Pacific Rim: Uprising (2018)
| Theatrical Performance | ||
| Domestic Box Office | $59,874,525 | Details |
| International Box Office | $231,055,623 | Details |
| Worldwide Box Office | $290,930,148 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $5,504,710 | |
| Blu-ray Sales (estimated) | $11,195,104 | |
| Total | $16,699,814 | |
| OpusData ID: 210270100 More info... | ||
| Further financial details... | ||
Synopsis
When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity’s resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes—a washed up former pilot and an untested trainee—who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind’s last hope against the mounting apocalypse.
Metrics
| Opening Weekend: | $28,116,535 (47.0% of total gross) |
| Legs: | 2.13 (domestic box office/biggest weekend) |
| Domestic Share: | 20.6% (domestic box office/worldwide) |
| Production Budget: | $155,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 3,708 opening theaters/3,708 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $78,605,856 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Wide) by Universal March 23rd, 2018 (IMAX) by Universal |
| International Releases: | March 16th, 2018 (Wide) (South Korea)
March 21st, 2018 (Wide) (Egypt) March 21st, 2018 (Wide) (France) March 21st, 2018 (Wide) (Belgium) March 21st, 2018 (Wide) (Switzerland) ... Show all releases |
| Video Release: | June 19th, 2018 by Universal Home Entertainment |
| MPA Rating: | PG-13 for sequences of sci-fi violence and action, and some language. (Rating bulletin 2502 (Cert #51327), 11/15/2017) |
| Running Time: | 111 minutes |
| Franchise: | Pacific Rim |
| Cast, crew, or production detail: | Ensemble |
| Film format: | 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Filming location (country): | Australia, South Korea |
| Plot point: | Father’s Footsteps, Mecha |
| Social setting: | Kaiju |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Legendary Pictures, UpperRoom Entertainment Limited, Double Dare You, Universal Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 1 | $28,116,535 | 3,708 | $7,583 | $28,116,535 | 1 | |
| Mar 30, 2018 | 5 | $9,370,405 | -67% | 3,708 | $2,527 | $45,836,225 | 2 |
| Apr 6, 2018 | 9 | $4,827,245 | -48% | 2,627 | $1,838 | $54,837,305 | 3 |
| Apr 13, 2018 | 14 | $1,451,540 | -70% | 1,537 | $944 | $57,605,675 | 4 |
| Apr 20, 2018 | 19 | $585,085 | -60% | 646 | $906 | $58,671,825 | 5 |
| Apr 27, 2018 | 31 | $104,505 | -82% | 224 | $467 | $58,941,465 | 6 |
| May 4, 2018 | 33 | $82,175 | -21% | 161 | $510 | $59,066,910 | 7 |
| May 11, 2018 | 38 | $61,425 | -25% | 112 | $548 | $59,163,230 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 1 | $10,329,775 | 3,708 | $2,786 | $10,329,775 | 1 | ||
| Mar 24, 2018 | 1 | $10,571,865 | +2% | 3,708 | $2,851 | $20,901,640 | 2 | |
| Mar 25, 2018 | 1 | $7,214,895 | -32% | 3,708 | $1,946 | $28,116,535 | 3 | |
| Mar 26, 2018 | 1 | $2,165,925 | -70% | 3,708 | $584 | $30,282,460 | 4 | |
| Mar 27, 2018 | 1 | $2,945,105 | +36% | 3,708 | $794 | $33,227,565 | 5 | |
| Mar 28, 2018 | 2 | $1,558,630 | -47% | 3,708 | $420 | $34,786,195 | 6 | |
| Mar 29, 2018 | 3 | $1,679,625 | +8% | 3,708 | $453 | $36,465,820 | 7 | |
| Mar 30, 2018 | 5 | $3,298,560 | +96% | -68% | 3,708 | $890 | $39,764,380 | 8 |
| Mar 31, 2018 | 5 | $3,554,765 | +8% | -66% | 3,708 | $959 | $43,319,145 | 9 |
| Apr 1, 2018 | 5 | $2,517,080 | -29% | -65% | 3,708 | $679 | $45,836,225 | 10 |
| Apr 2, 2018 | 6 | $1,165,755 | -54% | -46% | 3,708 | $314 | $47,001,980 | 11 |
| Apr 3, 2018 | 6 | $1,276,750 | +10% | -57% | 3,708 | $344 | $48,278,730 | 12 |
| Apr 4, 2018 | 6 | $936,160 | -27% | -40% | 3,708 | $252 | $49,214,890 | 13 |
| Apr 5, 2018 | 6 | $795,170 | -15% | -53% | 3,708 | $214 | $50,010,060 | 14 |
| Apr 6, 2018 | 11 | $1,290,590 | +62% | -61% | 2,627 | $491 | $51,300,650 | 15 |
| Apr 7, 2018 | 9 | $2,191,345 | +70% | -38% | 2,627 | $834 | $53,491,995 | 16 |
| Apr 8, 2018 | 9 | $1,345,310 | -39% | -47% | 2,627 | $512 | $54,837,305 | 17 |
| Apr 9, 2018 | 9 | $313,590 | -77% | -73% | 2,627 | $119 | $55,150,895 | 18 |
| Apr 10, 2018 | 8 | $473,925 | +51% | -63% | 2,627 | $180 | $55,624,820 | 19 |
| Apr 11, 2018 | 10 | $304,565 | -36% | -67% | 2,627 | $116 | $55,929,385 | 20 |
| Apr 12, 2018 | 9 | $224,750 | -26% | -72% | 2,627 | $86 | $56,154,135 | 21 |
| Apr 13, 2018 | 14 | $382,750 | +70% | -70% | 1,537 | $249 | $56,536,885 | 22 |
| Apr 14, 2018 | 14 | $641,030 | +67% | -71% | 1,537 | $417 | $57,177,915 | 23 |
| Apr 15, 2018 | 15 | $427,760 | -33% | -68% | 1,537 | $278 | $57,605,675 | 24 |
| Apr 16, 2018 | - | $117,880 | -72% | -62% | 1,537 | $77 | $57,723,555 | 25 |
| Apr 17, 2018 | 14 | $157,855 | +34% | -67% | 1,537 | $103 | $57,881,410 | 26 |
| Apr 18, 2018 | 14 | $114,095 | -28% | -63% | 1,537 | $74 | $57,995,505 | 27 |
| Apr 19, 2018 | - | $91,235 | -20% | -59% | 1,537 | $59 | $58,086,740 | 28 |
| Apr 20, 2018 | - | $147,770 | +62% | -61% | 646 | $229 | $58,234,510 | 29 |
| Apr 21, 2018 | - | $273,145 | +85% | -57% | 646 | $423 | $58,507,655 | 30 |
| Apr 22, 2018 | - | $164,170 | -40% | -62% | 646 | $254 | $58,671,825 | 31 |
| Apr 23, 2018 | - | $43,810 | -73% | -63% | 646 | $68 | $58,715,635 | 32 |
| Apr 24, 2018 | - | $59,660 | +36% | -62% | 646 | $92 | $58,775,295 | 33 |
| Apr 25, 2018 | - | $40,190 | -33% | -65% | 646 | $62 | $58,815,485 | 34 |
| Apr 26, 2018 | - | $21,475 | -47% | -76% | 646 | $33 | $58,836,960 | 35 |
| Apr 27, 2018 | - | $25,845 | +20% | -83% | 224 | $115 | $58,862,805 | 36 |
| Apr 28, 2018 | - | $46,010 | +78% | -83% | 224 | $205 | $58,908,815 | 37 |
| Apr 29, 2018 | - | $32,650 | -29% | -80% | 224 | $146 | $58,941,465 | 38 |
| Apr 30, 2018 | - | $10,585 | -68% | -76% | 224 | $47 | $58,952,050 | 39 |
| May 1, 2018 | - | $12,910 | +22% | -78% | 224 | $58 | $58,964,960 | 40 |
| May 2, 2018 | - | $9,995 | -23% | -75% | 224 | $45 | $58,974,955 | 41 |
| May 3, 2018 | - | $9,780 | -2% | -54% | 224 | $44 | $58,984,735 | 42 |
| May 4, 2018 | - | $20,565 | +110% | -20% | 161 | $128 | $59,005,300 | 43 |
| May 5, 2018 | - | $34,565 | +68% | -25% | 161 | $215 | $59,039,865 | 44 |
| May 6, 2018 | - | $27,045 | -22% | -17% | 161 | $168 | $59,066,910 | 45 |
| May 7, 2018 | - | $8,580 | -68% | -19% | 161 | $53 | $59,075,490 | 46 |
| May 8, 2018 | - | $9,760 | +14% | -24% | 161 | $61 | $59,085,250 | 47 |
| May 9, 2018 | - | $8,380 | -14% | -16% | 161 | $52 | $59,093,630 | 48 |
| May 10, 2018 | - | $8,175 | -2% | -16% | 161 | $51 | $59,101,805 | 49 |
| May 11, 2018 | - | $15,810 | +93% | -23% | 112 | $141 | $59,117,615 | 50 |
| May 12, 2018 | - | $27,600 | +75% | -20% | 112 | $246 | $59,145,215 | 51 |
| May 13, 2018 | - | $18,015 | -35% | -33% | 112 | $161 | $59,163,230 | 52 |
| May 14, 2018 | - | $4,975 | -72% | -42% | 112 | $44 | $59,168,205 | 53 |
| May 15, 2018 | - | $6,640 | +33% | -32% | 112 | $59 | $59,174,845 | 54 |
| May 16, 2018 | - | $6,170 | -7% | -26% | 112 | $55 | $59,181,015 | 55 |
| May 17, 2018 | - | $4,700 | -24% | -43% | 112 | $42 | $59,185,715 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 1 | $36,465,820 | 3,708 | $9,834 | $36,465,820 | 1 | |
| Mar 30, 2018 | 5 | $13,544,240 | -63% | 3,708 | $3,653 | $50,010,060 | 2 |
| Apr 6, 2018 | 9 | $6,144,075 | -55% | 2,627 | $2,339 | $56,154,135 | 3 |
| Apr 13, 2018 | 14 | $1,932,605 | -69% | 1,537 | $1,257 | $58,086,740 | 4 |
| Apr 20, 2018 | 20 | $750,220 | -61% | 646 | $1,161 | $58,836,960 | 5 |
| Apr 27, 2018 | 33 | $147,775 | -80% | 224 | $660 | $58,984,735 | 6 |
| May 4, 2018 | 34 | $117,070 | -21% | 161 | $727 | $59,101,805 | 7 |
| May 11, 2018 | 40 | $83,910 | -28% | 112 | $749 | $59,185,715 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Albania | 3/22/2018 | $5,743 | 5 | 5 | 9 | $9,131 | ||||
| Argentina | 3/22/2018 | $656,891 | 176 | 176 | 488 | $1,698,743 | ||||
| Australia | 3/23/2018 | $2,081,485 | 425 | 425 | 1,157 | $4,553,286 | ||||
| Austria | 3/23/2018 | $227,027 | 53 | 57 | 226 | $748,840 | ||||
| Belgium | 3/21/2018 | $200,920 | 72 | 72 | 267 | $522,093 | ||||
| Bolivia | 3/22/2018 | $153,165 | 20 | 20 | 88 | $570,746 | ||||
| Brazil | 3/22/2018 | $1,516,786 | 510 | 510 | 1,721 | $3,840,884 | ||||
| Bulgaria | 3/23/2018 | $78,373 | 0 | 6 | 8 | $185,979 | ||||
| Central America | 3/22/2018 | $639,766 | 160 | 160 | 527 | $1,932,368 | ||||
| Chile | 3/22/2018 | $429,870 | 69 | 69 | 238 | $1,084,976 | ||||
| China | 3/22/2018 | $63,260,000 | 140,244 | 140,244 | 210,819 | $99,488,360 | ||||
| Colombia | 3/22/2018 | $692,590 | 187 | 187 | 576 | $2,167,340 | ||||
| Croatia | 3/22/2018 | $10,502 | 26 | 26 | 37 | $20,605 | ||||
| Cyprus | 3/22/2018 | $18,651 | 6 | 6 | 19 | $36,052 | ||||
| Czech Republic | 3/23/2018 | $342,578 | 136 | 136 | 304 | $669,414 | ||||
| Denmark | 3/22/2018 | $174,335 | 58 | 58 | 184 | $526,105 | ||||
| Ecuador | 3/23/2018 | $281,152 | 40 | 40 | 157 | $854,222 | ||||
| Egypt | 3/21/2018 | $37,677 | 17 | 17 | 45 | $64,627 | ||||
| Estonia | 3/23/2018 | $40,797 | 16 | 16 | 44 | $95,261 | ||||
| Finland | 3/23/2018 | $90,210 | 56 | 56 | 161 | $199,608 | ||||
| France | 3/21/2018 | $2,593,391 | 532 | 532 | 1,734 | $5,871,823 | ||||
| Germany | 3/22/2018 | $1,797,749 | 495 | 508 | 2,159 | $5,658,208 | ||||
| Greece | 3/22/2018 | $113,467 | 68 | 68 | 142 | $254,166 | ||||
| Hong Kong | 3/29/2018 | $460,550 | 49 | 55 | 193 | $2,646,528 | ||||
| Hungary | 4/6/2018 | $246,727 | 56 | 66 | 176 | $479,574 | ||||
| Iceland | 3/23/2018 | $27,871 | 9 | 9 | 17 | $72,231 | ||||
| India | 3/23/2018 | $0 | 0 | 0 | 0 | $2,139,572 | ||||
| Indonesia | 3/21/2018 | $2,534,574 | 290 | 290 | 589 | $5,699,027 | ||||
| Israel | 3/22/2018 | $74,258 | 21 | 27 | 80 | $183,473 | ||||
| Italy | 3/22/2018 | $1,387,826 | 0 | 41 | 42 | $2,810,089 | ||||
| Japan | 4/13/2018 | $2,596,815 | 0 | 424 | 424 | $8,305,022 | ||||
| Latvia | 3/23/2018 | $26,607 | 10 | 10 | 31 | $73,513 | ||||
| Lebanon | 3/22/2018 | $40,670 | 16 | 16 | 35 | $82,812 | ||||
| Lithuania | 3/23/2018 | $31,203 | 126 | 126 | 192 | $63,905 | ||||
| Macedonia | 3/22/2018 | $2,721 | 3 | 3 | 7 | $5,661 | ||||
| Malaysia | 3/22/2018 | $3,276,178 | 150 | 150 | 597 | $6,510,788 | ||||
| Mexico | 3/22/2018 | $4,350,987 | 0 | 1,710 | 2,629 | $11,821,225 | ||||
| Middle East Region | 3/22/2018 | $438,214 | 61 | 61 | 125 | $724,584 | 5/16/2018 | |||
| Mongolia | 3/23/2018 | $31,510 | 8 | 8 | 28 | $87,710 | ||||
| Netherlands | 3/23/2018 | $437,104 | 79 | 81 | 351 | $1,124,212 | ||||
| New Zealand | 3/23/2018 | $413,698 | 74 | 76 | 333 | $887,602 | ||||
| Norway | 3/23/2018 | $189,123 | 104 | 104 | 202 | $442,478 | ||||
| Pakistan | 3/23/2018 | $48,345 | 45 | 45 | 60 | $80,485 | ||||
| Paraguay | 3/22/2018 | $42,097 | 18 | 18 | 55 | $103,782 | ||||
| Peru | 3/22/2018 | $550,459 | 99 | 99 | 209 | $1,570,946 | ||||
| Philippines | 3/30/2018 | $905,906 | 191 | 196 | 567 | $2,703,216 | ||||
| Poland | 3/23/2018 | $366,708 | 139 | 141 | 477 | $843,094 | ||||
| Portugal | 4/6/2018 | $180,237 | 74 | 75 | 218 | $301,158 | ||||
| Romania | 3/23/2018 | $185,625 | 75 | 75 | 248 | $511,144 | ||||
| Russia (CIS) | 3/22/2018 | $6,803,567 | 1,538 | 1,538 | 5,364 | $106,929 | ||||
| Serbia and Montenegro | 3/22/2018 | $30,117 | 51 | 51 | 117 | $69,191 | ||||
| Singapore | 3/22/2018 | $1,390,196 | 31 | 31 | 130 | $2,971,076 | ||||
| Slovakia | 3/23/2018 | $139,045 | 64 | 64 | 159 | $267,502 | ||||
| Slovenia | 3/22/2018 | $11,664 | 16 | 16 | 40 | $24,488 | ||||
| South Africa | 3/23/2018 | $193,437 | 113 | 115 | 380 | $770,391 | ||||
| South Korea | 3/16/2018 | $0 | 0 | 1,143 | 1,715 | $8,549,142 | ||||
| Spain | 3/23/2018 | $1,099,545 | 313 | 313 | 1,116 | $2,857,510 | ||||
| Sweden | 3/23/2018 | $255,531 | 127 | 127 | 264 | $547,367 | ||||
| Switzerland | 3/21/2018 | $230,836 | 58 | 58 | 168 | $526,457 | ||||
| Taiwan | 3/23/2018 | $2,288,229 | 138 | 138 | 409 | $5,820,339 | ||||
| Thailand | 3/22/2018 | $1,662,645 | 163 | 163 | 364 | $2,849,832 | ||||
| Trinidad | 3/21/2018 | $79,548 | 21 | 21 | 69 | $322,514 | ||||
| Turkey | 3/23/2018 | $360,098 | 347 | 347 | 917 | $789,682 | ||||
| Ukraine | 3/22/2018 | $705,135 | 169 | 174 | 583 | $1,309,508 | ||||
| United Arab Emirates | 3/22/2018 | $650,183 | 49 | 49 | 107 | $1,182,612 | ||||
| United Kingdom | 3/23/2018 | $2,342,134 | 505 | 505 | 1,626 | $6,226,674 | ||||
| Uruguay | 3/22/2018 | $28,782 | 22 | 22 | 69 | $95,149 | ||||
| Venezuela | 3/23/2018 | $156,199 | 68 | 68 | 229 | $789,389 | ||||
| Vietnam | 3/23/2018 | $731,734 | 143 | 145 | 386 | $1,327,032 | ||||
| Rest of World | $1,732,249 | |||||||||
| International Total | $231,055,623 | 5/16/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| John Boyega | Jake Pentecost |
Supporting
| Scott Eastwood | Nate Lambert | |
| Jing Tian | Liwen Shao | |
| Cailee Spaeny | Amara | |
| Rinko Kikuchi | Mako Mori | |
| Burn Gorman | Dr. Hermann Gottlieb | |
| Adria Arjona | Mech | |
| Max Zhang | The Marshal | |
| Charlie Day | Dr. Newt Geiszler | |
| Karan Brar | Cadet Suresh | |
| Wesley Wong | Cadet Jinhai | |
| Ivanna Sakhno | Cadet Viktoria | |
| Mackenyu | Cadet Ryoichi | |
| Lily Ji | Cadet Meilin | |
| Shyrley Rodriguez | Cadet Renata | |
| Rahart Adams | Cadet Tahima | |
| Levi Meaden | Cadet Ilya | |
| Dustin Clare | Joseph Burke | |
| Chen Zitong | Daiyu | |
| Yu Xiaowei | Security Chief Kang | |
| Qian Yongchen | Lieutenant Qiao | |
| Zeppelin Hamilton | Male Worshipper | |
| Jiaming Guo | Qingsheng Lab Tech | |
| Lan Yingying | Ah Lam Xiang | |
| Nick E. Tarabay | Sonny | |
| Shane Rangi | Sonny’s Crew #1 | |
| Jasper Bagg | Sonny’s Crew #2 | |
| Jai Day | PPDC Officer #1 | |
| Nick Satriano | PPDC Officer #2 | |
| Dan Feuerriegel | Lieutenant Allan Gronetti | |
| Jaime Slater | Captain McKinney | |
| Victor Matveev | Scrambler Tech | |
| Kim Jeong-Hoon | Lieutenant Huang | |
| Rumi Kikuchi | Japanese Woman | |
| Louis Okada | Japanese Man | |
| Albert Li | Liwen’s Security #1 | |
| Charles Napoleon An | Liwen’s Security #2 | |
| Jim Punnett | Liwen’s Security #3 | |
| Madeleine McGraw | Young Amara | |
| Josh Stamberg | Amara’s Father | |
| Stephanie Allynne Notaro | Amara’s Mother | |
| Luke Judy | Amara’s Brother | |
| Bridger Zadina | Dean | |
| Tim Johnson Jr | Morris | |
| Ellen McLain | Gipsy Avenger Al | |
| Erik Aadahl | November Ajax Voice | |
| Nancy Nugent Title | Jaeger Al |
Production and Technical Credits
| Steven S. DeKnight | Director | |
| Steven S. DeKnight | Screenwriter | |
| Emily Carmichael | Screenwriter | |
| Kira Snyder | Screenwriter | |
| T.S. Nowlin | Screenwriter | |
| Travis Beacham | Character Creator | |
| Guillermo del Toro | Story Creator | |
| Mary Parent | Producer | |
| Guillermo del Toro | Producer | |
| Cale Boyter | Producer | |
| Thomas Tull | Producer | |
| Jon Jashni | Producer | |
| John Boyega | Producer | |
| Femi Oguns | Producer | |
| Eric McLeod | Executive Producer | |
| Dory Wu | Executive Producer | |
| Hopming Cheng | Executive Producer | |
| Stefan Dechant | Production Designer | |
| Zach Staenberg | Editor | |
| Dylan Highsmith | Editor | |
| Josh Schaeffer | Editor | |
| Lizz Wolf | Costume Designer | |
| John Paesano | Composer | |
| Dan Mindel | Director of Photography | |
| Thomas Robinson Harper | Stunt Coordinator | |
| Tony Lynch | Stunt Coordinator | |
| Peter Chiang | Visual Effects Supervisor | |
| Sarah Halley Finn | Casting Director | |
| Jennifer Conroy | Co-Producer | |
| Sharon Miller | Unit Production Manager | |
| Nick Satriano | First Assistant Director | |
| Scott Lovelock | Second Assistant Director | |
| Jennifer Conroy | Unit Production Manager | |
| Aaron Shershow | Unit Production Manager | |
| Thomas Robinson Harper | Second Unit Director | |
| Brook Worley | Associate Producer | |
| Jake Rice | Associate Producer | |
| Jay Ashenfelter | Associate Producer | |
| Charlie Revai | Supervising Art Director | |
| Fiona Donovan | Art Director | |
| Aashrita Kamath | Art Director | |
| Jacinta Leong | Art Director | |
| Tom Nursey | Art Director | |
| Gillian Butler | Set Decorator | |
| Kristin Voumard | Script Supervisor | |
| Guntis Sics | Sound Mixer | |
| Dan Oliver | Special Effects Supervisor | |
| Lauren Cooper | Location Manager | |
| Ruth Mackinnon | Location Manager | |
| Colin McDougall | Location Manager | |
| Katherine Milne | Costume Supervisor | |
| Jennifer Lamphee | Make-up and Hair Designer | |
| Cassie Hanlon | Make up | |
| Wendy Dewaal | Hairstylist | |
| Mark Fitzgerald | First Assistant Editor | |
| Laura Yanovich | First Assistant Editor | |
| Andrew E. Johnson | First Assistant Editor | |
| Jesse Chapman | Assistant Editor | |
| Theresa Corrao | Visual Effects Producer | |
| Dominic Sidoli | Visual Effects Producer | |
| Randall Starr | Visual Effects Producer | |
| Kevin Cross | Set Designer | |
| Scott Herbertson | Set Designer | |
| Tex Kadonaga | Set Designer | |
| Kevin Loo | Set Designer | |
| Gordon Leibowitz | Set Designer | |
| Sooyeon Lim | Set Designer | |
| Teresa Meoli | Set Designer | |
| Alasdair Mott | Set Designer | |
| Prue Parsons | Set Designer | |
| Julien Pougnier | Set Designer | |
| Anshumen Prasad | Set Designer | |
| Shari Ratliff | Set Designer | |
| Scott Schneider | Set Designer | |
| Shamim Seifzadeh | Set Designer | |
| Clint Wallace | Set Designer | |
| Jon Taylor | Re-recording Mixer | |
| Frank A. Montano | Re-recording Mixer | |
| Erik Aadahl | Supervising Sound Editor | |
| Ethan Van der Ryn | Supervising Sound Editor | |
| David Bach | Supervising Dialogue and ADR Editor | |
| Brandon Jones | Sound Designer | |
| Tim Walston | Sound Designer | |
| Malte Bieler | Sound Effects Editor | |
| Justin M. Davey* | Sound Effects Editor | |
| Jon Title | Sound Effects Editor | |
| John C. Stuver | Dialogue Editor | |
| Michael Bauer | Supervising Music Editor | |
| Jay Duerr | Music Editor | |
| Mark Jan Wlodarkiewicz | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity’s resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes—a washed up former pilot and an untested trainee—who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind’s last hope against the mounting apocalypse.
Metrics
| Opening Weekend: | $28,116,535 (47.0% of total gross) |
| Legs: | 2.13 (domestic box office/biggest weekend) |
| Domestic Share: | 20.6% (domestic box office/worldwide) |
| Production Budget: | $155,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 3,708 opening theaters/3,708 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $78,605,856 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Wide) by Universal March 23rd, 2018 (IMAX) by Universal |
| International Releases: | March 16th, 2018 (Wide) (South Korea)
March 21st, 2018 (Wide) (Egypt) March 21st, 2018 (Wide) (France) March 21st, 2018 (Wide) (Belgium) March 21st, 2018 (Wide) (Switzerland) ... Show all releases |
| Video Release: | June 19th, 2018 by Universal Home Entertainment |
| MPA Rating: | PG-13 for sequences of sci-fi violence and action, and some language. (Rating bulletin 2502 (Cert #51327), 11/15/2017) |
| Running Time: | 111 minutes |
| Franchise: | Pacific Rim |
| Cast, crew, or production detail: | Ensemble |
| Film format: | 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Filming location (country): | Australia, South Korea |
| Plot point: | Father’s Footsteps, Mecha |
| Social setting: | Kaiju |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Legendary Pictures, UpperRoom Entertainment Limited, Double Dare You, Universal Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 1 | $28,116,535 | 3,708 | $7,583 | $28,116,535 | 1 | |
| Mar 30, 2018 | 5 | $9,370,405 | -67% | 3,708 | $2,527 | $45,836,225 | 2 |
| Apr 6, 2018 | 9 | $4,827,245 | -48% | 2,627 | $1,838 | $54,837,305 | 3 |
| Apr 13, 2018 | 14 | $1,451,540 | -70% | 1,537 | $944 | $57,605,675 | 4 |
| Apr 20, 2018 | 19 | $585,085 | -60% | 646 | $906 | $58,671,825 | 5 |
| Apr 27, 2018 | 31 | $104,505 | -82% | 224 | $467 | $58,941,465 | 6 |
| May 4, 2018 | 33 | $82,175 | -21% | 161 | $510 | $59,066,910 | 7 |
| May 11, 2018 | 38 | $61,425 | -25% | 112 | $548 | $59,163,230 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 1 | $10,329,775 | 3,708 | $2,786 | $10,329,775 | 1 | ||
| Mar 24, 2018 | 1 | $10,571,865 | +2% | 3,708 | $2,851 | $20,901,640 | 2 | |
| Mar 25, 2018 | 1 | $7,214,895 | -32% | 3,708 | $1,946 | $28,116,535 | 3 | |
| Mar 26, 2018 | 1 | $2,165,925 | -70% | 3,708 | $584 | $30,282,460 | 4 | |
| Mar 27, 2018 | 1 | $2,945,105 | +36% | 3,708 | $794 | $33,227,565 | 5 | |
| Mar 28, 2018 | 2 | $1,558,630 | -47% | 3,708 | $420 | $34,786,195 | 6 | |
| Mar 29, 2018 | 3 | $1,679,625 | +8% | 3,708 | $453 | $36,465,820 | 7 | |
| Mar 30, 2018 | 5 | $3,298,560 | +96% | -68% | 3,708 | $890 | $39,764,380 | 8 |
| Mar 31, 2018 | 5 | $3,554,765 | +8% | -66% | 3,708 | $959 | $43,319,145 | 9 |
| Apr 1, 2018 | 5 | $2,517,080 | -29% | -65% | 3,708 | $679 | $45,836,225 | 10 |
| Apr 2, 2018 | 6 | $1,165,755 | -54% | -46% | 3,708 | $314 | $47,001,980 | 11 |
| Apr 3, 2018 | 6 | $1,276,750 | +10% | -57% | 3,708 | $344 | $48,278,730 | 12 |
| Apr 4, 2018 | 6 | $936,160 | -27% | -40% | 3,708 | $252 | $49,214,890 | 13 |
| Apr 5, 2018 | 6 | $795,170 | -15% | -53% | 3,708 | $214 | $50,010,060 | 14 |
| Apr 6, 2018 | 11 | $1,290,590 | +62% | -61% | 2,627 | $491 | $51,300,650 | 15 |
| Apr 7, 2018 | 9 | $2,191,345 | +70% | -38% | 2,627 | $834 | $53,491,995 | 16 |
| Apr 8, 2018 | 9 | $1,345,310 | -39% | -47% | 2,627 | $512 | $54,837,305 | 17 |
| Apr 9, 2018 | 9 | $313,590 | -77% | -73% | 2,627 | $119 | $55,150,895 | 18 |
| Apr 10, 2018 | 8 | $473,925 | +51% | -63% | 2,627 | $180 | $55,624,820 | 19 |
| Apr 11, 2018 | 10 | $304,565 | -36% | -67% | 2,627 | $116 | $55,929,385 | 20 |
| Apr 12, 2018 | 9 | $224,750 | -26% | -72% | 2,627 | $86 | $56,154,135 | 21 |
| Apr 13, 2018 | 14 | $382,750 | +70% | -70% | 1,537 | $249 | $56,536,885 | 22 |
| Apr 14, 2018 | 14 | $641,030 | +67% | -71% | 1,537 | $417 | $57,177,915 | 23 |
| Apr 15, 2018 | 15 | $427,760 | -33% | -68% | 1,537 | $278 | $57,605,675 | 24 |
| Apr 16, 2018 | - | $117,880 | -72% | -62% | 1,537 | $77 | $57,723,555 | 25 |
| Apr 17, 2018 | 14 | $157,855 | +34% | -67% | 1,537 | $103 | $57,881,410 | 26 |
| Apr 18, 2018 | 14 | $114,095 | -28% | -63% | 1,537 | $74 | $57,995,505 | 27 |
| Apr 19, 2018 | - | $91,235 | -20% | -59% | 1,537 | $59 | $58,086,740 | 28 |
| Apr 20, 2018 | - | $147,770 | +62% | -61% | 646 | $229 | $58,234,510 | 29 |
| Apr 21, 2018 | - | $273,145 | +85% | -57% | 646 | $423 | $58,507,655 | 30 |
| Apr 22, 2018 | - | $164,170 | -40% | -62% | 646 | $254 | $58,671,825 | 31 |
| Apr 23, 2018 | - | $43,810 | -73% | -63% | 646 | $68 | $58,715,635 | 32 |
| Apr 24, 2018 | - | $59,660 | +36% | -62% | 646 | $92 | $58,775,295 | 33 |
| Apr 25, 2018 | - | $40,190 | -33% | -65% | 646 | $62 | $58,815,485 | 34 |
| Apr 26, 2018 | - | $21,475 | -47% | -76% | 646 | $33 | $58,836,960 | 35 |
| Apr 27, 2018 | - | $25,845 | +20% | -83% | 224 | $115 | $58,862,805 | 36 |
| Apr 28, 2018 | - | $46,010 | +78% | -83% | 224 | $205 | $58,908,815 | 37 |
| Apr 29, 2018 | - | $32,650 | -29% | -80% | 224 | $146 | $58,941,465 | 38 |
| Apr 30, 2018 | - | $10,585 | -68% | -76% | 224 | $47 | $58,952,050 | 39 |
| May 1, 2018 | - | $12,910 | +22% | -78% | 224 | $58 | $58,964,960 | 40 |
| May 2, 2018 | - | $9,995 | -23% | -75% | 224 | $45 | $58,974,955 | 41 |
| May 3, 2018 | - | $9,780 | -2% | -54% | 224 | $44 | $58,984,735 | 42 |
| May 4, 2018 | - | $20,565 | +110% | -20% | 161 | $128 | $59,005,300 | 43 |
| May 5, 2018 | - | $34,565 | +68% | -25% | 161 | $215 | $59,039,865 | 44 |
| May 6, 2018 | - | $27,045 | -22% | -17% | 161 | $168 | $59,066,910 | 45 |
| May 7, 2018 | - | $8,580 | -68% | -19% | 161 | $53 | $59,075,490 | 46 |
| May 8, 2018 | - | $9,760 | +14% | -24% | 161 | $61 | $59,085,250 | 47 |
| May 9, 2018 | - | $8,380 | -14% | -16% | 161 | $52 | $59,093,630 | 48 |
| May 10, 2018 | - | $8,175 | -2% | -16% | 161 | $51 | $59,101,805 | 49 |
| May 11, 2018 | - | $15,810 | +93% | -23% | 112 | $141 | $59,117,615 | 50 |
| May 12, 2018 | - | $27,600 | +75% | -20% | 112 | $246 | $59,145,215 | 51 |
| May 13, 2018 | - | $18,015 | -35% | -33% | 112 | $161 | $59,163,230 | 52 |
| May 14, 2018 | - | $4,975 | -72% | -42% | 112 | $44 | $59,168,205 | 53 |
| May 15, 2018 | - | $6,640 | +33% | -32% | 112 | $59 | $59,174,845 | 54 |
| May 16, 2018 | - | $6,170 | -7% | -26% | 112 | $55 | $59,181,015 | 55 |
| May 17, 2018 | - | $4,700 | -24% | -43% | 112 | $42 | $59,185,715 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 1 | $36,465,820 | 3,708 | $9,834 | $36,465,820 | 1 | |
| Mar 30, 2018 | 5 | $13,544,240 | -63% | 3,708 | $3,653 | $50,010,060 | 2 |
| Apr 6, 2018 | 9 | $6,144,075 | -55% | 2,627 | $2,339 | $56,154,135 | 3 |
| Apr 13, 2018 | 14 | $1,932,605 | -69% | 1,537 | $1,257 | $58,086,740 | 4 |
| Apr 20, 2018 | 20 | $750,220 | -61% | 646 | $1,161 | $58,836,960 | 5 |
| Apr 27, 2018 | 33 | $147,775 | -80% | 224 | $660 | $58,984,735 | 6 |
| May 4, 2018 | 34 | $117,070 | -21% | 161 | $727 | $59,101,805 | 7 |
| May 11, 2018 | 40 | $83,910 | -28% | 112 | $749 | $59,185,715 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Albania | 3/22/2018 | $5,743 | 5 | 5 | 9 | $9,131 | ||||
| Argentina | 3/22/2018 | $656,891 | 176 | 176 | 488 | $1,698,743 | ||||
| Australia | 3/23/2018 | $2,081,485 | 425 | 425 | 1,157 | $4,553,286 | ||||
| Austria | 3/23/2018 | $227,027 | 53 | 57 | 226 | $748,840 | ||||
| Belgium | 3/21/2018 | $200,920 | 72 | 72 | 267 | $522,093 | ||||
| Bolivia | 3/22/2018 | $153,165 | 20 | 20 | 88 | $570,746 | ||||
| Brazil | 3/22/2018 | $1,516,786 | 510 | 510 | 1,721 | $3,840,884 | ||||
| Bulgaria | 3/23/2018 | $78,373 | 0 | 6 | 8 | $185,979 | ||||
| Central America | 3/22/2018 | $639,766 | 160 | 160 | 527 | $1,932,368 | ||||
| Chile | 3/22/2018 | $429,870 | 69 | 69 | 238 | $1,084,976 | ||||
| China | 3/22/2018 | $63,260,000 | 140,244 | 140,244 | 210,819 | $99,488,360 | ||||
| Colombia | 3/22/2018 | $692,590 | 187 | 187 | 576 | $2,167,340 | ||||
| Croatia | 3/22/2018 | $10,502 | 26 | 26 | 37 | $20,605 | ||||
| Cyprus | 3/22/2018 | $18,651 | 6 | 6 | 19 | $36,052 | ||||
| Czech Republic | 3/23/2018 | $342,578 | 136 | 136 | 304 | $669,414 | ||||
| Denmark | 3/22/2018 | $174,335 | 58 | 58 | 184 | $526,105 | ||||
| Ecuador | 3/23/2018 | $281,152 | 40 | 40 | 157 | $854,222 | ||||
| Egypt | 3/21/2018 | $37,677 | 17 | 17 | 45 | $64,627 | ||||
| Estonia | 3/23/2018 | $40,797 | 16 | 16 | 44 | $95,261 | ||||
| Finland | 3/23/2018 | $90,210 | 56 | 56 | 161 | $199,608 | ||||
| France | 3/21/2018 | $2,593,391 | 532 | 532 | 1,734 | $5,871,823 | ||||
| Germany | 3/22/2018 | $1,797,749 | 495 | 508 | 2,159 | $5,658,208 | ||||
| Greece | 3/22/2018 | $113,467 | 68 | 68 | 142 | $254,166 | ||||
| Hong Kong | 3/29/2018 | $460,550 | 49 | 55 | 193 | $2,646,528 | ||||
| Hungary | 4/6/2018 | $246,727 | 56 | 66 | 176 | $479,574 | ||||
| Iceland | 3/23/2018 | $27,871 | 9 | 9 | 17 | $72,231 | ||||
| India | 3/23/2018 | $0 | 0 | 0 | 0 | $2,139,572 | ||||
| Indonesia | 3/21/2018 | $2,534,574 | 290 | 290 | 589 | $5,699,027 | ||||
| Israel | 3/22/2018 | $74,258 | 21 | 27 | 80 | $183,473 | ||||
| Italy | 3/22/2018 | $1,387,826 | 0 | 41 | 42 | $2,810,089 | ||||
| Japan | 4/13/2018 | $2,596,815 | 0 | 424 | 424 | $8,305,022 | ||||
| Latvia | 3/23/2018 | $26,607 | 10 | 10 | 31 | $73,513 | ||||
| Lebanon | 3/22/2018 | $40,670 | 16 | 16 | 35 | $82,812 | ||||
| Lithuania | 3/23/2018 | $31,203 | 126 | 126 | 192 | $63,905 | ||||
| Macedonia | 3/22/2018 | $2,721 | 3 | 3 | 7 | $5,661 | ||||
| Malaysia | 3/22/2018 | $3,276,178 | 150 | 150 | 597 | $6,510,788 | ||||
| Mexico | 3/22/2018 | $4,350,987 | 0 | 1,710 | 2,629 | $11,821,225 | ||||
| Middle East Region | 3/22/2018 | $438,214 | 61 | 61 | 125 | $724,584 | 5/16/2018 | |||
| Mongolia | 3/23/2018 | $31,510 | 8 | 8 | 28 | $87,710 | ||||
| Netherlands | 3/23/2018 | $437,104 | 79 | 81 | 351 | $1,124,212 | ||||
| New Zealand | 3/23/2018 | $413,698 | 74 | 76 | 333 | $887,602 | ||||
| Norway | 3/23/2018 | $189,123 | 104 | 104 | 202 | $442,478 | ||||
| Pakistan | 3/23/2018 | $48,345 | 45 | 45 | 60 | $80,485 | ||||
| Paraguay | 3/22/2018 | $42,097 | 18 | 18 | 55 | $103,782 | ||||
| Peru | 3/22/2018 | $550,459 | 99 | 99 | 209 | $1,570,946 | ||||
| Philippines | 3/30/2018 | $905,906 | 191 | 196 | 567 | $2,703,216 | ||||
| Poland | 3/23/2018 | $366,708 | 139 | 141 | 477 | $843,094 | ||||
| Portugal | 4/6/2018 | $180,237 | 74 | 75 | 218 | $301,158 | ||||
| Romania | 3/23/2018 | $185,625 | 75 | 75 | 248 | $511,144 | ||||
| Russia (CIS) | 3/22/2018 | $6,803,567 | 1,538 | 1,538 | 5,364 | $106,929 | ||||
| Serbia and Montenegro | 3/22/2018 | $30,117 | 51 | 51 | 117 | $69,191 | ||||
| Singapore | 3/22/2018 | $1,390,196 | 31 | 31 | 130 | $2,971,076 | ||||
| Slovakia | 3/23/2018 | $139,045 | 64 | 64 | 159 | $267,502 | ||||
| Slovenia | 3/22/2018 | $11,664 | 16 | 16 | 40 | $24,488 | ||||
| South Africa | 3/23/2018 | $193,437 | 113 | 115 | 380 | $770,391 | ||||
| South Korea | 3/16/2018 | $0 | 0 | 1,143 | 1,715 | $8,549,142 | ||||
| Spain | 3/23/2018 | $1,099,545 | 313 | 313 | 1,116 | $2,857,510 | ||||
| Sweden | 3/23/2018 | $255,531 | 127 | 127 | 264 | $547,367 | ||||
| Switzerland | 3/21/2018 | $230,836 | 58 | 58 | 168 | $526,457 | ||||
| Taiwan | 3/23/2018 | $2,288,229 | 138 | 138 | 409 | $5,820,339 | ||||
| Thailand | 3/22/2018 | $1,662,645 | 163 | 163 | 364 | $2,849,832 | ||||
| Trinidad | 3/21/2018 | $79,548 | 21 | 21 | 69 | $322,514 | ||||
| Turkey | 3/23/2018 | $360,098 | 347 | 347 | 917 | $789,682 | ||||
| Ukraine | 3/22/2018 | $705,135 | 169 | 174 | 583 | $1,309,508 | ||||
| United Arab Emirates | 3/22/2018 | $650,183 | 49 | 49 | 107 | $1,182,612 | ||||
| United Kingdom | 3/23/2018 | $2,342,134 | 505 | 505 | 1,626 | $6,226,674 | ||||
| Uruguay | 3/22/2018 | $28,782 | 22 | 22 | 69 | $95,149 | ||||
| Venezuela | 3/23/2018 | $156,199 | 68 | 68 | 229 | $789,389 | ||||
| Vietnam | 3/23/2018 | $731,734 | 143 | 145 | 386 | $1,327,032 | ||||
| Rest of World | $1,732,249 | |||||||||
| International Total | $231,055,623 | 5/16/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| John Boyega | Jake Pentecost |
Supporting
| Scott Eastwood | Nate Lambert | |
| Jing Tian | Liwen Shao | |
| Cailee Spaeny | Amara | |
| Rinko Kikuchi | Mako Mori | |
| Burn Gorman | Dr. Hermann Gottlieb | |
| Adria Arjona | Mech | |
| Max Zhang | The Marshal | |
| Charlie Day | Dr. Newt Geiszler | |
| Karan Brar | Cadet Suresh | |
| Wesley Wong | Cadet Jinhai | |
| Ivanna Sakhno | Cadet Viktoria | |
| Mackenyu | Cadet Ryoichi | |
| Lily Ji | Cadet Meilin | |
| Shyrley Rodriguez | Cadet Renata | |
| Rahart Adams | Cadet Tahima | |
| Levi Meaden | Cadet Ilya | |
| Dustin Clare | Joseph Burke | |
| Chen Zitong | Daiyu | |
| Yu Xiaowei | Security Chief Kang | |
| Qian Yongchen | Lieutenant Qiao | |
| Zeppelin Hamilton | Male Worshipper | |
| Jiaming Guo | Qingsheng Lab Tech | |
| Lan Yingying | Ah Lam Xiang | |
| Nick E. Tarabay | Sonny | |
| Shane Rangi | Sonny’s Crew #1 | |
| Jasper Bagg | Sonny’s Crew #2 | |
| Jai Day | PPDC Officer #1 | |
| Nick Satriano | PPDC Officer #2 | |
| Dan Feuerriegel | Lieutenant Allan Gronetti | |
| Jaime Slater | Captain McKinney | |
| Victor Matveev | Scrambler Tech | |
| Kim Jeong-Hoon | Lieutenant Huang | |
| Rumi Kikuchi | Japanese Woman | |
| Louis Okada | Japanese Man | |
| Albert Li | Liwen’s Security #1 | |
| Charles Napoleon An | Liwen’s Security #2 | |
| Jim Punnett | Liwen’s Security #3 | |
| Madeleine McGraw | Young Amara | |
| Josh Stamberg | Amara’s Father | |
| Stephanie Allynne Notaro | Amara’s Mother | |
| Luke Judy | Amara’s Brother | |
| Bridger Zadina | Dean | |
| Tim Johnson Jr | Morris | |
| Ellen McLain | Gipsy Avenger Al | |
| Erik Aadahl | November Ajax Voice | |
| Nancy Nugent Title | Jaeger Al |
Production and Technical Credits
| Steven S. DeKnight | Director | |
| Steven S. DeKnight | Screenwriter | |
| Emily Carmichael | Screenwriter | |
| Kira Snyder | Screenwriter | |
| T.S. Nowlin | Screenwriter | |
| Travis Beacham | Character Creator | |
| Guillermo del Toro | Story Creator | |
| Mary Parent | Producer | |
| Guillermo del Toro | Producer | |
| Cale Boyter | Producer | |
| Thomas Tull | Producer | |
| Jon Jashni | Producer | |
| John Boyega | Producer | |
| Femi Oguns | Producer | |
| Eric McLeod | Executive Producer | |
| Dory Wu | Executive Producer | |
| Hopming Cheng | Executive Producer | |
| Stefan Dechant | Production Designer | |
| Zach Staenberg | Editor | |
| Dylan Highsmith | Editor | |
| Josh Schaeffer | Editor | |
| Lizz Wolf | Costume Designer | |
| John Paesano | Composer | |
| Dan Mindel | Director of Photography | |
| Thomas Robinson Harper | Stunt Coordinator | |
| Tony Lynch | Stunt Coordinator | |
| Peter Chiang | Visual Effects Supervisor | |
| Sarah Halley Finn | Casting Director | |
| Jennifer Conroy | Co-Producer | |
| Sharon Miller | Unit Production Manager | |
| Nick Satriano | First Assistant Director | |
| Scott Lovelock | Second Assistant Director | |
| Jennifer Conroy | Unit Production Manager | |
| Aaron Shershow | Unit Production Manager | |
| Thomas Robinson Harper | Second Unit Director | |
| Brook Worley | Associate Producer | |
| Jake Rice | Associate Producer | |
| Jay Ashenfelter | Associate Producer | |
| Charlie Revai | Supervising Art Director | |
| Fiona Donovan | Art Director | |
| Aashrita Kamath | Art Director | |
| Jacinta Leong | Art Director | |
| Tom Nursey | Art Director | |
| Gillian Butler | Set Decorator | |
| Kristin Voumard | Script Supervisor | |
| Guntis Sics | Sound Mixer | |
| Dan Oliver | Special Effects Supervisor | |
| Lauren Cooper | Location Manager | |
| Ruth Mackinnon | Location Manager | |
| Colin McDougall | Location Manager | |
| Katherine Milne | Costume Supervisor | |
| Jennifer Lamphee | Make-up and Hair Designer | |
| Cassie Hanlon | Make up | |
| Wendy Dewaal | Hairstylist | |
| Mark Fitzgerald | First Assistant Editor | |
| Laura Yanovich | First Assistant Editor | |
| Andrew E. Johnson | First Assistant Editor | |
| Jesse Chapman | Assistant Editor | |
| Theresa Corrao | Visual Effects Producer | |
| Dominic Sidoli | Visual Effects Producer | |
| Randall Starr | Visual Effects Producer | |
| Kevin Cross | Set Designer | |
| Scott Herbertson | Set Designer | |
| Tex Kadonaga | Set Designer | |
| Kevin Loo | Set Designer | |
| Gordon Leibowitz | Set Designer | |
| Sooyeon Lim | Set Designer | |
| Teresa Meoli | Set Designer | |
| Alasdair Mott | Set Designer | |
| Prue Parsons | Set Designer | |
| Julien Pougnier | Set Designer | |
| Anshumen Prasad | Set Designer | |
| Shari Ratliff | Set Designer | |
| Scott Schneider | Set Designer | |
| Shamim Seifzadeh | Set Designer | |
| Clint Wallace | Set Designer | |
| Jon Taylor | Re-recording Mixer | |
| Frank A. Montano | Re-recording Mixer | |
| Erik Aadahl | Supervising Sound Editor | |
| Ethan Van der Ryn | Supervising Sound Editor | |
| David Bach | Supervising Dialogue and ADR Editor | |
| Brandon Jones | Sound Designer | |
| Tim Walston | Sound Designer | |
| Malte Bieler | Sound Effects Editor | |
| Justin M. Davey* | Sound Effects Editor | |
| Jon Title | Sound Effects Editor | |
| John C. Stuver | Dialogue Editor | |
| Michael Bauer | Supervising Music Editor | |
| Jay Duerr | Music Editor | |
| Mark Jan Wlodarkiewicz | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.