Opus (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,830,654 | Details |
| International Box Office | $261,003 | Details |
| Worldwide Box Office | $2,091,657 | |
| OpusData ID: 650000100 More info... | ||
| Further financial details... | ||
Synopsis
A young writer is invited to the remote compound of a legendary pop star who mysteriously disappeared thirty years ago. Surrounded by the star’s cult of sycophants and intoxicated journalists, she finds herself in the middle of his twisted plan.
Metrics
| Opening Weekend: | $1,033,117 (56.4% of total gross) |
| Legs: | 1.77 (domestic box office/biggest weekend) |
| Domestic Share: | 87.5% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1,764 opening theaters/1,764 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,830,654 |
Movie Details
| Domestic Releases: | March 14th, 2025 (Wide) by A24 |
| International Releases: | March 13th, 2025 (Limited), released as Opus (Опус) (Russia (CIS))
March 14th, 2025 (Wide) (United Kingdom) March 27th, 2025 (Limited), released as Opus - Venera La Tua Stella (Italy) April 24th, 2025 (Wide) (Germany) ... Show all releases |
| Video Release: | April 1st, 2025 by A24 |
| MPA Rating: | R for violent content including a grisly image, language, sexual material and brief graphic nudity (Rating bulletin 2869 (cert #55257), 1/21/2025) |
| Running Time: | 103 minutes |
| Film festival: | Sundance Film Festival 2025 |
| Filming location (country): | United States |
| Filming location (state or county): | New Mexico, United States |
| Plot point: | Mass Suicide, Singers, Writing and Writers |
| Social setting: | Cults |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | A24 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | 12 | $1,033,117 | 1,764 | $586 | $1,033,117 | 1 | |
| Mar 21, 2025 | - | $282,521 | -73% | 1,261 | $224 | $1,803,868 | 2 |
| Mar 28, 2025 | - | $26,786 | -91% | 29 | $924 | $1,830,654 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | 11 | $433,944 | 1,764 | $246 | $433,944 | 1 | ||
| Mar 15, 2025 | 12 | $331,045 | -24% | 1,764 | $188 | $764,989 | 2 | |
| Mar 16, 2025 | 12 | $268,128 | -19% | 1,764 | $152 | $1,033,117 | 3 | |
| Mar 17, 2025 | - | $111,565 | -58% | 1,764 | $63 | $1,144,682 | 4 | |
| Mar 18, 2025 | - | $169,344 | +52% | 1,764 | $96 | $1,314,026 | 5 | |
| Mar 19, 2025 | - | $125,536 | -26% | 1,764 | $71 | $1,439,562 | 6 | |
| Mar 20, 2025 | - | $81,785 | -35% | 1,764 | $46 | $1,521,347 | 7 | |
| Mar 21, 2025 | - | $84,414 | +3% | -81% | 1,261 | $67 | $1,605,761 | 8 |
| Mar 22, 2025 | - | $108,850 | +29% | -67% | 1,261 | $86 | $1,714,611 | 9 |
| Mar 23, 2025 | - | $89,257 | -18% | -67% | 1,261 | $71 | $1,803,868 | 10 |
| Mar 28, 2025 | - | $8,381 | -90% | 29 | $289 | $1,812,249 | 15 | |
| Mar 29, 2025 | - | $10,225 | +22% | -91% | 29 | $353 | $1,822,474 | 16 |
| Mar 30, 2025 | - | $8,180 | -20% | -91% | 29 | $282 | $1,830,654 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | 12 | $1,521,347 | 1,764 | $862 | $1,521,347 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Germany | 4/24/2025 | $706 | 5 | 5 | 7 | $7,442 | 5/7/2025 | |||
| Italy | 3/27/2025 | $60,888 | 0 | 0 | 0 | $60,888 | 4/4/2026 | |||
| Russia (CIS) | 3/13/2025 | $74,033 | 502 | 502 | 502 | $74,033 | 4/4/2026 | |||
| United Kingdom | 3/14/2025 | $118,640 | 409 | 409 | 409 | $118,640 | 4/4/2026 | |||
| International Total | $261,003 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Ayo Edebiri | ||
| John Malkovich | ||
| Juliette Lewis | ||
| Murray Bartlett | ||
| Stephanie Suganami | ||
| Young Mazino | ||
| Amber Midthunder | ||
| Tony Hale |
Production and Technical Credits
| Mark Anthony Green | Director | |
| Mark Anthony Green | Screenwriter | |
| Collin Creighton | Producer | |
| Brad Weston | Producer | |
| Poppy Hanks | Producer | |
| Jelani Johnson | Producer | |
| Mark Anthony Green | Producer | |
| Josh Bachove | Producer | |
| Tommy Maddox Upshaw | Cinematographer | |
| Ernie Gilbert | Editor | |
| Danny Bensi | Composer | |
| Saunder Jurriaans | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A young writer is invited to the remote compound of a legendary pop star who mysteriously disappeared thirty years ago. Surrounded by the star’s cult of sycophants and intoxicated journalists, she finds herself in the middle of his twisted plan.
Metrics
| Opening Weekend: | $1,033,117 (56.4% of total gross) |
| Legs: | 1.77 (domestic box office/biggest weekend) |
| Domestic Share: | 87.5% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1,764 opening theaters/1,764 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,830,654 |
Movie Details
| Domestic Releases: | March 14th, 2025 (Wide) by A24 |
| International Releases: | March 13th, 2025 (Limited), released as Opus (Опус) (Russia (CIS))
March 14th, 2025 (Wide) (United Kingdom) March 27th, 2025 (Limited), released as Opus - Venera La Tua Stella (Italy) April 24th, 2025 (Wide) (Germany) ... Show all releases |
| Video Release: | April 1st, 2025 by A24 |
| MPA Rating: | R for violent content including a grisly image, language, sexual material and brief graphic nudity (Rating bulletin 2869 (cert #55257), 1/21/2025) |
| Running Time: | 103 minutes |
| Film festival: | Sundance Film Festival 2025 |
| Filming location (country): | United States |
| Filming location (state or county): | New Mexico, United States |
| Plot point: | Mass Suicide, Singers, Writing and Writers |
| Social setting: | Cults |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | A24 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | 12 | $1,033,117 | 1,764 | $586 | $1,033,117 | 1 | |
| Mar 21, 2025 | - | $282,521 | -73% | 1,261 | $224 | $1,803,868 | 2 |
| Mar 28, 2025 | - | $26,786 | -91% | 29 | $924 | $1,830,654 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | 11 | $433,944 | 1,764 | $246 | $433,944 | 1 | ||
| Mar 15, 2025 | 12 | $331,045 | -24% | 1,764 | $188 | $764,989 | 2 | |
| Mar 16, 2025 | 12 | $268,128 | -19% | 1,764 | $152 | $1,033,117 | 3 | |
| Mar 17, 2025 | - | $111,565 | -58% | 1,764 | $63 | $1,144,682 | 4 | |
| Mar 18, 2025 | - | $169,344 | +52% | 1,764 | $96 | $1,314,026 | 5 | |
| Mar 19, 2025 | - | $125,536 | -26% | 1,764 | $71 | $1,439,562 | 6 | |
| Mar 20, 2025 | - | $81,785 | -35% | 1,764 | $46 | $1,521,347 | 7 | |
| Mar 21, 2025 | - | $84,414 | +3% | -81% | 1,261 | $67 | $1,605,761 | 8 |
| Mar 22, 2025 | - | $108,850 | +29% | -67% | 1,261 | $86 | $1,714,611 | 9 |
| Mar 23, 2025 | - | $89,257 | -18% | -67% | 1,261 | $71 | $1,803,868 | 10 |
| Mar 28, 2025 | - | $8,381 | -90% | 29 | $289 | $1,812,249 | 15 | |
| Mar 29, 2025 | - | $10,225 | +22% | -91% | 29 | $353 | $1,822,474 | 16 |
| Mar 30, 2025 | - | $8,180 | -20% | -91% | 29 | $282 | $1,830,654 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | 12 | $1,521,347 | 1,764 | $862 | $1,521,347 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Germany | 4/24/2025 | $706 | 5 | 5 | 7 | $7,442 | 5/7/2025 | |||
| Italy | 3/27/2025 | $60,888 | 0 | 0 | 0 | $60,888 | 4/4/2026 | |||
| Russia (CIS) | 3/13/2025 | $74,033 | 502 | 502 | 502 | $74,033 | 4/4/2026 | |||
| United Kingdom | 3/14/2025 | $118,640 | 409 | 409 | 409 | $118,640 | 4/4/2026 | |||
| International Total | $261,003 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Ayo Edebiri | ||
| John Malkovich | ||
| Juliette Lewis | ||
| Murray Bartlett | ||
| Stephanie Suganami | ||
| Young Mazino | ||
| Amber Midthunder | ||
| Tony Hale |
Production and Technical Credits
| Mark Anthony Green | Director | |
| Mark Anthony Green | Screenwriter | |
| Collin Creighton | Producer | |
| Brad Weston | Producer | |
| Poppy Hanks | Producer | |
| Jelani Johnson | Producer | |
| Mark Anthony Green | Producer | |
| Josh Bachove | Producer | |
| Tommy Maddox Upshaw | Cinematographer | |
| Ernie Gilbert | Editor | |
| Danny Bensi | Composer | |
| Saunder Jurriaans | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.