Pan Deng Zhe (2019)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $487,157 | Details |
| International Box Office | $173,521,647 | Details |
| Worldwide Box Office | $174,008,804 | |
| OpusData ID: 428960100 More info... | ||
| Further financial details... | ||
Synopsis
A retelling of the first Chinese climbers to summit Mount Everest— the first ever to do so from the North Ridge. Well-known as the most challenging side of the mountain, the perilous journey takes its toll on the mountaineers, physically and mentally, forcing them to make life or death decisions at every turn.
Metrics
| Opening Weekend: | $156,096 (32.0% of total gross) |
| Legs: | 3.12 (domestic box office/biggest weekend) |
| Domestic Share: | 0.3% (domestic box office/worldwide) |
| Theater counts: | 102 opening theaters/102 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $636,069 |
Movie Details
| Domestic Releases: | September 30th, 2019 (IMAX) by Well Go USA, released as The Climbers October 4th, 2019 (Limited) by Well Go USA, released as The Climbers |
| International Releases: | September 28th, 2019 (Wide) (China)
October 4th, 2019 (Wide), released as The Climbers (United Kingdom) October 10th, 2019 (Wide), released as The Climbers (New Zealand) October 11th, 2019 (Wide), released as The Climbers (Australia) July 22nd, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | February 25th, 2020 by Well Go USA Video, released as The Climbers |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Plot point: | Mountain Climbing, World Record Attempt |
| Subgenre: | Chase Adventure |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Visualizer Film, Shanghai Film Group |
| Production Countries: | China |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 4, 2019 | 24 | $156,096 | 102 | $1,530 | $324,874 | 1 | |
| Oct 11, 2019 | 37 | $45,642 | -71% | 29 | $1,574 | $452,103 | 2 |
| Oct 18, 2019 | 60 | $6,557 | -86% | 5 | $1,311 | $482,449 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 31 | $168,778 | 88 | $1,918 | $168,778 | 1 | |
| Oct 4, 2019 | 25 | $237,683 | +41% | 102 | $2,330 | $406,461 | 2 |
| Oct 11, 2019 | 36 | $69,431 | -71% | 29 | $2,394 | $475,892 | 3 |
| Oct 18, 2019 | 58 | $11,265 | -84% | 5 | $2,253 | $487,157 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/11/2019 | $68,311 | 26 | 26 | 53 | $115,286 | 10/29/2019 | |||
| China | 9/28/2019 | $6,241,074 | 0 | 118,190 | 143,819 | $155,238,476 | 4/4/2026 | |||
| Mexico | 9/4/2020 | $46,307 | 0 | 0 | 0 | $107,845 | ||||
| New Zealand | 10/10/2019 | $14,760 | 7 | 7 | 12 | $24,818 | 10/19/2022 | |||
| South Korea | 7/22/2020 | $12,768 | 131 | 131 | 131 | $25,639 | 7/29/2020 | |||
| United Kingdom | 10/4/2019 | $28,059 | 24 | 24 | 24 | $28,059 | 10/9/2019 | |||
| Rest of World | $17,981,524 | |||||||||
| International Total | $173,521,647 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Wu Jing | Fang Wuzhou | |
| Zhang Ziyi | Xu Ying | |
| Zhang Yi | Qu Songlin | |
| Boran Jing | Li Guoliang |
Supporting
| Jackie Chan | Xia Boyu (Old) | |
| Quni Ciren | Sherpa Mudan | |
| Hu Ge | Yang Guang | |
| Lawang Lop | Jiebu |
Production and Technical Credits
| Daniel Lee | Director | |
| Tsui Hark | Producer | |
| Daniel Lee | Screenwriter | |
| A Lai | Screenwriter | |
| Susanna Tsang | Producer | |
| Ren Zhonglun | Executive Producer | |
| Daniel Lee | Production Designer | |
| Tang Man To | Editor | |
| Li Lin | Editor | |
| Henry Lai | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A retelling of the first Chinese climbers to summit Mount Everest— the first ever to do so from the North Ridge. Well-known as the most challenging side of the mountain, the perilous journey takes its toll on the mountaineers, physically and mentally, forcing them to make life or death decisions at every turn.
Metrics
| Opening Weekend: | $156,096 (32.0% of total gross) |
| Legs: | 3.12 (domestic box office/biggest weekend) |
| Domestic Share: | 0.3% (domestic box office/worldwide) |
| Theater counts: | 102 opening theaters/102 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $636,069 |
Movie Details
| Domestic Releases: | September 30th, 2019 (IMAX) by Well Go USA, released as The Climbers October 4th, 2019 (Limited) by Well Go USA, released as The Climbers |
| International Releases: | September 28th, 2019 (Wide) (China)
October 4th, 2019 (Wide), released as The Climbers (United Kingdom) October 10th, 2019 (Wide), released as The Climbers (New Zealand) October 11th, 2019 (Wide), released as The Climbers (Australia) July 22nd, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | February 25th, 2020 by Well Go USA Video, released as The Climbers |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Plot point: | Mountain Climbing, World Record Attempt |
| Subgenre: | Chase Adventure |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Visualizer Film, Shanghai Film Group |
| Production Countries: | China |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 4, 2019 | 24 | $156,096 | 102 | $1,530 | $324,874 | 1 | |
| Oct 11, 2019 | 37 | $45,642 | -71% | 29 | $1,574 | $452,103 | 2 |
| Oct 18, 2019 | 60 | $6,557 | -86% | 5 | $1,311 | $482,449 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 31 | $168,778 | 88 | $1,918 | $168,778 | 1 | |
| Oct 4, 2019 | 25 | $237,683 | +41% | 102 | $2,330 | $406,461 | 2 |
| Oct 11, 2019 | 36 | $69,431 | -71% | 29 | $2,394 | $475,892 | 3 |
| Oct 18, 2019 | 58 | $11,265 | -84% | 5 | $2,253 | $487,157 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/11/2019 | $68,311 | 26 | 26 | 53 | $115,286 | 10/29/2019 | |||
| China | 9/28/2019 | $6,241,074 | 0 | 118,190 | 143,819 | $155,238,476 | 4/4/2026 | |||
| Mexico | 9/4/2020 | $46,307 | 0 | 0 | 0 | $107,845 | ||||
| New Zealand | 10/10/2019 | $14,760 | 7 | 7 | 12 | $24,818 | 10/19/2022 | |||
| South Korea | 7/22/2020 | $12,768 | 131 | 131 | 131 | $25,639 | 7/29/2020 | |||
| United Kingdom | 10/4/2019 | $28,059 | 24 | 24 | 24 | $28,059 | 10/9/2019 | |||
| Rest of World | $17,981,524 | |||||||||
| International Total | $173,521,647 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Wu Jing | Fang Wuzhou | |
| Zhang Ziyi | Xu Ying | |
| Zhang Yi | Qu Songlin | |
| Boran Jing | Li Guoliang |
Supporting
| Jackie Chan | Xia Boyu (Old) | |
| Quni Ciren | Sherpa Mudan | |
| Hu Ge | Yang Guang | |
| Lawang Lop | Jiebu |
Production and Technical Credits
| Daniel Lee | Director | |
| Tsui Hark | Producer | |
| Daniel Lee | Screenwriter | |
| A Lai | Screenwriter | |
| Susanna Tsang | Producer | |
| Ren Zhonglun | Executive Producer | |
| Daniel Lee | Production Designer | |
| Tang Man To | Editor | |
| Li Lin | Editor | |
| Henry Lai | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.