Our Hero, Balthazar (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $62,781 | Details |
| OpusData ID: 791710100 More info... | ||
| Further financial details... | ||
Synopsis
The story of a wealthy New York City teenager who, eager to impress his activist crush, follows an online connection to Texas where he believes he can stop an act of extreme violence.
Metrics
| Opening Weekend: | $33,138 (52.8% of total gross) |
| Legs: | 1.89 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $62,781 |
Movie Details
| Domestic Releases: | March 27th, 2026 (Limited) by Picturehouse |
| International Releases: | July 16th, 2026 (Limited) (United Kingdom) |
| MPA Rating: | R for crude sexual content, graphic nudity, language throughout, some violence/a grisly image and drug use. (Rating bulletin 2922 (cert #55897), 2/4/2026) |
| Running Time: | 96 minutes |
| Geographical setting: | New York, New York City, Texas, United States |
| Plot point: | Child Abuse, Dysfunctional Family, Mass Shooting, Unrequited Love |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Picturehouse, WG Pictures, Curious Gremlin, Oh Boy Pictures, Spacemaker Productions, Arkhum Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2026 | - | $33,138 | 1 | $33,138 | $33,138 | 1 | |
| Apr 3, 2026 | - | $21,181 | -36% | 4 | $5,295 | $62,781 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 27, 2026 | - | $17,602 | 1 | $17,602 | $17,602 | 1 | ||
| Mar 28, 2026 | - | $8,664 | -51% | 1 | $8,664 | $26,266 | 2 | |
| Mar 29, 2026 | - | $6,872 | -21% | 1 | $6,872 | $33,138 | 3 | |
| Mar 30, 2026 | - | $1,372 | -80% | 1 | $1,372 | $34,510 | 4 | |
| Mar 31, 2026 | - | $2,458 | +79% | 1 | $2,458 | $36,968 | 5 | |
| Apr 1, 2026 | - | $1,540 | -37% | 1 | $1,540 | $38,508 | 6 | |
| Apr 2, 2026 | - | $867 | -44% | 1 | $867 | $39,375 | 7 | |
| Apr 3, 2026 | - | $11,330 | +1,207% | -36% | 4 | $2,833 | $50,705 | 8 |
| Apr 4, 2026 | - | $5,721 | -50% | -34% | 4 | $1,430 | $56,426 | 9 |
| Apr 5, 2026 | - | $4,850 | -15% | -29% | 4 | $1,213 | $62,781 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2026 | 31 | $39,375 | 1 | $39,375 | $39,375 | 1 |
Leading
| Jaeden Martell | Balthazar Malone |
Supporting
| Asa Butterfield | Solomon Jackson | |
| Anna Baryshnikov | Taylor | |
| Chris Bauer | Beaver Jackson | |
| Jennifer Ehle | Nicole | |
| Noah Centineo | Anthony | |
| Becky Ann Baker | Elaine | |
| Pippa Knowles | Eleanor | |
| Avan Jogia | Supes | |
| Danny McCarthy | Gore |
Production and Technical Credits
| Oscar Boyson | Director | |
| Oscar Boyson | Screenwriter | |
| Ricky Camilleri | Screenwriter | |
| Oscar Boyson | Producer | |
| Ricky Camilleri | Producer | |
| Jon Wroblewski | Producer | |
| David Duque-Estrada | Producer | |
| Miles Skinner | Producer | |
| Alex Hughes | Producer | |
| Jaeden Martell | Producer | |
| Scott Aharoni | Executive Producer | |
| Sinan Eczacibasi | Executive Producer | |
| Metin Alihan Yalcindag | Executive Producer | |
| Riccardo Maddalosso | Executive Producer | |
| Eugene Kotlyarenko | Executive Producer | |
| Noah Centineo | Executive Producer | |
| Enzo Marc | Executive Producer | |
| Blaine Kern | Executive Producer | |
| Peter Gold | Executive Producer | |
| Anna-Nora Bernstein | Executive Producer | |
| Nicholas Erickson | Executive Producer | |
| DJ Jiang | Executive Producer | |
| Nathan Wing | Executive Producer | |
| Del Eswar | Executive Producer | |
| James William Blades | Composer | |
| Emily Costantino | Costume Designer | |
| Nate DeYoung | Editor | |
| Erin DeWitt | Editor | |
| Stephen Phelps | Production Designer | |
| Christopher Messina | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of a wealthy New York City teenager who, eager to impress his activist crush, follows an online connection to Texas where he believes he can stop an act of extreme violence.
Metrics
| Opening Weekend: | $33,138 (52.8% of total gross) |
| Legs: | 1.89 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $62,781 |
Movie Details
| Domestic Releases: | March 27th, 2026 (Limited) by Picturehouse |
| International Releases: | July 16th, 2026 (Limited) (United Kingdom) |
| MPA Rating: | R for crude sexual content, graphic nudity, language throughout, some violence/a grisly image and drug use. (Rating bulletin 2922 (cert #55897), 2/4/2026) |
| Running Time: | 96 minutes |
| Geographical setting: | New York, New York City, Texas, United States |
| Plot point: | Child Abuse, Dysfunctional Family, Mass Shooting, Unrequited Love |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Picturehouse, WG Pictures, Curious Gremlin, Oh Boy Pictures, Spacemaker Productions, Arkhum Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2026 | - | $33,138 | 1 | $33,138 | $33,138 | 1 | |
| Apr 3, 2026 | - | $21,181 | -36% | 4 | $5,295 | $62,781 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 27, 2026 | - | $17,602 | 1 | $17,602 | $17,602 | 1 | ||
| Mar 28, 2026 | - | $8,664 | -51% | 1 | $8,664 | $26,266 | 2 | |
| Mar 29, 2026 | - | $6,872 | -21% | 1 | $6,872 | $33,138 | 3 | |
| Mar 30, 2026 | - | $1,372 | -80% | 1 | $1,372 | $34,510 | 4 | |
| Mar 31, 2026 | - | $2,458 | +79% | 1 | $2,458 | $36,968 | 5 | |
| Apr 1, 2026 | - | $1,540 | -37% | 1 | $1,540 | $38,508 | 6 | |
| Apr 2, 2026 | - | $867 | -44% | 1 | $867 | $39,375 | 7 | |
| Apr 3, 2026 | - | $11,330 | +1,207% | -36% | 4 | $2,833 | $50,705 | 8 |
| Apr 4, 2026 | - | $5,721 | -50% | -34% | 4 | $1,430 | $56,426 | 9 |
| Apr 5, 2026 | - | $4,850 | -15% | -29% | 4 | $1,213 | $62,781 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2026 | 31 | $39,375 | 1 | $39,375 | $39,375 | 1 |
Leading
| Jaeden Martell | Balthazar Malone |
Supporting
| Asa Butterfield | Solomon Jackson | |
| Anna Baryshnikov | Taylor | |
| Chris Bauer | Beaver Jackson | |
| Jennifer Ehle | Nicole | |
| Noah Centineo | Anthony | |
| Becky Ann Baker | Elaine | |
| Pippa Knowles | Eleanor | |
| Avan Jogia | Supes | |
| Danny McCarthy | Gore |
Production and Technical Credits
| Oscar Boyson | Director | |
| Oscar Boyson | Screenwriter | |
| Ricky Camilleri | Screenwriter | |
| Oscar Boyson | Producer | |
| Ricky Camilleri | Producer | |
| Jon Wroblewski | Producer | |
| David Duque-Estrada | Producer | |
| Miles Skinner | Producer | |
| Alex Hughes | Producer | |
| Jaeden Martell | Producer | |
| Scott Aharoni | Executive Producer | |
| Sinan Eczacibasi | Executive Producer | |
| Metin Alihan Yalcindag | Executive Producer | |
| Riccardo Maddalosso | Executive Producer | |
| Eugene Kotlyarenko | Executive Producer | |
| Noah Centineo | Executive Producer | |
| Enzo Marc | Executive Producer | |
| Blaine Kern | Executive Producer | |
| Peter Gold | Executive Producer | |
| Anna-Nora Bernstein | Executive Producer | |
| Nicholas Erickson | Executive Producer | |
| DJ Jiang | Executive Producer | |
| Nathan Wing | Executive Producer | |
| Del Eswar | Executive Producer | |
| James William Blades | Composer | |
| Emily Costantino | Costume Designer | |
| Nate DeYoung | Editor | |
| Erin DeWitt | Editor | |
| Stephen Phelps | Production Designer | |
| Christopher Messina | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.