice of Una Vida for the first time. After repeat visits to hear her sing, he realizes that she is suffering from Alzheimer's disease and that her unconventional "family" cannot cope with her declining health. Cruz puzzles his wife, Angela, by seeking out Una Vida's long lost son in hopes of finally giving her resolution to the grief, loss and longing that has overshadowed her difficult but also beautiful life.
Metrics
| Opening Weekend: | $932 (6.2% of total gross) |
| Legs: | 5.74 (domestic box office/biggest weekend) |
| Domestic Share: | 37.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,858 |
Movie Details
| Domestic Releases: | February 12th, 2016 (Limited) by Monterey Media |
| International Releases: | September 23rd, 2016 (Wide), released as O Poder da Música (Portugal) |
| MPA Rating: | PG-13 for thematic elements, drug references and some suggestive material. (Rating bulletin 2392, 9/23/2015) |
| Running Time: | 97 minutes |
| Geographical setting: | New Orleans, LA |
| Plot point: | Alzheimer, Doctors, Musicians, Terminal Illness |
| Social setting: | Jazz |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Monterey Media, South Rampart |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 85 | $932 | 1 | $932 | $932 | 1 | |
| Feb 19, 2016 | 97 | $345 | -63% | 1 | $345 | $1,716 | 2 |
| Feb 26, 2016 | 88 | $15 | -96% | 1 | $15 | $1,966 | 3 |
| Mar 4, 2016 | 84 | $2,447 | +16,213% | 2 | $1,224 | $4,557 | 4 |
| Mar 11, 2016 | 85 | $2,629 | +7% | 3 | $876 | $7,499 | 5 |
| Mar 18, 2016 | 104 | $453 | -83% | 2 | $227 | $9,097 | 6 |
| Apr 15, 2016 | 84 | $1,376 | 2 | $688 | $10,847 | 10 | |
| Apr 22, 2016 | 95 | $714 | -48% | 1 | $714 | $12,356 | 11 |
| May 20, 2016 | 98 | $961 | 1 | $961 | $15,083 | 15 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 15, 2016 | - | $107 | 1 | $107 | $1,039 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 88 | $1,371 | 1 | $1,371 | $1,371 | 1 | |
| Feb 19, 2016 | 101 | $580 | -58% | 1 | $580 | $1,951 | 2 |
| Feb 26, 2016 | 91 | $159 | -73% | 1 | $159 | $2,110 | 3 |
| Mar 4, 2016 | 91 | $2,739 | +1,623% | 3 | $913 | $4,849 | 4 |
| Mar 11, 2016 | 97 | $3,795 | +39% | 3 | $1,265 | $8,644 | 5 |
| Mar 18, 2016 | 113 | $827 | -78% | 2 | $414 | $9,471 | 6 |
| Apr 15, 2016 | 101 | $2,171 | 2 | $1,086 | $11,642 | 10 | |
| Apr 22, 2016 | 101 | $1,421 | -35% | 1 | $1,421 | $13,063 | 11 |
| May 13, 2016 | 105 | $1,049 | 1 | $1,049 | $14,122 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/23/2016 | $10,128 | 12 | 12 | 27 | $25,276 | 10/19/2016 | |||
| Rest of World | $1 | |||||||||
| International Total | $25,277 | 10/19/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joaquim de Almeida | Dr. Alvaro Cruz |
Supporting
| Bill Cobbs | Stompleg | |
| Ruth Negga | Jessica | |
| Andre Royo | Kenny | |
| Sharon Lawrence | Angela Cruz |
Leading
| Aunjanue Ellis | Una Vida |
Supporting
| Marcus Lyle Brown | Sam | |
| Ashton Leigh | Lily | |
| Stefan Solea | Jacob | |
| Laura Costine | Young Cruz's Mother | |
| John Pirkis | Dr. Laurence Guillaume | |
| Jentzen Ramirez | Young Cruz | |
| Jaedon Harmon | Young Sam | |
| Dora Pascual | Cruz's Mother | |
| Pierluigi Nicotera | Pierluigi |
Production and Technical Credits
| Richie Adams | Director | |
| Richie Adams | Screenwriter | |
| Nicolas Bazan | Screenwriter | |
| Nicolas Bazan | Based on the novel 'Una Vida: A Fable of Music and The Mind' by | |
| Richie Adams | Producer | |
| Brent Caballero | Producer | |
| Nicolas Bazan | Producer | |
| Nancy Green-Keyes | Producer | |
| Nicolas Bazan | Executive Producer | |
| Peter Cummings | Co-Producer | |
| Joel C. High | Co-Producer | |
| Phil Smoot | Line Producer | |
| Carlos Jose Alvarez | Composer | |
| Tom Lembcke | Cinematographer | |
| David Rogow | Editor | |
| Kenneth Hardy | Production Designer | |
| Chad Harris | Set Decorator | |
| Kim Martinez | Costume Designer | |
| Kristen Anthony | Costume Supervisor | |
| Kim Collea | Make up | |
| Ashley Walsh | Make up | |
| Jonathan Southard | First Assistant Director | |
| Jay Weigel | Executive Music Producer | |
| Joel C. High | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.