Paris Can Wait (2017)
| Theatrical Performance | ||
| Domestic Box Office | $5,608,745 | Details |
| International Box Office | $9,869,510 | Details |
| Worldwide Box Office | $15,478,255 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $182,466 | |
| Total | $182,466 | |
| OpusData ID: 279470100 More info... | ||
| Further financial details... | ||
Synopsis
A Hollywood producer’s wife unexpectedly takes a trip through France, which reawakens her sense of self and her joie de vivre. Anne is at a crossroads in her life. Long married to a successfully driven but inattentive movie producer, she finds herself taking a car trip from Cannes to Paris with a business associate of her husband. What should be a seven hour drive turns into a journey of discovery involving mouthwatering meals, spectacular wines, and picturesque sights.
Metrics
| Opening Weekend: | $98,850 (1.8% of total gross) |
| Legs: | 10.59 (domestic box office/biggest weekend) |
| Domestic Share: | 36.2% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/214 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,478,325 |
Movie Details
| Domestic Releases: | May 12th, 2017 (Limited) by Sony Pictures Classics |
| International Releases: | May 19th, 2017 (Wide) (Russia (CIS))
June 9th, 2017 (Wide) (Brazil) June 15th, 2017 (Wide), released as Parigi può attendere (Italy) June 16th, 2017 (Wide), released as Paris puede esperar (Spain) June 16th, 2017 (Wide) (Argentina) ... Show all releases |
| Video Release: | September 5th, 2017 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for thematic elements, smoking and some language. (Rating bulletin 2460 (Cert #50866), 1/25/2017) |
| Running Time: | 92 minutes |
| Geographical setting: | France, Paris |
| Plot point: | Food, Infidelity, Relationships Gone Wrong, Road Trip, Romance |
| Social setting: | Movie Business |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lifetime Films, American Zoetrope, Corner Piece Capital LLC, Protagonist Pictures, Tohokushinsha Film Corporation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 12, 2017 | 36 | $98,850 | 4 | $24,713 | $98,850 | 1 | |
| May 19, 2017 | - | $188,369 | +91% | 23 | $8,190 | $318,951 | 2 |
| Jun 2, 2017 | 14 | $529,395 | 151 | $3,506 | $1,606,002 | 4 | |
| Jun 9, 2017 | 17 | $436,424 | -18% | 176 | $2,480 | $2,271,700 | 5 |
| Jun 30, 2017 | 20 | $263,580 | 214 | $1,232 | $4,704,374 | 8 | |
| Jul 7, 2017 | 24 | $150,687 | -43% | 131 | $1,150 | $5,057,072 | 9 |
| Jul 21, 2017 | 32 | $56,919 | 66 | $862 | $5,451,705 | 11 | |
| Jul 28, 2017 | 41 | $30,435 | -47% | 44 | $692 | $5,521,575 | 12 |
| Aug 4, 2017 | 48 | $15,818 | -48% | 28 | $565 | $5,564,452 | 13 |
| Aug 11, 2017 | 58 | $9,544 | -40% | 16 | $597 | $5,586,613 | 14 |
| Aug 18, 2017 | 62 | $6,253 | -34% | 13 | $481 | $5,598,731 | 15 |
| Aug 25, 2017 | 84 | $2,203 | -65% | 8 | $275 | $5,608,745 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 12, 2017 | 35 | $130,582 | 4 | $32,646 | $130,582 | 1 | |
| Jun 2, 2017 | 14 | $758,669 | 151 | $5,024 | $1,835,276 | 4 | |
| Jun 30, 2017 | 20 | $465,591 | 214 | $2,176 | $4,906,385 | 8 | |
| Jul 7, 2017 | 24 | $243,695 | -48% | 131 | $1,860 | $5,150,080 | 9 |
| Jul 14, 2017 | 23 | $244,706 | n/c | 177 | $1,383 | $5,394,786 | 10 |
| Jul 21, 2017 | 29 | $96,354 | -61% | 66 | $1,460 | $5,491,140 | 11 |
| Jul 28, 2017 | 39 | $57,494 | -40% | 44 | $1,307 | $5,548,634 | 12 |
| Aug 4, 2017 | 48 | $28,435 | -51% | 28 | $1,016 | $5,577,069 | 13 |
| Aug 11, 2017 | 59 | $15,409 | -46% | 16 | $963 | $5,592,478 | 14 |
| Aug 18, 2017 | 61 | $14,064 | -9% | 13 | $1,082 | $5,606,542 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/16/2017 | $46,528 | 0 | 0 | 0 | $207,498 | 1/1/2019 | |||
| Australia | 6/23/2017 | $1,597 | 1 | 123 | 824 | $1,246,522 | 10/30/2017 | |||
| Brazil | 6/9/2017 | $126,482 | 0 | 0 | 0 | $608,366 | 6/26/2018 | |||
| Germany | 7/14/2017 | $204,915 | 0 | 0 | 0 | $451,777 | 6/29/2018 | |||
| India | 9/8/2017 | $0 | 0 | 0 | 0 | $2,367,556 | 10/3/2018 | |||
| Italy | 6/15/2017 | $48,086 | 0 | 0 | 0 | $264,795 | 8/11/2017 | |||
| Lithuania | 9/15/2017 | $13,923 | 31 | 40 | 89 | $34,812 | 10/10/2017 | |||
| Netherlands | 7/27/2017 | $31,272 | 13 | 20 | 123 | $146,808 | 10/3/2017 | |||
| New Zealand | 7/21/2017 | $70,103 | 30 | 33 | 199 | $202,543 | 9/11/2017 | |||
| Poland | 7/21/2017 | $98,883 | 0 | 0 | 0 | $106,223 | 1/1/2019 | |||
| Portugal | 6/30/2017 | $23,890 | 14 | 15 | 45 | $76,499 | 8/10/2017 | |||
| Russia (CIS) | 5/19/2017 | $36,208 | 126 | 126 | 221 | $96,802 | 1/1/2019 | |||
| South Korea | 7/18/2017 | $0 | 0 | 79 | 304 | $834,079 | 9/7/2018 | |||
| Spain | 6/16/2017 | $131,344 | 84 | 88 | 288 | $434,465 | 7/13/2017 | |||
| Rest of World | $2,790,765 | |||||||||
| International Total | $9,869,510 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Diane Lane | Anne |
Supporting
| Alec Baldwin | Michael | |
| Arnaud Viard | Jacques | |
| Elise Tielrooy | Martine | |
| Cedric Monnet | Musée Des Tissus Guard | |
| Elodie Navarre | Carole | |
| Serge Onteniente | Mechanic | |
| Pierre Cuq | Philippe | |
| Aurore Clement | Concierge | |
| Davia Nelson | Suzanne | |
| Eleanor Lambert | Alexandra |
Production and Technical Credits
| Eleanor Coppola | Director | |
| Eleanor Coppola | Screenwriter | |
| Eleanor Coppola | Producer | |
| Fred Roos | Producer | |
| Lisa Hamilton Daly | Executive Producer | |
| Tanya Lopez | Executive Producer | |
| Robert Sharenow | Executive Producer | |
| Molly Thompson | Executive Producer | |
| Michael Zakin | Executive Producer | |
| Laura Karpman | Composer | |
| Richard Beggs | Sound Designer | |
| Glen Scantlebury | Editor | |
| Anne Seibel | Production Designer | |
| Crystel Fournier | Cinematographer | |
| Milena Canonero | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A Hollywood producer’s wife unexpectedly takes a trip through France, which reawakens her sense of self and her joie de vivre. Anne is at a crossroads in her life. Long married to a successfully driven but inattentive movie producer, she finds herself taking a car trip from Cannes to Paris with a business associate of her husband. What should be a seven hour drive turns into a journey of discovery involving mouthwatering meals, spectacular wines, and picturesque sights.
Metrics
| Opening Weekend: | $98,850 (1.8% of total gross) |
| Legs: | 10.59 (domestic box office/biggest weekend) |
| Domestic Share: | 36.2% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/214 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,478,325 |
Movie Details
| Domestic Releases: | May 12th, 2017 (Limited) by Sony Pictures Classics |
| International Releases: | May 19th, 2017 (Wide) (Russia (CIS))
June 9th, 2017 (Wide) (Brazil) June 15th, 2017 (Wide), released as Parigi può attendere (Italy) June 16th, 2017 (Wide), released as Paris puede esperar (Spain) June 16th, 2017 (Wide) (Argentina) ... Show all releases |
| Video Release: | September 5th, 2017 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for thematic elements, smoking and some language. (Rating bulletin 2460 (Cert #50866), 1/25/2017) |
| Running Time: | 92 minutes |
| Geographical setting: | France, Paris |
| Plot point: | Food, Infidelity, Relationships Gone Wrong, Road Trip, Romance |
| Social setting: | Movie Business |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lifetime Films, American Zoetrope, Corner Piece Capital LLC, Protagonist Pictures, Tohokushinsha Film Corporation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 12, 2017 | 36 | $98,850 | 4 | $24,713 | $98,850 | 1 | |
| May 19, 2017 | - | $188,369 | +91% | 23 | $8,190 | $318,951 | 2 |
| Jun 2, 2017 | 14 | $529,395 | 151 | $3,506 | $1,606,002 | 4 | |
| Jun 9, 2017 | 17 | $436,424 | -18% | 176 | $2,480 | $2,271,700 | 5 |
| Jun 30, 2017 | 20 | $263,580 | 214 | $1,232 | $4,704,374 | 8 | |
| Jul 7, 2017 | 24 | $150,687 | -43% | 131 | $1,150 | $5,057,072 | 9 |
| Jul 21, 2017 | 32 | $56,919 | 66 | $862 | $5,451,705 | 11 | |
| Jul 28, 2017 | 41 | $30,435 | -47% | 44 | $692 | $5,521,575 | 12 |
| Aug 4, 2017 | 48 | $15,818 | -48% | 28 | $565 | $5,564,452 | 13 |
| Aug 11, 2017 | 58 | $9,544 | -40% | 16 | $597 | $5,586,613 | 14 |
| Aug 18, 2017 | 62 | $6,253 | -34% | 13 | $481 | $5,598,731 | 15 |
| Aug 25, 2017 | 84 | $2,203 | -65% | 8 | $275 | $5,608,745 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 12, 2017 | 35 | $130,582 | 4 | $32,646 | $130,582 | 1 | |
| Jun 2, 2017 | 14 | $758,669 | 151 | $5,024 | $1,835,276 | 4 | |
| Jun 30, 2017 | 20 | $465,591 | 214 | $2,176 | $4,906,385 | 8 | |
| Jul 7, 2017 | 24 | $243,695 | -48% | 131 | $1,860 | $5,150,080 | 9 |
| Jul 14, 2017 | 23 | $244,706 | n/c | 177 | $1,383 | $5,394,786 | 10 |
| Jul 21, 2017 | 29 | $96,354 | -61% | 66 | $1,460 | $5,491,140 | 11 |
| Jul 28, 2017 | 39 | $57,494 | -40% | 44 | $1,307 | $5,548,634 | 12 |
| Aug 4, 2017 | 48 | $28,435 | -51% | 28 | $1,016 | $5,577,069 | 13 |
| Aug 11, 2017 | 59 | $15,409 | -46% | 16 | $963 | $5,592,478 | 14 |
| Aug 18, 2017 | 61 | $14,064 | -9% | 13 | $1,082 | $5,606,542 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/16/2017 | $46,528 | 0 | 0 | 0 | $207,498 | 1/1/2019 | |||
| Australia | 6/23/2017 | $1,597 | 1 | 123 | 824 | $1,246,522 | 10/30/2017 | |||
| Brazil | 6/9/2017 | $126,482 | 0 | 0 | 0 | $608,366 | 6/26/2018 | |||
| Germany | 7/14/2017 | $204,915 | 0 | 0 | 0 | $451,777 | 6/29/2018 | |||
| India | 9/8/2017 | $0 | 0 | 0 | 0 | $2,367,556 | 10/3/2018 | |||
| Italy | 6/15/2017 | $48,086 | 0 | 0 | 0 | $264,795 | 8/11/2017 | |||
| Lithuania | 9/15/2017 | $13,923 | 31 | 40 | 89 | $34,812 | 10/10/2017 | |||
| Netherlands | 7/27/2017 | $31,272 | 13 | 20 | 123 | $146,808 | 10/3/2017 | |||
| New Zealand | 7/21/2017 | $70,103 | 30 | 33 | 199 | $202,543 | 9/11/2017 | |||
| Poland | 7/21/2017 | $98,883 | 0 | 0 | 0 | $106,223 | 1/1/2019 | |||
| Portugal | 6/30/2017 | $23,890 | 14 | 15 | 45 | $76,499 | 8/10/2017 | |||
| Russia (CIS) | 5/19/2017 | $36,208 | 126 | 126 | 221 | $96,802 | 1/1/2019 | |||
| South Korea | 7/18/2017 | $0 | 0 | 79 | 304 | $834,079 | 9/7/2018 | |||
| Spain | 6/16/2017 | $131,344 | 84 | 88 | 288 | $434,465 | 7/13/2017 | |||
| Rest of World | $2,790,765 | |||||||||
| International Total | $9,869,510 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Diane Lane | Anne |
Supporting
| Alec Baldwin | Michael | |
| Arnaud Viard | Jacques | |
| Elise Tielrooy | Martine | |
| Cedric Monnet | Musée Des Tissus Guard | |
| Elodie Navarre | Carole | |
| Serge Onteniente | Mechanic | |
| Pierre Cuq | Philippe | |
| Aurore Clement | Concierge | |
| Davia Nelson | Suzanne | |
| Eleanor Lambert | Alexandra |
Production and Technical Credits
| Eleanor Coppola | Director | |
| Eleanor Coppola | Screenwriter | |
| Eleanor Coppola | Producer | |
| Fred Roos | Producer | |
| Lisa Hamilton Daly | Executive Producer | |
| Tanya Lopez | Executive Producer | |
| Robert Sharenow | Executive Producer | |
| Molly Thompson | Executive Producer | |
| Michael Zakin | Executive Producer | |
| Laura Karpman | Composer | |
| Richard Beggs | Sound Designer | |
| Glen Scantlebury | Editor | |
| Anne Seibel | Production Designer | |
| Crystel Fournier | Cinematographer | |
| Milena Canonero | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.