Out of Time (2003)
| Theatrical Performance | ||
| Domestic Box Office | $41,083,108 | Details |
| International Box Office | $14,406,718 | Details |
| Worldwide Box Office | $55,489,826 | |
| OpusData ID: 13560100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $16,185,316 (39.4% of total gross) |
| Legs: | 2.54 (domestic box office/biggest weekend) |
| Domestic Share: | 74.0% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 3,076 opening theaters/3,076 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $81,481,603 |
Movie Details
| Domestic Releases: | October 3rd, 2003 (Wide) by MGM |
| International Releases: | January 22nd, 2004 (Wide) (Australia) |
| Video Release: | January 6th, 2004 by MGM Video |
| MPA Rating: | PG-13 for sexual content, violence and some language (previously rated R) |
| Running Time: | 114 minutes |
| Geographical setting: | Florida |
| Plot point: | Betrayal, Cancer, Confidence Men, Corrupt Cops, DEA Agent, False Identity, Infidelity, Life Insurance, Money Troubles, Police Detective, Relationships Gone Wrong, Surprise Twist, Terminal Illness |
| Social setting: | Film Noir |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures, Original Film, Monarch Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2003 | 2 | $16,185,316 | 3,076 | $5,262 | $16,185,316 | 1 | |
| Oct 10, 2003 | 5 | $8,590,001 | -47% | 3,076 | $2,793 | $28,711,637 | 2 |
| Oct 17, 2003 | 8 | $4,002,023 | -53% | 2,344 | $1,707 | $35,230,719 | 3 |
| Oct 24, 2003 | 12 | $1,541,684 | -61% | 1,565 | $985 | $37,784,098 | 4 |
| Oct 31, 2003 | 14 | $1,082,591 | -30% | 1,096 | $988 | $39,314,901 | 5 |
| Nov 7, 2003 | 19 | $451,422 | -58% | 506 | $892 | $40,092,217 | 6 |
| Nov 14, 2003 | 23 | $270,459 | -40% | 351 | $771 | $40,535,446 | 7 |
| Nov 21, 2003 | 27 | $151,316 | -44% | 260 | $582 | $40,766,941 | 8 |
| Nov 28, 2003 | 40 | $79,200 | -48% | 155 | $511 | $40,905,277 | 9 |
| Dec 5, 2003 | 51 | $31,306 | -60% | 81 | $386 | $40,950,831 | 10 |
| Dec 12, 2003 | 56 | $27,446 | -12% | 58 | $473 | $40,998,687 | 11 |
| Dec 19, 2003 | 66 | $15,121 | -45% | 47 | $322 | $41,025,603 | 12 |
| Jan 2, 2004 | 70 | $11,312 | 12 | $943 | $41,067,004 | 14 | |
| Jan 16, 2004 | 87 | $3,873 | 7 | $553 | $41,083,108 | 16 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 3, 2003 | 2 | $5,280,000 | 3,076 | $1,717 | $5,280,000 | 1 | ||
| Oct 4, 2003 | 2 | $6,897,298 | +31% | 3,076 | $2,242 | $12,160,191 | 2 | |
| Oct 5, 2003 | 2 | $4,025,125 | -42% | 3,076 | $1,309 | $16,185,316 | 3 | |
| Oct 6, 2003 | 2 | $1,155,000 | -71% | 3,076 | $375 | $17,341,000 | 4 | |
| Oct 7, 2003 | 2 | $1,028,000 | -11% | 3,076 | $334 | $18,368,000 | 5 | |
| Oct 8, 2003 | 2 | $881,000 | -14% | 3,076 | $286 | $19,249,000 | 6 | |
| Oct 9, 2003 | 2 | $873,000 | -1% | 3,076 | $284 | $20,122,000 | 7 | |
| Oct 10, 2003 | 5 | $2,588,000 | +196% | -51% | 3,076 | $841 | $22,710,000 | 8 |
| Oct 11, 2003 | 5 | $3,718,328 | +44% | -46% | 3,076 | $1,209 | $26,359,885 | 9 |
| Oct 12, 2003 | 5 | $2,351,752 | -37% | -42% | 3,076 | $765 | $28,711,637 | 10 |
| Oct 13, 2003 | 5 | $1,043,000 | -56% | -10% | 3,076 | $339 | $29,754,000 | 11 |
| Oct 14, 2003 | 4 | $554,000 | -47% | -46% | 3,076 | $180 | $30,308,000 | 12 |
| Oct 15, 2003 | 6 | $450,000 | -19% | -49% | 3,076 | $146 | $30,759,000 | 13 |
| Oct 16, 2003 | 6 | $470,000 | +4% | -46% | 3,076 | $153 | $31,229,000 | 14 |
| Oct 17, 2003 | 8 | $1,251,000 | +166% | -52% | 2,344 | $534 | $32,480,000 | 15 |
| Oct 18, 2003 | 8 | $1,845,313 | +48% | -50% | 2,344 | $787 | $34,292,134 | 16 |
| Oct 19, 2003 | 8 | $938,585 | -49% | -60% | 2,344 | $400 | $35,230,719 | 17 |
| Oct 20, 2003 | 9 | $253,000 | -73% | -76% | 2,344 | $108 | $35,484,000 | 18 |
| Oct 21, 2003 | 9 | $271,000 | +7% | -51% | 2,344 | $116 | $35,754,000 | 19 |
| Oct 22, 2003 | 9 | $242,000 | -11% | -46% | 2,344 | $103 | $35,996,000 | 20 |
| Oct 23, 2003 | 9 | $246,000 | +2% | -48% | 2,344 | $105 | $36,242,000 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2003 | 2 | $20,121,636 | 3,076 | $6,541 | $20,121,636 | 1 | |
| Oct 10, 2003 | 5 | $11,107,060 | -45% | 3,076 | $3,611 | $31,228,696 | 2 |
| Oct 17, 2003 | 8 | $5,013,718 | -55% | 2,344 | $2,139 | $36,242,414 | 3 |
| Oct 24, 2003 | 12 | $1,989,896 | -60% | 1,565 | $1,271 | $38,232,310 | 4 |
| Oct 31, 2003 | 16 | $1,408,485 | -29% | 1,096 | $1,285 | $39,640,795 | 5 |
| Nov 7, 2003 | 19 | $624,192 | -56% | 506 | $1,234 | $40,264,987 | 6 |
| Nov 14, 2003 | 22 | $350,638 | -44% | 351 | $999 | $40,615,625 | 7 |
| Nov 21, 2003 | 32 | $210,452 | -40% | 260 | $809 | $40,826,077 | 8 |
| Nov 28, 2003 | 44 | $93,448 | -56% | 155 | $603 | $40,919,525 | 9 |
| Dec 5, 2003 | 50 | $51,716 | -45% | 81 | $638 | $40,971,241 | 10 |
| Dec 12, 2003 | 58 | $39,241 | -24% | 58 | $677 | $41,010,482 | 11 |
| Jan 16, 2004 | 86 | $3,873 | 7 | $553 | $41,083,108 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/22/2004 | $0 | 0 | 149 | 149 | $427,774 | 4/2/2020 | |||
| Rest of World | $13,978,944 | |||||||||
| International Total | $14,406,718 | 4/2/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Denzel Washington | Matt Lee Whitlock | |
| Eva Mendes | Detective Alex Diaz Whitlock | |
| Sanaa Lathan | Ann Harrison |
Supporting
| Dean Cain | Chris Harrison | |
| John Billingsley | Chae | |
| Robert Baker | Tony Dalton | |
| Alex Carter | Dr. Cabot | |
| Antoni Corone | Deputy Baste | |
| Terry Loughlin | Agent Stark | |
| Nora Dunn | Dr. Donovan | |
| James Murtaugh | Dr. Frieland | |
| Peggy Sheffield | Judy Anderson | |
| Evelyn Brooks | Judy's Mom | |
| Eric Hissom | Hotel Clerk | |
| Tom Hilmann | Living Gift Salesman | |
| Parris Buckner | Dr. Shider | |
| Arian Ash* | Dental Assistant | |
| Mike Pniewski | Agent White | |
| Veryl E. Jones | Agent Fetzer | |
| Tim Ware | Fire Chief | |
| Jesse B'Franklin | Ramona | |
| Ed Amatrudo | Arson Investigator | |
| Neil Brown, Jr. | Morgue Attendant | |
| Elena Maria Garcia | Bartender | |
| David Negron | Sketch Artist | |
| O. L. Duke | Detective Bronze | |
| Sharlene Garcia | Sharlene | |
| Ronald J. Madoff | Detective | |
| Steve Raulerson* | Man Serving Divorce Papers | |
| Suzanne Grant | Screaming Woman | |
| Dorothy A. Healy | Woman in Lobby |
Production and Technical Credits
| Carl Franklin | Director | |
| Dave Collard | Screenwriter | |
| Neal H. Moritz | Producer | |
| Jesse B'Franklin | Producer | |
| Theo Van de Sande | Cinematographer | |
| Paul Peters | Production Designer | |
| Carole Kravetz Aykanian* | Editor | |
| Sharen Davis | Costume Designer | |
| Graeme Revell | Composer | |
| Kevin Reidy | Executive Producer | |
| Damien Saccani | Executive Producer | |
| Jon Berg | Executive Producer | |
| Alex Gartner | Executive Producer | |
| Steve Traxler | Associate Producer | |
| Dan Genetti | Associate Producer | |
| Gina White | Associate Producer | |
| Barry K. Thomas | Assistant Director | |
| Robert Brown | Second Unit Director | |
| Kevin Reidy | Unit Production Manager | |
| Gary Kosko | Art Director | |
| Kathryn Peters-Cardinale | Set Decorator | |
| Josh Bleibtreu | Second Unit Camera | |
| Walter Anderson | Sound Mixer | |
| Matthew Iadarola | Re-recording Mixer | |
| Gary Gegan | Re-recording Mixer | |
| Gregory Hedgepath | Supervising Sound Editor | |
| Ben Wilkins | Sound Effects Editor | |
| Tom Ozanich | Sound Effects Editor | |
| Dan Hegeman | Sound Effects Editor | |
| Daniel S. Irwin | Dialogue Editor | |
| Mary Ruth Smith | Dialogue Editor | |
| Jeremy Gordon | Dialogue Editor | |
| Ashley Revell | Music Editor | |
| Alex Gibson | Music Editor | |
| Elaine Offers | Makeup | |
| Rod Ortega | Hairstylist | |
| Mali Finn | Casting Director | |
| Robert Brown | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $16,185,316 (39.4% of total gross) |
| Legs: | 2.54 (domestic box office/biggest weekend) |
| Domestic Share: | 74.0% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 3,076 opening theaters/3,076 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $81,481,603 |
Movie Details
| Domestic Releases: | October 3rd, 2003 (Wide) by MGM |
| International Releases: | January 22nd, 2004 (Wide) (Australia) |
| Video Release: | January 6th, 2004 by MGM Video |
| MPA Rating: | PG-13 for sexual content, violence and some language (previously rated R) |
| Running Time: | 114 minutes |
| Geographical setting: | Florida |
| Plot point: | Betrayal, Cancer, Confidence Men, Corrupt Cops, DEA Agent, False Identity, Infidelity, Life Insurance, Money Troubles, Police Detective, Relationships Gone Wrong, Surprise Twist, Terminal Illness |
| Social setting: | Film Noir |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures, Original Film, Monarch Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2003 | 2 | $16,185,316 | 3,076 | $5,262 | $16,185,316 | 1 | |
| Oct 10, 2003 | 5 | $8,590,001 | -47% | 3,076 | $2,793 | $28,711,637 | 2 |
| Oct 17, 2003 | 8 | $4,002,023 | -53% | 2,344 | $1,707 | $35,230,719 | 3 |
| Oct 24, 2003 | 12 | $1,541,684 | -61% | 1,565 | $985 | $37,784,098 | 4 |
| Oct 31, 2003 | 14 | $1,082,591 | -30% | 1,096 | $988 | $39,314,901 | 5 |
| Nov 7, 2003 | 19 | $451,422 | -58% | 506 | $892 | $40,092,217 | 6 |
| Nov 14, 2003 | 23 | $270,459 | -40% | 351 | $771 | $40,535,446 | 7 |
| Nov 21, 2003 | 27 | $151,316 | -44% | 260 | $582 | $40,766,941 | 8 |
| Nov 28, 2003 | 40 | $79,200 | -48% | 155 | $511 | $40,905,277 | 9 |
| Dec 5, 2003 | 51 | $31,306 | -60% | 81 | $386 | $40,950,831 | 10 |
| Dec 12, 2003 | 56 | $27,446 | -12% | 58 | $473 | $40,998,687 | 11 |
| Dec 19, 2003 | 66 | $15,121 | -45% | 47 | $322 | $41,025,603 | 12 |
| Jan 2, 2004 | 70 | $11,312 | 12 | $943 | $41,067,004 | 14 | |
| Jan 16, 2004 | 87 | $3,873 | 7 | $553 | $41,083,108 | 16 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 3, 2003 | 2 | $5,280,000 | 3,076 | $1,717 | $5,280,000 | 1 | ||
| Oct 4, 2003 | 2 | $6,897,298 | +31% | 3,076 | $2,242 | $12,160,191 | 2 | |
| Oct 5, 2003 | 2 | $4,025,125 | -42% | 3,076 | $1,309 | $16,185,316 | 3 | |
| Oct 6, 2003 | 2 | $1,155,000 | -71% | 3,076 | $375 | $17,341,000 | 4 | |
| Oct 7, 2003 | 2 | $1,028,000 | -11% | 3,076 | $334 | $18,368,000 | 5 | |
| Oct 8, 2003 | 2 | $881,000 | -14% | 3,076 | $286 | $19,249,000 | 6 | |
| Oct 9, 2003 | 2 | $873,000 | -1% | 3,076 | $284 | $20,122,000 | 7 | |
| Oct 10, 2003 | 5 | $2,588,000 | +196% | -51% | 3,076 | $841 | $22,710,000 | 8 |
| Oct 11, 2003 | 5 | $3,718,328 | +44% | -46% | 3,076 | $1,209 | $26,359,885 | 9 |
| Oct 12, 2003 | 5 | $2,351,752 | -37% | -42% | 3,076 | $765 | $28,711,637 | 10 |
| Oct 13, 2003 | 5 | $1,043,000 | -56% | -10% | 3,076 | $339 | $29,754,000 | 11 |
| Oct 14, 2003 | 4 | $554,000 | -47% | -46% | 3,076 | $180 | $30,308,000 | 12 |
| Oct 15, 2003 | 6 | $450,000 | -19% | -49% | 3,076 | $146 | $30,759,000 | 13 |
| Oct 16, 2003 | 6 | $470,000 | +4% | -46% | 3,076 | $153 | $31,229,000 | 14 |
| Oct 17, 2003 | 8 | $1,251,000 | +166% | -52% | 2,344 | $534 | $32,480,000 | 15 |
| Oct 18, 2003 | 8 | $1,845,313 | +48% | -50% | 2,344 | $787 | $34,292,134 | 16 |
| Oct 19, 2003 | 8 | $938,585 | -49% | -60% | 2,344 | $400 | $35,230,719 | 17 |
| Oct 20, 2003 | 9 | $253,000 | -73% | -76% | 2,344 | $108 | $35,484,000 | 18 |
| Oct 21, 2003 | 9 | $271,000 | +7% | -51% | 2,344 | $116 | $35,754,000 | 19 |
| Oct 22, 2003 | 9 | $242,000 | -11% | -46% | 2,344 | $103 | $35,996,000 | 20 |
| Oct 23, 2003 | 9 | $246,000 | +2% | -48% | 2,344 | $105 | $36,242,000 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2003 | 2 | $20,121,636 | 3,076 | $6,541 | $20,121,636 | 1 | |
| Oct 10, 2003 | 5 | $11,107,060 | -45% | 3,076 | $3,611 | $31,228,696 | 2 |
| Oct 17, 2003 | 8 | $5,013,718 | -55% | 2,344 | $2,139 | $36,242,414 | 3 |
| Oct 24, 2003 | 12 | $1,989,896 | -60% | 1,565 | $1,271 | $38,232,310 | 4 |
| Oct 31, 2003 | 16 | $1,408,485 | -29% | 1,096 | $1,285 | $39,640,795 | 5 |
| Nov 7, 2003 | 19 | $624,192 | -56% | 506 | $1,234 | $40,264,987 | 6 |
| Nov 14, 2003 | 22 | $350,638 | -44% | 351 | $999 | $40,615,625 | 7 |
| Nov 21, 2003 | 32 | $210,452 | -40% | 260 | $809 | $40,826,077 | 8 |
| Nov 28, 2003 | 44 | $93,448 | -56% | 155 | $603 | $40,919,525 | 9 |
| Dec 5, 2003 | 50 | $51,716 | -45% | 81 | $638 | $40,971,241 | 10 |
| Dec 12, 2003 | 58 | $39,241 | -24% | 58 | $677 | $41,010,482 | 11 |
| Jan 16, 2004 | 86 | $3,873 | 7 | $553 | $41,083,108 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/22/2004 | $0 | 0 | 149 | 149 | $427,774 | 4/2/2020 | |||
| Rest of World | $13,978,944 | |||||||||
| International Total | $14,406,718 | 4/2/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Denzel Washington | Matt Lee Whitlock | |
| Eva Mendes | Detective Alex Diaz Whitlock | |
| Sanaa Lathan | Ann Harrison |
Supporting
| Dean Cain | Chris Harrison | |
| John Billingsley | Chae | |
| Robert Baker | Tony Dalton | |
| Alex Carter | Dr. Cabot | |
| Antoni Corone | Deputy Baste | |
| Terry Loughlin | Agent Stark | |
| Nora Dunn | Dr. Donovan | |
| James Murtaugh | Dr. Frieland | |
| Peggy Sheffield | Judy Anderson | |
| Evelyn Brooks | Judy's Mom | |
| Eric Hissom | Hotel Clerk | |
| Tom Hilmann | Living Gift Salesman | |
| Parris Buckner | Dr. Shider | |
| Arian Ash* | Dental Assistant | |
| Mike Pniewski | Agent White | |
| Veryl E. Jones | Agent Fetzer | |
| Tim Ware | Fire Chief | |
| Jesse B'Franklin | Ramona | |
| Ed Amatrudo | Arson Investigator | |
| Neil Brown, Jr. | Morgue Attendant | |
| Elena Maria Garcia | Bartender | |
| David Negron | Sketch Artist | |
| O. L. Duke | Detective Bronze | |
| Sharlene Garcia | Sharlene | |
| Ronald J. Madoff | Detective | |
| Steve Raulerson* | Man Serving Divorce Papers | |
| Suzanne Grant | Screaming Woman | |
| Dorothy A. Healy | Woman in Lobby |
Production and Technical Credits
| Carl Franklin | Director | |
| Dave Collard | Screenwriter | |
| Neal H. Moritz | Producer | |
| Jesse B'Franklin | Producer | |
| Theo Van de Sande | Cinematographer | |
| Paul Peters | Production Designer | |
| Carole Kravetz Aykanian* | Editor | |
| Sharen Davis | Costume Designer | |
| Graeme Revell | Composer | |
| Kevin Reidy | Executive Producer | |
| Damien Saccani | Executive Producer | |
| Jon Berg | Executive Producer | |
| Alex Gartner | Executive Producer | |
| Steve Traxler | Associate Producer | |
| Dan Genetti | Associate Producer | |
| Gina White | Associate Producer | |
| Barry K. Thomas | Assistant Director | |
| Robert Brown | Second Unit Director | |
| Kevin Reidy | Unit Production Manager | |
| Gary Kosko | Art Director | |
| Kathryn Peters-Cardinale | Set Decorator | |
| Josh Bleibtreu | Second Unit Camera | |
| Walter Anderson | Sound Mixer | |
| Matthew Iadarola | Re-recording Mixer | |
| Gary Gegan | Re-recording Mixer | |
| Gregory Hedgepath | Supervising Sound Editor | |
| Ben Wilkins | Sound Effects Editor | |
| Tom Ozanich | Sound Effects Editor | |
| Dan Hegeman | Sound Effects Editor | |
| Daniel S. Irwin | Dialogue Editor | |
| Mary Ruth Smith | Dialogue Editor | |
| Jeremy Gordon | Dialogue Editor | |
| Ashley Revell | Music Editor | |
| Alex Gibson | Music Editor | |
| Elaine Offers | Makeup | |
| Rod Ortega | Hairstylist | |
| Mali Finn | Casting Director | |
| Robert Brown | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.