Once Were Brothers: Robbie Robertson and The Band (2020)

Once Were Brothers: Robbie Robertson and The Band
Theatrical Performance
Domestic Box Office $449,561Details
International Box Office $106,759Details
Worldwide Box Office $556,320
Further financial details...

Synopsis

Once Were Brothers: Robbie Robertson and The Band is a confessional, cautionary, and occasionally humorous tale of Robertson’s young life and the creation of one of the most enduring groups in the history of popular music, The Band. The film is a moving story of Robertson’s personal journey, overcoming adversity and finding camaraderie alongside the four other men who would become his brothers in music, together making their mark on music history. Once Were Brothers blends rare archival footage, photography, iconic songs and interviews with Robertson’s friends and collaborators includ¬ing Martin Scorsese, Bruce Springsteen, Eric Clapton, Van Morrison, and more.

Metrics

Opening Weekend:$37,828 (8.4% of total gross)
Legs:2.65 (domestic box office/biggest weekend)
Domestic Share:80.8% (domestic box office/worldwide)
Theater counts:4 opening theaters/152 max. theaters, 2.2 weeks average run per theater
Infl. Adj. Dom. BO $527,907

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 21st, 2020 (Limited) by Magnolia Pictures
International Releases: July 23rd, 2020 (Wide) (New Zealand)
August 21st, 2020 (Wide) (Netherlands)
Video Release: May 26th, 2020 by Magnolia Home Entertainment
MPAA Rating: R for some language and drug references.
(Rating bulletin 2608 (Cert #52512), 12/11/2019)
Running Time: 102 minutes
Comparisons: vs. Free Burma Rangers
Create your own comparison chart…
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Magnolia Pictures, Imagine Documentaries, Bell Media, PolyGram Filmed Entertainment, Diamond Docs, Ontario Creates, Telefilm Canada, Rogers Documentary Fund, The Canada Media Fund, White Pine Pictures
Production Countries: Canada, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2020 Theater Average 20 $9,457 Feb 21, 2020 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 21, 2020 39 $37,828   4 $9,457   $37,828 1
Feb 28, 2020 31 $169,922 +349% 149 $1,140   $218,945 2
Mar 6, 2020 31 $82,951 -51% 131 $633   $388,581 3
Mar 13, 2020 38 $17,682 -79% 54 $327   $448,566 4

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 21, 2020 43 $49,023   4 $12,256   $49,023 1
Feb 28, 2020 29 $256,607 +423% 152 $1,688   $305,630 2
Mar 6, 2020 30 $125,254 -51% 133 $942   $430,884 3
Mar 13, 2020 31 $18,677 -85% 54 $346   $449,561 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 8/21/2020 $32,640 47 47 124 $99,719 10/19/2022
New Zealand 7/23/2020 $442 1 4 12 $7,040 10/19/2022
 
International Total$106,759 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Robbie Robertson    Himself
Rick Danko    Himself
Levon Helm    Himself
Richard Manuel    Himself
Garth Hudson    Himself

Interviewee(s)

Martin Scorsese    Himself
Bruce Springsteen    Himself
Eric Clapton    Himself
Taj Mahal    Himself
Ronnie Hawkins    Himself
Van Morrison    Himself
Dominique Robertson    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Daniel Roher    Director
Stephen Paniccia    Producer
Andrew Munger    Producer
Sam Sutherland    Producer
Lana Belle Mauro    Producer
Martin Scorsese    Executive Producer
Brian Grazer    Executive Producer
Ron Howard    Executive Producer
Randy Lennox    Executive Producer
Peter Raymont    Executive Producer
Dave Harris    Executive Producer
Jared Levine    Executive Producer
Jeffrey Remedios    Executive Producer
Justin Wilkes    Executive Producer
Sara Bernstein    Executive Producer
Michael Rosenberg    Executive Producer
Michael Levine    Executive Producer
Corrie Coe    Executive Producer
Steve Ord    Executive Producer
Paul Crowder    Co-Executive Producer
Mark Monroe    Co-Executive Producer
Meredith Kaulfers    Co-Executive Producer
Eamonn O’Connor    Editor
Daniel Roher    Editor
Kiarash Sadigh    Director of Photography

DVD and Blu-ray Releases for May 26th, 2020

May 26th, 2020

The Invisible Man

The main list of DVD and Blu-ray releases is much shorter than usual, but the hit-to-miss ratio is amazing as there are no real duds. Solid Metal Nightmares has the smallest target audience, but even then, it will be loved by fans. As for Pick of the Week contenders, The Invisible Man and Konosuba were the two best bets. I went with The Invisible Man, as you need to be a fan of isekai anime to really get Konosuba. You also need a higher tolerance of pervvy humor. Although that might be a selling point for some. More...

Theater Averages: A Match Made in Heaven

February 27th, 2020

Emma

Emma played matchmaker with audiences and succeeded to the tune of $234,000 in 5 theaters for an average of $46,896. It has significant expansion planned for this weekend and an opening like this is a hopeful sign. On the other hand, I don’t think Come and See will expand significantly, as re-releases rarely do. That said, it did earn $16,053 in one theater, so that theater is happy they booked it. It isn’t looking as bright for Seberg. Granted, it did earn an average of $15,727 in three theaters; however, it was very front-loaded and that’s a bad omen going forward. More...

Limited and VOD Releases: Will Emma Make Audiences Fall in Love?

February 21st, 2020

Emma

There are plenty of well-reviewed limited releases on this week’s list, including Emma, which is also earning the loudest buzz. I’m personally most interested in seeing Violet Evergarden: Eternity and the Auto Memories Doll, but True Fiction, Vitalina Varela, and some others are also intriguing. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Once Were Brothers: Robbie Robertson and The Band is a confessional, cautionary, and occasionally humorous tale of Robertson’s young life and the creation of one of the most enduring groups in the history of popular music, The Band. The film is a moving story of Robertson’s personal journey, overcoming adversity and finding camaraderie alongside the four other men who would become his brothers in music, together making their mark on music history. Once Were Brothers blends rare archival footage, photography, iconic songs and interviews with Robertson’s friends and collaborators includ¬ing Martin Scorsese, Bruce Springsteen, Eric Clapton, Van Morrison, and more.

Metrics

Opening Weekend:$37,828 (8.4% of total gross)
Legs:2.65 (domestic box office/biggest weekend)
Domestic Share:80.8% (domestic box office/worldwide)
Theater counts:4 opening theaters/152 max. theaters, 2.2 weeks average run per theater
Infl. Adj. Dom. BO $527,907

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 21st, 2020 (Limited) by Magnolia Pictures
International Releases: July 23rd, 2020 (Wide) (New Zealand)
August 21st, 2020 (Wide) (Netherlands)
Video Release: May 26th, 2020 by Magnolia Home Entertainment
MPAA Rating: R for some language and drug references.
(Rating bulletin 2608 (Cert #52512), 12/11/2019)
Running Time: 102 minutes
Comparisons: vs. Free Burma Rangers
Create your own comparison chart…
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Magnolia Pictures, Imagine Documentaries, Bell Media, PolyGram Filmed Entertainment, Diamond Docs, Ontario Creates, Telefilm Canada, Rogers Documentary Fund, The Canada Media Fund, White Pine Pictures
Production Countries: Canada, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2020 Theater Average 20 $9,457 Feb 21, 2020 3

Documentary Subject(s)

Robbie Robertson    Himself
Rick Danko    Himself
Levon Helm    Himself
Richard Manuel    Himself
Garth Hudson    Himself

Interviewee(s)

Martin Scorsese    Himself
Bruce Springsteen    Himself
Eric Clapton    Himself
Taj Mahal    Himself
Ronnie Hawkins    Himself
Van Morrison    Himself
Dominique Robertson    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Daniel Roher    Director
Stephen Paniccia    Producer
Andrew Munger    Producer
Sam Sutherland    Producer
Lana Belle Mauro    Producer
Martin Scorsese    Executive Producer
Brian Grazer    Executive Producer
Ron Howard    Executive Producer
Randy Lennox    Executive Producer
Peter Raymont    Executive Producer
Dave Harris    Executive Producer
Jared Levine    Executive Producer
Jeffrey Remedios    Executive Producer
Justin Wilkes    Executive Producer
Sara Bernstein    Executive Producer
Michael Rosenberg    Executive Producer
Michael Levine    Executive Producer
Corrie Coe    Executive Producer
Steve Ord    Executive Producer
Paul Crowder    Co-Executive Producer
Mark Monroe    Co-Executive Producer
Meredith Kaulfers    Co-Executive Producer
Eamonn O’Connor    Editor
Daniel Roher    Editor
Kiarash Sadigh    Director of Photography

DVD and Blu-ray Releases for May 26th, 2020

May 26th, 2020

The Invisible Man

The main list of DVD and Blu-ray releases is much shorter than usual, but the hit-to-miss ratio is amazing as there are no real duds. Solid Metal Nightmares has the smallest target audience, but even then, it will be loved by fans. As for Pick of the Week contenders, The Invisible Man and Konosuba were the two best bets. I went with The Invisible Man, as you need to be a fan of isekai anime to really get Konosuba. You also need a higher tolerance of pervvy humor. Although that might be a selling point for some. More...

Theater Averages: A Match Made in Heaven

February 27th, 2020

Emma

Emma played matchmaker with audiences and succeeded to the tune of $234,000 in 5 theaters for an average of $46,896. It has significant expansion planned for this weekend and an opening like this is a hopeful sign. On the other hand, I don’t think Come and See will expand significantly, as re-releases rarely do. That said, it did earn $16,053 in one theater, so that theater is happy they booked it. It isn’t looking as bright for Seberg. Granted, it did earn an average of $15,727 in three theaters; however, it was very front-loaded and that’s a bad omen going forward. More...

Limited and VOD Releases: Will Emma Make Audiences Fall in Love?

February 21st, 2020

Emma

There are plenty of well-reviewed limited releases on this week’s list, including Emma, which is also earning the loudest buzz. I’m personally most interested in seeing Violet Evergarden: Eternity and the Auto Memories Doll, but True Fiction, Vitalina Varela, and some others are also intriguing. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 21, 2020 39 $37,828   4 $9,457   $37,828 1
Feb 28, 2020 31 $169,922 +349% 149 $1,140   $218,945 2
Mar 6, 2020 31 $82,951 -51% 131 $633   $388,581 3
Mar 13, 2020 38 $17,682 -79% 54 $327   $448,566 4

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 21, 2020 43 $49,023   4 $12,256   $49,023 1
Feb 28, 2020 29 $256,607 +423% 152 $1,688   $305,630 2
Mar 6, 2020 30 $125,254 -51% 133 $942   $430,884 3
Mar 13, 2020 31 $18,677 -85% 54 $346   $449,561 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 8/21/2020 $32,640 47 47 124 $99,719 10/19/2022
New Zealand 7/23/2020 $442 1 4 12 $7,040 10/19/2022
 
International Total$106,759 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.