Paradise Hills (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $476,062 | Details |
| Worldwide Box Office | $476,062 | |
| OpusData ID: 323080100 More info... | ||
| Further financial details... | ||
Synopsis
On an isolated island, Uma wakes up to find herself at Paradise Hills, a facility where high-class families send their daughters to become perfect versions of themselves. The facility is run by the mysterious Duchess where calibrated treatments including etiquette classes, vocal lessons, beauty treatments, gymnastics and restricted diets, revolve all physical and emotional shortcomings within two months. The outspoken Uma finds solace and friendship in other Paradise Hills residents — Chloe, Yu and Mexican popstar Amarna. Uma soon realizes that lurking behind all this beauty is a sinister secret. It’s a race against the clock as Uma and her friends try to escape Paradise Hills before it consumes them all.
Metrics
Movie Details
| Domestic Releases: | October 25th, 2019 (Limited) by Samuel Goldwyn Films |
| International Releases: | August 29th, 2019 (Wide) (Germany)
August 30th, 2019 (Wide) (Austria) October 11th, 2019 (Wide) (Spain) October 23rd, 2019 (Wide) (Philippines) October 24th, 2019 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | January 7th, 2020 by Samuel Goldwyn |
| MPA Rating: | Not Rated |
| Running Time: | 94 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Samuel Goldwyn Films, Nostromo Pictures, Colina Paraiso AIE |
| Production Countries: | Spain |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 8/30/2019 | $940 | 6 | 6 | 6 | $940 | 9/5/2019 | |||
| Cambodia | 11/1/2019 | $3,000 | 0 | 0 | 0 | $984 | 4/4/2026 | |||
| Germany | 8/29/2019 | $7,119 | 66 | 66 | 74 | $19,636 | 9/26/2019 | |||
| Hong Kong | 10/24/2019 | $35,729 | 29 | 29 | 36 | $51,108 | 11/7/2019 | |||
| Italy | 10/2/2020 | $40,376 | 0 | 0 | 0 | $40,376 | 10/19/2022 | |||
| Laos | 10/31/2019 | $500 | 0 | 0 | 0 | $900 | 11/21/2019 | |||
| Lithuania | 11/1/2019 | $2,823 | 10 | 10 | 12 | $4,434 | 10/19/2022 | |||
| Philippines | 10/23/2019 | $92,405 | 0 | 0 | 0 | $92,405 | 10/30/2019 | |||
| Portugal | 11/8/2019 | $6,815 | 22 | 22 | 40 | $10,327 | 10/19/2022 | |||
| Romania | 10/25/2019 | $12,007 | 60 | 60 | 115 | $26,931 | 12/31/2019 | |||
| Russia (CIS) | 11/7/2019 | $56,239 | 338 | 338 | 473 | $84,615 | 10/19/2022 | |||
| South Korea | 3/19/2020 | $8,479 | 98 | 98 | 98 | $11,312 | 3/25/2020 | |||
| Spain | 10/11/2019 | $20,926 | 83 | 83 | 110 | $33,222 | 11/14/2019 | |||
| Taiwan | 1/10/2020 | $8,995 | 11 | 11 | 11 | $42,569 | 2/1/2020 | |||
| Thailand | 10/31/2019 | $7,329 | 34 | 34 | 38 | $13,109 | 11/21/2019 | |||
| Ukraine | 11/7/2019 | $26,241 | 95 | 95 | 179 | $34,991 | 11/29/2019 | |||
| Vietnam | 11/1/2019 | $2,463 | 3 | 3 | 9 | $4,287 | 11/21/2019 | |||
| Rest of World | $3,916 | |||||||||
| International Total | $476,062 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Emma Roberts | Uma | |
| Danielle Macdonald | Chloe | |
| Awkwafina | Yu | |
| Eiza González | Amarna | |
| Milla Jovovich | The Duchess |
Supporting
| Jeremy Irvine | Markus | |
| Arnaud Valois | Son Presscott |
Production and Technical Credits
| Alice Waddington | Director | |
| Adrian Guerra | Producer | |
| Nuria Valls | Producer | |
| Brian DeLeeuw | Screenwriter | |
| Nacho Vigalondo | Screenwriter | |
| Sofia Cuenca | Story by | |
| Alice Waddington | Story by | |
| Josu Inchaustegui | Director of Photography | |
| Lucas Vidal | Composer | |
| Guillermo De La Cal | Editor | |
| Laia Colet | Production Designer | |
| Alberto Valcarel | Costume Designer | |
| Alex Villagrasa | Visual Effects Supervisor | |
| Oriol Tarrago | Sound Designer | |
| Marta Sánchez | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
On an isolated island, Uma wakes up to find herself at Paradise Hills, a facility where high-class families send their daughters to become perfect versions of themselves. The facility is run by the mysterious Duchess where calibrated treatments including etiquette classes, vocal lessons, beauty treatments, gymnastics and restricted diets, revolve all physical and emotional shortcomings within two months. The outspoken Uma finds solace and friendship in other Paradise Hills residents — Chloe, Yu and Mexican popstar Amarna. Uma soon realizes that lurking behind all this beauty is a sinister secret. It’s a race against the clock as Uma and her friends try to escape Paradise Hills before it consumes them all.
Metrics
Movie Details
| Domestic Releases: | October 25th, 2019 (Limited) by Samuel Goldwyn Films |
| International Releases: | August 29th, 2019 (Wide) (Germany)
August 30th, 2019 (Wide) (Austria) October 11th, 2019 (Wide) (Spain) October 23rd, 2019 (Wide) (Philippines) October 24th, 2019 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | January 7th, 2020 by Samuel Goldwyn |
| MPA Rating: | Not Rated |
| Running Time: | 94 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Samuel Goldwyn Films, Nostromo Pictures, Colina Paraiso AIE |
| Production Countries: | Spain |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 8/30/2019 | $940 | 6 | 6 | 6 | $940 | 9/5/2019 | |||
| Cambodia | 11/1/2019 | $3,000 | 0 | 0 | 0 | $984 | 4/4/2026 | |||
| Germany | 8/29/2019 | $7,119 | 66 | 66 | 74 | $19,636 | 9/26/2019 | |||
| Hong Kong | 10/24/2019 | $35,729 | 29 | 29 | 36 | $51,108 | 11/7/2019 | |||
| Italy | 10/2/2020 | $40,376 | 0 | 0 | 0 | $40,376 | 10/19/2022 | |||
| Laos | 10/31/2019 | $500 | 0 | 0 | 0 | $900 | 11/21/2019 | |||
| Lithuania | 11/1/2019 | $2,823 | 10 | 10 | 12 | $4,434 | 10/19/2022 | |||
| Philippines | 10/23/2019 | $92,405 | 0 | 0 | 0 | $92,405 | 10/30/2019 | |||
| Portugal | 11/8/2019 | $6,815 | 22 | 22 | 40 | $10,327 | 10/19/2022 | |||
| Romania | 10/25/2019 | $12,007 | 60 | 60 | 115 | $26,931 | 12/31/2019 | |||
| Russia (CIS) | 11/7/2019 | $56,239 | 338 | 338 | 473 | $84,615 | 10/19/2022 | |||
| South Korea | 3/19/2020 | $8,479 | 98 | 98 | 98 | $11,312 | 3/25/2020 | |||
| Spain | 10/11/2019 | $20,926 | 83 | 83 | 110 | $33,222 | 11/14/2019 | |||
| Taiwan | 1/10/2020 | $8,995 | 11 | 11 | 11 | $42,569 | 2/1/2020 | |||
| Thailand | 10/31/2019 | $7,329 | 34 | 34 | 38 | $13,109 | 11/21/2019 | |||
| Ukraine | 11/7/2019 | $26,241 | 95 | 95 | 179 | $34,991 | 11/29/2019 | |||
| Vietnam | 11/1/2019 | $2,463 | 3 | 3 | 9 | $4,287 | 11/21/2019 | |||
| Rest of World | $3,916 | |||||||||
| International Total | $476,062 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Emma Roberts | Uma | |
| Danielle Macdonald | Chloe | |
| Awkwafina | Yu | |
| Eiza González | Amarna | |
| Milla Jovovich | The Duchess |
Supporting
| Jeremy Irvine | Markus | |
| Arnaud Valois | Son Presscott |
Production and Technical Credits
| Alice Waddington | Director | |
| Adrian Guerra | Producer | |
| Nuria Valls | Producer | |
| Brian DeLeeuw | Screenwriter | |
| Nacho Vigalondo | Screenwriter | |
| Sofia Cuenca | Story by | |
| Alice Waddington | Story by | |
| Josu Inchaustegui | Director of Photography | |
| Lucas Vidal | Composer | |
| Guillermo De La Cal | Editor | |
| Laia Colet | Production Designer | |
| Alberto Valcarel | Costume Designer | |
| Alex Villagrasa | Visual Effects Supervisor | |
| Oriol Tarrago | Sound Designer | |
| Marta Sánchez | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.