The Overnight (2015)
| Theatrical Performance | ||
| Domestic Box Office | $1,109,808 | Details |
| International Box Office | $56,188 | |
| Worldwide Box Office | $1,165,996 | |
| OpusData ID: 220100100 More info... | ||
| Further financial details... | ||
Synopsis
Alex, Emily, and their son, RJ, have recently moved to Los Angeles’ Eastside from Seattle. Feeling lost in a new city, they are desperate to find their first new friends. After a chance meeting with Kurt at the neighborhood park, they gladly agree to join family pizza night at the home. But as it gets later and the kids go to bed, the family “playdate” becomes increasingly more revealing and bizarre as the couples begin to open up.
Metrics
| Opening Weekend: | $53,022 (4.8% of total gross) |
| Legs: | 3.41 (domestic box office/biggest weekend) |
| Domestic Share: | 95.2% (domestic box office/worldwide) |
| Production Budget: | $200,000 (worldwide box office is 5.8 times production budget) |
| Theater counts: | 3 opening theaters/307 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,574,534 |
Movie Details
| Domestic Releases: | June 19th, 2015 (Limited) by The Orchard |
| Video Release: | September 8th, 2015 by The Orchard |
| MPA Rating: | R for strong sexuality, graphic nudity, language and drug use. (Rating bulletin 2367, 4/1/2015) |
| Running Time: | 80 minutes |
| Film festival: | Sundance Film Festival 2015 |
| Geographical setting: | Los Angeles |
| Plot point: | Culture Clash |
| Subgenre: | Sex Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gettin' Rad Productions, Duplass Brothers |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2015 | 32 | $53,022 | 3 | $17,674 | $53,022 | 1 | |
| Jun 26, 2015 | 27 | $150,681 | +184% | 45 | $3,348 | $216,807 | 2 |
| Jul 3, 2015 | 19 | $325,575 | +116% | 307 | $1,061 | $628,575 | 3 |
| Jul 10, 2015 | 27 | $117,848 | -64% | 147 | $802 | $930,438 | 4 |
| Jul 17, 2015 | 38 | $51,000 | -57% | 63 | $810 | $1,021,604 | 5 |
| Jul 24, 2015 | 52 | $26,000 | -49% | 31 | $839 | $1,073,000 | 6 |
| Aug 7, 2015 | 78 | $2,965 | 5 | $593 | $1,101,648 | 8 | |
| Aug 14, 2015 | 86 | $1,895 | -36% | 5 | $379 | $1,105,551 | 9 |
| Aug 21, 2015 | 86 | $1,996 | +5% | 5 | $399 | $1,107,897 | 10 |
| Aug 28, 2015 | 90 | $1,343 | -33% | 3 | $448 | $1,109,808 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2015 | 34 | $66,126 | 3 | $22,042 | $66,126 | 1 | |
| Jun 26, 2015 | 28 | $237,212 | +259% | 45 | $5,271 | $303,338 | 2 |
| Jul 3, 2015 | 20 | $509,252 | +115% | 307 | $1,659 | $812,590 | 3 |
| Jul 10, 2015 | 28 | $158,014 | -69% | 147 | $1,075 | $970,604 | 4 |
| Jul 17, 2015 | 43 | $76,747 | -51% | 63 | $1,218 | $1,047,351 | 5 |
| Jul 24, 2015 | 54 | $41,188 | -46% | 31 | $1,329 | $1,088,539 | 6 |
| Jul 31, 2015 | 70 | $10,144 | -75% | 8 | $1,268 | $1,098,683 | 7 |
| Aug 7, 2015 | 82 | $4,973 | -51% | 5 | $995 | $1,103,656 | 8 |
Leading
| Adam Scott | Alex | |
| Jason Schwartzman | Kurt | |
| Taylor Schilling | Emily | |
| Judith Godreche | Charlotte |
Supporting
| Susan Traylor | Breast Pump Doctor | |
| Kyle Field | Wade | |
| Sarah DeVincentis | Dawn |
Production and Technical Credits
| Patrick Brice | Director | |
| Patrick Brice | Screenwriter | |
| Naomi Scott | Producer | |
| Adam Scott | Executive Producer | |
| Mark Duplass | Executive Producer | |
| Jay Duplass | Executive Producer | |
| Chris Swanson | Music Supervisor | |
| Julian Wass | Composer | |
| Theresa Gulesarian | Production Designer | |
| Chris Donlon | Editor | |
| John Guleserian | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alex, Emily, and their son, RJ, have recently moved to Los Angeles’ Eastside from Seattle. Feeling lost in a new city, they are desperate to find their first new friends. After a chance meeting with Kurt at the neighborhood park, they gladly agree to join family pizza night at the home. But as it gets later and the kids go to bed, the family “playdate” becomes increasingly more revealing and bizarre as the couples begin to open up.
Metrics
| Opening Weekend: | $53,022 (4.8% of total gross) |
| Legs: | 3.41 (domestic box office/biggest weekend) |
| Domestic Share: | 95.2% (domestic box office/worldwide) |
| Production Budget: | $200,000 (worldwide box office is 5.8 times production budget) |
| Theater counts: | 3 opening theaters/307 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,574,534 |
Movie Details
| Domestic Releases: | June 19th, 2015 (Limited) by The Orchard |
| Video Release: | September 8th, 2015 by The Orchard |
| MPA Rating: | R for strong sexuality, graphic nudity, language and drug use. (Rating bulletin 2367, 4/1/2015) |
| Running Time: | 80 minutes |
| Film festival: | Sundance Film Festival 2015 |
| Geographical setting: | Los Angeles |
| Plot point: | Culture Clash |
| Subgenre: | Sex Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gettin' Rad Productions, Duplass Brothers |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2015 | 32 | $53,022 | 3 | $17,674 | $53,022 | 1 | |
| Jun 26, 2015 | 27 | $150,681 | +184% | 45 | $3,348 | $216,807 | 2 |
| Jul 3, 2015 | 19 | $325,575 | +116% | 307 | $1,061 | $628,575 | 3 |
| Jul 10, 2015 | 27 | $117,848 | -64% | 147 | $802 | $930,438 | 4 |
| Jul 17, 2015 | 38 | $51,000 | -57% | 63 | $810 | $1,021,604 | 5 |
| Jul 24, 2015 | 52 | $26,000 | -49% | 31 | $839 | $1,073,000 | 6 |
| Aug 7, 2015 | 78 | $2,965 | 5 | $593 | $1,101,648 | 8 | |
| Aug 14, 2015 | 86 | $1,895 | -36% | 5 | $379 | $1,105,551 | 9 |
| Aug 21, 2015 | 86 | $1,996 | +5% | 5 | $399 | $1,107,897 | 10 |
| Aug 28, 2015 | 90 | $1,343 | -33% | 3 | $448 | $1,109,808 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2015 | 34 | $66,126 | 3 | $22,042 | $66,126 | 1 | |
| Jun 26, 2015 | 28 | $237,212 | +259% | 45 | $5,271 | $303,338 | 2 |
| Jul 3, 2015 | 20 | $509,252 | +115% | 307 | $1,659 | $812,590 | 3 |
| Jul 10, 2015 | 28 | $158,014 | -69% | 147 | $1,075 | $970,604 | 4 |
| Jul 17, 2015 | 43 | $76,747 | -51% | 63 | $1,218 | $1,047,351 | 5 |
| Jul 24, 2015 | 54 | $41,188 | -46% | 31 | $1,329 | $1,088,539 | 6 |
| Jul 31, 2015 | 70 | $10,144 | -75% | 8 | $1,268 | $1,098,683 | 7 |
| Aug 7, 2015 | 82 | $4,973 | -51% | 5 | $995 | $1,103,656 | 8 |
Leading
| Adam Scott | Alex | |
| Jason Schwartzman | Kurt | |
| Taylor Schilling | Emily | |
| Judith Godreche | Charlotte |
Supporting
| Susan Traylor | Breast Pump Doctor | |
| Kyle Field | Wade | |
| Sarah DeVincentis | Dawn |
Production and Technical Credits
| Patrick Brice | Director | |
| Patrick Brice | Screenwriter | |
| Naomi Scott | Producer | |
| Adam Scott | Executive Producer | |
| Mark Duplass | Executive Producer | |
| Jay Duplass | Executive Producer | |
| Chris Swanson | Music Supervisor | |
| Julian Wass | Composer | |
| Theresa Gulesarian | Production Designer | |
| Chris Donlon | Editor | |
| John Guleserian | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.