Ooops! Noah is Gone (2015)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $24,285,049 | Details |
| Worldwide Box Office | $24,285,049 | |
| OpusData ID: 234490100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| International Releases: | April 9th, 2015 (Wide) (Italy)
May 1st, 2015 (Wide) (South Korea) May 1st, 2015 (Wide) (Poland) May 1st, 2015 (Wide) (United Kingdom) May 22nd, 2015 (Wide) (Spain) ... Show all releases |
| Video Release: | March 1st, 2016, released as All Creatures Big and Small |
| MPA Rating: | G (Rating bulletin 2377, 6/10/2015) |
| Running Time: | 87 minutes |
| Franchise: | Ooops! |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Germany, Belgium, Luxembourg, Ireland |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/15/2015 | $64,001 | 139 | 139 | 259 | $157,480 | 11/29/2018 | |||
| Australia | 9/19/2015 | $12,561 | 32 | 33 | 99 | $54,343 | 10/13/2015 | |||
| Austria | 7/30/2015 | $0 | 0 | 43 | 106 | $418,625 | 12/1/2015 | |||
| Belgium | 7/15/2015 | $0 | 0 | 14 | 22 | $310,129 | 10/13/2015 | |||
| Bolivia | 9/17/2015 | $0 | 0 | 14 | 28 | $122,942 | 12/30/2018 | |||
| Brazil | 2/4/2016 | $108,810 | 207 | 207 | 447 | $390,005 | 6/9/2016 | |||
| Bulgaria | 10/30/2015 | $41,094 | 40 | 40 | 250 | $185,647 | 12/31/2018 | |||
| China | 8/12/2016 | $1,150,000 | 7,550 | 7,550 | 7,550 | $1,830,151 | 8/27/2018 | |||
| Croatia | 10/8/2015 | $0 | 0 | 17 | 60 | $161,751 | 12/30/2018 | |||
| Czech Republic | 8/14/2015 | $0 | 0 | 75 | 75 | $14,094 | 12/30/2018 | |||
| Estonia | 9/25/2015 | $27,757 | 17 | 17 | 60 | $118,735 | 11/17/2015 | |||
| France | 12/9/2015 | $0 | 0 | 332 | 922 | $3,354,765 | 6/9/2016 | |||
| Germany | 7/30/2015 | $236,499 | 0 | 228 | 755 | $1,695,025 | 8/22/2018 | |||
| Hungary | 8/20/2015 | $50,360 | 49 | 49 | 49 | $117,497 | 12/30/2018 | |||
| Italy | 4/9/2015 | $121,598 | 0 | 1 | 3 | $364,566 | 11/6/2018 | |||
| Latvia | 9/11/2015 | $0 | 0 | 4 | 4 | $41,368 | 12/30/2018 | |||
| Lithuania | 9/18/2015 | $18,807 | 0 | 0 | 0 | $88,740 | 10/17/2015 | |||
| Malaysia | 9/17/2015 | $0 | 0 | 29 | 36 | $50,332 | 10/6/2015 | |||
| Mexico | 7/31/2015 | $335,653 | 0 | 0 | 0 | $870,336 | 9/7/2018 | |||
| Netherlands | 7/16/2015 | $33,421 | 70 | 70 | 249 | $187,180 | 11/24/2018 | |||
| Poland | 5/1/2015 | $174,357 | 0 | 0 | 0 | $1,074,458 | 12/30/2018 | |||
| Portugal | 8/27/2015 | $0 | 0 | 19 | 56 | $206,536 | 12/1/2015 | |||
| Russia (CIS) | 8/20/2015 | $393,441 | 642 | 642 | 1,805 | $1,377,038 | 12/30/2018 | |||
| Serbia and Montenegro | 1/7/2016 | $0 | 0 | 14 | 29 | $13,677 | 12/31/2018 | |||
| Slovakia | 8/27/2015 | $20,435 | 52 | 52 | 109 | $56,565 | 9/16/2015 | |||
| Slovenia | 11/12/2015 | $11,192 | 25 | 25 | 101 | $26,782 | 12/16/2015 | |||
| South Korea | 5/1/2015 | $452,347 | 0 | 0 | 0 | $1,354,131 | 8/29/2018 | |||
| Spain | 5/22/2015 | $111,544 | 133 | 205 | 1,255 | $839,933 | 11/28/2018 | |||
| Ukraine | 8/27/2015 | $83,223 | 156 | 156 | 413 | $132,755 | 12/30/2018 | |||
| United Kingdom | 5/1/2015 | $858,765 | 0 | 453 | 1,035 | $4,860,304 | 8/27/2018 | |||
| Uruguay | 10/15/2015 | $4,384 | 3 | 6 | 39 | $19,598 | 12/30/2018 | |||
| Venezuela | 7/31/2015 | $0 | 0 | 13 | 22 | $2,043,372 | 10/27/2015 | |||
| Rest of World | $1,746,189 | |||||||||
| International Total | $24,285,049 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Toby Genkel | Director | |
| Sean McCormack | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
Movie Details
| International Releases: | April 9th, 2015 (Wide) (Italy)
May 1st, 2015 (Wide) (South Korea) May 1st, 2015 (Wide) (Poland) May 1st, 2015 (Wide) (United Kingdom) May 22nd, 2015 (Wide) (Spain) ... Show all releases |
| Video Release: | March 1st, 2016, released as All Creatures Big and Small |
| MPA Rating: | G (Rating bulletin 2377, 6/10/2015) |
| Running Time: | 87 minutes |
| Franchise: | Ooops! |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Germany, Belgium, Luxembourg, Ireland |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/15/2015 | $64,001 | 139 | 139 | 259 | $157,480 | 11/29/2018 | |||
| Australia | 9/19/2015 | $12,561 | 32 | 33 | 99 | $54,343 | 10/13/2015 | |||
| Austria | 7/30/2015 | $0 | 0 | 43 | 106 | $418,625 | 12/1/2015 | |||
| Belgium | 7/15/2015 | $0 | 0 | 14 | 22 | $310,129 | 10/13/2015 | |||
| Bolivia | 9/17/2015 | $0 | 0 | 14 | 28 | $122,942 | 12/30/2018 | |||
| Brazil | 2/4/2016 | $108,810 | 207 | 207 | 447 | $390,005 | 6/9/2016 | |||
| Bulgaria | 10/30/2015 | $41,094 | 40 | 40 | 250 | $185,647 | 12/31/2018 | |||
| China | 8/12/2016 | $1,150,000 | 7,550 | 7,550 | 7,550 | $1,830,151 | 8/27/2018 | |||
| Croatia | 10/8/2015 | $0 | 0 | 17 | 60 | $161,751 | 12/30/2018 | |||
| Czech Republic | 8/14/2015 | $0 | 0 | 75 | 75 | $14,094 | 12/30/2018 | |||
| Estonia | 9/25/2015 | $27,757 | 17 | 17 | 60 | $118,735 | 11/17/2015 | |||
| France | 12/9/2015 | $0 | 0 | 332 | 922 | $3,354,765 | 6/9/2016 | |||
| Germany | 7/30/2015 | $236,499 | 0 | 228 | 755 | $1,695,025 | 8/22/2018 | |||
| Hungary | 8/20/2015 | $50,360 | 49 | 49 | 49 | $117,497 | 12/30/2018 | |||
| Italy | 4/9/2015 | $121,598 | 0 | 1 | 3 | $364,566 | 11/6/2018 | |||
| Latvia | 9/11/2015 | $0 | 0 | 4 | 4 | $41,368 | 12/30/2018 | |||
| Lithuania | 9/18/2015 | $18,807 | 0 | 0 | 0 | $88,740 | 10/17/2015 | |||
| Malaysia | 9/17/2015 | $0 | 0 | 29 | 36 | $50,332 | 10/6/2015 | |||
| Mexico | 7/31/2015 | $335,653 | 0 | 0 | 0 | $870,336 | 9/7/2018 | |||
| Netherlands | 7/16/2015 | $33,421 | 70 | 70 | 249 | $187,180 | 11/24/2018 | |||
| Poland | 5/1/2015 | $174,357 | 0 | 0 | 0 | $1,074,458 | 12/30/2018 | |||
| Portugal | 8/27/2015 | $0 | 0 | 19 | 56 | $206,536 | 12/1/2015 | |||
| Russia (CIS) | 8/20/2015 | $393,441 | 642 | 642 | 1,805 | $1,377,038 | 12/30/2018 | |||
| Serbia and Montenegro | 1/7/2016 | $0 | 0 | 14 | 29 | $13,677 | 12/31/2018 | |||
| Slovakia | 8/27/2015 | $20,435 | 52 | 52 | 109 | $56,565 | 9/16/2015 | |||
| Slovenia | 11/12/2015 | $11,192 | 25 | 25 | 101 | $26,782 | 12/16/2015 | |||
| South Korea | 5/1/2015 | $452,347 | 0 | 0 | 0 | $1,354,131 | 8/29/2018 | |||
| Spain | 5/22/2015 | $111,544 | 133 | 205 | 1,255 | $839,933 | 11/28/2018 | |||
| Ukraine | 8/27/2015 | $83,223 | 156 | 156 | 413 | $132,755 | 12/30/2018 | |||
| United Kingdom | 5/1/2015 | $858,765 | 0 | 453 | 1,035 | $4,860,304 | 8/27/2018 | |||
| Uruguay | 10/15/2015 | $4,384 | 3 | 6 | 39 | $19,598 | 12/30/2018 | |||
| Venezuela | 7/31/2015 | $0 | 0 | 13 | 22 | $2,043,372 | 10/27/2015 | |||
| Rest of World | $1,746,189 | |||||||||
| International Total | $24,285,049 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Toby Genkel | Director | |
| Sean McCormack | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.