Ordinary Love (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $323,688 | Details |
| International Box Office | $376,138 | Details |
| Worldwide Box Office | $699,826 | |
| OpusData ID: 334790100 More info... | ||
| Further financial details... | ||
Synopsis
Joan and Tom have been married for many years. An everyday couple with a remarkable love, there is an ease to their relationship which only comes from spending a lifetime together. When Joan is diagnosed with breast cancer, the course of her treatment shines a light on their enduring devotion, as they must find the humor and grace to survive a year of adversity.
Metrics
| Opening Weekend: | $23,564 (7.3% of total gross) |
| Legs: | 4.01 (domestic box office/biggest weekend) |
| Domestic Share: | 46.3% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/125 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $421,710 |
Movie Details
| Domestic Releases: | February 14th, 2020 (Limited) by Bleecker Street |
| International Releases: | December 6th, 2019 (Wide) (United Kingdom)
March 6th, 2020 (Wide), released as NAVADNA LJUBEZEN (Slovenia) July 16th, 2020 (Wide), released as Un Amor Extraordinario (Mexico) |
| Video Release: | May 5th, 2020 by Universal Home Entertainment |
| MPA Rating: | R for brief sexuality/nudity. (Rating bulletin 2595 (Cert #52372), 9/11/2019) |
| Running Time: | 91 minutes |
| Plot point: | Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Canderblinks Films, Out of Orbit |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 43 | $23,564 | 3 | $7,855 | $23,564 | 1 | |
| Feb 21, 2020 | 37 | $43,620 | +85% | 22 | $1,983 | $74,880 | 2 |
| Feb 28, 2020 | 34 | $80,696 | +85% | 70 | $1,153 | $175,010 | 3 |
| Mar 6, 2020 | 34 | $57,983 | -28% | 125 | $464 | $274,149 | 4 |
| Mar 13, 2020 | 41 | $14,673 | -75% | 77 | $191 | $321,421 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | - | $5,531 | 3 | $1,844 | $5,531 | 1 | ||
| Feb 15, 2020 | - | $6,991 | +26% | 3 | $2,330 | $12,522 | 2 | |
| Feb 16, 2020 | - | $11,042 | +58% | 3 | $3,681 | $23,564 | 3 | |
| Feb 17, 2020 | - | $2,564 | -77% | 3 | $855 | $26,128 | 4 | |
| Feb 18, 2020 | - | $1,884 | -27% | 3 | $628 | $28,012 | 5 | |
| Feb 19, 2020 | - | $1,734 | -8% | 3 | $578 | $29,746 | 6 | |
| Feb 20, 2020 | - | $1,514 | -13% | 3 | $505 | $31,260 | 7 | |
| Feb 21, 2020 | - | $10,567 | +598% | +91% | 22 | $480 | $41,827 | 8 |
| Feb 22, 2020 | - | $19,880 | +88% | +184% | 22 | $904 | $61,707 | 9 |
| Feb 23, 2020 | - | $13,173 | -34% | +19% | 22 | $599 | $74,880 | 10 |
| Feb 24, 2020 | - | $4,360 | -67% | +70% | 22 | $198 | $79,240 | 11 |
| Feb 25, 2020 | - | $5,868 | +35% | +211% | 22 | $267 | $85,108 | 12 |
| Feb 26, 2020 | - | $4,711 | -20% | +172% | 22 | $214 | $89,819 | 13 |
| Feb 27, 2020 | - | $4,495 | -5% | +197% | 22 | $204 | $94,314 | 14 |
| Feb 28, 2020 | - | $21,706 | +383% | +105% | 70 | $310 | $116,020 | 15 |
| Feb 29, 2020 | - | $35,800 | +65% | +80% | 70 | $511 | $151,820 | 16 |
| Mar 1, 2020 | - | $23,190 | -35% | +76% | 70 | $331 | $175,010 | 17 |
| Mar 2, 2020 | - | $8,004 | -65% | +84% | 70 | $114 | $183,014 | 18 |
| Mar 3, 2020 | - | $11,530 | +44% | +96% | 70 | $165 | $194,544 | 19 |
| Mar 4, 2020 | - | $11,322 | -2% | +140% | 70 | $162 | $205,866 | 20 |
| Mar 5, 2020 | - | $10,300 | -9% | +129% | 70 | $147 | $216,166 | 21 |
| Mar 6, 2020 | - | $16,604 | +61% | -24% | 125 | $133 | $232,770 | 22 |
| Mar 7, 2020 | - | $24,865 | +50% | -31% | 125 | $199 | $257,635 | 23 |
| Mar 8, 2020 | - | $16,514 | -34% | -29% | 125 | $132 | $274,149 | 24 |
| Mar 9, 2020 | - | $7,801 | -53% | -3% | 125 | $62 | $281,950 | 25 |
| Mar 10, 2020 | - | $9,744 | +25% | -15% | 125 | $78 | $291,694 | 26 |
| Mar 11, 2020 | - | $7,792 | -20% | -31% | 125 | $62 | $299,486 | 27 |
| Mar 12, 2020 | - | $7,262 | -7% | -29% | 125 | $58 | $306,748 | 28 |
| Mar 13, 2020 | - | $4,772 | -34% | -71% | 77 | $62 | $311,520 | 29 |
| Mar 14, 2020 | - | $5,963 | +25% | -76% | 77 | $77 | $317,483 | 30 |
| Mar 15, 2020 | - | $3,938 | -34% | -76% | 77 | $51 | $321,421 | 31 |
| Mar 16, 2020 | - | $2,267 | -42% | -71% | 77 | $29 | $323,688 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 46 | $31,260 | 3 | $10,420 | $31,260 | 1 | |
| Feb 21, 2020 | 38 | $63,054 | +102% | 22 | $2,866 | $94,314 | 2 |
| Feb 28, 2020 | 33 | $121,852 | +93% | 70 | $1,741 | $216,166 | 3 |
| Mar 6, 2020 | 34 | $90,582 | -26% | 125 | $725 | $306,748 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 7/16/2020 | $0 | 0 | 0 | 0 | $39,088 | 9/9/2020 | |||
| Slovenia | 3/6/2020 | $1,892 | 18 | 18 | 18 | $2,146 | 4/8/2020 | |||
| United Kingdom | 12/6/2019 | $87,540 | 238 | 238 | 376 | $334,904 | 3/4/2020 | |||
| International Total | $376,138 | 9/9/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Liam Neeson | ||
| Lesley Manville |
Supporting
| David Wilmot | ||
| Amit Shah | ||
| Esh Alladi |
Production and Technical Credits
| Lisa Barros D Sa | Director | |
| Glenn Leyburn | Director | |
| Piers Tempest | Screenwriter | |
| David Holmes | Screenwriter | |
| Brian J. Falconer | Screenwriter | |
| Brian J. Falconer | Producer | |
| David Holmes | Producer | |
| Piers Tempest | Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Joan and Tom have been married for many years. An everyday couple with a remarkable love, there is an ease to their relationship which only comes from spending a lifetime together. When Joan is diagnosed with breast cancer, the course of her treatment shines a light on their enduring devotion, as they must find the humor and grace to survive a year of adversity.
Metrics
| Opening Weekend: | $23,564 (7.3% of total gross) |
| Legs: | 4.01 (domestic box office/biggest weekend) |
| Domestic Share: | 46.3% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/125 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $421,710 |
Movie Details
| Domestic Releases: | February 14th, 2020 (Limited) by Bleecker Street |
| International Releases: | December 6th, 2019 (Wide) (United Kingdom)
March 6th, 2020 (Wide), released as NAVADNA LJUBEZEN (Slovenia) July 16th, 2020 (Wide), released as Un Amor Extraordinario (Mexico) |
| Video Release: | May 5th, 2020 by Universal Home Entertainment |
| MPA Rating: | R for brief sexuality/nudity. (Rating bulletin 2595 (Cert #52372), 9/11/2019) |
| Running Time: | 91 minutes |
| Plot point: | Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Canderblinks Films, Out of Orbit |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 43 | $23,564 | 3 | $7,855 | $23,564 | 1 | |
| Feb 21, 2020 | 37 | $43,620 | +85% | 22 | $1,983 | $74,880 | 2 |
| Feb 28, 2020 | 34 | $80,696 | +85% | 70 | $1,153 | $175,010 | 3 |
| Mar 6, 2020 | 34 | $57,983 | -28% | 125 | $464 | $274,149 | 4 |
| Mar 13, 2020 | 41 | $14,673 | -75% | 77 | $191 | $321,421 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | - | $5,531 | 3 | $1,844 | $5,531 | 1 | ||
| Feb 15, 2020 | - | $6,991 | +26% | 3 | $2,330 | $12,522 | 2 | |
| Feb 16, 2020 | - | $11,042 | +58% | 3 | $3,681 | $23,564 | 3 | |
| Feb 17, 2020 | - | $2,564 | -77% | 3 | $855 | $26,128 | 4 | |
| Feb 18, 2020 | - | $1,884 | -27% | 3 | $628 | $28,012 | 5 | |
| Feb 19, 2020 | - | $1,734 | -8% | 3 | $578 | $29,746 | 6 | |
| Feb 20, 2020 | - | $1,514 | -13% | 3 | $505 | $31,260 | 7 | |
| Feb 21, 2020 | - | $10,567 | +598% | +91% | 22 | $480 | $41,827 | 8 |
| Feb 22, 2020 | - | $19,880 | +88% | +184% | 22 | $904 | $61,707 | 9 |
| Feb 23, 2020 | - | $13,173 | -34% | +19% | 22 | $599 | $74,880 | 10 |
| Feb 24, 2020 | - | $4,360 | -67% | +70% | 22 | $198 | $79,240 | 11 |
| Feb 25, 2020 | - | $5,868 | +35% | +211% | 22 | $267 | $85,108 | 12 |
| Feb 26, 2020 | - | $4,711 | -20% | +172% | 22 | $214 | $89,819 | 13 |
| Feb 27, 2020 | - | $4,495 | -5% | +197% | 22 | $204 | $94,314 | 14 |
| Feb 28, 2020 | - | $21,706 | +383% | +105% | 70 | $310 | $116,020 | 15 |
| Feb 29, 2020 | - | $35,800 | +65% | +80% | 70 | $511 | $151,820 | 16 |
| Mar 1, 2020 | - | $23,190 | -35% | +76% | 70 | $331 | $175,010 | 17 |
| Mar 2, 2020 | - | $8,004 | -65% | +84% | 70 | $114 | $183,014 | 18 |
| Mar 3, 2020 | - | $11,530 | +44% | +96% | 70 | $165 | $194,544 | 19 |
| Mar 4, 2020 | - | $11,322 | -2% | +140% | 70 | $162 | $205,866 | 20 |
| Mar 5, 2020 | - | $10,300 | -9% | +129% | 70 | $147 | $216,166 | 21 |
| Mar 6, 2020 | - | $16,604 | +61% | -24% | 125 | $133 | $232,770 | 22 |
| Mar 7, 2020 | - | $24,865 | +50% | -31% | 125 | $199 | $257,635 | 23 |
| Mar 8, 2020 | - | $16,514 | -34% | -29% | 125 | $132 | $274,149 | 24 |
| Mar 9, 2020 | - | $7,801 | -53% | -3% | 125 | $62 | $281,950 | 25 |
| Mar 10, 2020 | - | $9,744 | +25% | -15% | 125 | $78 | $291,694 | 26 |
| Mar 11, 2020 | - | $7,792 | -20% | -31% | 125 | $62 | $299,486 | 27 |
| Mar 12, 2020 | - | $7,262 | -7% | -29% | 125 | $58 | $306,748 | 28 |
| Mar 13, 2020 | - | $4,772 | -34% | -71% | 77 | $62 | $311,520 | 29 |
| Mar 14, 2020 | - | $5,963 | +25% | -76% | 77 | $77 | $317,483 | 30 |
| Mar 15, 2020 | - | $3,938 | -34% | -76% | 77 | $51 | $321,421 | 31 |
| Mar 16, 2020 | - | $2,267 | -42% | -71% | 77 | $29 | $323,688 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 46 | $31,260 | 3 | $10,420 | $31,260 | 1 | |
| Feb 21, 2020 | 38 | $63,054 | +102% | 22 | $2,866 | $94,314 | 2 |
| Feb 28, 2020 | 33 | $121,852 | +93% | 70 | $1,741 | $216,166 | 3 |
| Mar 6, 2020 | 34 | $90,582 | -26% | 125 | $725 | $306,748 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 7/16/2020 | $0 | 0 | 0 | 0 | $39,088 | 9/9/2020 | |||
| Slovenia | 3/6/2020 | $1,892 | 18 | 18 | 18 | $2,146 | 4/8/2020 | |||
| United Kingdom | 12/6/2019 | $87,540 | 238 | 238 | 376 | $334,904 | 3/4/2020 | |||
| International Total | $376,138 | 9/9/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Liam Neeson | ||
| Lesley Manville |
Supporting
| David Wilmot | ||
| Amit Shah | ||
| Esh Alladi |
Production and Technical Credits
| Lisa Barros D Sa | Director | |
| Glenn Leyburn | Director | |
| Piers Tempest | Screenwriter | |
| David Holmes | Screenwriter | |
| Brian J. Falconer | Screenwriter | |
| Brian J. Falconer | Producer | |
| David Holmes | Producer | |
| Piers Tempest | Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.