Paddington 2 (2017)
| Theatrical Performance | ||
| Domestic Box Office | $40,964,849 | Details |
| International Box Office | $187,612,510 | Details |
| Worldwide Box Office | $228,577,359 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,575,699 | |
| Blu-ray Sales (estimated) | $3,948,595 | |
| Total | $5,524,294 | |
| OpusData ID: 291990100 More info... | ||
| Further financial details... | ||
Synopsis
Paddington has happily settled with the Brown family in Windsor Gardens, where he has become a popular member of the community, spreading joy and marmalade wherever he goes. While searching for the perfect present for his beloved Aunt Lucy’s hundredth birthday, Paddington spots a unique pop-up book in Mr. Gruber’s antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it’s up to Paddington and the Browns to unmask the thief…
Metrics
| Opening Weekend: | $11,001,961 (26.9% of total gross) |
| Legs: | 3.72 (domestic box office/biggest weekend) |
| Domestic Share: | 17.9% (domestic box office/worldwide) |
| Theater counts: | 3,702 opening theaters/3,702 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $53,744,640 |
Movie Details
| Domestic Releases: | January 12th, 2018 (Wide) by Warner Bros. |
| International Releases: | November 9th, 2017 (Wide) (Italy)
November 10th, 2017 (Wide) (United Kingdom) November 24th, 2017 (Wide), released as Ayı Paddington 2 (Turkey) November 24th, 2017 (Special Engagement) (Slovakia) November 24th, 2017 (Wide) (Germany) ... Show all releases |
| Video Release: | March 27th, 2018 by Warner Home Video |
| MPA Rating: | PG for some action and mild rude humor. (Rating bulletin 2503 (Cert #51255), 11/22/2017) |
| Running Time: | 103 minutes |
| Franchise: | Paddington |
| Cast, crew, or production detail: | Animal Lead, Motion Capture Performance |
| Film format: | IMAX: DMR |
| Plot point: | Coma, Falsely Accused, Prison, Prison Break, Talking Animals, Treasure Hunters, Wrongfully Convicted |
| Subgenre: | Family Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Heyday Films, StudioCanal, Dimension Films, Anton Capital Entertainment |
| Production Countries: | United Kingdom, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 7 | $11,001,961 | 3,702 | $2,972 | $11,001,961 | 1 | |
| Jan 19, 2018 | 6 | $8,009,129 | -27% | 3,702 | $2,163 | $24,810,362 | 2 |
| Jan 26, 2018 | 9 | $5,668,433 | -29% | 2,792 | $2,030 | $32,118,849 | 3 |
| Feb 2, 2018 | 10 | $3,277,453 | -42% | 2,388 | $1,372 | $36,481,132 | 4 |
| Feb 9, 2018 | 17 | $1,301,101 | -60% | 1,429 | $910 | $38,533,465 | 5 |
| Feb 16, 2018 | 29 | $401,294 | -69% | 393 | $1,021 | $39,276,352 | 6 |
| Feb 23, 2018 | 32 | $213,231 | -47% | 281 | $759 | $39,802,641 | 7 |
| Mar 2, 2018 | 28 | $212,361 | n/c | 293 | $725 | $40,058,423 | 8 |
| Mar 9, 2018 | 33 | $162,792 | -23% | 281 | $579 | $40,335,451 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 11, 2018 | P | $325,000 | 0 | $325,000 | ||||
| Jan 12, 2018 | 8 | $2,422,120 | 3,702 | $654 | $2,422,120 | 1 | ||
| Jan 13, 2018 | 7 | $4,617,624 | +91% | 3,702 | $1,247 | $7,039,744 | 2 | |
| Jan 14, 2018 | 6 | $3,962,217 | -14% | 3,702 | $1,070 | $11,001,961 | 3 | |
| Jan 15, 2018 | 2 | $4,001,398 | +1% | 3,702 | $1,081 | $15,003,359 | 4 | |
| Jan 16, 2018 | 7 | $743,704 | -81% | 3,702 | $201 | $15,747,063 | 5 | |
| Jan 17, 2018 | 7 | $528,432 | -29% | 3,702 | $143 | $16,275,495 | 6 | |
| Jan 18, 2018 | 7 | $525,738 | -1% | 3,702 | $142 | $16,801,233 | 7 | |
| Jan 19, 2018 | 8 | $1,767,488 | +236% | -27% | 3,702 | $477 | $18,568,721 | 8 |
| Jan 20, 2018 | 6 | $3,921,391 | +122% | -15% | 3,702 | $1,059 | $22,490,112 | 9 |
| Jan 21, 2018 | 6 | $2,320,250 | -41% | -41% | 3,702 | $627 | $24,810,362 | 10 |
| Jan 22, 2018 | 9 | $374,768 | -84% | -91% | 3,702 | $101 | $25,185,130 | 11 |
| Jan 23, 2018 | 8 | $551,523 | +47% | -26% | 3,702 | $149 | $25,736,653 | 12 |
| Jan 24, 2018 | 13 | $353,644 | -36% | -33% | 3,702 | $96 | $26,090,297 | 13 |
| Jan 25, 2018 | 12 | $360,119 | +2% | -32% | 3,702 | $97 | $26,450,416 | 14 |
| Jan 26, 2018 | 9 | $1,147,254 | +219% | -35% | 2,792 | $411 | $27,597,670 | 15 |
| Jan 27, 2018 | 8 | $2,646,720 | +131% | -33% | 2,792 | $948 | $30,244,390 | 16 |
| Jan 28, 2018 | 8 | $1,874,459 | -29% | -19% | 2,792 | $671 | $32,118,849 | 17 |
| Jan 29, 2018 | 13 | $293,832 | -84% | -22% | 2,792 | $105 | $32,412,681 | 18 |
| Jan 30, 2018 | - | $335,551 | +14% | -39% | 2,792 | $120 | $32,748,232 | 19 |
| Jan 31, 2018 | - | $240,110 | -28% | -32% | 2,792 | $86 | $32,988,342 | 20 |
| Feb 1, 2018 | - | $215,337 | -10% | -40% | 2,792 | $77 | $33,203,679 | 21 |
| Feb 2, 2018 | 14 | $664,271 | +208% | -42% | 2,388 | $278 | $33,867,950 | 22 |
| Feb 3, 2018 | 10 | $1,757,524 | +165% | -34% | 2,388 | $736 | $35,625,474 | 23 |
| Feb 4, 2018 | 7 | $855,658 | -51% | -54% | 2,388 | $358 | $36,481,132 | 24 |
| Feb 5, 2018 | - | $184,414 | -78% | -37% | 2,388 | $77 | $36,665,546 | 25 |
| Feb 6, 2018 | - | $212,337 | +15% | -37% | 2,388 | $89 | $36,877,883 | 26 |
| Feb 7, 2018 | - | $201,370 | -5% | -16% | 2,388 | $84 | $37,079,253 | 27 |
| Feb 8, 2018 | - | $153,111 | -24% | -29% | 2,388 | $64 | $37,232,364 | 28 |
| Feb 9, 2018 | - | $208,150 | +36% | -69% | 1,429 | $146 | $37,440,514 | 29 |
| Feb 10, 2018 | - | $605,617 | +191% | -66% | 1,429 | $424 | $38,046,131 | 30 |
| Feb 11, 2018 | 15 | $487,334 | -20% | -43% | 1,429 | $341 | $38,533,465 | 31 |
| Feb 12, 2018 | - | $100,027 | -79% | -46% | 1,429 | $70 | $38,633,492 | 32 |
| Feb 13, 2018 | - | $73,821 | -26% | -65% | 1,429 | $52 | $38,707,313 | 33 |
| Feb 14, 2018 | - | $95,305 | +29% | -53% | 1,429 | $67 | $38,802,618 | 34 |
| Feb 15, 2018 | - | $72,440 | -24% | -53% | 1,429 | $51 | $38,875,058 | 35 |
| Feb 16, 2018 | - | $97,647 | +35% | -53% | 393 | $248 | $38,972,705 | 36 |
| Feb 17, 2018 | - | $159,343 | +63% | -74% | 393 | $405 | $39,132,048 | 37 |
| Feb 18, 2018 | - | $144,304 | -9% | -70% | 393 | $367 | $39,276,352 | 38 |
| Feb 19, 2018 | - | $204,819 | +42% | +105% | 393 | $521 | $39,481,171 | 39 |
| Feb 20, 2018 | - | $42,436 | -79% | -43% | 393 | $108 | $39,523,607 | 40 |
| Feb 21, 2018 | - | $32,576 | -23% | -66% | 393 | $83 | $39,556,183 | 41 |
| Feb 22, 2018 | - | $33,227 | +2% | -54% | 393 | $85 | $39,589,410 | 42 |
| Feb 23, 2018 | - | $43,658 | +31% | -55% | 281 | $155 | $39,633,068 | 43 |
| Feb 24, 2018 | - | $93,827 | +115% | -41% | 281 | $334 | $39,726,895 | 44 |
| Feb 25, 2018 | - | $75,746 | -19% | -48% | 281 | $270 | $39,802,641 | 45 |
| Feb 26, 2018 | - | $10,842 | -86% | -95% | 281 | $39 | $39,813,483 | 46 |
| Feb 27, 2018 | - | $11,833 | +9% | -72% | 281 | $42 | $39,825,316 | 47 |
| Feb 28, 2018 | - | $9,908 | -16% | -70% | 281 | $35 | $39,835,224 | 48 |
| Mar 1, 2018 | - | $10,838 | +9% | -67% | 281 | $39 | $39,846,062 | 49 |
| Mar 2, 2018 | - | $47,403 | +337% | +9% | 293 | $162 | $39,893,465 | 50 |
| Mar 3, 2018 | - | $96,714 | +104% | +3% | 293 | $330 | $39,990,179 | 51 |
| Mar 4, 2018 | - | $68,244 | -29% | -10% | 293 | $233 | $40,058,423 | 52 |
| Mar 5, 2018 | - | $22,891 | -66% | +111% | 293 | $78 | $40,081,314 | 53 |
| Mar 6, 2018 | - | $32,703 | +43% | +176% | 293 | $112 | $40,114,017 | 54 |
| Mar 7, 2018 | - | $29,736 | -9% | +200% | 293 | $101 | $40,143,753 | 55 |
| Mar 8, 2018 | - | $28,906 | -3% | +167% | 293 | $99 | $40,172,659 | 56 |
| Mar 9, 2018 | - | $42,184 | +46% | -11% | 281 | $150 | $40,214,843 | 57 |
| Mar 10, 2018 | - | $69,956 | +66% | -28% | 281 | $249 | $40,284,799 | 58 |
| Mar 11, 2018 | - | $50,652 | -28% | -26% | 281 | $180 | $40,335,451 | 59 |
| Mar 12, 2018 | - | $24,861 | -51% | +9% | 281 | $88 | $40,360,312 | 60 |
| Mar 13, 2018 | - | $28,303 | +14% | -13% | 281 | $101 | $40,388,615 | 61 |
| Mar 14, 2018 | - | $26,416 | -7% | -11% | 281 | $94 | $40,415,031 | 62 |
| Mar 15, 2018 | - | $27,021 | +2% | -7% | 281 | $96 | $40,442,052 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 6 | $16,801,233 | 3,702 | $4,538 | $16,801,233 | 1 | |
| Jan 19, 2018 | 6 | $9,649,183 | -43% | 3,702 | $2,606 | $26,450,416 | 2 |
| Jan 26, 2018 | 9 | $6,753,263 | -30% | 2,792 | $2,419 | $33,203,679 | 3 |
| Feb 2, 2018 | 11 | $4,028,685 | -40% | 2,388 | $1,687 | $37,232,364 | 4 |
| Feb 9, 2018 | 19 | $1,642,694 | -59% | 1,429 | $1,150 | $38,875,058 | 5 |
| Feb 16, 2018 | 27 | $714,352 | -57% | 393 | $1,818 | $39,589,410 | 6 |
| Feb 23, 2018 | 33 | $256,652 | -64% | 281 | $913 | $39,846,062 | 7 |
| Mar 2, 2018 | 28 | $326,597 | +27% | 293 | $1,115 | $40,172,659 | 8 |
| Mar 9, 2018 | 28 | $269,393 | -18% | 281 | $959 | $40,442,052 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/2/2018 | $0 | 0 | 0 | 0 | $110,871 | 4/4/2026 | |||
| Australia | 12/22/2017 | $805,028 | 299 | 4 | 2,515 | $7,413,546 | 5/4/2026 | |||
| Brazil | 2/2/2018 | $450,332 | 0 | 0 | 0 | $757,349 | 6/14/2018 | |||
| Bulgaria | 12/1/2017 | $39,937 | 0 | 0 | 0 | $185,275 | 2/26/2019 | |||
| China | 12/8/2017 | $15,800,000 | 75,249 | 75,249 | 102,384 | $32,555,520 | 10/12/2018 | |||
| Czech Republic | 12/1/2017 | $130,912 | 149 | 149 | 672 | $673,864 | 1/1/2019 | |||
| France | 12/8/2017 | $3,145,187 | 0 | 0 | 0 | $15,580,122 | 6/28/2018 | |||
| Germany | 11/24/2017 | $1,979,034 | 715 | 739 | 1,454 | $7,713,744 | 6/29/2018 | |||
| India | 1/12/2018 | $0 | 0 | 0 | 0 | $233,671 | 3/12/2018 | |||
| Italy | 11/9/2017 | $1,186,878 | 0 | 0 | 0 | $3,062,204 | 12/11/2017 | |||
| Japan | 1/19/2018 | $1,053,337 | 0 | 0 | 0 | $5,286,057 | 6/8/2018 | |||
| Lithuania | 12/1/2017 | $57,365 | 153 | 153 | 519 | $233,774 | 1/24/2018 | |||
| Mexico | 2/9/2018 | $544,978 | 0 | 0 | 0 | $1,022,838 | 2/20/2018 | |||
| Netherlands | 12/8/2017 | $129,575 | 141 | 147 | 973 | $2,207,410 | 3/5/2018 | |||
| New Zealand | 12/22/2017 | $200,772 | 105 | 107 | 897 | $1,169,171 | 12/23/2024 | |||
| Poland | 12/29/2017 | $937,943 | 0 | 0 | 0 | $3,903,821 | 1/1/2019 | |||
| Portugal | 12/8/2017 | $196,920 | 103 | 105 | 442 | $669,762 | 6/6/2018 | |||
| Russia (CIS) | 1/19/2018 | $1,485,110 | 1,227 | 1,358 | 5,579 | $6,288,080 | 1/1/2019 | |||
| Slovakia | 11/24/2017 | $11,860 | 17 | 78 | 300 | $226,628 | 4/4/2026 | |||
| South Korea | 1/26/2018 | $16,759 | 0 | 629 | 1,403 | $2,277,612 | 9/10/2018 | |||
| Spain | 11/24/2017 | $755,926 | 296 | 301 | 1,374 | $1,907,261 | 1/12/2018 | |||
| Turkey | 11/24/2017 | $117,370 | 153 | 153 | 394 | $313,492 | 2/26/2019 | |||
| United Kingdom | 11/10/2017 | $10,848,647 | 607 | 661 | 8,953 | $55,367,086 | 11/7/2024 | |||
| Rest of World | $38,453,352 | |||||||||
| International Total | $187,612,510 | 5/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Hugh Bonneville | Henry Brown | |
| Sally Hawkins | Mary Brown | |
| Brendan Gleeson | Knuckles McGinty |
Supporting
| Julie Walters | Mrs. Bird | |
| Jim Broadbent | Samuel Gruber | |
| Peter Capaldi | Mr. Curry |
Lead Ensemble Member
| Hugh Grant | Phoenix Buchanan | |
| Ben Whishaw | Paddington |
Supporting
| Michael Gambon | Uncle Pastuzo | |
| Imelda Staunton | Aunt Lucy | |
| Marie France | Mademoiselle Dubois | |
| Sanjeev Bhaskar | Dr. Jafri | |
| Ben Miller | Colonel | |
| Jessica Hynes | Miss Kitts | |
| Robbie Gee | Mr. Barnes | |
| Nicholas Woodeson | Insurance Company C.E.O. | |
| Jordan Alex | Steve Visby | |
| Stewart Gilchrist | Chakrabatics Instructor | |
| Enzo Squillino, Jr. | Mr. Giuseppe | |
| Tom Conti | Judge | |
| Sam Payne | Nelson | |
| Catherine Shepherd | Nelson’s Mother | |
| Louis Partridge | G-Man | |
| Claire Keelan | Police Officer | |
| Shola Adewusi | First Ms Peters | |
| Nadine Marshal | Second Ms. Peters | |
| Geoffrey Lumb | Second Police Officer | |
| Meera Syal | Prosecutor | |
| Richard Ayoade | Forensic Investigator | |
| Michael Mears | Clerk of the Court | |
| Kobna Holdbrook-Smith | Warden Walker | |
| Tom Davis | T-Bone | |
| Noah Taylor | Phibs | |
| Aaron Neil | Spoon | |
| Nicholas Lumley | Farmer Jack | |
| Virgile Elana | Charley Rumble | |
| Jamie Demetriou | The Professor | |
| Dame Eileen Atkins* | Madame Kozlova | |
| Jennie Legat | The First Madame Kozlova | |
| Tim Fitzhigham | Magician | |
| Gus Brown | St. Paul’s Tour Guide | |
| Simon Farnaby | Barry The Security Guard | |
| Jean Evans | Elderly Nun in St. Pauls | |
| Dan Antopolski | Second St. Paul’s Guard | |
| Robert Stevenson | Jimmy The Snitch | |
| Geoff Banks | Squeaky Pete | |
| Emerson Nwolie | Double Bass Bob | |
| Deepak Anand | Mad Dog | |
| Stephen McDade | Jonny Cashpoint | |
| Cal McCrystal | Sir Geoffrey Wilcott | |
| Joanna Lumley | Felicity Fanshawe | |
| Joel Fry | Postman | |
| Kya Garwood | Felicity Fanshawe’s Assistant | |
| Justin Edwards | Dozy Policeman | |
| David Sant | Steward | |
| Maggie Steed | Gertrude Biggleswade |
Production and Technical Credits
| Paul King | Director | |
| David Heyman | Producer | |
| Paul King | Screenwriter | |
| Simon Farnaby | Screenwriter | |
| Michael Bond | Story by | |
| Rosie Alison | Executive Producer | |
| Jeffrey Clifford | Executive Producer | |
| Alexandra Ferguson Derbyshire* | Executive Producer | |
| Didier Lupfer | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| David Glasser | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Mark Everson | Editor | |
| Jonathan Amos | Editor | |
| Erik Wilson | Director of Photography | |
| Erik Alexander Wilson | Director of Photography | |
| Gary Williamson | Production Designer | |
| Dario Marianelli | Composer | |
| Lindy Hemming | Costume Designer | |
| Nina Gold | Casting Director | |
| Lauren Evans | Casting Director | |
| Nick Angel | Music Supervisor | |
| Tim Wellspring | Line Producer | |
| John Sorapure | Second Unit Director | |
| Robin Saxen | Visual Effects Producer | |
| Jack Ravenscroft | First Assistant Director | |
| Pablo Grillo | Animation Director | |
| Andy Kind | Visual Effects Supervisor | |
| Glen Pratt | Visual Effects Supervisor | |
| Jonah Coombes | Supervising Location Manager | |
| Tim Grover | Post-Production Supervisor | |
| Glenn Freemantle | Sound Designer | |
| Glenn Freemantle | Supervising Sound Editor | |
| Danny Hambrook | Sound Mixer | |
| Rob Silva | Associate Producer | |
| Ben Irving | Associate Producer | |
| Anna Worley | Script Supervisor | |
| Eleri Coulten | Location Manager | |
| Amie Tridgell | Location Manager | |
| Robert Campbell-Bell | Location Manager | |
| Patrick Rolfe | Supervising Art Director | |
| Gareth Cousins | Art Director | |
| James Price | Art Director | |
| Andrea Borland | Art Director | |
| Cathy Cosgrove | Set Decorator | |
| Richard Ketteridge | Additional Editor | |
| Niv Adiri | Re-recording Mixer | |
| Ian Tapp | Re-recording Mixer | |
| Gillian Dodders | Supervising Dialogue/ADR Editor | |
| Rob Malone | Sound Effects Editor | |
| Nick Freemantle | Sound Effects Editor | |
| Dayo James | Sound Effects Editor | |
| James Wichall | Dialogue Editor | |
| Glen Gathard | Foley Mixer | |
| Charlotte Finlay | Costume Supervisor | |
| Mike Kelt | Special Effects Supervisor | |
| Maggie Rodford | Score Supervisor | |
| Mark Willsher | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Paddington has happily settled with the Brown family in Windsor Gardens, where he has become a popular member of the community, spreading joy and marmalade wherever he goes. While searching for the perfect present for his beloved Aunt Lucy’s hundredth birthday, Paddington spots a unique pop-up book in Mr. Gruber’s antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it’s up to Paddington and the Browns to unmask the thief…
Metrics
| Opening Weekend: | $11,001,961 (26.9% of total gross) |
| Legs: | 3.72 (domestic box office/biggest weekend) |
| Domestic Share: | 17.9% (domestic box office/worldwide) |
| Theater counts: | 3,702 opening theaters/3,702 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $53,744,640 |
Movie Details
| Domestic Releases: | January 12th, 2018 (Wide) by Warner Bros. |
| International Releases: | November 9th, 2017 (Wide) (Italy)
November 10th, 2017 (Wide) (United Kingdom) November 24th, 2017 (Wide), released as Ayı Paddington 2 (Turkey) November 24th, 2017 (Special Engagement) (Slovakia) November 24th, 2017 (Wide) (Germany) ... Show all releases |
| Video Release: | March 27th, 2018 by Warner Home Video |
| MPA Rating: | PG for some action and mild rude humor. (Rating bulletin 2503 (Cert #51255), 11/22/2017) |
| Running Time: | 103 minutes |
| Franchise: | Paddington |
| Cast, crew, or production detail: | Animal Lead, Motion Capture Performance |
| Film format: | IMAX: DMR |
| Plot point: | Coma, Falsely Accused, Prison, Prison Break, Talking Animals, Treasure Hunters, Wrongfully Convicted |
| Subgenre: | Family Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Heyday Films, StudioCanal, Dimension Films, Anton Capital Entertainment |
| Production Countries: | United Kingdom, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 7 | $11,001,961 | 3,702 | $2,972 | $11,001,961 | 1 | |
| Jan 19, 2018 | 6 | $8,009,129 | -27% | 3,702 | $2,163 | $24,810,362 | 2 |
| Jan 26, 2018 | 9 | $5,668,433 | -29% | 2,792 | $2,030 | $32,118,849 | 3 |
| Feb 2, 2018 | 10 | $3,277,453 | -42% | 2,388 | $1,372 | $36,481,132 | 4 |
| Feb 9, 2018 | 17 | $1,301,101 | -60% | 1,429 | $910 | $38,533,465 | 5 |
| Feb 16, 2018 | 29 | $401,294 | -69% | 393 | $1,021 | $39,276,352 | 6 |
| Feb 23, 2018 | 32 | $213,231 | -47% | 281 | $759 | $39,802,641 | 7 |
| Mar 2, 2018 | 28 | $212,361 | n/c | 293 | $725 | $40,058,423 | 8 |
| Mar 9, 2018 | 33 | $162,792 | -23% | 281 | $579 | $40,335,451 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 11, 2018 | P | $325,000 | 0 | $325,000 | ||||
| Jan 12, 2018 | 8 | $2,422,120 | 3,702 | $654 | $2,422,120 | 1 | ||
| Jan 13, 2018 | 7 | $4,617,624 | +91% | 3,702 | $1,247 | $7,039,744 | 2 | |
| Jan 14, 2018 | 6 | $3,962,217 | -14% | 3,702 | $1,070 | $11,001,961 | 3 | |
| Jan 15, 2018 | 2 | $4,001,398 | +1% | 3,702 | $1,081 | $15,003,359 | 4 | |
| Jan 16, 2018 | 7 | $743,704 | -81% | 3,702 | $201 | $15,747,063 | 5 | |
| Jan 17, 2018 | 7 | $528,432 | -29% | 3,702 | $143 | $16,275,495 | 6 | |
| Jan 18, 2018 | 7 | $525,738 | -1% | 3,702 | $142 | $16,801,233 | 7 | |
| Jan 19, 2018 | 8 | $1,767,488 | +236% | -27% | 3,702 | $477 | $18,568,721 | 8 |
| Jan 20, 2018 | 6 | $3,921,391 | +122% | -15% | 3,702 | $1,059 | $22,490,112 | 9 |
| Jan 21, 2018 | 6 | $2,320,250 | -41% | -41% | 3,702 | $627 | $24,810,362 | 10 |
| Jan 22, 2018 | 9 | $374,768 | -84% | -91% | 3,702 | $101 | $25,185,130 | 11 |
| Jan 23, 2018 | 8 | $551,523 | +47% | -26% | 3,702 | $149 | $25,736,653 | 12 |
| Jan 24, 2018 | 13 | $353,644 | -36% | -33% | 3,702 | $96 | $26,090,297 | 13 |
| Jan 25, 2018 | 12 | $360,119 | +2% | -32% | 3,702 | $97 | $26,450,416 | 14 |
| Jan 26, 2018 | 9 | $1,147,254 | +219% | -35% | 2,792 | $411 | $27,597,670 | 15 |
| Jan 27, 2018 | 8 | $2,646,720 | +131% | -33% | 2,792 | $948 | $30,244,390 | 16 |
| Jan 28, 2018 | 8 | $1,874,459 | -29% | -19% | 2,792 | $671 | $32,118,849 | 17 |
| Jan 29, 2018 | 13 | $293,832 | -84% | -22% | 2,792 | $105 | $32,412,681 | 18 |
| Jan 30, 2018 | - | $335,551 | +14% | -39% | 2,792 | $120 | $32,748,232 | 19 |
| Jan 31, 2018 | - | $240,110 | -28% | -32% | 2,792 | $86 | $32,988,342 | 20 |
| Feb 1, 2018 | - | $215,337 | -10% | -40% | 2,792 | $77 | $33,203,679 | 21 |
| Feb 2, 2018 | 14 | $664,271 | +208% | -42% | 2,388 | $278 | $33,867,950 | 22 |
| Feb 3, 2018 | 10 | $1,757,524 | +165% | -34% | 2,388 | $736 | $35,625,474 | 23 |
| Feb 4, 2018 | 7 | $855,658 | -51% | -54% | 2,388 | $358 | $36,481,132 | 24 |
| Feb 5, 2018 | - | $184,414 | -78% | -37% | 2,388 | $77 | $36,665,546 | 25 |
| Feb 6, 2018 | - | $212,337 | +15% | -37% | 2,388 | $89 | $36,877,883 | 26 |
| Feb 7, 2018 | - | $201,370 | -5% | -16% | 2,388 | $84 | $37,079,253 | 27 |
| Feb 8, 2018 | - | $153,111 | -24% | -29% | 2,388 | $64 | $37,232,364 | 28 |
| Feb 9, 2018 | - | $208,150 | +36% | -69% | 1,429 | $146 | $37,440,514 | 29 |
| Feb 10, 2018 | - | $605,617 | +191% | -66% | 1,429 | $424 | $38,046,131 | 30 |
| Feb 11, 2018 | 15 | $487,334 | -20% | -43% | 1,429 | $341 | $38,533,465 | 31 |
| Feb 12, 2018 | - | $100,027 | -79% | -46% | 1,429 | $70 | $38,633,492 | 32 |
| Feb 13, 2018 | - | $73,821 | -26% | -65% | 1,429 | $52 | $38,707,313 | 33 |
| Feb 14, 2018 | - | $95,305 | +29% | -53% | 1,429 | $67 | $38,802,618 | 34 |
| Feb 15, 2018 | - | $72,440 | -24% | -53% | 1,429 | $51 | $38,875,058 | 35 |
| Feb 16, 2018 | - | $97,647 | +35% | -53% | 393 | $248 | $38,972,705 | 36 |
| Feb 17, 2018 | - | $159,343 | +63% | -74% | 393 | $405 | $39,132,048 | 37 |
| Feb 18, 2018 | - | $144,304 | -9% | -70% | 393 | $367 | $39,276,352 | 38 |
| Feb 19, 2018 | - | $204,819 | +42% | +105% | 393 | $521 | $39,481,171 | 39 |
| Feb 20, 2018 | - | $42,436 | -79% | -43% | 393 | $108 | $39,523,607 | 40 |
| Feb 21, 2018 | - | $32,576 | -23% | -66% | 393 | $83 | $39,556,183 | 41 |
| Feb 22, 2018 | - | $33,227 | +2% | -54% | 393 | $85 | $39,589,410 | 42 |
| Feb 23, 2018 | - | $43,658 | +31% | -55% | 281 | $155 | $39,633,068 | 43 |
| Feb 24, 2018 | - | $93,827 | +115% | -41% | 281 | $334 | $39,726,895 | 44 |
| Feb 25, 2018 | - | $75,746 | -19% | -48% | 281 | $270 | $39,802,641 | 45 |
| Feb 26, 2018 | - | $10,842 | -86% | -95% | 281 | $39 | $39,813,483 | 46 |
| Feb 27, 2018 | - | $11,833 | +9% | -72% | 281 | $42 | $39,825,316 | 47 |
| Feb 28, 2018 | - | $9,908 | -16% | -70% | 281 | $35 | $39,835,224 | 48 |
| Mar 1, 2018 | - | $10,838 | +9% | -67% | 281 | $39 | $39,846,062 | 49 |
| Mar 2, 2018 | - | $47,403 | +337% | +9% | 293 | $162 | $39,893,465 | 50 |
| Mar 3, 2018 | - | $96,714 | +104% | +3% | 293 | $330 | $39,990,179 | 51 |
| Mar 4, 2018 | - | $68,244 | -29% | -10% | 293 | $233 | $40,058,423 | 52 |
| Mar 5, 2018 | - | $22,891 | -66% | +111% | 293 | $78 | $40,081,314 | 53 |
| Mar 6, 2018 | - | $32,703 | +43% | +176% | 293 | $112 | $40,114,017 | 54 |
| Mar 7, 2018 | - | $29,736 | -9% | +200% | 293 | $101 | $40,143,753 | 55 |
| Mar 8, 2018 | - | $28,906 | -3% | +167% | 293 | $99 | $40,172,659 | 56 |
| Mar 9, 2018 | - | $42,184 | +46% | -11% | 281 | $150 | $40,214,843 | 57 |
| Mar 10, 2018 | - | $69,956 | +66% | -28% | 281 | $249 | $40,284,799 | 58 |
| Mar 11, 2018 | - | $50,652 | -28% | -26% | 281 | $180 | $40,335,451 | 59 |
| Mar 12, 2018 | - | $24,861 | -51% | +9% | 281 | $88 | $40,360,312 | 60 |
| Mar 13, 2018 | - | $28,303 | +14% | -13% | 281 | $101 | $40,388,615 | 61 |
| Mar 14, 2018 | - | $26,416 | -7% | -11% | 281 | $94 | $40,415,031 | 62 |
| Mar 15, 2018 | - | $27,021 | +2% | -7% | 281 | $96 | $40,442,052 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 6 | $16,801,233 | 3,702 | $4,538 | $16,801,233 | 1 | |
| Jan 19, 2018 | 6 | $9,649,183 | -43% | 3,702 | $2,606 | $26,450,416 | 2 |
| Jan 26, 2018 | 9 | $6,753,263 | -30% | 2,792 | $2,419 | $33,203,679 | 3 |
| Feb 2, 2018 | 11 | $4,028,685 | -40% | 2,388 | $1,687 | $37,232,364 | 4 |
| Feb 9, 2018 | 19 | $1,642,694 | -59% | 1,429 | $1,150 | $38,875,058 | 5 |
| Feb 16, 2018 | 27 | $714,352 | -57% | 393 | $1,818 | $39,589,410 | 6 |
| Feb 23, 2018 | 33 | $256,652 | -64% | 281 | $913 | $39,846,062 | 7 |
| Mar 2, 2018 | 28 | $326,597 | +27% | 293 | $1,115 | $40,172,659 | 8 |
| Mar 9, 2018 | 28 | $269,393 | -18% | 281 | $959 | $40,442,052 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/2/2018 | $0 | 0 | 0 | 0 | $110,871 | 4/4/2026 | |||
| Australia | 12/22/2017 | $805,028 | 299 | 4 | 2,515 | $7,413,546 | 5/4/2026 | |||
| Brazil | 2/2/2018 | $450,332 | 0 | 0 | 0 | $757,349 | 6/14/2018 | |||
| Bulgaria | 12/1/2017 | $39,937 | 0 | 0 | 0 | $185,275 | 2/26/2019 | |||
| China | 12/8/2017 | $15,800,000 | 75,249 | 75,249 | 102,384 | $32,555,520 | 10/12/2018 | |||
| Czech Republic | 12/1/2017 | $130,912 | 149 | 149 | 672 | $673,864 | 1/1/2019 | |||
| France | 12/8/2017 | $3,145,187 | 0 | 0 | 0 | $15,580,122 | 6/28/2018 | |||
| Germany | 11/24/2017 | $1,979,034 | 715 | 739 | 1,454 | $7,713,744 | 6/29/2018 | |||
| India | 1/12/2018 | $0 | 0 | 0 | 0 | $233,671 | 3/12/2018 | |||
| Italy | 11/9/2017 | $1,186,878 | 0 | 0 | 0 | $3,062,204 | 12/11/2017 | |||
| Japan | 1/19/2018 | $1,053,337 | 0 | 0 | 0 | $5,286,057 | 6/8/2018 | |||
| Lithuania | 12/1/2017 | $57,365 | 153 | 153 | 519 | $233,774 | 1/24/2018 | |||
| Mexico | 2/9/2018 | $544,978 | 0 | 0 | 0 | $1,022,838 | 2/20/2018 | |||
| Netherlands | 12/8/2017 | $129,575 | 141 | 147 | 973 | $2,207,410 | 3/5/2018 | |||
| New Zealand | 12/22/2017 | $200,772 | 105 | 107 | 897 | $1,169,171 | 12/23/2024 | |||
| Poland | 12/29/2017 | $937,943 | 0 | 0 | 0 | $3,903,821 | 1/1/2019 | |||
| Portugal | 12/8/2017 | $196,920 | 103 | 105 | 442 | $669,762 | 6/6/2018 | |||
| Russia (CIS) | 1/19/2018 | $1,485,110 | 1,227 | 1,358 | 5,579 | $6,288,080 | 1/1/2019 | |||
| Slovakia | 11/24/2017 | $11,860 | 17 | 78 | 300 | $226,628 | 4/4/2026 | |||
| South Korea | 1/26/2018 | $16,759 | 0 | 629 | 1,403 | $2,277,612 | 9/10/2018 | |||
| Spain | 11/24/2017 | $755,926 | 296 | 301 | 1,374 | $1,907,261 | 1/12/2018 | |||
| Turkey | 11/24/2017 | $117,370 | 153 | 153 | 394 | $313,492 | 2/26/2019 | |||
| United Kingdom | 11/10/2017 | $10,848,647 | 607 | 661 | 8,953 | $55,367,086 | 11/7/2024 | |||
| Rest of World | $38,453,352 | |||||||||
| International Total | $187,612,510 | 5/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Hugh Bonneville | Henry Brown | |
| Sally Hawkins | Mary Brown | |
| Brendan Gleeson | Knuckles McGinty |
Supporting
| Julie Walters | Mrs. Bird | |
| Jim Broadbent | Samuel Gruber | |
| Peter Capaldi | Mr. Curry |
Lead Ensemble Member
| Hugh Grant | Phoenix Buchanan | |
| Ben Whishaw | Paddington |
Supporting
| Michael Gambon | Uncle Pastuzo | |
| Imelda Staunton | Aunt Lucy | |
| Marie France | Mademoiselle Dubois | |
| Sanjeev Bhaskar | Dr. Jafri | |
| Ben Miller | Colonel | |
| Jessica Hynes | Miss Kitts | |
| Robbie Gee | Mr. Barnes | |
| Nicholas Woodeson | Insurance Company C.E.O. | |
| Jordan Alex | Steve Visby | |
| Stewart Gilchrist | Chakrabatics Instructor | |
| Enzo Squillino, Jr. | Mr. Giuseppe | |
| Tom Conti | Judge | |
| Sam Payne | Nelson | |
| Catherine Shepherd | Nelson’s Mother | |
| Louis Partridge | G-Man | |
| Claire Keelan | Police Officer | |
| Shola Adewusi | First Ms Peters | |
| Nadine Marshal | Second Ms. Peters | |
| Geoffrey Lumb | Second Police Officer | |
| Meera Syal | Prosecutor | |
| Richard Ayoade | Forensic Investigator | |
| Michael Mears | Clerk of the Court | |
| Kobna Holdbrook-Smith | Warden Walker | |
| Tom Davis | T-Bone | |
| Noah Taylor | Phibs | |
| Aaron Neil | Spoon | |
| Nicholas Lumley | Farmer Jack | |
| Virgile Elana | Charley Rumble | |
| Jamie Demetriou | The Professor | |
| Dame Eileen Atkins* | Madame Kozlova | |
| Jennie Legat | The First Madame Kozlova | |
| Tim Fitzhigham | Magician | |
| Gus Brown | St. Paul’s Tour Guide | |
| Simon Farnaby | Barry The Security Guard | |
| Jean Evans | Elderly Nun in St. Pauls | |
| Dan Antopolski | Second St. Paul’s Guard | |
| Robert Stevenson | Jimmy The Snitch | |
| Geoff Banks | Squeaky Pete | |
| Emerson Nwolie | Double Bass Bob | |
| Deepak Anand | Mad Dog | |
| Stephen McDade | Jonny Cashpoint | |
| Cal McCrystal | Sir Geoffrey Wilcott | |
| Joanna Lumley | Felicity Fanshawe | |
| Joel Fry | Postman | |
| Kya Garwood | Felicity Fanshawe’s Assistant | |
| Justin Edwards | Dozy Policeman | |
| David Sant | Steward | |
| Maggie Steed | Gertrude Biggleswade |
Production and Technical Credits
| Paul King | Director | |
| David Heyman | Producer | |
| Paul King | Screenwriter | |
| Simon Farnaby | Screenwriter | |
| Michael Bond | Story by | |
| Rosie Alison | Executive Producer | |
| Jeffrey Clifford | Executive Producer | |
| Alexandra Ferguson Derbyshire* | Executive Producer | |
| Didier Lupfer | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| David Glasser | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Mark Everson | Editor | |
| Jonathan Amos | Editor | |
| Erik Wilson | Director of Photography | |
| Erik Alexander Wilson | Director of Photography | |
| Gary Williamson | Production Designer | |
| Dario Marianelli | Composer | |
| Lindy Hemming | Costume Designer | |
| Nina Gold | Casting Director | |
| Lauren Evans | Casting Director | |
| Nick Angel | Music Supervisor | |
| Tim Wellspring | Line Producer | |
| John Sorapure | Second Unit Director | |
| Robin Saxen | Visual Effects Producer | |
| Jack Ravenscroft | First Assistant Director | |
| Pablo Grillo | Animation Director | |
| Andy Kind | Visual Effects Supervisor | |
| Glen Pratt | Visual Effects Supervisor | |
| Jonah Coombes | Supervising Location Manager | |
| Tim Grover | Post-Production Supervisor | |
| Glenn Freemantle | Sound Designer | |
| Glenn Freemantle | Supervising Sound Editor | |
| Danny Hambrook | Sound Mixer | |
| Rob Silva | Associate Producer | |
| Ben Irving | Associate Producer | |
| Anna Worley | Script Supervisor | |
| Eleri Coulten | Location Manager | |
| Amie Tridgell | Location Manager | |
| Robert Campbell-Bell | Location Manager | |
| Patrick Rolfe | Supervising Art Director | |
| Gareth Cousins | Art Director | |
| James Price | Art Director | |
| Andrea Borland | Art Director | |
| Cathy Cosgrove | Set Decorator | |
| Richard Ketteridge | Additional Editor | |
| Niv Adiri | Re-recording Mixer | |
| Ian Tapp | Re-recording Mixer | |
| Gillian Dodders | Supervising Dialogue/ADR Editor | |
| Rob Malone | Sound Effects Editor | |
| Nick Freemantle | Sound Effects Editor | |
| Dayo James | Sound Effects Editor | |
| James Wichall | Dialogue Editor | |
| Glen Gathard | Foley Mixer | |
| Charlotte Finlay | Costume Supervisor | |
| Mike Kelt | Special Effects Supervisor | |
| Maggie Rodford | Score Supervisor | |
| Mark Willsher | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.