Parthenope (2024)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $302,801 | Details |
| International Box Office | $9,892,312 | Details |
| Worldwide Box Office | $10,195,113 | |
| OpusData ID: 684220100 More info... | ||
| Further financial details... | ||
Synopsis
Parthenope, born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters.
Metrics
| Opening Weekend: | $31,588 (10.4% of total gross) |
| Legs: | 3.10 (domestic box office/biggest weekend) |
| Domestic Share: | 3.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/139 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $302,801 |
Movie Details
| Domestic Releases: | February 7th, 2025 (Limited) by A24 |
| International Releases: | October 24th, 2024 (Limited) (Italy)
December 20th, 2024 (Limited) (Sweden) December 25th, 2024 (Limited) (Spain) December 25th, 2024 (Limited) (Denmark) December 26th, 2024 (Limited), released as Parthenope (Партенопа) (Russia (CIS)) ... Show all releases |
| Video Release: | March 11th, 2025 by A24 |
| MPA Rating: | R for strong sexual content/graphic nudity, and language. (Rating bulletin 2849 (cert #55115), 8/28/2024) |
| Running Time: | 137 minutes |
| Film festival: | Cannes Film Festival 2024 |
| Geographical setting: | Italy |
| Release detail: | Festival Acquisition |
| Time period setting: | 1950s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Italy, France |
| Languages: | Italian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $31,588 | 4 | $7,897 | $31,588 | 1 | |
| Feb 14, 2025 | - | $53,042 | +68% | 14 | $3,789 | $84,630 | 2 |
| Feb 21, 2025 | - | $97,672 | +84% | 139 | $703 | $208,634 | 3 |
| Feb 28, 2025 | - | $23,773 | -76% | 62 | $383 | $269,176 | 4 |
| Mar 7, 2025 | - | $4,341 | -82% | 8 | $543 | $300,340 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $16,381 | 4 | $4,095 | $16,381 | 1 | ||
| Feb 8, 2025 | - | $9,703 | -41% | 4 | $2,426 | $26,084 | 2 | |
| Feb 9, 2025 | - | $5,504 | -43% | 4 | $1,376 | $31,588 | 3 | |
| Feb 10, 2025 | - | $2,859 | -48% | 4 | $715 | $34,447 | 4 | |
| Feb 11, 2025 | - | $4,037 | +41% | 4 | $1,009 | $38,484 | 5 | |
| Feb 12, 2025 | - | $4,021 | n/c | 4 | $1,005 | $42,505 | 6 | |
| Feb 13, 2025 | - | $2,726 | -32% | 4 | $682 | $45,231 | 7 | |
| Feb 14, 2025 | - | $13,662 | +401% | -17% | 14 | $976 | $58,893 | 8 |
| Feb 15, 2025 | - | $13,827 | +1% | +43% | 14 | $988 | $72,720 | 9 |
| Feb 16, 2025 | - | $11,910 | -14% | +116% | 14 | $851 | $84,630 | 10 |
| Feb 17, 2025 | - | $8,639 | -27% | +202% | 14 | $617 | $93,269 | 11 |
| Feb 18, 2025 | - | $5,073 | -41% | +26% | 14 | $362 | $98,342 | 12 |
| Feb 19, 2025 | - | $5,914 | +17% | +47% | 14 | $422 | $104,256 | 13 |
| Feb 20, 2025 | - | $6,706 | +13% | +146% | 14 | $479 | $110,962 | 14 |
| Feb 21, 2025 | - | $31,265 | +366% | +129% | 139 | $225 | $142,227 | 15 |
| Feb 22, 2025 | - | $36,893 | +18% | +167% | 139 | $265 | $179,120 | 16 |
| Feb 23, 2025 | - | $29,514 | -20% | +148% | 139 | $212 | $208,634 | 17 |
| Feb 24, 2025 | - | $11,305 | -62% | +31% | 139 | $81 | $219,939 | 18 |
| Feb 25, 2025 | - | $15,764 | +39% | +211% | 139 | $113 | $235,703 | 19 |
| Feb 26, 2025 | - | $12,123 | -23% | +105% | 139 | $87 | $247,826 | 20 |
| Feb 27, 2025 | - | $10,902 | -10% | +63% | 139 | $78 | $258,728 | 21 |
| Feb 28, 2025 | - | $4,925 | -55% | -84% | 62 | $79 | $263,653 | 22 |
| Mar 1, 2025 | - | $10,471 | +113% | -72% | 62 | $169 | $274,124 | 23 |
| Mar 2, 2025 | - | $8,377 | -20% | -72% | 62 | $135 | $282,501 | 24 |
| Mar 7, 2025 | - | $1,056 | -79% | 8 | $132 | $297,055 | 29 | |
| Mar 8, 2025 | - | $2,022 | +91% | -81% | 8 | $253 | $299,077 | 30 |
| Mar 9, 2025 | - | $1,263 | -38% | -85% | 8 | $158 | $300,340 | 31 |
| Mar 10, 2025 | - | $584 | -54% | 8 | $73 | $300,924 | 32 | |
| Mar 11, 2025 | - | $667 | +14% | 8 | $83 | $301,591 | 33 | |
| Mar 12, 2025 | - | $521 | -22% | 8 | $65 | $302,112 | 34 | |
| Mar 13, 2025 | - | $689 | +32% | 8 | $86 | $302,801 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 39 | $45,231 | 4 | $11,308 | $45,231 | 1 | |
| Feb 14, 2025 | 29 | $79,374 | +75% | 14 | $5,670 | $110,962 | 2 |
| Feb 21, 2025 | 27 | $147,766 | +86% | 139 | $1,063 | $258,728 | 3 |
| Feb 28, 2025 | 38 | $50,596 | -66% | 62 | $816 | $295,999 | 4 |
| Mar 7, 2025 | 57 | $6,802 | -87% | 8 | $850 | $302,801 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/26/2024 | $37,953 | 24 | 2 | 94 | $214,446 | 4/4/2026 | |||
| Croatia | 1/30/2025 | $5,714 | 21 | 21 | 21 | $5,714 | 2/7/2025 | |||
| Czech Republic | 1/16/2025 | $21,684 | 66 | 66 | 121 | $84,281 | 2/4/2025 | |||
| Finland | 2/21/2025 | $19,824 | 31 | 31 | 56 | $38,807 | 4/4/2026 | |||
| Italy | 10/24/2024 | $781,007 | 0 | 0 | 0 | $7,711,265 | 4/4/2026 | |||
| Netherlands | 2/27/2025 | $90,383 | 44 | 44 | 210 | $334,897 | 4/4/2026 | |||
| Portugal | 2/27/2025 | $19,185 | 32 | 32 | 54 | $46,024 | 4/4/2026 | |||
| Romania | 2/7/2025 | $23,113 | 37 | 32 | 57 | $55,715 | 4/4/2026 | |||
| Russia (CIS) | 12/26/2024 | $67,754 | 135 | 135 | 441 | $490,715 | 1/29/2025 | |||
| Slovakia | 1/16/2025 | $7,040 | 20 | 20 | 20 | $13,201 | 1/21/2025 | |||
| South Korea | 9/24/2025 | $20,666 | 53 | 53 | 0 | $51,656 | 4/6/2026 | |||
| Spain | 12/25/2024 | $146,874 | 125 | 125 | 410 | $745,424 | 1/30/2025 | |||
| Turkey | 12/27/2024 | $9,474 | 48 | 48 | 54 | $18,394 | 1/16/2025 | |||
| United Kingdom | 5/2/2025 | $81,773 | 60 | 60 | 60 | $81,773 | 4/4/2026 | |||
| International Total | $9,892,312 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Stefania Sandrelli | Parthenope (Adult) | |
| Celeste Dalla Porta | Parthenope (Young) |
Supporting
| Gary Oldman | ||
| Silvio Orlando | ||
| Luisa Ranieri | ||
| Isabella Ferrari | ||
| Silvia Degrandi | ||
| Lorenzo Gleijeses | ||
| Daniele Rienzo | ||
| Dario Aita | ||
| Marlon Joubert | ||
| Alfonso Santagata | ||
| Biagio Izzo | ||
| Peppe Lanzetta |
Production and Technical Credits
| Paolo Sorrentino | Director | |
| Paolo Sorrentino | Screenwriter | |
| Ardavan Safaee | Producer | |
| Paolo Sorrentino | Producer | |
| Anthony Vaccarello | Producer | |
| Lorenzo Mieli | Producer | |
| Daria D’Antonio | Director of Photography | |
| Jacopo Bonvicini | First Assistant Director | |
| Edoardo F. Marini | First Assistant Director | |
| Cristiano Travaglioli | Editor | |
| Emanuele Cecere | Sound Mixer | |
| Silvia Moraes | Sound Mixer | |
| Mirko Perri | Sound Mixer | |
| Lele Marchitelli | Composer | |
| Carlo Poggioli | Costume Designer | |
| Carmine Guarino | Production Designer | |
| Anna Maria Sambucco | Casting Director | |
| Massimo Appolloni | Casting Director | |
| Rocco Messere | Line Producer | |
| Daniele Platania | Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Parthenope, born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters.
Metrics
| Opening Weekend: | $31,588 (10.4% of total gross) |
| Legs: | 3.10 (domestic box office/biggest weekend) |
| Domestic Share: | 3.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/139 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $302,801 |
Movie Details
| Domestic Releases: | February 7th, 2025 (Limited) by A24 |
| International Releases: | October 24th, 2024 (Limited) (Italy)
December 20th, 2024 (Limited) (Sweden) December 25th, 2024 (Limited) (Spain) December 25th, 2024 (Limited) (Denmark) December 26th, 2024 (Limited), released as Parthenope (Партенопа) (Russia (CIS)) ... Show all releases |
| Video Release: | March 11th, 2025 by A24 |
| MPA Rating: | R for strong sexual content/graphic nudity, and language. (Rating bulletin 2849 (cert #55115), 8/28/2024) |
| Running Time: | 137 minutes |
| Film festival: | Cannes Film Festival 2024 |
| Geographical setting: | Italy |
| Release detail: | Festival Acquisition |
| Time period setting: | 1950s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Italy, France |
| Languages: | Italian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $31,588 | 4 | $7,897 | $31,588 | 1 | |
| Feb 14, 2025 | - | $53,042 | +68% | 14 | $3,789 | $84,630 | 2 |
| Feb 21, 2025 | - | $97,672 | +84% | 139 | $703 | $208,634 | 3 |
| Feb 28, 2025 | - | $23,773 | -76% | 62 | $383 | $269,176 | 4 |
| Mar 7, 2025 | - | $4,341 | -82% | 8 | $543 | $300,340 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $16,381 | 4 | $4,095 | $16,381 | 1 | ||
| Feb 8, 2025 | - | $9,703 | -41% | 4 | $2,426 | $26,084 | 2 | |
| Feb 9, 2025 | - | $5,504 | -43% | 4 | $1,376 | $31,588 | 3 | |
| Feb 10, 2025 | - | $2,859 | -48% | 4 | $715 | $34,447 | 4 | |
| Feb 11, 2025 | - | $4,037 | +41% | 4 | $1,009 | $38,484 | 5 | |
| Feb 12, 2025 | - | $4,021 | n/c | 4 | $1,005 | $42,505 | 6 | |
| Feb 13, 2025 | - | $2,726 | -32% | 4 | $682 | $45,231 | 7 | |
| Feb 14, 2025 | - | $13,662 | +401% | -17% | 14 | $976 | $58,893 | 8 |
| Feb 15, 2025 | - | $13,827 | +1% | +43% | 14 | $988 | $72,720 | 9 |
| Feb 16, 2025 | - | $11,910 | -14% | +116% | 14 | $851 | $84,630 | 10 |
| Feb 17, 2025 | - | $8,639 | -27% | +202% | 14 | $617 | $93,269 | 11 |
| Feb 18, 2025 | - | $5,073 | -41% | +26% | 14 | $362 | $98,342 | 12 |
| Feb 19, 2025 | - | $5,914 | +17% | +47% | 14 | $422 | $104,256 | 13 |
| Feb 20, 2025 | - | $6,706 | +13% | +146% | 14 | $479 | $110,962 | 14 |
| Feb 21, 2025 | - | $31,265 | +366% | +129% | 139 | $225 | $142,227 | 15 |
| Feb 22, 2025 | - | $36,893 | +18% | +167% | 139 | $265 | $179,120 | 16 |
| Feb 23, 2025 | - | $29,514 | -20% | +148% | 139 | $212 | $208,634 | 17 |
| Feb 24, 2025 | - | $11,305 | -62% | +31% | 139 | $81 | $219,939 | 18 |
| Feb 25, 2025 | - | $15,764 | +39% | +211% | 139 | $113 | $235,703 | 19 |
| Feb 26, 2025 | - | $12,123 | -23% | +105% | 139 | $87 | $247,826 | 20 |
| Feb 27, 2025 | - | $10,902 | -10% | +63% | 139 | $78 | $258,728 | 21 |
| Feb 28, 2025 | - | $4,925 | -55% | -84% | 62 | $79 | $263,653 | 22 |
| Mar 1, 2025 | - | $10,471 | +113% | -72% | 62 | $169 | $274,124 | 23 |
| Mar 2, 2025 | - | $8,377 | -20% | -72% | 62 | $135 | $282,501 | 24 |
| Mar 7, 2025 | - | $1,056 | -79% | 8 | $132 | $297,055 | 29 | |
| Mar 8, 2025 | - | $2,022 | +91% | -81% | 8 | $253 | $299,077 | 30 |
| Mar 9, 2025 | - | $1,263 | -38% | -85% | 8 | $158 | $300,340 | 31 |
| Mar 10, 2025 | - | $584 | -54% | 8 | $73 | $300,924 | 32 | |
| Mar 11, 2025 | - | $667 | +14% | 8 | $83 | $301,591 | 33 | |
| Mar 12, 2025 | - | $521 | -22% | 8 | $65 | $302,112 | 34 | |
| Mar 13, 2025 | - | $689 | +32% | 8 | $86 | $302,801 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 39 | $45,231 | 4 | $11,308 | $45,231 | 1 | |
| Feb 14, 2025 | 29 | $79,374 | +75% | 14 | $5,670 | $110,962 | 2 |
| Feb 21, 2025 | 27 | $147,766 | +86% | 139 | $1,063 | $258,728 | 3 |
| Feb 28, 2025 | 38 | $50,596 | -66% | 62 | $816 | $295,999 | 4 |
| Mar 7, 2025 | 57 | $6,802 | -87% | 8 | $850 | $302,801 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/26/2024 | $37,953 | 24 | 2 | 94 | $214,446 | 4/4/2026 | |||
| Croatia | 1/30/2025 | $5,714 | 21 | 21 | 21 | $5,714 | 2/7/2025 | |||
| Czech Republic | 1/16/2025 | $21,684 | 66 | 66 | 121 | $84,281 | 2/4/2025 | |||
| Finland | 2/21/2025 | $19,824 | 31 | 31 | 56 | $38,807 | 4/4/2026 | |||
| Italy | 10/24/2024 | $781,007 | 0 | 0 | 0 | $7,711,265 | 4/4/2026 | |||
| Netherlands | 2/27/2025 | $90,383 | 44 | 44 | 210 | $334,897 | 4/4/2026 | |||
| Portugal | 2/27/2025 | $19,185 | 32 | 32 | 54 | $46,024 | 4/4/2026 | |||
| Romania | 2/7/2025 | $23,113 | 37 | 32 | 57 | $55,715 | 4/4/2026 | |||
| Russia (CIS) | 12/26/2024 | $67,754 | 135 | 135 | 441 | $490,715 | 1/29/2025 | |||
| Slovakia | 1/16/2025 | $7,040 | 20 | 20 | 20 | $13,201 | 1/21/2025 | |||
| South Korea | 9/24/2025 | $20,666 | 53 | 53 | 0 | $51,656 | 4/6/2026 | |||
| Spain | 12/25/2024 | $146,874 | 125 | 125 | 410 | $745,424 | 1/30/2025 | |||
| Turkey | 12/27/2024 | $9,474 | 48 | 48 | 54 | $18,394 | 1/16/2025 | |||
| United Kingdom | 5/2/2025 | $81,773 | 60 | 60 | 60 | $81,773 | 4/4/2026 | |||
| International Total | $9,892,312 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Stefania Sandrelli | Parthenope (Adult) | |
| Celeste Dalla Porta | Parthenope (Young) |
Supporting
| Gary Oldman | ||
| Silvio Orlando | ||
| Luisa Ranieri | ||
| Isabella Ferrari | ||
| Silvia Degrandi | ||
| Lorenzo Gleijeses | ||
| Daniele Rienzo | ||
| Dario Aita | ||
| Marlon Joubert | ||
| Alfonso Santagata | ||
| Biagio Izzo | ||
| Peppe Lanzetta |
Production and Technical Credits
| Paolo Sorrentino | Director | |
| Paolo Sorrentino | Screenwriter | |
| Ardavan Safaee | Producer | |
| Paolo Sorrentino | Producer | |
| Anthony Vaccarello | Producer | |
| Lorenzo Mieli | Producer | |
| Daria D’Antonio | Director of Photography | |
| Jacopo Bonvicini | First Assistant Director | |
| Edoardo F. Marini | First Assistant Director | |
| Cristiano Travaglioli | Editor | |
| Emanuele Cecere | Sound Mixer | |
| Silvia Moraes | Sound Mixer | |
| Mirko Perri | Sound Mixer | |
| Lele Marchitelli | Composer | |
| Carlo Poggioli | Costume Designer | |
| Carmine Guarino | Production Designer | |
| Anna Maria Sambucco | Casting Director | |
| Massimo Appolloni | Casting Director | |
| Rocco Messere | Line Producer | |
| Daniele Platania | Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.