Papi Chulo (2019)
| Theatrical Performance | ||
| Domestic Box Office | $84,703 | Details |
| International Box Office | $14,833 | Details |
| Worldwide Box Office | $99,536 | |
| OpusData ID: 364450100 More info... | ||
| Further financial details... | ||
Synopsis
A lonely TV weatherman strikes up an unusual friendship with a middle-aged Latino migrant worker.
Metrics
| Opening Weekend: | $7,257 (8.6% of total gross) |
| Legs: | 5.41 (domestic box office/biggest weekend) |
| Domestic Share: | 85.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/16 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $110,594 |
Movie Details
| Domestic Releases: | June 7th, 2019 (Limited) by Blue Fox Entertainment |
| International Releases: | June 7th, 2019 (Limited) (United Kingdom)
August 27th, 2020 (Wide) (New Zealand) |
| Video Release: | November 5th, 2019 by Breaking Glass Pictures |
| MPA Rating: | R for language. (Rating bulletin 2569 (Cert #52092), 3/13/2019) |
| Running Time: | 98 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Immigration, LGBTQ+, Extreme Weather |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blue Fox Entertainment, FIS Eireann, Screen Ireland, RTE, Head Gear Films, Metrol Technology, Bankside Films, Treasure Entertainment |
| Production Countries: | Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2019 | 53 | $7,257 | 2 | $3,629 | $7,257 | 1 | |
| Jun 14, 2019 | 50 | $8,747 | +21% | 12 | $729 | $19,293 | 2 |
| Jun 21, 2019 | 42 | $15,665 | +79% | 16 | $979 | $39,687 | 3 |
| Jun 28, 2019 | 48 | $10,200 | -35% | 11 | $927 | $57,911 | 4 |
| Jul 5, 2019 | 43 | $9,031 | -11% | 11 | $821 | $73,740 | 5 |
| Jul 12, 2019 | 66 | $2,011 | -78% | 5 | $402 | $80,460 | 6 |
| Jul 19, 2019 | 87 | $422 | -79% | 1 | $422 | $82,080 | 7 |
| Jul 26, 2019 | 69 | $751 | +78% | 2 | $376 | $83,016 | 8 |
| Aug 2, 2019 | 78 | $524 | -30% | 2 | $262 | $84,064 | 9 |
| Aug 9, 2019 | 81 | $78 | -85% | 1 | $78 | $84,575 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2019 | - | $10,546 | 2 | $5,273 | $10,546 | 1 | |
| Jun 14, 2019 | - | $13,476 | +28% | 12 | $1,123 | $24,022 | 2 |
| Jun 21, 2019 | 44 | $23,689 | +76% | 16 | $1,481 | $47,711 | 3 |
| Jun 28, 2019 | 52 | $16,998 | -28% | 11 | $1,545 | $64,709 | 4 |
| Jul 5, 2019 | 44 | $13,740 | -19% | 11 | $1,249 | $78,449 | 5 |
| Jul 12, 2019 | 71 | $3,209 | -77% | 5 | $642 | $81,658 | 6 |
| Jul 19, 2019 | 88 | $607 | -81% | 1 | $607 | $82,265 | 7 |
| Jul 26, 2019 | 76 | $1,275 | +110% | 2 | $638 | $83,540 | 8 |
| Aug 2, 2019 | 80 | $957 | -25% | 2 | $479 | $84,497 | 9 |
| Aug 9, 2019 | 88 | $206 | -78% | 1 | $206 | $84,703 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 8/27/2020 | $381 | 4 | 9 | 40 | $5,213 | 10/19/2022 | |||
| United Kingdom | 6/7/2019 | $9,620 | 11 | 11 | 11 | $9,620 | 6/13/2019 | |||
| International Total | $14,833 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matt Bomer | Sean | |
| Alejandro Patino | Ernesto |
Supporting
| D’Arcy Carden | Susan | |
| Ryan Guzman | Rodrigo | |
| Wendi McLendon-Covey | Ash | |
| Elena Campbell-Martinez | Linda | |
| Michael Shepperd | Stan | |
| Shaughn Buchholz | Mike | |
| Tommie Earl Jenkins | Tom | |
| Tom Beyer | Floor Manager |
Production and Technical Credits
| John Butler | Director | |
| John Butler | Screenwriter | |
| Robert Walpole | Producer | |
| Rebecca O'Flanagan | Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Hilary Davis | Executive Producer | |
| Stephen Kelliher | Executive Producer | |
| Chris Abernathy | Line Producer | |
| Cathal Watters | Director of Photography | |
| John O’Connor | Editor | |
| John McPhillips | Composer | |
| Susannah Honey | Production Designer | |
| Joanna David | Costume Designer | |
| Barbara McCarthy | Casting Director | |
| Alice Merlin | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A lonely TV weatherman strikes up an unusual friendship with a middle-aged Latino migrant worker.
Metrics
| Opening Weekend: | $7,257 (8.6% of total gross) |
| Legs: | 5.41 (domestic box office/biggest weekend) |
| Domestic Share: | 85.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/16 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $110,594 |
Movie Details
| Domestic Releases: | June 7th, 2019 (Limited) by Blue Fox Entertainment |
| International Releases: | June 7th, 2019 (Limited) (United Kingdom)
August 27th, 2020 (Wide) (New Zealand) |
| Video Release: | November 5th, 2019 by Breaking Glass Pictures |
| MPA Rating: | R for language. (Rating bulletin 2569 (Cert #52092), 3/13/2019) |
| Running Time: | 98 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Immigration, LGBTQ+, Extreme Weather |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blue Fox Entertainment, FIS Eireann, Screen Ireland, RTE, Head Gear Films, Metrol Technology, Bankside Films, Treasure Entertainment |
| Production Countries: | Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2019 | 53 | $7,257 | 2 | $3,629 | $7,257 | 1 | |
| Jun 14, 2019 | 50 | $8,747 | +21% | 12 | $729 | $19,293 | 2 |
| Jun 21, 2019 | 42 | $15,665 | +79% | 16 | $979 | $39,687 | 3 |
| Jun 28, 2019 | 48 | $10,200 | -35% | 11 | $927 | $57,911 | 4 |
| Jul 5, 2019 | 43 | $9,031 | -11% | 11 | $821 | $73,740 | 5 |
| Jul 12, 2019 | 66 | $2,011 | -78% | 5 | $402 | $80,460 | 6 |
| Jul 19, 2019 | 87 | $422 | -79% | 1 | $422 | $82,080 | 7 |
| Jul 26, 2019 | 69 | $751 | +78% | 2 | $376 | $83,016 | 8 |
| Aug 2, 2019 | 78 | $524 | -30% | 2 | $262 | $84,064 | 9 |
| Aug 9, 2019 | 81 | $78 | -85% | 1 | $78 | $84,575 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2019 | - | $10,546 | 2 | $5,273 | $10,546 | 1 | |
| Jun 14, 2019 | - | $13,476 | +28% | 12 | $1,123 | $24,022 | 2 |
| Jun 21, 2019 | 44 | $23,689 | +76% | 16 | $1,481 | $47,711 | 3 |
| Jun 28, 2019 | 52 | $16,998 | -28% | 11 | $1,545 | $64,709 | 4 |
| Jul 5, 2019 | 44 | $13,740 | -19% | 11 | $1,249 | $78,449 | 5 |
| Jul 12, 2019 | 71 | $3,209 | -77% | 5 | $642 | $81,658 | 6 |
| Jul 19, 2019 | 88 | $607 | -81% | 1 | $607 | $82,265 | 7 |
| Jul 26, 2019 | 76 | $1,275 | +110% | 2 | $638 | $83,540 | 8 |
| Aug 2, 2019 | 80 | $957 | -25% | 2 | $479 | $84,497 | 9 |
| Aug 9, 2019 | 88 | $206 | -78% | 1 | $206 | $84,703 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 8/27/2020 | $381 | 4 | 9 | 40 | $5,213 | 10/19/2022 | |||
| United Kingdom | 6/7/2019 | $9,620 | 11 | 11 | 11 | $9,620 | 6/13/2019 | |||
| International Total | $14,833 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matt Bomer | Sean | |
| Alejandro Patino | Ernesto |
Supporting
| D’Arcy Carden | Susan | |
| Ryan Guzman | Rodrigo | |
| Wendi McLendon-Covey | Ash | |
| Elena Campbell-Martinez | Linda | |
| Michael Shepperd | Stan | |
| Shaughn Buchholz | Mike | |
| Tommie Earl Jenkins | Tom | |
| Tom Beyer | Floor Manager |
Production and Technical Credits
| John Butler | Director | |
| John Butler | Screenwriter | |
| Robert Walpole | Producer | |
| Rebecca O'Flanagan | Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Hilary Davis | Executive Producer | |
| Stephen Kelliher | Executive Producer | |
| Chris Abernathy | Line Producer | |
| Cathal Watters | Director of Photography | |
| John O’Connor | Editor | |
| John McPhillips | Composer | |
| Susannah Honey | Production Designer | |
| Joanna David | Costume Designer | |
| Barbara McCarthy | Casting Director | |
| Alice Merlin | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.