Old Guy (2024)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $146,383 | Details |
| Worldwide Box Office | $146,383 | |
| OpusData ID: 670500100 More info... | ||
| Further financial details... | ||
Synopsis
Aging contract killer Terry Eubanks still believes he’s the best at what he does. Stuck at a dead end but vying for the love of spunky club owner Anata, Terry is thrilled when The Company pulls him back in the field, but only to train Gen Z newcomer Wihlborg, a prodigy assassin with an attitude. The mismatched pair is asked to eliminate a competing crime syndicate, but uncover their employer’s true motive: removing the old guard in a full takeover. The Company didn’t anticipate that Terry’s experience coupled with the kid’s brilliance would create such an unlikely bond between the two. With Anata’s crucial help, the duo turns it all back on The Company.
Metrics
Movie Details
| Domestic Releases: | February 21st, 2025 (Limited) by The Avenue Entertainment |
| International Releases: | December 13th, 2024 (Limited), released as El Maestro del Crimen (Spain)
March 7th, 2025 (Limited) (United Kingdom) March 13th, 2025 (Limited), released as Old Guy (Киллер в отставке) (Russia (CIS)) April 18th, 2025 (Limited) (South Africa) September 25th, 2025 (Limited), released as Mestre do Crime (Portugal) ... Show all releases |
| Video Release: | February 21st, 2025 by The Avenue |
| MPA Rating: | R for violence, language and some drug use. (Rating bulletin 2838 (cert #55024), 6/12/2024) |
| Running Time: | 93 minutes |
| Plot point: | Generational Conflict, Hitmen, Romance |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Avenue, R U Robot, Highland Film Group, 23Ten, Source Management, Aperture Media Partners, Pfaff and Pfaff Productions, LB Entertainment, Wee Buns Films, Yellowmoon , Northern Ireland Screen |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/25/2025 | $5,575 | 18 | 18 | 24 | $7,845 | 4/4/2026 | |||
| Russia (CIS) | 3/13/2025 | $138,538 | 677 | 677 | 677 | $138,538 | 4/4/2026 | |||
| International Total | $146,383 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Christoph Waltz | Danny Dolinski | |
| Cooper Hoffman | Wihlborg | |
| Lucy Alexis Liu | Anata |
Supporting
| Ryan McParland | ||
| Ann Akinjirin | ||
| Jason Done | ||
| Tony Hirst | ||
| Kate Katzman | ||
| Conor Mullen | ||
| Rory Mullen |
Production and Technical Credits
| Simon West | Director | |
| Greg Johnson | Screenwriter | |
| Jib Polhemus | Producer | |
| Martin Brennan | Producer | |
| Hal Sadoff | Producer | |
| Simon West | Producer | |
| Petr Jakl | Producer | |
| Norm Golightly | Producer | |
| Katy Jackson | Co-Producer | |
| Janine Cobain | Co-Producer | |
| Daniel Jaros | Co-Executive Producer | |
| Alena Gloserova Jaklova | Co-Executive Producer | |
| Martin Mach | Co-Executive Producer | |
| Euzebio Munhoz Jr | Co-Executive Producer | |
| Vladimir Fernandes | Co-Executive Producer | |
| Claiton Fernandes | Co-Executive Producer | |
| Garrick Benabe | Co-Executive Producer | |
| Martin Barab | Executive Producer | |
| JJ Caruth | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Henry Winterstern | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Andrew C. Robinson | Executive Producer | |
| Danny Mandel | Executive Producer | |
| Patrick Josten | Executive Producer | |
| Walter Josten | Executive Producer | |
| Jarrett Mahoney | Executive Producer | |
| Ford Corbett | Executive Producer | |
| Harry Assouline | Executive Producer | |
| Tom Assouline | Executive Producer | |
| Lee Broda | Executive Producer | |
| Joel Michaely | Executive Producer | |
| Thomas R. Burke | Executive Producer | |
| Hannah Leader | Executive Producer | |
| Frank DeMartini | Executive Producer | |
| Todd E. Miller | Executive Producer | |
| Greg Johnson | Executive Producer | |
| Robert E. Pfaff | Executive Producer | |
| Frederick A. Pfaff | Executive Producer | |
| Dan Hubbard | Casting Director | |
| Rory Okey | Casting Director | |
| Andrew Simon McAllister | Composer | |
| Zero VU* | Composer | |
| Zero VU* | Composer | |
| Zero VU* | Composer | |
| Ciana O’Kane | Costume Designer | |
| Heather Greenlees | Production Designer | |
| Andrew MacRitchie | Editor | |
| Todd E. Miller | Editor | |
| John Walters | Editor | |
| Martin Ahlgren | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Aging contract killer Terry Eubanks still believes he’s the best at what he does. Stuck at a dead end but vying for the love of spunky club owner Anata, Terry is thrilled when The Company pulls him back in the field, but only to train Gen Z newcomer Wihlborg, a prodigy assassin with an attitude. The mismatched pair is asked to eliminate a competing crime syndicate, but uncover their employer’s true motive: removing the old guard in a full takeover. The Company didn’t anticipate that Terry’s experience coupled with the kid’s brilliance would create such an unlikely bond between the two. With Anata’s crucial help, the duo turns it all back on The Company.
Metrics
Movie Details
| Domestic Releases: | February 21st, 2025 (Limited) by The Avenue Entertainment |
| International Releases: | December 13th, 2024 (Limited), released as El Maestro del Crimen (Spain)
March 7th, 2025 (Limited) (United Kingdom) March 13th, 2025 (Limited), released as Old Guy (Киллер в отставке) (Russia (CIS)) April 18th, 2025 (Limited) (South Africa) September 25th, 2025 (Limited), released as Mestre do Crime (Portugal) ... Show all releases |
| Video Release: | February 21st, 2025 by The Avenue |
| MPA Rating: | R for violence, language and some drug use. (Rating bulletin 2838 (cert #55024), 6/12/2024) |
| Running Time: | 93 minutes |
| Plot point: | Generational Conflict, Hitmen, Romance |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Avenue, R U Robot, Highland Film Group, 23Ten, Source Management, Aperture Media Partners, Pfaff and Pfaff Productions, LB Entertainment, Wee Buns Films, Yellowmoon , Northern Ireland Screen |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/25/2025 | $5,575 | 18 | 18 | 24 | $7,845 | 4/4/2026 | |||
| Russia (CIS) | 3/13/2025 | $138,538 | 677 | 677 | 677 | $138,538 | 4/4/2026 | |||
| International Total | $146,383 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Christoph Waltz | Danny Dolinski | |
| Cooper Hoffman | Wihlborg | |
| Lucy Alexis Liu | Anata |
Supporting
| Ryan McParland | ||
| Ann Akinjirin | ||
| Jason Done | ||
| Tony Hirst | ||
| Kate Katzman | ||
| Conor Mullen | ||
| Rory Mullen |
Production and Technical Credits
| Simon West | Director | |
| Greg Johnson | Screenwriter | |
| Jib Polhemus | Producer | |
| Martin Brennan | Producer | |
| Hal Sadoff | Producer | |
| Simon West | Producer | |
| Petr Jakl | Producer | |
| Norm Golightly | Producer | |
| Katy Jackson | Co-Producer | |
| Janine Cobain | Co-Producer | |
| Daniel Jaros | Co-Executive Producer | |
| Alena Gloserova Jaklova | Co-Executive Producer | |
| Martin Mach | Co-Executive Producer | |
| Euzebio Munhoz Jr | Co-Executive Producer | |
| Vladimir Fernandes | Co-Executive Producer | |
| Claiton Fernandes | Co-Executive Producer | |
| Garrick Benabe | Co-Executive Producer | |
| Martin Barab | Executive Producer | |
| JJ Caruth | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Henry Winterstern | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Andrew C. Robinson | Executive Producer | |
| Danny Mandel | Executive Producer | |
| Patrick Josten | Executive Producer | |
| Walter Josten | Executive Producer | |
| Jarrett Mahoney | Executive Producer | |
| Ford Corbett | Executive Producer | |
| Harry Assouline | Executive Producer | |
| Tom Assouline | Executive Producer | |
| Lee Broda | Executive Producer | |
| Joel Michaely | Executive Producer | |
| Thomas R. Burke | Executive Producer | |
| Hannah Leader | Executive Producer | |
| Frank DeMartini | Executive Producer | |
| Todd E. Miller | Executive Producer | |
| Greg Johnson | Executive Producer | |
| Robert E. Pfaff | Executive Producer | |
| Frederick A. Pfaff | Executive Producer | |
| Dan Hubbard | Casting Director | |
| Rory Okey | Casting Director | |
| Andrew Simon McAllister | Composer | |
| Zero VU* | Composer | |
| Zero VU* | Composer | |
| Zero VU* | Composer | |
| Ciana O’Kane | Costume Designer | |
| Heather Greenlees | Production Designer | |
| Andrew MacRitchie | Editor | |
| Todd E. Miller | Editor | |
| John Walters | Editor | |
| Martin Ahlgren | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.