Outlaw (2008)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $1,127,359 | |
| Worldwide Box Office | $1,127,359 | |
| OpusData ID: 120060100 More info... | ||
| Further financial details... | ||
Synopsis
London: present day. In lawless streets the guilty are left unhindered to go about their business. Returning from a tour of duty in Iraq, former paratrooper Bryant is appalled by what he sees in a country he no longer recognizes. Determined to do something about it, he assembles a group of like minded souls who resolve to restore the balance between right and wrong, good and evil—enforcing justice with a brutality to match that of the once unpunished, unsuspecting wrongdoers. But when the law of the land is co-opted in this way, who decides when enough is enough?
Metrics
Movie Details
| Video Release: | March 11th, 2008 by Magnolia Home Entertainment |
| MPA Rating: | R for violence, pervasive language and brief sexuality/nudity |
| Running Time: | 103 minutes |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pathe, Ingenious Film Partners, Vertigo Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Leading
| Sean Bean | Danny Bryant | |
| Danny Dyer | Gene Dekker | |
| Bob Hoskins | Walter Lewis |
Supporting
| Rupert Friend | Sandy Mardell | |
| Sean Harris | Simon Hillier | |
| Lennie James | Cedric Munroe | |
| Sally Bretton | Kelly | |
| Joe Jackson | Subaru Kid 1 | |
| Igor Smiljevic | Subaru Kid 2 | |
| James Farrell | Subaru Kid 3 | |
| Emily Maitlis | Herself | |
| Sonic Rainer | Big Kid |
Production and Technical Credits
| Nick Love | Director | |
| Nick Love | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
London: present day. In lawless streets the guilty are left unhindered to go about their business. Returning from a tour of duty in Iraq, former paratrooper Bryant is appalled by what he sees in a country he no longer recognizes. Determined to do something about it, he assembles a group of like minded souls who resolve to restore the balance between right and wrong, good and evil—enforcing justice with a brutality to match that of the once unpunished, unsuspecting wrongdoers. But when the law of the land is co-opted in this way, who decides when enough is enough?
Metrics
Movie Details
| Video Release: | March 11th, 2008 by Magnolia Home Entertainment |
| MPA Rating: | R for violence, pervasive language and brief sexuality/nudity |
| Running Time: | 103 minutes |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pathe, Ingenious Film Partners, Vertigo Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Leading
| Sean Bean | Danny Bryant | |
| Danny Dyer | Gene Dekker | |
| Bob Hoskins | Walter Lewis |
Supporting
| Rupert Friend | Sandy Mardell | |
| Sean Harris | Simon Hillier | |
| Lennie James | Cedric Munroe | |
| Sally Bretton | Kelly | |
| Joe Jackson | Subaru Kid 1 | |
| Igor Smiljevic | Subaru Kid 2 | |
| James Farrell | Subaru Kid 3 | |
| Emily Maitlis | Herself | |
| Sonic Rainer | Big Kid |
Production and Technical Credits
| Nick Love | Director | |
| Nick Love | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.