Ouwehoeren (2012)
| Theatrical Performance | ||
| Domestic Box Office | $30,810 | Details |
| OpusData ID: 176600100 More info... | ||
| Further financial details... | ||
Synopsis
Louise and Martine Fokkens are 69-year-old identical twins, working residents of Amsterdam's notorious Red Light District for the past 50 years. Today Louise is retired (citing arthritis: "I couldn't get one leg over the other"), but Martine still works in the window. Dressed in what can only be described as a dominatrix outfit that borders on endearing, she seems to have no dearth of customers. Brash, funny, racy stories punctuate their conversations: one laughs at the naiveté of young prostitutes who are ignorant of the secrets of the trade; the other recalls a client who was a chaplain: "Don't you remember, we even had a little confessional!" The sisters also have scary stories to tell, but in the main they recall their clients with compassion and affection. The Fokkens are a wonderfully amusing cultural mix: one part beloved grandma, one part Xaviera Hollander, times two.
Metrics
| Opening Weekend: | $7,628 (24.8% of total gross) |
| Legs: | 4.04 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 7.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $46,249 |
Movie Details
| Domestic Releases: | August 8th, 2012 (Limited) by Kino Lorber, released as Meet the Fokkens |
| Video Release: | April 2nd, 2013 by Kino Video |
| MPA Rating: | Not Rated |
| Running Time: | 70 minutes |
| Plot point: | Biography, Prostitution, Twins |
| Social setting: | Retirement |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Submarine Entertainment, VPRO |
| Production Countries: | Netherlands |
| Languages: | Dutch |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 10, 2012 | 65 | $7,628 | 1 | $7,628 | $10,128 | 1 | |
| Aug 17, 2012 | 72 | $4,573 | -40% | 1 | $4,573 | $19,667 | 2 |
| Aug 24, 2012 | 85 | $2,682 | -41% | 1 | $2,682 | $25,324 | 3 |
| Oct 26, 2012 | 107 | $182 | 1 | $182 | $27,599 | 12 | |
| Nov 2, 2012 | 100 | $349 | +92% | 1 | $349 | $28,632 | 13 |
| Dec 7, 2012 | 106 | $447 | 1 | $447 | $29,357 | 18 | |
| Feb 1, 2013 | 82 | $1,285 | 1 | $1,285 | $30,810 | 26 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 3, 2012 | 88 | $2,500 | 1 | $2,500 | $2,500 | 1 | |
| Aug 10, 2012 | 62 | $12,594 | +404% | 1 | $12,594 | $15,094 | 2 |
| Aug 17, 2012 | 75 | $7,548 | -40% | 1 | $7,548 | $22,642 | 3 |
| Aug 24, 2012 | 80 | $4,243 | -44% | 1 | $4,243 | $26,885 | 4 |
| Sep 14, 2012 | 110 | $242 | 1 | $242 | $27,127 | 7 | |
| Oct 5, 2012 | 102 | $290 | 1 | $290 | $27,417 | 10 | |
| Oct 26, 2012 | 111 | $81 | 1 | $81 | $28,283 | 13 | |
| Nov 2, 2012 | 112 | $349 | +331% | 1 | $349 | $28,632 | 14 |
| Dec 7, 2012 | 115 | $447 | 1 | $447 | $29,357 | 19 | |
| Feb 1, 2013 | 84 | $1,285 | 1 | $1,285 | $30,810 | 27 |
Documentary Subject
| Louise Fokkens | Herself | |
| Martine Fokkens | Herself |
Production and Technical Credits
| Rob Schroder | Director | |
| Gabrielle Provaas | Director | |
| Wiro Felix | Cinematographer | |
| Rob Schroder | Cinematographer | |
| Carla Van Der Meijs | Sound Mixer | |
| Sander Vos Nce | Editor | |
| Danny Malando | Composer | |
| Hugo Dijkstal | Sound Mixer | |
| Lieke Van Den Ouwelant | Production Manager | |
| Fabie Hulsebos | Line Producer | |
| Barbara Truyen | Commissioning Editor | |
| Femke Wolting | Producer | |
| Bruno Felix | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Louise and Martine Fokkens are 69-year-old identical twins, working residents of Amsterdam's notorious Red Light District for the past 50 years. Today Louise is retired (citing arthritis: "I couldn't get one leg over the other"), but Martine still works in the window. Dressed in what can only be described as a dominatrix outfit that borders on endearing, she seems to have no dearth of customers. Brash, funny, racy stories punctuate their conversations: one laughs at the naiveté of young prostitutes who are ignorant of the secrets of the trade; the other recalls a client who was a chaplain: "Don't you remember, we even had a little confessional!" The sisters also have scary stories to tell, but in the main they recall their clients with compassion and affection. The Fokkens are a wonderfully amusing cultural mix: one part beloved grandma, one part Xaviera Hollander, times two.
Metrics
| Opening Weekend: | $7,628 (24.8% of total gross) |
| Legs: | 4.04 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 7.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $46,249 |
Movie Details
| Domestic Releases: | August 8th, 2012 (Limited) by Kino Lorber, released as Meet the Fokkens |
| Video Release: | April 2nd, 2013 by Kino Video |
| MPA Rating: | Not Rated |
| Running Time: | 70 minutes |
| Plot point: | Biography, Prostitution, Twins |
| Social setting: | Retirement |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Submarine Entertainment, VPRO |
| Production Countries: | Netherlands |
| Languages: | Dutch |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 10, 2012 | 65 | $7,628 | 1 | $7,628 | $10,128 | 1 | |
| Aug 17, 2012 | 72 | $4,573 | -40% | 1 | $4,573 | $19,667 | 2 |
| Aug 24, 2012 | 85 | $2,682 | -41% | 1 | $2,682 | $25,324 | 3 |
| Oct 26, 2012 | 107 | $182 | 1 | $182 | $27,599 | 12 | |
| Nov 2, 2012 | 100 | $349 | +92% | 1 | $349 | $28,632 | 13 |
| Dec 7, 2012 | 106 | $447 | 1 | $447 | $29,357 | 18 | |
| Feb 1, 2013 | 82 | $1,285 | 1 | $1,285 | $30,810 | 26 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 3, 2012 | 88 | $2,500 | 1 | $2,500 | $2,500 | 1 | |
| Aug 10, 2012 | 62 | $12,594 | +404% | 1 | $12,594 | $15,094 | 2 |
| Aug 17, 2012 | 75 | $7,548 | -40% | 1 | $7,548 | $22,642 | 3 |
| Aug 24, 2012 | 80 | $4,243 | -44% | 1 | $4,243 | $26,885 | 4 |
| Sep 14, 2012 | 110 | $242 | 1 | $242 | $27,127 | 7 | |
| Oct 5, 2012 | 102 | $290 | 1 | $290 | $27,417 | 10 | |
| Oct 26, 2012 | 111 | $81 | 1 | $81 | $28,283 | 13 | |
| Nov 2, 2012 | 112 | $349 | +331% | 1 | $349 | $28,632 | 14 |
| Dec 7, 2012 | 115 | $447 | 1 | $447 | $29,357 | 19 | |
| Feb 1, 2013 | 84 | $1,285 | 1 | $1,285 | $30,810 | 27 |
Documentary Subject
| Louise Fokkens | Herself | |
| Martine Fokkens | Herself |
Production and Technical Credits
| Rob Schroder | Director | |
| Gabrielle Provaas | Director | |
| Wiro Felix | Cinematographer | |
| Rob Schroder | Cinematographer | |
| Carla Van Der Meijs | Sound Mixer | |
| Sander Vos Nce | Editor | |
| Danny Malando | Composer | |
| Hugo Dijkstal | Sound Mixer | |
| Lieke Van Den Ouwelant | Production Manager | |
| Fabie Hulsebos | Line Producer | |
| Barbara Truyen | Commissioning Editor | |
| Femke Wolting | Producer | |
| Bruno Felix | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.