Once Upon a Time (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $485,728 | Details |
| International Box Office | $82,406,221 | Details |
| Worldwide Box Office | $82,891,949 | |
| OpusData ID: 295380100 More info... | ||
| Further financial details... | ||
Synopsis
A story of epic battles, deep passion, and the powerful forces that drive mortals and gods alike toward revenge, loyalty, and eternal love. Bai Qian, a goddess and monarch from the Heavenly Realms, is sent to the mortal world to undergo a trial to become a High Goddess. There, she meets Ye Hua, with whom she falls in love and marries. When an old enemy reappears in her life, everything she holds dear is threatened.
Metrics
| Opening Weekend: | $249,933 (51.5% of total gross) |
| Legs: | 1.94 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 51 opening theaters/51 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $647,634 |
Movie Details
| Domestic Releases: | August 11th, 2017 (Limited) by Well Go USA |
| International Releases: | August 3rd, 2017 (Wide) (China)
August 18th, 2017 (Wide) (United Kingdom) September 1st, 2017 (Wide), released as Once Upon A Time (Australia) January 18th, 2018 (Wide) (South Korea) March 15th, 2018 (Wide) (Russia (CIS)) ... Show all releases |
| Video Release: | November 21st, 2017 by Well Go USA Video |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Film format: | 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Geographical setting: | China |
| Plot point: | Demons, Dragon, Faulty Memory, Gods and Goddesses, Non-Chronological, Romance, Suicide, War |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | China |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 27 | $249,933 | 51 | $4,901 | $249,933 | 1 | |
| Aug 18, 2017 | 42 | $57,746 | -77% | 44 | $1,312 | $415,648 | 2 |
| Aug 25, 2017 | 68 | $10,054 | -83% | 8 | $1,257 | $464,984 | 3 |
| Sep 1, 2017 | 78 | $5,872 | -42% | 5 | $1,174 | $480,865 | 4 |
| Sep 8, 2017 | 102 | $900 | -85% | 1 | $900 | $484,953 | 5 |
| Sep 15, 2017 | 113 | $156 | -83% | 1 | $156 | $485,457 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 26 | $357,902 | 51 | $7,018 | $357,902 | 1 | |
| Aug 18, 2017 | 39 | $97,028 | -73% | 44 | $2,205 | $454,930 | 2 |
| Aug 25, 2017 | 63 | $20,063 | -79% | 8 | $2,508 | $474,993 | 3 |
| Sep 1, 2017 | 79 | $9,060 | -55% | 5 | $1,812 | $484,053 | 4 |
| Sep 8, 2017 | 104 | $1,248 | -86% | 1 | $1,248 | $485,301 | 5 |
| Sep 15, 2017 | 115 | $427 | -66% | 1 | $427 | $485,728 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/1/2017 | $33,712 | 8 | 8 | 16 | $55,020 | 9/11/2017 | |||
| China | 8/3/2017 | $38,720,000 | 106,171 | 106,171 | 111,482 | $82,313,688 | 8/15/2018 | |||
| Russia (CIS) | 3/15/2018 | $7,894 | 0 | 0 | 0 | $18,100 | 1/1/2019 | |||
| South Korea | 1/18/2018 | $0 | 0 | 5 | 0 | $5,709 | 4/4/2026 | |||
| United Kingdom | 8/18/2017 | $13,704 | 13 | 13 | 13 | $13,704 | 8/23/2017 | |||
| International Total | $82,406,221 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Liu Yifei | ||
| Yang Yang |
Production and Technical Credits
| Anthony LaMolinara | Director | |
| Zhao Xiaoding | Director | |
| Qi Tang | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A story of epic battles, deep passion, and the powerful forces that drive mortals and gods alike toward revenge, loyalty, and eternal love. Bai Qian, a goddess and monarch from the Heavenly Realms, is sent to the mortal world to undergo a trial to become a High Goddess. There, she meets Ye Hua, with whom she falls in love and marries. When an old enemy reappears in her life, everything she holds dear is threatened.
Metrics
| Opening Weekend: | $249,933 (51.5% of total gross) |
| Legs: | 1.94 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 51 opening theaters/51 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $647,634 |
Movie Details
| Domestic Releases: | August 11th, 2017 (Limited) by Well Go USA |
| International Releases: | August 3rd, 2017 (Wide) (China)
August 18th, 2017 (Wide) (United Kingdom) September 1st, 2017 (Wide), released as Once Upon A Time (Australia) January 18th, 2018 (Wide) (South Korea) March 15th, 2018 (Wide) (Russia (CIS)) ... Show all releases |
| Video Release: | November 21st, 2017 by Well Go USA Video |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Film format: | 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Geographical setting: | China |
| Plot point: | Demons, Dragon, Faulty Memory, Gods and Goddesses, Non-Chronological, Romance, Suicide, War |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | China |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 27 | $249,933 | 51 | $4,901 | $249,933 | 1 | |
| Aug 18, 2017 | 42 | $57,746 | -77% | 44 | $1,312 | $415,648 | 2 |
| Aug 25, 2017 | 68 | $10,054 | -83% | 8 | $1,257 | $464,984 | 3 |
| Sep 1, 2017 | 78 | $5,872 | -42% | 5 | $1,174 | $480,865 | 4 |
| Sep 8, 2017 | 102 | $900 | -85% | 1 | $900 | $484,953 | 5 |
| Sep 15, 2017 | 113 | $156 | -83% | 1 | $156 | $485,457 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 26 | $357,902 | 51 | $7,018 | $357,902 | 1 | |
| Aug 18, 2017 | 39 | $97,028 | -73% | 44 | $2,205 | $454,930 | 2 |
| Aug 25, 2017 | 63 | $20,063 | -79% | 8 | $2,508 | $474,993 | 3 |
| Sep 1, 2017 | 79 | $9,060 | -55% | 5 | $1,812 | $484,053 | 4 |
| Sep 8, 2017 | 104 | $1,248 | -86% | 1 | $1,248 | $485,301 | 5 |
| Sep 15, 2017 | 115 | $427 | -66% | 1 | $427 | $485,728 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/1/2017 | $33,712 | 8 | 8 | 16 | $55,020 | 9/11/2017 | |||
| China | 8/3/2017 | $38,720,000 | 106,171 | 106,171 | 111,482 | $82,313,688 | 8/15/2018 | |||
| Russia (CIS) | 3/15/2018 | $7,894 | 0 | 0 | 0 | $18,100 | 1/1/2019 | |||
| South Korea | 1/18/2018 | $0 | 0 | 5 | 0 | $5,709 | 4/4/2026 | |||
| United Kingdom | 8/18/2017 | $13,704 | 13 | 13 | 13 | $13,704 | 8/23/2017 | |||
| International Total | $82,406,221 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Liu Yifei | ||
| Yang Yang |
Production and Technical Credits
| Anthony LaMolinara | Director | |
| Zhao Xiaoding | Director | |
| Qi Tang | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.