The Other Woman (2011)
| Theatrical Performance | ||
| Domestic Box Office | $25,423 | Details |
| International Box Office | $1,430,104 | |
| Worldwide Box Office | $1,455,527 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,670,818 | |
| Total | $1,670,818 | |
| OpusData ID: 152360100 More info... | ||
| Further financial details... | ||
Synopsis
Emilia is a Harvard law school graduate and a newlywed, having just married Jack, a high-powered New York lawyer, who was her boss - and married - when she began working at his law firm. Unfortunately, her life takes an unexpected turn when Jack and Emilia lose their newborn daughter. Emilia struggles through her grief to connect with her new stepson William, while also trying to overcome a long-standing rift in her relationship with her father caused by his own infidelity. But perhaps the most difficult obstacle of all for Emilia is trying to cope with the constant interferences of her husband's angry, jealous ex-wife, Carolyn. Ultimately, Emilia's and Charlie's playful and sometimes tender exchanges help Emilia to open her heart. Can Emilia rediscover her own capacity for love in time to salvage her failing marriage, mend fences with her parents and build a family from the wreckage?
Metrics
| Opening Weekend: | $6,224 (24.5% of total gross) |
| Legs: | 4.08 (domestic box office/biggest weekend) |
| Domestic Share: | 1.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/9 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,260 |
Movie Details
| Domestic Releases: | February 4th, 2011 (Limited) by IFC Films |
| Video Release: | May 17th, 2011 by Mpi Home Video |
| MPA Rating: | R for sexual content and language. (Rating bulletin 2073, 6/10/2009) |
| Running Time: | 102 minutes |
| Plot point: | Death of a Son or Daughter, Divorcée Romance, Dysfunctional Family, Non-Chronological, Relationships Gone Wrong, Second Wife |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Incentive Filmed Entertainment, Handsomecharlie Films, Is or Isn't Entertainment, Marc Platt Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 4, 2011 | 64 | $6,224 | 2 | $3,112 | $6,224 | 1 | |
| Feb 11, 2011 | 104 | $696 | -89% | 2 | $348 | $9,907 | 2 |
| Feb 18, 2011 | 84 | $2,982 | +328% | 5 | $596 | $14,089 | 3 |
| Feb 25, 2011 | 79 | $3,936 | +32% | 9 | $437 | $20,585 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 69 | $840 | 5 | $168 | $14,929 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 4, 2011 | 66 | $9,211 | 2 | $4,606 | $9,211 | 1 | |
| Feb 11, 2011 | 104 | $1,094 | -88% | 2 | $547 | $10,305 | 2 |
| Feb 18, 2011 | 78 | $5,542 | +407% | 5 | $1,108 | $16,649 | 3 |
| Feb 25, 2011 | 80 | $5,948 | +7% | 9 | $661 | $22,597 | 4 |
Leading
| Natalie Portman | Emila |
Supporting
| Scott Cohen | Jack | |
| Lisa Kudrow | Carolyn | |
| Charlie Tahan | William |
Production and Technical Credits
| Don Roos | Screenwriter | |
| Don Roos | Director | |
| Bernard Telsey | Casting Director | |
| John Swihart | Composer | |
| Peggy Schnitzer | Costume Designer | |
| David Codron | Editor | |
| Michael Shaw | Production Designer | |
| Steve Yedlin | Cinematographer | |
| Natalie Portman | Executive Producer | |
| Abby Wolf-Weiss | Executive Producer | |
| Rena Ronson | Executive Producer | |
| Cassian Elwes | Executive Producer | |
| Marc Platt | Producer | |
| Carol Cuddy | Producer | |
| Carol Cuddy | Unit Production Manager | |
| Joseph Reidy | Assistant Director | |
| Amy Lauritsen | Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Emilia is a Harvard law school graduate and a newlywed, having just married Jack, a high-powered New York lawyer, who was her boss - and married - when she began working at his law firm. Unfortunately, her life takes an unexpected turn when Jack and Emilia lose their newborn daughter. Emilia struggles through her grief to connect with her new stepson William, while also trying to overcome a long-standing rift in her relationship with her father caused by his own infidelity. But perhaps the most difficult obstacle of all for Emilia is trying to cope with the constant interferences of her husband's angry, jealous ex-wife, Carolyn. Ultimately, Emilia's and Charlie's playful and sometimes tender exchanges help Emilia to open her heart. Can Emilia rediscover her own capacity for love in time to salvage her failing marriage, mend fences with her parents and build a family from the wreckage?
Metrics
| Opening Weekend: | $6,224 (24.5% of total gross) |
| Legs: | 4.08 (domestic box office/biggest weekend) |
| Domestic Share: | 1.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/9 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,260 |
Movie Details
| Domestic Releases: | February 4th, 2011 (Limited) by IFC Films |
| Video Release: | May 17th, 2011 by Mpi Home Video |
| MPA Rating: | R for sexual content and language. (Rating bulletin 2073, 6/10/2009) |
| Running Time: | 102 minutes |
| Plot point: | Death of a Son or Daughter, Divorcée Romance, Dysfunctional Family, Non-Chronological, Relationships Gone Wrong, Second Wife |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Incentive Filmed Entertainment, Handsomecharlie Films, Is or Isn't Entertainment, Marc Platt Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 4, 2011 | 64 | $6,224 | 2 | $3,112 | $6,224 | 1 | |
| Feb 11, 2011 | 104 | $696 | -89% | 2 | $348 | $9,907 | 2 |
| Feb 18, 2011 | 84 | $2,982 | +328% | 5 | $596 | $14,089 | 3 |
| Feb 25, 2011 | 79 | $3,936 | +32% | 9 | $437 | $20,585 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 69 | $840 | 5 | $168 | $14,929 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 4, 2011 | 66 | $9,211 | 2 | $4,606 | $9,211 | 1 | |
| Feb 11, 2011 | 104 | $1,094 | -88% | 2 | $547 | $10,305 | 2 |
| Feb 18, 2011 | 78 | $5,542 | +407% | 5 | $1,108 | $16,649 | 3 |
| Feb 25, 2011 | 80 | $5,948 | +7% | 9 | $661 | $22,597 | 4 |
Leading
| Natalie Portman | Emila |
Supporting
| Scott Cohen | Jack | |
| Lisa Kudrow | Carolyn | |
| Charlie Tahan | William |
Production and Technical Credits
| Don Roos | Screenwriter | |
| Don Roos | Director | |
| Bernard Telsey | Casting Director | |
| John Swihart | Composer | |
| Peggy Schnitzer | Costume Designer | |
| David Codron | Editor | |
| Michael Shaw | Production Designer | |
| Steve Yedlin | Cinematographer | |
| Natalie Portman | Executive Producer | |
| Abby Wolf-Weiss | Executive Producer | |
| Rena Ronson | Executive Producer | |
| Cassian Elwes | Executive Producer | |
| Marc Platt | Producer | |
| Carol Cuddy | Producer | |
| Carol Cuddy | Unit Production Manager | |
| Joseph Reidy | Assistant Director | |
| Amy Lauritsen | Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.