Out of the Dark (1989)
| Theatrical Performance | ||
| Domestic Box Office | $419,428 | Details |
| OpusData ID: 68680100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $1,600,000 (worldwide box office is 0.3 times production budget) |
| Infl. Adj. Dom. BO | $1,188,896 |
Movie Details
| Domestic Releases: | May 5th, 1989 (Limited) by Cinetel |
| MPA Rating: | R |
| Running Time: | 89 minutes |
| Social setting: | Film Noir |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Karen Witter | Jo Ann | |
| Karen Black | Ruth Wilson |
Supporting
| Geoffrey Lewis | Dennis | |
| Tracey Walter | Lt. Frank Meyers | |
| Bud Cort | Doug Stringer | |
| Lainie Kazan | Hooker / Nancy |
Production and Technical Credits
| Michael Schroeder | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $1,600,000 (worldwide box office is 0.3 times production budget) |
| Infl. Adj. Dom. BO | $1,188,896 |
Movie Details
| Domestic Releases: | May 5th, 1989 (Limited) by Cinetel |
| MPA Rating: | R |
| Running Time: | 89 minutes |
| Social setting: | Film Noir |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Karen Witter | Jo Ann | |
| Karen Black | Ruth Wilson |
Supporting
| Geoffrey Lewis | Dennis | |
| Tracey Walter | Lt. Frank Meyers | |
| Bud Cort | Doug Stringer | |
| Lainie Kazan | Hooker / Nancy |
Production and Technical Credits
| Michael Schroeder | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.