Our Friend (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $657,511 | Details |
| International Box Office | $56,744 | Details |
| Worldwide Box Office | $714,255 | |
| OpusData ID: 395740100 More info... | ||
| Further financial details... | ||
Synopsis
The true story of Nicole and Matthew Teague who, after learning that Nicole has just six months to live, receive the unexpected support of the couple’s best friend Dane who decides to move into their family home and put his own life on hold. His impact on everyone is much greater — and more profound — than anyone could have imagined.
Metrics
| Opening Weekend: | $250,160 (38.0% of total gross) |
| Legs: | 2.63 (domestic box office/biggest weekend) |
| Domestic Share: | 92.1% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 543 opening theaters/818 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $773,238 |
Movie Details
| Domestic Releases: | January 22nd, 2021 (Limited) by Gravitas Ventures January 29th, 2021 (Expands Wide) by Gravitas Ventures |
| International Releases: | February 25th, 2021 (Wide), released as Друзья навсегда (Russia (CIS))
June 18th, 2021 (Wide), released as O Amigo de Sempre (Portugal) November 22nd, 2023 (Limited), released as Our Friend (아워 프렌드) (South Korea) |
| Video Release: | January 22nd, 2021 by Gravitas Ventures |
| MPA Rating: | R for language. (Rating bulletin 2658 (cert #52576), 12/2/2020) |
| Running Time: | 124 minutes |
| Plot point: | Terminal Illness |
| Subgenre: | Comedy Drama |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Black Bear, Scott Free Films, Gravitas Ventures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2021 | 8 | $250,160 | 543 | $461 | $250,160 | 1 | |
| Jan 29, 2021 | - | $138,198 | -45% | 818 | $169 | $449,418 | 2 |
| Feb 5, 2021 | - | $84,343 | -39% | 627 | $135 | $577,754 | 3 |
| Feb 12, 2021 | - | $28,000 | -67% | 285 | $98 | $632,324 | 4 |
| Feb 19, 2021 | - | $10,649 | -62% | 131 | $81 | $642,973 | 5 |
| Feb 26, 2021 | - | $1,800 | -83% | 1 | $1,800 | $657,511 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 22, 2021 | - | $85,010 | 543 | $157 | $85,010 | 1 | ||
| Jan 23, 2021 | - | $105,100 | +24% | 543 | $194 | $190,110 | 2 | |
| Jan 24, 2021 | - | $60,050 | -43% | 543 | $111 | $250,160 | 3 | |
| Jan 29, 2021 | - | $37,620 | -56% | 818 | $46 | $348,840 | 8 | |
| Jan 30, 2021 | - | $63,358 | +68% | -40% | 818 | $77 | $412,198 | 9 |
| Jan 31, 2021 | - | $37,220 | -41% | -38% | 818 | $46 | $449,418 | 10 |
| Feb 1, 2021 | - | $7,377 | -80% | 818 | $9 | $456,795 | 11 | |
| Feb 2, 2021 | - | $17,047 | +131% | 818 | $21 | $473,842 | 12 | |
| Feb 3, 2021 | - | $9,140 | -46% | 818 | $11 | $482,982 | 13 | |
| Feb 4, 2021 | - | $10,429 | +14% | 818 | $13 | $493,411 | 14 | |
| Feb 5, 2021 | - | $27,471 | +163% | -27% | 627 | $44 | $520,882 | 15 |
| Feb 6, 2021 | - | $44,075 | +60% | -30% | 627 | $70 | $564,957 | 16 |
| Feb 7, 2021 | - | $12,797 | -71% | -66% | 627 | $20 | $577,754 | 17 |
| Feb 8, 2021 | - | $5,110 | -60% | -31% | 177 | $29 | $582,864 | 18 |
| Feb 9, 2021 | - | $10,204 | +100% | -40% | 309 | $33 | $593,068 | 19 |
| Feb 10, 2021 | - | $5,646 | -45% | -38% | 172 | $33 | $598,714 | 20 |
| Feb 11, 2021 | - | $5,610 | -1% | -46% | 172 | $33 | $604,324 | 21 |
| Feb 12, 2021 | - | $7,000 | +25% | -75% | 285 | $25 | $611,324 | 22 |
| Feb 13, 2021 | - | $12,000 | +71% | -73% | 285 | $42 | $623,324 | 23 |
| Feb 14, 2021 | - | $9,000 | -25% | -30% | 285 | $32 | $632,324 | 24 |
| Feb 19, 2021 | - | $3,215 | -54% | 131 | $25 | $635,539 | 29 | |
| Feb 20, 2021 | - | $4,755 | +48% | -60% | 131 | $36 | $640,294 | 30 |
| Feb 21, 2021 | - | $2,679 | -44% | -70% | 131 | $20 | $642,973 | 31 |
| Feb 22, 2021 | - | $369 | -86% | 131 | $3 | $643,342 | 32 | |
| Feb 23, 2021 | - | $1,419 | +285% | 131 | $11 | $644,761 | 33 | |
| Feb 24, 2021 | - | $620 | -56% | 131 | $5 | $645,381 | 34 | |
| Feb 25, 2021 | - | $775 | +25% | 131 | $6 | $655,711 | 35 | |
| Feb 26, 2021 | - | $554 | -29% | -83% | 1 | $554 | $656,265 | 36 |
| Feb 27, 2021 | - | $746 | +35% | -84% | 1 | $746 | $657,011 | 37 |
| Feb 28, 2021 | - | $500 | -33% | -81% | 1 | $500 | $657,511 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2021 | - | $311,220 | 543 | $573 | $311,220 | 1 | |
| Jan 29, 2021 | - | $182,191 | -41% | 818 | $223 | $493,411 | 2 |
| Feb 5, 2021 | - | $110,913 | -39% | 172 | $645 | $604,324 | 3 |
| Feb 19, 2021 | - | $13,832 | 131 | $106 | $655,711 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 6/18/2021 | $2,428 | 13 | 13 | 19 | $4,314 | 6/29/2021 | |||
| Russia (CIS) | 2/25/2021 | $35,561 | 336 | 336 | 337 | $52,430 | 10/20/2022 | |||
| International Total | $56,744 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jason Segel | Dane Faucheux | |
| Dakota Johnson | Nicole Teague | |
| Casey Affleck | Matthew Teague |
Supporting
| Cherry Jones | Faith Pruett | |
| Jake Owen | Aaron | |
| Gwendoline Christie | Teresa | |
| Denee Benton | Charlotte | |
| Marielle Scott | Kat | |
| Ahna O'Reilly | Gale | |
| Reed Diamond | Peter |
Production and Technical Credits
| Gabriela Cowperthwaite | Director | |
| Brad Ingelsby | Screenwriter | |
| Kevin Walsh | Producer | |
| Michael Pruss | Producer | |
| Ryan Stowell | Producer | |
| Ridley Scott | Executive Producer | |
| Ben Stillman | Executive Producer | |
| Michael Heimler | Executive Producer | |
| Ted Deiker | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The true story of Nicole and Matthew Teague who, after learning that Nicole has just six months to live, receive the unexpected support of the couple’s best friend Dane who decides to move into their family home and put his own life on hold. His impact on everyone is much greater — and more profound — than anyone could have imagined.
Metrics
| Opening Weekend: | $250,160 (38.0% of total gross) |
| Legs: | 2.63 (domestic box office/biggest weekend) |
| Domestic Share: | 92.1% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 543 opening theaters/818 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $773,238 |
Movie Details
| Domestic Releases: | January 22nd, 2021 (Limited) by Gravitas Ventures January 29th, 2021 (Expands Wide) by Gravitas Ventures |
| International Releases: | February 25th, 2021 (Wide), released as Друзья навсегда (Russia (CIS))
June 18th, 2021 (Wide), released as O Amigo de Sempre (Portugal) November 22nd, 2023 (Limited), released as Our Friend (아워 프렌드) (South Korea) |
| Video Release: | January 22nd, 2021 by Gravitas Ventures |
| MPA Rating: | R for language. (Rating bulletin 2658 (cert #52576), 12/2/2020) |
| Running Time: | 124 minutes |
| Plot point: | Terminal Illness |
| Subgenre: | Comedy Drama |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Black Bear, Scott Free Films, Gravitas Ventures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2021 | 8 | $250,160 | 543 | $461 | $250,160 | 1 | |
| Jan 29, 2021 | - | $138,198 | -45% | 818 | $169 | $449,418 | 2 |
| Feb 5, 2021 | - | $84,343 | -39% | 627 | $135 | $577,754 | 3 |
| Feb 12, 2021 | - | $28,000 | -67% | 285 | $98 | $632,324 | 4 |
| Feb 19, 2021 | - | $10,649 | -62% | 131 | $81 | $642,973 | 5 |
| Feb 26, 2021 | - | $1,800 | -83% | 1 | $1,800 | $657,511 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 22, 2021 | - | $85,010 | 543 | $157 | $85,010 | 1 | ||
| Jan 23, 2021 | - | $105,100 | +24% | 543 | $194 | $190,110 | 2 | |
| Jan 24, 2021 | - | $60,050 | -43% | 543 | $111 | $250,160 | 3 | |
| Jan 29, 2021 | - | $37,620 | -56% | 818 | $46 | $348,840 | 8 | |
| Jan 30, 2021 | - | $63,358 | +68% | -40% | 818 | $77 | $412,198 | 9 |
| Jan 31, 2021 | - | $37,220 | -41% | -38% | 818 | $46 | $449,418 | 10 |
| Feb 1, 2021 | - | $7,377 | -80% | 818 | $9 | $456,795 | 11 | |
| Feb 2, 2021 | - | $17,047 | +131% | 818 | $21 | $473,842 | 12 | |
| Feb 3, 2021 | - | $9,140 | -46% | 818 | $11 | $482,982 | 13 | |
| Feb 4, 2021 | - | $10,429 | +14% | 818 | $13 | $493,411 | 14 | |
| Feb 5, 2021 | - | $27,471 | +163% | -27% | 627 | $44 | $520,882 | 15 |
| Feb 6, 2021 | - | $44,075 | +60% | -30% | 627 | $70 | $564,957 | 16 |
| Feb 7, 2021 | - | $12,797 | -71% | -66% | 627 | $20 | $577,754 | 17 |
| Feb 8, 2021 | - | $5,110 | -60% | -31% | 177 | $29 | $582,864 | 18 |
| Feb 9, 2021 | - | $10,204 | +100% | -40% | 309 | $33 | $593,068 | 19 |
| Feb 10, 2021 | - | $5,646 | -45% | -38% | 172 | $33 | $598,714 | 20 |
| Feb 11, 2021 | - | $5,610 | -1% | -46% | 172 | $33 | $604,324 | 21 |
| Feb 12, 2021 | - | $7,000 | +25% | -75% | 285 | $25 | $611,324 | 22 |
| Feb 13, 2021 | - | $12,000 | +71% | -73% | 285 | $42 | $623,324 | 23 |
| Feb 14, 2021 | - | $9,000 | -25% | -30% | 285 | $32 | $632,324 | 24 |
| Feb 19, 2021 | - | $3,215 | -54% | 131 | $25 | $635,539 | 29 | |
| Feb 20, 2021 | - | $4,755 | +48% | -60% | 131 | $36 | $640,294 | 30 |
| Feb 21, 2021 | - | $2,679 | -44% | -70% | 131 | $20 | $642,973 | 31 |
| Feb 22, 2021 | - | $369 | -86% | 131 | $3 | $643,342 | 32 | |
| Feb 23, 2021 | - | $1,419 | +285% | 131 | $11 | $644,761 | 33 | |
| Feb 24, 2021 | - | $620 | -56% | 131 | $5 | $645,381 | 34 | |
| Feb 25, 2021 | - | $775 | +25% | 131 | $6 | $655,711 | 35 | |
| Feb 26, 2021 | - | $554 | -29% | -83% | 1 | $554 | $656,265 | 36 |
| Feb 27, 2021 | - | $746 | +35% | -84% | 1 | $746 | $657,011 | 37 |
| Feb 28, 2021 | - | $500 | -33% | -81% | 1 | $500 | $657,511 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2021 | - | $311,220 | 543 | $573 | $311,220 | 1 | |
| Jan 29, 2021 | - | $182,191 | -41% | 818 | $223 | $493,411 | 2 |
| Feb 5, 2021 | - | $110,913 | -39% | 172 | $645 | $604,324 | 3 |
| Feb 19, 2021 | - | $13,832 | 131 | $106 | $655,711 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 6/18/2021 | $2,428 | 13 | 13 | 19 | $4,314 | 6/29/2021 | |||
| Russia (CIS) | 2/25/2021 | $35,561 | 336 | 336 | 337 | $52,430 | 10/20/2022 | |||
| International Total | $56,744 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jason Segel | Dane Faucheux | |
| Dakota Johnson | Nicole Teague | |
| Casey Affleck | Matthew Teague |
Supporting
| Cherry Jones | Faith Pruett | |
| Jake Owen | Aaron | |
| Gwendoline Christie | Teresa | |
| Denee Benton | Charlotte | |
| Marielle Scott | Kat | |
| Ahna O'Reilly | Gale | |
| Reed Diamond | Peter |
Production and Technical Credits
| Gabriela Cowperthwaite | Director | |
| Brad Ingelsby | Screenwriter | |
| Kevin Walsh | Producer | |
| Michael Pruss | Producer | |
| Ryan Stowell | Producer | |
| Ridley Scott | Executive Producer | |
| Ben Stillman | Executive Producer | |
| Michael Heimler | Executive Producer | |
| Ted Deiker | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.