The Outfit (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $3,344,040 | Details |
| International Box Office | $1,045,596 | Details |
| Worldwide Box Office | $4,389,636 | |
| OpusData ID: 529210100 More info... | ||
| Further financial details... | ||
Synopsis
An expert tailor must outwit a dangerous group of mobsters in order to survive a fateful night.
Metrics
| Opening Weekend: | $1,499,730 (44.8% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 76.2% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 1,324 opening theaters/1,328 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,798,173 |
Movie Details
| Domestic Releases: | March 18th, 2022 (Wide) by Focus Features |
| International Releases: | April 8th, 2022 (Wide) (United Kingdom)
May 20th, 2022 (Wide), released as El sastre de la mafia (Spain) June 2nd, 2022 (Wide), released as Outfit, The - Verbrechen nach Maß (Germany) August 18th, 2022 (Limited) (Australia) September 1st, 2022 (Wide), released as El sastre de la mafia (Mexico) ... Show all releases |
| Video Release: | April 8th, 2022 by Peacock |
| MPA Rating: | R for some bloody violence, and language throughout. (Rating bulletin 2716 (cert #53212), 1/26/2022) |
| Running Time: | 105 minutes |
| Geographical setting: | Chicago |
| Plot point: | Betrayal, Crime, FBI, Mafia, No Honor Among Thieves, Surprise Twist |
| Social setting: | Organized Crime |
| Subgenre: | Crime Drama |
| Time period setting: | 1950s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, FilmNation Entertainment, Scoop Productions, Unified Theory |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | 8 | $1,499,730 | 1,324 | $1,133 | $1,499,730 | 1 | |
| Mar 25, 2022 | - | $568,180 | -62% | 1,328 | $428 | $2,741,170 | 2 |
| Apr 1, 2022 | - | $156,280 | -72% | 416 | $376 | $3,203,145 | 3 |
| Apr 8, 2022 | - | $44,990 | -71% | 140 | $321 | $3,323,055 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | 7 | $530,790 | 1,324 | $401 | $530,790 | 1 | ||
| Mar 19, 2022 | 10 | $600,670 | +13% | 1,324 | $454 | $1,131,460 | 2 | |
| Mar 20, 2022 | 10 | $368,270 | -39% | 1,324 | $278 | $1,499,730 | 3 | |
| Mar 21, 2022 | - | $149,605 | -59% | 1,324 | $113 | $1,649,335 | 4 | |
| Mar 22, 2022 | - | $241,045 | +61% | 1,324 | $182 | $1,890,380 | 5 | |
| Mar 23, 2022 | - | $162,615 | -33% | 1,324 | $123 | $2,052,995 | 6 | |
| Mar 24, 2022 | - | $119,995 | -26% | 1,324 | $91 | $2,172,990 | 7 | |
| Mar 25, 2022 | - | $166,650 | +39% | -69% | 1,328 | $125 | $2,339,640 | 8 |
| Mar 26, 2022 | - | $253,370 | +52% | -58% | 1,328 | $191 | $2,593,010 | 9 |
| Mar 27, 2022 | - | $148,160 | -42% | -60% | 1,328 | $112 | $2,741,170 | 10 |
| Mar 28, 2022 | - | $68,735 | -54% | -54% | 1,328 | $52 | $2,809,905 | 11 |
| Mar 29, 2022 | - | $98,645 | +44% | -59% | 1,328 | $74 | $2,908,550 | 12 |
| Mar 30, 2022 | - | $79,660 | -19% | -51% | 1,328 | $60 | $2,988,210 | 13 |
| Mar 31, 2022 | - | $58,655 | -26% | -51% | 1,328 | $44 | $3,046,865 | 14 |
| Apr 1, 2022 | - | $46,115 | -21% | -72% | 416 | $111 | $3,092,980 | 15 |
| Apr 2, 2022 | - | $63,715 | +38% | -75% | 416 | $153 | $3,156,695 | 16 |
| Apr 3, 2022 | - | $46,450 | -27% | -69% | 416 | $112 | $3,203,145 | 17 |
| Apr 4, 2022 | - | $16,950 | -64% | -75% | 416 | $41 | $3,220,095 | 18 |
| Apr 5, 2022 | - | $22,900 | +35% | -77% | 416 | $55 | $3,242,995 | 19 |
| Apr 6, 2022 | - | $19,195 | -16% | -76% | 416 | $46 | $3,262,190 | 20 |
| Apr 7, 2022 | - | $15,875 | -17% | -73% | 416 | $38 | $3,278,065 | 21 |
| Apr 8, 2022 | - | $11,485 | -28% | -75% | 140 | $82 | $3,289,550 | 22 |
| Apr 9, 2022 | - | $20,935 | +82% | -67% | 140 | $150 | $3,310,485 | 23 |
| Apr 10, 2022 | - | $12,570 | -40% | -73% | 140 | $90 | $3,323,055 | 24 |
| Apr 11, 2022 | - | $5,225 | -58% | -69% | 140 | $37 | $3,328,280 | 25 |
| Apr 12, 2022 | - | $5,630 | +8% | -75% | 140 | $40 | $3,333,910 | 26 |
| Apr 13, 2022 | - | $5,470 | -3% | -72% | 140 | $39 | $3,339,380 | 27 |
| Apr 14, 2022 | - | $4,660 | -15% | -71% | 140 | $33 | $3,344,040 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $2,172,990 | 1,324 | $1,641 | $2,172,990 | 1 | |
| Mar 25, 2022 | - | $873,875 | -60% | 1,328 | $658 | $3,046,865 | 2 |
| Apr 1, 2022 | - | $231,200 | -74% | 416 | $556 | $3,278,065 | 3 |
| Apr 8, 2022 | - | $65,975 | -71% | 140 | $471 | $3,344,040 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/18/2022 | $9,461 | 10 | 13 | 96 | $82,145 | 11/14/2022 | |||
| Spain | 5/20/2022 | $97,005 | 175 | 185 | 574 | $272,442 | 7/2/2022 | |||
| United Kingdom | 4/8/2022 | $125,896 | 154 | 154 | 353 | $344,176 | 5/25/2022 | |||
| Rest of World | $346,833 | |||||||||
| International Total | $1,045,596 | 11/14/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Mark Rylance | Leonard | |
| Zoey Deutch | Mable | |
| Johnny Flynn | Francis | |
| Dylan O’Brien | Richie | |
| Nikki Amuka-Bird | Violet | |
| Simon Russell Beale | Roy |
Supporting
| Alan Mehdizadeh | Monk |
Production and Technical Credits
| Graham Moore | Director | |
| Graham Moore | Screenwriter | |
| Johnathan McClain | Screenwriter | |
| Scoop Wasserstein | Producer | |
| Amy Jackson | Producer | |
| Ben Browning | Producer | |
| Brad Zimmerman | Executive Producer | |
| Ashley Fox | Executive Producer | |
| Milan Popelka | Executive Producer | |
| Alison Cohen | Executive Producer | |
| Johnathan McClain | Executive Producer | |
| Dick Pope | Executive Producer | |
| Gemma Jackson | Production Designer | |
| William Goldenberg | Editor | |
| Sophie O’Neill | Costume Designer | |
| Zac Posen | Costume Designer | |
| Alexandre Desplat | Composer | |
| Elizabeth Siegal | Co-Producer | |
| Nell Green | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An expert tailor must outwit a dangerous group of mobsters in order to survive a fateful night.
Metrics
| Opening Weekend: | $1,499,730 (44.8% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 76.2% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 1,324 opening theaters/1,328 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,798,173 |
Movie Details
| Domestic Releases: | March 18th, 2022 (Wide) by Focus Features |
| International Releases: | April 8th, 2022 (Wide) (United Kingdom)
May 20th, 2022 (Wide), released as El sastre de la mafia (Spain) June 2nd, 2022 (Wide), released as Outfit, The - Verbrechen nach Maß (Germany) August 18th, 2022 (Limited) (Australia) September 1st, 2022 (Wide), released as El sastre de la mafia (Mexico) ... Show all releases |
| Video Release: | April 8th, 2022 by Peacock |
| MPA Rating: | R for some bloody violence, and language throughout. (Rating bulletin 2716 (cert #53212), 1/26/2022) |
| Running Time: | 105 minutes |
| Geographical setting: | Chicago |
| Plot point: | Betrayal, Crime, FBI, Mafia, No Honor Among Thieves, Surprise Twist |
| Social setting: | Organized Crime |
| Subgenre: | Crime Drama |
| Time period setting: | 1950s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, FilmNation Entertainment, Scoop Productions, Unified Theory |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | 8 | $1,499,730 | 1,324 | $1,133 | $1,499,730 | 1 | |
| Mar 25, 2022 | - | $568,180 | -62% | 1,328 | $428 | $2,741,170 | 2 |
| Apr 1, 2022 | - | $156,280 | -72% | 416 | $376 | $3,203,145 | 3 |
| Apr 8, 2022 | - | $44,990 | -71% | 140 | $321 | $3,323,055 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | 7 | $530,790 | 1,324 | $401 | $530,790 | 1 | ||
| Mar 19, 2022 | 10 | $600,670 | +13% | 1,324 | $454 | $1,131,460 | 2 | |
| Mar 20, 2022 | 10 | $368,270 | -39% | 1,324 | $278 | $1,499,730 | 3 | |
| Mar 21, 2022 | - | $149,605 | -59% | 1,324 | $113 | $1,649,335 | 4 | |
| Mar 22, 2022 | - | $241,045 | +61% | 1,324 | $182 | $1,890,380 | 5 | |
| Mar 23, 2022 | - | $162,615 | -33% | 1,324 | $123 | $2,052,995 | 6 | |
| Mar 24, 2022 | - | $119,995 | -26% | 1,324 | $91 | $2,172,990 | 7 | |
| Mar 25, 2022 | - | $166,650 | +39% | -69% | 1,328 | $125 | $2,339,640 | 8 |
| Mar 26, 2022 | - | $253,370 | +52% | -58% | 1,328 | $191 | $2,593,010 | 9 |
| Mar 27, 2022 | - | $148,160 | -42% | -60% | 1,328 | $112 | $2,741,170 | 10 |
| Mar 28, 2022 | - | $68,735 | -54% | -54% | 1,328 | $52 | $2,809,905 | 11 |
| Mar 29, 2022 | - | $98,645 | +44% | -59% | 1,328 | $74 | $2,908,550 | 12 |
| Mar 30, 2022 | - | $79,660 | -19% | -51% | 1,328 | $60 | $2,988,210 | 13 |
| Mar 31, 2022 | - | $58,655 | -26% | -51% | 1,328 | $44 | $3,046,865 | 14 |
| Apr 1, 2022 | - | $46,115 | -21% | -72% | 416 | $111 | $3,092,980 | 15 |
| Apr 2, 2022 | - | $63,715 | +38% | -75% | 416 | $153 | $3,156,695 | 16 |
| Apr 3, 2022 | - | $46,450 | -27% | -69% | 416 | $112 | $3,203,145 | 17 |
| Apr 4, 2022 | - | $16,950 | -64% | -75% | 416 | $41 | $3,220,095 | 18 |
| Apr 5, 2022 | - | $22,900 | +35% | -77% | 416 | $55 | $3,242,995 | 19 |
| Apr 6, 2022 | - | $19,195 | -16% | -76% | 416 | $46 | $3,262,190 | 20 |
| Apr 7, 2022 | - | $15,875 | -17% | -73% | 416 | $38 | $3,278,065 | 21 |
| Apr 8, 2022 | - | $11,485 | -28% | -75% | 140 | $82 | $3,289,550 | 22 |
| Apr 9, 2022 | - | $20,935 | +82% | -67% | 140 | $150 | $3,310,485 | 23 |
| Apr 10, 2022 | - | $12,570 | -40% | -73% | 140 | $90 | $3,323,055 | 24 |
| Apr 11, 2022 | - | $5,225 | -58% | -69% | 140 | $37 | $3,328,280 | 25 |
| Apr 12, 2022 | - | $5,630 | +8% | -75% | 140 | $40 | $3,333,910 | 26 |
| Apr 13, 2022 | - | $5,470 | -3% | -72% | 140 | $39 | $3,339,380 | 27 |
| Apr 14, 2022 | - | $4,660 | -15% | -71% | 140 | $33 | $3,344,040 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $2,172,990 | 1,324 | $1,641 | $2,172,990 | 1 | |
| Mar 25, 2022 | - | $873,875 | -60% | 1,328 | $658 | $3,046,865 | 2 |
| Apr 1, 2022 | - | $231,200 | -74% | 416 | $556 | $3,278,065 | 3 |
| Apr 8, 2022 | - | $65,975 | -71% | 140 | $471 | $3,344,040 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/18/2022 | $9,461 | 10 | 13 | 96 | $82,145 | 11/14/2022 | |||
| Spain | 5/20/2022 | $97,005 | 175 | 185 | 574 | $272,442 | 7/2/2022 | |||
| United Kingdom | 4/8/2022 | $125,896 | 154 | 154 | 353 | $344,176 | 5/25/2022 | |||
| Rest of World | $346,833 | |||||||||
| International Total | $1,045,596 | 11/14/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Mark Rylance | Leonard | |
| Zoey Deutch | Mable | |
| Johnny Flynn | Francis | |
| Dylan O’Brien | Richie | |
| Nikki Amuka-Bird | Violet | |
| Simon Russell Beale | Roy |
Supporting
| Alan Mehdizadeh | Monk |
Production and Technical Credits
| Graham Moore | Director | |
| Graham Moore | Screenwriter | |
| Johnathan McClain | Screenwriter | |
| Scoop Wasserstein | Producer | |
| Amy Jackson | Producer | |
| Ben Browning | Producer | |
| Brad Zimmerman | Executive Producer | |
| Ashley Fox | Executive Producer | |
| Milan Popelka | Executive Producer | |
| Alison Cohen | Executive Producer | |
| Johnathan McClain | Executive Producer | |
| Dick Pope | Executive Producer | |
| Gemma Jackson | Production Designer | |
| William Goldenberg | Editor | |
| Sophie O’Neill | Costume Designer | |
| Zac Posen | Costume Designer | |
| Alexandre Desplat | Composer | |
| Elizabeth Siegal | Co-Producer | |
| Nell Green | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.