Les Olympiades, Paris 13e (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $73,118 | Details |
| International Box Office | $543,212 | Details |
| Worldwide Box Office | $616,330 | |
| OpusData ID: 496460100 More info... | ||
| Further financial details... | ||
Synopsis
Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy — They’re friends, sometimes lovers and often both.
Metrics
| Opening Weekend: | $27,775 (38.0% of total gross) |
| Legs: | 2.63 (domestic box office/biggest weekend) |
| Domestic Share: | 11.9% (domestic box office/worldwide) |
| Theater counts: | 67 opening theaters/67 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $83,050 |
Movie Details
| Domestic Releases: | April 15th, 2022 (Limited) by IFC Films, released as Paris, 13th District |
| International Releases: | November 5th, 2021 (Wide), released as Paris, 13th District (New Zealand)
November 19th, 2021 (Wide), released as Paříž, 13. obvod (Czech Republic) December 31st, 2021 (Wide), released as Paryžius. 13-as rajonas (Lithuania) February 3rd, 2022 (Wide), released as Wo in Paris die Sonne aufgeht (Germany) March 11th, 2022 (Wide), released as Paris, Arondismentul 13 (Romania) ... Show all releases |
| Video Release: | April 15th, 2022 by IFC Video, released as Paris, 13th District |
| MPA Rating: | R for strong sexual content throughout, graphic nudity, language and some drug use. (Rating bulletin 2720 (cert #53647), 2/23/2022) |
| Running Time: | 105 minutes |
| Geographical setting: | Paris |
| Plot point: | Romance |
| Subgenre: | Comedy Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $27,775 | 67 | $415 | $27,775 | 1 | |
| Apr 22, 2022 | - | $10,654 | -62% | 43 | $248 | $55,606 | 2 |
| Apr 29, 2022 | - | $4,430 | -58% | 19 | $233 | $67,073 | 3 |
| May 6, 2022 | - | $1,455 | -67% | 6 | $243 | $70,849 | 4 |
| May 13, 2022 | - | $520 | -64% | 4 | $130 | $72,383 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $7,730 | 67 | $115 | $7,730 | 1 | ||
| Apr 16, 2022 | - | $11,277 | +46% | 67 | $168 | $19,007 | 2 | |
| Apr 17, 2022 | - | $8,768 | -22% | 67 | $131 | $27,775 | 3 | |
| Apr 18, 2022 | - | $3,911 | -55% | 67 | $58 | $31,686 | 4 | |
| Apr 19, 2022 | - | $4,808 | +23% | 67 | $72 | $36,494 | 5 | |
| Apr 20, 2022 | - | $4,008 | -17% | 67 | $60 | $40,502 | 6 | |
| Apr 21, 2022 | - | $4,450 | +11% | 67 | $66 | $44,952 | 7 | |
| Apr 22, 2022 | - | $2,793 | -37% | -64% | 43 | $65 | $47,745 | 8 |
| Apr 23, 2022 | - | $4,834 | +73% | -57% | 43 | $112 | $52,579 | 9 |
| Apr 24, 2022 | - | $3,027 | -37% | -65% | 43 | $70 | $55,606 | 10 |
| Apr 25, 2022 | - | $1,942 | -36% | -50% | 43 | $45 | $57,548 | 11 |
| Apr 26, 2022 | - | $2,175 | +12% | -55% | 43 | $51 | $59,723 | 12 |
| Apr 27, 2022 | - | $1,763 | -19% | -56% | 43 | $41 | $61,486 | 13 |
| Apr 28, 2022 | - | $1,157 | -34% | -74% | 43 | $27 | $62,643 | 14 |
| Apr 29, 2022 | - | $1,218 | +5% | -56% | 19 | $64 | $63,861 | 15 |
| Apr 30, 2022 | - | $1,840 | +51% | -62% | 19 | $97 | $65,701 | 16 |
| May 1, 2022 | - | $1,372 | -25% | -55% | 19 | $72 | $67,073 | 17 |
| May 2, 2022 | - | $655 | -52% | -66% | 19 | $34 | $67,728 | 18 |
| May 3, 2022 | - | $467 | -29% | -79% | 19 | $25 | $68,195 | 19 |
| May 4, 2022 | - | $784 | +68% | -56% | 19 | $41 | $68,979 | 20 |
| May 5, 2022 | - | $415 | -47% | -64% | 19 | $22 | $69,394 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $44,952 | 67 | $671 | $44,952 | 1 | |
| Apr 22, 2022 | - | $17,691 | -61% | 43 | $411 | $62,643 | 2 |
| Apr 29, 2022 | - | $6,751 | -62% | 19 | $355 | $69,394 | 3 |
| May 6, 2022 | - | $2,469 | -63% | 6 | $412 | $71,863 | 4 |
| May 13, 2022 | - | $1,255 | -49% | 4 | $314 | $73,118 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 11/19/2021 | $6,109 | 27 | 27 | 27 | $6,840 | 10/20/2022 | |||
| Italy | 3/24/2022 | $36,409 | 0 | 0 | 0 | $73,526 | 4/5/2022 | |||
| Lithuania | 12/31/2021 | $3,715 | 5 | 5 | 13 | $9,544 | 5/1/2022 | |||
| Netherlands | 4/28/2022 | $51,976 | 38 | 38 | 148 | $135,908 | 5/24/2022 | |||
| New Zealand | 11/5/2021 | $0 | 0 | 4 | 8 | $2,168 | 2/1/2022 | |||
| Portugal | 5/19/2022 | $1,309 | 3 | 3 | 7 | $3,792 | 6/7/2022 | |||
| Romania | 3/11/2022 | $3,927 | 13 | 15 | 36 | $7,795 | 4/4/2022 | |||
| Slovakia | 5/20/2022 | $679 | 9 | 9 | 9 | $1,887 | 5/25/2022 | |||
| South Korea | 5/12/2022 | $17,443 | 56 | 56 | 134 | $64,752 | 8/10/2022 | |||
| Spain | 4/8/2022 | $58,773 | 71 | 73 | 191 | $163,934 | 5/1/2022 | |||
| United Kingdom | 3/18/2022 | $73,066 | 41 | 41 | 41 | $73,066 | 3/23/2022 | |||
| International Total | $543,212 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lucie Zhang | Émilie Wong | |
| Noémie Merlant | Nora Ligier | |
| Makita Samba | Camille Germain | |
| Jehnny Beth | Amber Sweet |
Supporting
| Genevieve Doang | Karin |
Production and Technical Credits
| Jacques Audiard | Director | |
| Jacques Audiard | Screenwriter | |
| Celine Sciamma | Screenwriter | |
| Lea Mysius | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy — They’re friends, sometimes lovers and often both.
Metrics
| Opening Weekend: | $27,775 (38.0% of total gross) |
| Legs: | 2.63 (domestic box office/biggest weekend) |
| Domestic Share: | 11.9% (domestic box office/worldwide) |
| Theater counts: | 67 opening theaters/67 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $83,050 |
Movie Details
| Domestic Releases: | April 15th, 2022 (Limited) by IFC Films, released as Paris, 13th District |
| International Releases: | November 5th, 2021 (Wide), released as Paris, 13th District (New Zealand)
November 19th, 2021 (Wide), released as Paříž, 13. obvod (Czech Republic) December 31st, 2021 (Wide), released as Paryžius. 13-as rajonas (Lithuania) February 3rd, 2022 (Wide), released as Wo in Paris die Sonne aufgeht (Germany) March 11th, 2022 (Wide), released as Paris, Arondismentul 13 (Romania) ... Show all releases |
| Video Release: | April 15th, 2022 by IFC Video, released as Paris, 13th District |
| MPA Rating: | R for strong sexual content throughout, graphic nudity, language and some drug use. (Rating bulletin 2720 (cert #53647), 2/23/2022) |
| Running Time: | 105 minutes |
| Geographical setting: | Paris |
| Plot point: | Romance |
| Subgenre: | Comedy Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $27,775 | 67 | $415 | $27,775 | 1 | |
| Apr 22, 2022 | - | $10,654 | -62% | 43 | $248 | $55,606 | 2 |
| Apr 29, 2022 | - | $4,430 | -58% | 19 | $233 | $67,073 | 3 |
| May 6, 2022 | - | $1,455 | -67% | 6 | $243 | $70,849 | 4 |
| May 13, 2022 | - | $520 | -64% | 4 | $130 | $72,383 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $7,730 | 67 | $115 | $7,730 | 1 | ||
| Apr 16, 2022 | - | $11,277 | +46% | 67 | $168 | $19,007 | 2 | |
| Apr 17, 2022 | - | $8,768 | -22% | 67 | $131 | $27,775 | 3 | |
| Apr 18, 2022 | - | $3,911 | -55% | 67 | $58 | $31,686 | 4 | |
| Apr 19, 2022 | - | $4,808 | +23% | 67 | $72 | $36,494 | 5 | |
| Apr 20, 2022 | - | $4,008 | -17% | 67 | $60 | $40,502 | 6 | |
| Apr 21, 2022 | - | $4,450 | +11% | 67 | $66 | $44,952 | 7 | |
| Apr 22, 2022 | - | $2,793 | -37% | -64% | 43 | $65 | $47,745 | 8 |
| Apr 23, 2022 | - | $4,834 | +73% | -57% | 43 | $112 | $52,579 | 9 |
| Apr 24, 2022 | - | $3,027 | -37% | -65% | 43 | $70 | $55,606 | 10 |
| Apr 25, 2022 | - | $1,942 | -36% | -50% | 43 | $45 | $57,548 | 11 |
| Apr 26, 2022 | - | $2,175 | +12% | -55% | 43 | $51 | $59,723 | 12 |
| Apr 27, 2022 | - | $1,763 | -19% | -56% | 43 | $41 | $61,486 | 13 |
| Apr 28, 2022 | - | $1,157 | -34% | -74% | 43 | $27 | $62,643 | 14 |
| Apr 29, 2022 | - | $1,218 | +5% | -56% | 19 | $64 | $63,861 | 15 |
| Apr 30, 2022 | - | $1,840 | +51% | -62% | 19 | $97 | $65,701 | 16 |
| May 1, 2022 | - | $1,372 | -25% | -55% | 19 | $72 | $67,073 | 17 |
| May 2, 2022 | - | $655 | -52% | -66% | 19 | $34 | $67,728 | 18 |
| May 3, 2022 | - | $467 | -29% | -79% | 19 | $25 | $68,195 | 19 |
| May 4, 2022 | - | $784 | +68% | -56% | 19 | $41 | $68,979 | 20 |
| May 5, 2022 | - | $415 | -47% | -64% | 19 | $22 | $69,394 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $44,952 | 67 | $671 | $44,952 | 1 | |
| Apr 22, 2022 | - | $17,691 | -61% | 43 | $411 | $62,643 | 2 |
| Apr 29, 2022 | - | $6,751 | -62% | 19 | $355 | $69,394 | 3 |
| May 6, 2022 | - | $2,469 | -63% | 6 | $412 | $71,863 | 4 |
| May 13, 2022 | - | $1,255 | -49% | 4 | $314 | $73,118 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 11/19/2021 | $6,109 | 27 | 27 | 27 | $6,840 | 10/20/2022 | |||
| Italy | 3/24/2022 | $36,409 | 0 | 0 | 0 | $73,526 | 4/5/2022 | |||
| Lithuania | 12/31/2021 | $3,715 | 5 | 5 | 13 | $9,544 | 5/1/2022 | |||
| Netherlands | 4/28/2022 | $51,976 | 38 | 38 | 148 | $135,908 | 5/24/2022 | |||
| New Zealand | 11/5/2021 | $0 | 0 | 4 | 8 | $2,168 | 2/1/2022 | |||
| Portugal | 5/19/2022 | $1,309 | 3 | 3 | 7 | $3,792 | 6/7/2022 | |||
| Romania | 3/11/2022 | $3,927 | 13 | 15 | 36 | $7,795 | 4/4/2022 | |||
| Slovakia | 5/20/2022 | $679 | 9 | 9 | 9 | $1,887 | 5/25/2022 | |||
| South Korea | 5/12/2022 | $17,443 | 56 | 56 | 134 | $64,752 | 8/10/2022 | |||
| Spain | 4/8/2022 | $58,773 | 71 | 73 | 191 | $163,934 | 5/1/2022 | |||
| United Kingdom | 3/18/2022 | $73,066 | 41 | 41 | 41 | $73,066 | 3/23/2022 | |||
| International Total | $543,212 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lucie Zhang | Émilie Wong | |
| Noémie Merlant | Nora Ligier | |
| Makita Samba | Camille Germain | |
| Jehnny Beth | Amber Sweet |
Supporting
| Genevieve Doang | Karin |
Production and Technical Credits
| Jacques Audiard | Director | |
| Jacques Audiard | Screenwriter | |
| Celine Sciamma | Screenwriter | |
| Lea Mysius | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.