The Pale Blue Eye (2022)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 496520100 More info... | ||
| Further financial details... | ||
Synopsis
A veteran detective and a detail-oriented young cadet team up to solve a series of murders that took place in 1830 at the U.S. Military Academy at West Point. The young cadet later becomes world famous author, Edgar Allan Poe.
Metrics
Movie Details
| Domestic Releases: | December 23rd, 2022 (Limited) by Netflix |
| International Releases: | December 22nd, 2022 (Limited) (Australia)
December 23rd, 2022 (Limited) (Germany) December 23rd, 2022 (Limited) (United Kingdom) December 23rd, 2022 (Special Engagement), released as Los crímenes de la academia (Spain) |
| Video Release: | January 6th, 2023 by Netflix |
| MPA Rating: | R for some violent content and bloody images. (Rating bulletin 2744 (cert #53814), 8/10/2022) |
| Running Time: | 130 minutes |
| Plot point: | Crime |
| Social setting: | Military Life |
| Subgenre: | Psychological Horror |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Chernin Entertainment, Cross Creek Pictures |
| Production Countries: | United States |
| Languages: | English |
Lead Ensemble Member
| Christian Bale | Detective Augustus Landor | |
| Harry Melling | Edgar Allan Poe | |
| Gillian Anderson | Julia Marquis | |
| Lucy Boynton | Lea Marquis | |
| Robert Duvall | Jean-Pepe |
Supporting
| Timothy Spall | ||
| Fred Hechinger | ||
| Charlotte Gainsbourg | ||
| Toby Jones | ||
| Harry Lawtey | ||
| Simon McBurney | ||
| Hadley Robinson | ||
| Joey Brooks | ||
| Brennan Keel Cook | ||
| Gideon Glick | ||
| Matt Helm | ||
| Jack Irving | ||
| Steven Maier | ||
| Charlie Tahan |
Production and Technical Credits
| Scott Cooper | Director | |
| Scott Cooper | Screenwriter | |
| Louis Bayard | Story by | |
| Peter Chernin | Producer | |
| Scott Cooper | Producer | |
| Christian Bale | Producer | |
| Tyler Thompson | Producer | |
| John Lesher | Producer | |
| Tracey Landon | Executive Producer | |
| Dylan Weathered | Executive Producer | |
| Louis Bayard | Executive Producer | |
| Chris Sharp | Executive Producer | |
| Jennifer Lamb | Executive Producer | |
| Emily Salveson | Executive Producer | |
| Ryan Smith | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A veteran detective and a detail-oriented young cadet team up to solve a series of murders that took place in 1830 at the U.S. Military Academy at West Point. The young cadet later becomes world famous author, Edgar Allan Poe.
Metrics
Movie Details
| Domestic Releases: | December 23rd, 2022 (Limited) by Netflix |
| International Releases: | December 22nd, 2022 (Limited) (Australia)
December 23rd, 2022 (Limited) (Germany) December 23rd, 2022 (Limited) (United Kingdom) December 23rd, 2022 (Special Engagement), released as Los crímenes de la academia (Spain) |
| Video Release: | January 6th, 2023 by Netflix |
| MPA Rating: | R for some violent content and bloody images. (Rating bulletin 2744 (cert #53814), 8/10/2022) |
| Running Time: | 130 minutes |
| Plot point: | Crime |
| Social setting: | Military Life |
| Subgenre: | Psychological Horror |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Chernin Entertainment, Cross Creek Pictures |
| Production Countries: | United States |
| Languages: | English |
Lead Ensemble Member
| Christian Bale | Detective Augustus Landor | |
| Harry Melling | Edgar Allan Poe | |
| Gillian Anderson | Julia Marquis | |
| Lucy Boynton | Lea Marquis | |
| Robert Duvall | Jean-Pepe |
Supporting
| Timothy Spall | ||
| Fred Hechinger | ||
| Charlotte Gainsbourg | ||
| Toby Jones | ||
| Harry Lawtey | ||
| Simon McBurney | ||
| Hadley Robinson | ||
| Joey Brooks | ||
| Brennan Keel Cook | ||
| Gideon Glick | ||
| Matt Helm | ||
| Jack Irving | ||
| Steven Maier | ||
| Charlie Tahan |
Production and Technical Credits
| Scott Cooper | Director | |
| Scott Cooper | Screenwriter | |
| Louis Bayard | Story by | |
| Peter Chernin | Producer | |
| Scott Cooper | Producer | |
| Christian Bale | Producer | |
| Tyler Thompson | Producer | |
| John Lesher | Producer | |
| Tracey Landon | Executive Producer | |
| Dylan Weathered | Executive Producer | |
| Louis Bayard | Executive Producer | |
| Chris Sharp | Executive Producer | |
| Jennifer Lamb | Executive Producer | |
| Emily Salveson | Executive Producer | |
| Ryan Smith | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.