Ophelia (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $50,722 | Details |
| International Box Office | $307,150 | Details |
| Worldwide Box Office | $357,872 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $18,668 | |
| Total | $18,668 | |
| OpusData ID: 289370100 More info... | ||
| Further financial details... | ||
Synopsis
As a rebellious and motherless child, Ophelia is taken into Elsinore Castle by Queen Gertrude as one of her most trusted ladies-in-waiting. Soon enough, Ophelia captures the affections of the young Prince Hamlet. A passionate romance kindles between the two in secret as the kingdom is on the brink of war amidst its own political intrigue and betrayal. When Hamlet’s father is murdered and the prince’s wits begin to unravel into an insatiable quest for vengeance, Ophelia sharply navigates the rules of power in Denmark all while struggling to choose between her true love and her own life.
Metrics
| Opening Weekend: | $22,145 (43.7% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 14.2% (domestic box office/worldwide) |
| Theater counts: | 58 opening theaters/58 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $66,223 |
Movie Details
| Domestic Releases: | June 28th, 2019 (Limited) by IFC Films |
| International Releases: | July 11th, 2019 (Wide) (New Zealand)
July 25th, 2019 (Wide), released as ОФЕЛИЯ (Russia (CIS)) August 2nd, 2019 (Wide) (Australia) November 22nd, 2019 (Wide) (United Kingdom) July 24th, 2020 (Wide) (Portugal) ... Show all releases |
| Video Release: | November 5th, 2019 by Shout Factory |
| MPA Rating: | PG-13 for a scene of violence/bloody images, some sensuality, and thematic elements. (Rating bulletin 2521 (Cert #51543), 4/4/2018) |
| Running Time: | 107 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Covert Productions, Bert Marcus Productions, Bobker/Kruger Films |
| Production Countries: | United Kingdom, United States, Australia, Czech Republic |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 28, 2019 | 39 | $22,145 | 58 | $382 | $22,145 | 1 | |
| Jul 5, 2019 | 44 | $7,636 | -66% | 27 | $283 | $42,257 | 2 |
| Jul 12, 2019 | 81 | $222 | -97% | 2 | $111 | $47,405 | 3 |
| Jul 19, 2019 | 80 | $757 | +241% | 3 | $252 | $49,808 | 4 |
| Jul 26, 2019 | 78 | $342 | -55% | 3 | $114 | $50,722 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 28, 2019 | - | $6,158 | 58 | $106 | $6,158 | 1 | ||
| Jun 29, 2019 | - | $9,183 | +49% | 58 | $158 | $15,341 | 2 | |
| Jun 30, 2019 | - | $6,804 | -26% | 58 | $117 | $22,145 | 3 | |
| Jul 1, 2019 | - | $3,116 | -54% | 58 | $54 | $25,261 | 4 | |
| Jul 2, 2019 | - | $2,624 | -16% | 58 | $45 | $27,885 | 5 | |
| Jul 3, 2019 | - | $2,800 | +7% | 58 | $48 | $30,685 | 6 | |
| Jul 4, 2019 | - | $3,936 | +41% | 58 | $68 | $34,621 | 7 | |
| Jul 5, 2019 | - | $2,832 | -28% | -54% | 27 | $105 | $37,453 | 8 |
| Jul 6, 2019 | - | $3,162 | +12% | -66% | 27 | $117 | $40,615 | 9 |
| Jul 7, 2019 | - | $1,642 | -48% | -76% | 27 | $61 | $42,257 | 10 |
| Jul 8, 2019 | - | $881 | -46% | -72% | 27 | $33 | $43,138 | 11 |
| Jul 9, 2019 | - | $1,348 | +53% | -49% | 27 | $50 | $44,486 | 12 |
| Jul 10, 2019 | - | $1,301 | -3% | -54% | 27 | $48 | $45,787 | 13 |
| Jul 11, 2019 | - | $1,396 | +7% | -65% | 27 | $52 | $47,183 | 14 |
| Jul 12, 2019 | - | $88 | -94% | -97% | 2 | $44 | $47,271 | 15 |
| Jul 13, 2019 | - | $43 | -51% | -99% | 2 | $22 | $47,314 | 16 |
| Jul 14, 2019 | - | $91 | +112% | -94% | 2 | $46 | $47,405 | 17 |
| Jul 15, 2019 | - | $95 | +4% | -89% | 2 | $48 | $47,500 | 18 |
| Jul 16, 2019 | - | $172 | +81% | -87% | 2 | $86 | $47,672 | 19 |
| Jul 17, 2019 | - | $132 | -23% | -90% | 2 | $66 | $47,804 | 20 |
| Jul 18, 2019 | - | $118 | -11% | -92% | 2 | $59 | $47,922 | 21 |
| Jul 19, 2019 | - | $128 | +8% | +45% | 3 | $43 | $48,050 | 22 |
| Jul 20, 2019 | - | $454 | +255% | +956% | 3 | $151 | $48,504 | 23 |
| Jul 21, 2019 | - | $175 | -61% | +92% | 3 | $58 | $49,808 | 24 |
| Jul 22, 2019 | - | $88 | -50% | -7% | 3 | $29 | $49,896 | 25 |
| Jul 23, 2019 | - | $250 | +184% | +45% | 3 | $83 | $50,146 | 26 |
| Jul 24, 2019 | - | $167 | -33% | +27% | 3 | $56 | $50,313 | 27 |
| Jul 25, 2019 | - | $33 | -80% | -72% | 3 | $11 | $50,380 | 28 |
| Jul 26, 2019 | - | $36 | +9% | -72% | 3 | $12 | $50,416 | 29 |
| Jul 27, 2019 | - | $239 | +564% | -47% | 3 | $80 | $50,655 | 30 |
| Jul 28, 2019 | - | $67 | -72% | -62% | 3 | $22 | $50,722 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 28, 2019 | 42 | $34,621 | 58 | $597 | $34,621 | 1 | |
| Jul 5, 2019 | 45 | $12,562 | -64% | 27 | $465 | $47,183 | 2 |
| Jul 12, 2019 | 87 | $739 | -94% | 2 | $370 | $47,922 | 3 |
| Jul 19, 2019 | 71 | $2,458 | +233% | 3 | $819 | $50,380 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/2/2019 | $30,059 | 35 | 35 | 91 | $76,437 | 9/10/2019 | |||
| New Zealand | 7/11/2019 | $0 | 0 | 6 | 12 | $19,376 | 10/19/2022 | |||
| Portugal | 7/24/2020 | $3,146 | 13 | 16 | 42 | $12,687 | 10/19/2022 | |||
| Russia (CIS) | 7/25/2019 | $39,569 | 265 | 265 | 416 | $79,343 | 10/19/2022 | |||
| South Korea | 7/14/2021 | $0 | 0 | 61 | 115 | $119,025 | 8/26/2021 | |||
| United Kingdom | 11/22/2019 | $282 | 1 | 1 | 1 | $282 | 11/27/2019 | |||
| International Total | $307,150 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daisy Ridley | Ophelia |
Supporting
| Naomi Watts | Queen Gertrude / Mechtild | |
| Clive Owen | King Claudius | |
| George MacKay | Hamlet | |
| Tom Felton | Laertes | |
| Devon Terrell | Horatio | |
| Dominic Mafham | Polonius | |
| Nathaniel Parker | King Hamlet | |
| Daisy Head | Cristiana | |
| Anna Rust | Young Mechtild |
Production and Technical Credits
| Claire McCarthy | Director | |
| Semi Chellas | Screenwriter | |
| Daniel Bobker | Producer | |
| Ehren Kruger | Producer | |
| Sarah Curtis | Producer | |
| Paul Hanson | Producer | |
| Elissa Friedman | Executive Producer | |
| Sasha Shapiro | Executive Producer | |
| Anton Lessine | Executive Producer | |
| Mathew Hart | Line Producer | |
| Matthew Stillman | Co-Producer | |
| David Minkowski | Co-Producer | |
| Mark Taylor | First Assistant Director | |
| Dave Warren | Production Designer | |
| Denson Baker | Director of Photography | |
| Massimo Cantini Parrini | Costume Designer | |
| Luke Dunkley | Editor | |
| Steven Price | Composer | |
| Sebastian Barker | Visual Effects Supervisor | |
| Pavel Sagner | Special Effects Coordinator | |
| Paul Davies | Supervising Sound Editor | |
| Jay Price | Sound Designer | |
| Pavel Cajzl | Stunt Coordinator | |
| Nancy Bishop | Casting Director | |
| Marian Briozzo | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As a rebellious and motherless child, Ophelia is taken into Elsinore Castle by Queen Gertrude as one of her most trusted ladies-in-waiting. Soon enough, Ophelia captures the affections of the young Prince Hamlet. A passionate romance kindles between the two in secret as the kingdom is on the brink of war amidst its own political intrigue and betrayal. When Hamlet’s father is murdered and the prince’s wits begin to unravel into an insatiable quest for vengeance, Ophelia sharply navigates the rules of power in Denmark all while struggling to choose between her true love and her own life.
Metrics
| Opening Weekend: | $22,145 (43.7% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 14.2% (domestic box office/worldwide) |
| Theater counts: | 58 opening theaters/58 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $66,223 |
Movie Details
| Domestic Releases: | June 28th, 2019 (Limited) by IFC Films |
| International Releases: | July 11th, 2019 (Wide) (New Zealand)
July 25th, 2019 (Wide), released as ОФЕЛИЯ (Russia (CIS)) August 2nd, 2019 (Wide) (Australia) November 22nd, 2019 (Wide) (United Kingdom) July 24th, 2020 (Wide) (Portugal) ... Show all releases |
| Video Release: | November 5th, 2019 by Shout Factory |
| MPA Rating: | PG-13 for a scene of violence/bloody images, some sensuality, and thematic elements. (Rating bulletin 2521 (Cert #51543), 4/4/2018) |
| Running Time: | 107 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Covert Productions, Bert Marcus Productions, Bobker/Kruger Films |
| Production Countries: | United Kingdom, United States, Australia, Czech Republic |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 28, 2019 | 39 | $22,145 | 58 | $382 | $22,145 | 1 | |
| Jul 5, 2019 | 44 | $7,636 | -66% | 27 | $283 | $42,257 | 2 |
| Jul 12, 2019 | 81 | $222 | -97% | 2 | $111 | $47,405 | 3 |
| Jul 19, 2019 | 80 | $757 | +241% | 3 | $252 | $49,808 | 4 |
| Jul 26, 2019 | 78 | $342 | -55% | 3 | $114 | $50,722 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 28, 2019 | - | $6,158 | 58 | $106 | $6,158 | 1 | ||
| Jun 29, 2019 | - | $9,183 | +49% | 58 | $158 | $15,341 | 2 | |
| Jun 30, 2019 | - | $6,804 | -26% | 58 | $117 | $22,145 | 3 | |
| Jul 1, 2019 | - | $3,116 | -54% | 58 | $54 | $25,261 | 4 | |
| Jul 2, 2019 | - | $2,624 | -16% | 58 | $45 | $27,885 | 5 | |
| Jul 3, 2019 | - | $2,800 | +7% | 58 | $48 | $30,685 | 6 | |
| Jul 4, 2019 | - | $3,936 | +41% | 58 | $68 | $34,621 | 7 | |
| Jul 5, 2019 | - | $2,832 | -28% | -54% | 27 | $105 | $37,453 | 8 |
| Jul 6, 2019 | - | $3,162 | +12% | -66% | 27 | $117 | $40,615 | 9 |
| Jul 7, 2019 | - | $1,642 | -48% | -76% | 27 | $61 | $42,257 | 10 |
| Jul 8, 2019 | - | $881 | -46% | -72% | 27 | $33 | $43,138 | 11 |
| Jul 9, 2019 | - | $1,348 | +53% | -49% | 27 | $50 | $44,486 | 12 |
| Jul 10, 2019 | - | $1,301 | -3% | -54% | 27 | $48 | $45,787 | 13 |
| Jul 11, 2019 | - | $1,396 | +7% | -65% | 27 | $52 | $47,183 | 14 |
| Jul 12, 2019 | - | $88 | -94% | -97% | 2 | $44 | $47,271 | 15 |
| Jul 13, 2019 | - | $43 | -51% | -99% | 2 | $22 | $47,314 | 16 |
| Jul 14, 2019 | - | $91 | +112% | -94% | 2 | $46 | $47,405 | 17 |
| Jul 15, 2019 | - | $95 | +4% | -89% | 2 | $48 | $47,500 | 18 |
| Jul 16, 2019 | - | $172 | +81% | -87% | 2 | $86 | $47,672 | 19 |
| Jul 17, 2019 | - | $132 | -23% | -90% | 2 | $66 | $47,804 | 20 |
| Jul 18, 2019 | - | $118 | -11% | -92% | 2 | $59 | $47,922 | 21 |
| Jul 19, 2019 | - | $128 | +8% | +45% | 3 | $43 | $48,050 | 22 |
| Jul 20, 2019 | - | $454 | +255% | +956% | 3 | $151 | $48,504 | 23 |
| Jul 21, 2019 | - | $175 | -61% | +92% | 3 | $58 | $49,808 | 24 |
| Jul 22, 2019 | - | $88 | -50% | -7% | 3 | $29 | $49,896 | 25 |
| Jul 23, 2019 | - | $250 | +184% | +45% | 3 | $83 | $50,146 | 26 |
| Jul 24, 2019 | - | $167 | -33% | +27% | 3 | $56 | $50,313 | 27 |
| Jul 25, 2019 | - | $33 | -80% | -72% | 3 | $11 | $50,380 | 28 |
| Jul 26, 2019 | - | $36 | +9% | -72% | 3 | $12 | $50,416 | 29 |
| Jul 27, 2019 | - | $239 | +564% | -47% | 3 | $80 | $50,655 | 30 |
| Jul 28, 2019 | - | $67 | -72% | -62% | 3 | $22 | $50,722 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 28, 2019 | 42 | $34,621 | 58 | $597 | $34,621 | 1 | |
| Jul 5, 2019 | 45 | $12,562 | -64% | 27 | $465 | $47,183 | 2 |
| Jul 12, 2019 | 87 | $739 | -94% | 2 | $370 | $47,922 | 3 |
| Jul 19, 2019 | 71 | $2,458 | +233% | 3 | $819 | $50,380 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/2/2019 | $30,059 | 35 | 35 | 91 | $76,437 | 9/10/2019 | |||
| New Zealand | 7/11/2019 | $0 | 0 | 6 | 12 | $19,376 | 10/19/2022 | |||
| Portugal | 7/24/2020 | $3,146 | 13 | 16 | 42 | $12,687 | 10/19/2022 | |||
| Russia (CIS) | 7/25/2019 | $39,569 | 265 | 265 | 416 | $79,343 | 10/19/2022 | |||
| South Korea | 7/14/2021 | $0 | 0 | 61 | 115 | $119,025 | 8/26/2021 | |||
| United Kingdom | 11/22/2019 | $282 | 1 | 1 | 1 | $282 | 11/27/2019 | |||
| International Total | $307,150 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daisy Ridley | Ophelia |
Supporting
| Naomi Watts | Queen Gertrude / Mechtild | |
| Clive Owen | King Claudius | |
| George MacKay | Hamlet | |
| Tom Felton | Laertes | |
| Devon Terrell | Horatio | |
| Dominic Mafham | Polonius | |
| Nathaniel Parker | King Hamlet | |
| Daisy Head | Cristiana | |
| Anna Rust | Young Mechtild |
Production and Technical Credits
| Claire McCarthy | Director | |
| Semi Chellas | Screenwriter | |
| Daniel Bobker | Producer | |
| Ehren Kruger | Producer | |
| Sarah Curtis | Producer | |
| Paul Hanson | Producer | |
| Elissa Friedman | Executive Producer | |
| Sasha Shapiro | Executive Producer | |
| Anton Lessine | Executive Producer | |
| Mathew Hart | Line Producer | |
| Matthew Stillman | Co-Producer | |
| David Minkowski | Co-Producer | |
| Mark Taylor | First Assistant Director | |
| Dave Warren | Production Designer | |
| Denson Baker | Director of Photography | |
| Massimo Cantini Parrini | Costume Designer | |
| Luke Dunkley | Editor | |
| Steven Price | Composer | |
| Sebastian Barker | Visual Effects Supervisor | |
| Pavel Sagner | Special Effects Coordinator | |
| Paul Davies | Supervising Sound Editor | |
| Jay Price | Sound Designer | |
| Pavel Cajzl | Stunt Coordinator | |
| Nancy Bishop | Casting Director | |
| Marian Briozzo | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.