The One I Wrote for You (2014)
| Theatrical Performance | ||
| Domestic Box Office | $58,872 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $632,530 | |
| Total | $632,530 | |
| OpusData ID: 218330100 More info... | ||
| Further financial details... | ||
Synopsis
Ben Cantor gave up a once-in-a-lifetime opportunity to be a singer/ songwriter, and settled instead for a pleasant albeit less-fulfilling life as a coffee shop barista and family man. When circumstances offer him a second chance to realize his dream, he must confront how far he is willing to go in order to get what he wants.
Metrics
| Opening Weekend: | $48,643 (82.6% of total gross) |
| Legs: | 1.21 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 49 opening theaters/49 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $86,184 |
Movie Details
| Domestic Releases: | December 5th, 2014 (Limited) by Abramorama Films |
| Video Release: | October 6th, 2015 by ARC Entertainment Video |
| MPA Rating: | PG for some mild language and thematic elements. (Rating bulletin 2347, 11/4/2014) |
| Running Time: | 111 minutes |
| Plot point: | Big Break, Reality TV, Second Chance, Songwriter |
| Social setting: | Music Industry |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DoveNote Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2014 | 41 | $48,643 | 49 | $993 | $48,643 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2014 | 40 | $58,872 | 49 | $1,201 | $58,872 | 1 |
Leading
| Cheyenne Jackson | Ben Cantor |
Supporting
| Kevin Pollak | Mickey |
Leading
| Christine Woods | Alicia Cantor |
Supporting
| Enid Graham | Jan |
Leading
| Avi Lake | Gracie |
Supporting
| Rafael da la Fuena | Rafael | |
| Cameron Kauffman | Angel | |
| Christopher Lloyd | Pop | |
| Andrew Sensenig | Wes | |
| Rushi Kota | Joe |
Production and Technical Credits
| Andrew Lauer | Director | |
| David Kauffman | Screenwriter | |
| Steven Sessions | Screenwriter | |
| David Kauffman | Story Creator | |
| Page Brown | Producer | |
| Fernando Cano | Producer | |
| David Kauffman | Producer | |
| Steven Sessions | Producer | |
| Leo Quintanilla | Executive Producer | |
| David Kauffman | Executive Producer | |
| Tom Gallo | Executive Producer | |
| Philip Roy | Director of Photography | |
| Susan Hamilton | Costume Designer | |
| Gregorio Mannino | Production Designer | |
| Jeff Chesnut | Editor | |
| Keith Harter | Composer | |
| David Kauffman | Song Writer | |
| Heidi Levitt | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ben Cantor gave up a once-in-a-lifetime opportunity to be a singer/ songwriter, and settled instead for a pleasant albeit less-fulfilling life as a coffee shop barista and family man. When circumstances offer him a second chance to realize his dream, he must confront how far he is willing to go in order to get what he wants.
Metrics
| Opening Weekend: | $48,643 (82.6% of total gross) |
| Legs: | 1.21 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 49 opening theaters/49 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $86,184 |
Movie Details
| Domestic Releases: | December 5th, 2014 (Limited) by Abramorama Films |
| Video Release: | October 6th, 2015 by ARC Entertainment Video |
| MPA Rating: | PG for some mild language and thematic elements. (Rating bulletin 2347, 11/4/2014) |
| Running Time: | 111 minutes |
| Plot point: | Big Break, Reality TV, Second Chance, Songwriter |
| Social setting: | Music Industry |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DoveNote Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2014 | 41 | $48,643 | 49 | $993 | $48,643 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2014 | 40 | $58,872 | 49 | $1,201 | $58,872 | 1 |
Leading
| Cheyenne Jackson | Ben Cantor |
Supporting
| Kevin Pollak | Mickey |
Leading
| Christine Woods | Alicia Cantor |
Supporting
| Enid Graham | Jan |
Leading
| Avi Lake | Gracie |
Supporting
| Rafael da la Fuena | Rafael | |
| Cameron Kauffman | Angel | |
| Christopher Lloyd | Pop | |
| Andrew Sensenig | Wes | |
| Rushi Kota | Joe |
Production and Technical Credits
| Andrew Lauer | Director | |
| David Kauffman | Screenwriter | |
| Steven Sessions | Screenwriter | |
| David Kauffman | Story Creator | |
| Page Brown | Producer | |
| Fernando Cano | Producer | |
| David Kauffman | Producer | |
| Steven Sessions | Producer | |
| Leo Quintanilla | Executive Producer | |
| David Kauffman | Executive Producer | |
| Tom Gallo | Executive Producer | |
| Philip Roy | Director of Photography | |
| Susan Hamilton | Costume Designer | |
| Gregorio Mannino | Production Designer | |
| Jeff Chesnut | Editor | |
| Keith Harter | Composer | |
| David Kauffman | Song Writer | |
| Heidi Levitt | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.