Patti Cake$ (2017)
| Theatrical Performance | ||
| Domestic Box Office | $800,148 | Details |
| International Box Office | $670,942 | Details |
| Worldwide Box Office | $1,471,090 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $88,906 | |
| Blu-ray Sales (estimated) | $122,330 | |
| Total | $211,236 | |
| OpusData ID: 285440100 More info... | ||
| Further financial details... | ||
Synopsis
Aspiring rapper Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$ is fighting an unlikely quest for glory in her downtrodden hometown in Jersey where her life is falling apart, Patti tries to reach the big time in the hip hop scene with original and affecting music. Cheered on by her grandmother and only friends, Jheri and Basterd, Patti also shoulders her mother’s heartaches and misfortunes.
Metrics
| Opening Weekend: | $67,599 (8.4% of total gross) |
| Legs: | 3.24 (domestic box office/biggest weekend) |
| Domestic Share: | 54.4% (domestic box office/worldwide) |
| Production Budget: | $1,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 14 opening theaters/303 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,066,868 |
Movie Details
| Domestic Releases: | August 18th, 2017 (Limited) by Fox Searchlight |
| International Releases: | September 1st, 2017 (Wide) (Netherlands)
September 1st, 2017 (Wide) (United Kingdom) September 1st, 2017 (Wide) (France) September 15th, 2017 (Wide) (New Zealand) September 15th, 2017 (Wide) (Australia) ... Show all releases |
| Video Release: | November 7th, 2017 by Fox Home Entertainment |
| MPA Rating: | R for language throughout, crude sexual references, some drug use and a brief nude image. (Rating bulletin 2472 (Cert #50990), 4/19/2017) |
| Running Time: | 109 minutes |
| Film festival: | Sundance Film Festival 2017 |
| Geographical setting: | New Jersey |
| Plot point: | Big Break, Dysfunctional Family, Musicians |
| Release detail: | Festival Acquisition |
| Social setting: | Hip Hop and Rap |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | TSG Entertainment, Fox Searchlight Pictures, RT Features, Stay Gold Features, Maiden Voyage Films, Department of Motion Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 40 | $67,599 | 14 | $4,829 | $67,599 | 1 | |
| Aug 25, 2017 | 37 | $102,258 | +51% | 59 | $1,733 | $194,652 | 2 |
| Sep 1, 2017 | 31 | $247,256 | +142% | 295 | $838 | $535,532 | 3 |
| Sep 8, 2017 | 40 | $66,970 | -73% | 189 | $354 | $721,466 | 4 |
| Sep 15, 2017 | 56 | $15,848 | -76% | 46 | $345 | $774,499 | 5 |
| Sep 22, 2017 | 74 | $5,557 | -65% | 11 | $505 | $790,620 | 6 |
| Sep 29, 2017 | 83 | $2,389 | -57% | 7 | $341 | $794,817 | 7 |
| Oct 6, 2017 | 92 | $1,231 | -48% | 6 | $205 | $797,534 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | - | $25,269 | 14 | $1,805 | $25,269 | 1 | ||
| Aug 19, 2017 | - | $25,471 | +1% | 14 | $1,819 | $50,740 | 2 | |
| Aug 20, 2017 | - | $16,859 | -34% | 14 | $1,204 | $67,599 | 3 | |
| Aug 21, 2017 | - | $5,452 | -68% | 14 | $389 | $73,051 | 4 | |
| Aug 22, 2017 | - | $7,418 | +36% | 14 | $530 | $80,469 | 5 | |
| Aug 23, 2017 | - | $6,177 | -17% | 14 | $441 | $86,646 | 6 | |
| Aug 24, 2017 | - | $5,748 | -7% | 14 | $411 | $92,394 | 7 | |
| Aug 25, 2017 | - | $38,353 | +567% | +52% | 59 | $650 | $130,747 | 8 |
| Aug 26, 2017 | - | $36,253 | -5% | +42% | 59 | $614 | $167,000 | 9 |
| Aug 27, 2017 | - | $27,652 | -24% | +64% | 59 | $469 | $194,652 | 10 |
| Aug 28, 2017 | - | $12,289 | -56% | +125% | 59 | $208 | $206,941 | 11 |
| Aug 29, 2017 | - | $16,304 | +33% | +120% | 59 | $276 | $223,245 | 12 |
| Aug 30, 2017 | - | $32,593 | +100% | +428% | 303 | $108 | $255,838 | 13 |
| Aug 31, 2017 | - | $32,438 | n/c | +464% | 303 | $107 | $288,276 | 14 |
| Sep 1, 2017 | - | $59,385 | +83% | +55% | 295 | $201 | $347,661 | 15 |
| Sep 2, 2017 | - | $96,721 | +63% | +167% | 295 | $328 | $444,382 | 16 |
| Sep 3, 2017 | - | $91,150 | -6% | +230% | 295 | $309 | $535,532 | 17 |
| Sep 4, 2017 | - | $61,134 | -33% | +397% | 295 | $207 | $596,666 | 18 |
| Sep 5, 2017 | - | $22,580 | -63% | +38% | 295 | $77 | $619,246 | 19 |
| Sep 6, 2017 | - | $20,331 | -10% | -38% | 295 | $69 | $639,577 | 20 |
| Sep 7, 2017 | - | $14,919 | -27% | -54% | 295 | $51 | $654,496 | 21 |
| Sep 8, 2017 | - | $18,171 | +22% | -69% | 189 | $96 | $672,667 | 22 |
| Sep 9, 2017 | - | $29,449 | +62% | -70% | 189 | $156 | $702,116 | 23 |
| Sep 10, 2017 | - | $19,350 | -34% | -79% | 189 | $102 | $721,466 | 24 |
| Sep 11, 2017 | - | $8,525 | -56% | -86% | 189 | $45 | $729,991 | 25 |
| Sep 12, 2017 | - | $9,597 | +13% | -57% | 189 | $51 | $739,588 | 26 |
| Sep 13, 2017 | - | $9,836 | +2% | -52% | 189 | $52 | $749,424 | 27 |
| Sep 14, 2017 | - | $9,227 | -6% | -38% | 189 | $49 | $758,651 | 28 |
| Sep 15, 2017 | - | $4,395 | -52% | -76% | 46 | $96 | $763,046 | 29 |
| Sep 16, 2017 | - | $6,592 | +50% | -78% | 46 | $143 | $769,638 | 30 |
| Sep 17, 2017 | - | $4,861 | -26% | -75% | 46 | $106 | $774,499 | 31 |
| Sep 18, 2017 | - | $2,104 | -57% | -75% | 46 | $46 | $776,603 | 32 |
| Sep 19, 2017 | - | $2,288 | +9% | -76% | 46 | $50 | $778,891 | 33 |
| Sep 20, 2017 | - | $3,246 | +42% | -67% | 46 | $71 | $782,137 | 34 |
| Sep 21, 2017 | - | $2,926 | -10% | -68% | 46 | $64 | $785,063 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 40 | $92,394 | 14 | $6,600 | $92,394 | 1 | |
| Aug 25, 2017 | 32 | $195,882 | +112% | 303 | $646 | $288,276 | 2 |
| Sep 1, 2017 | 31 | $366,220 | +87% | 295 | $1,241 | $654,496 | 3 |
| Sep 8, 2017 | 37 | $104,155 | -72% | 189 | $551 | $758,651 | 4 |
| Sep 15, 2017 | 56 | $26,412 | -75% | 46 | $574 | $785,063 | 5 |
| Sep 22, 2017 | 80 | $7,365 | -72% | 11 | $670 | $792,428 | 6 |
| Sep 29, 2017 | 85 | $3,875 | -47% | 7 | $554 | $796,303 | 7 |
| Oct 6, 2017 | 84 | $3,845 | -1% | 6 | $641 | $800,148 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/15/2017 | $15,046 | 21 | 21 | 43 | $32,142 | 10/30/2017 | |||
| France | 9/1/2017 | $193,746 | 0 | 0 | 0 | $333,979 | 6/28/2018 | |||
| Netherlands | 9/1/2017 | $16,062 | 27 | 27 | 27 | $38,970 | 9/5/2017 | |||
| New Zealand | 9/15/2017 | $331 | 2 | 2 | 2 | $331 | 9/18/2017 | |||
| United Kingdom | 9/1/2017 | $157,538 | 223 | 223 | 223 | $157,538 | 9/6/2017 | |||
| Rest of World | $107,982 | |||||||||
| International Total | $670,942 | 6/28/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Danielle Macdonald | Patti |
Supporting
| Bridget Everett | Barb | |
| Siddharth Dhananjay | Jheri | |
| Mamoudou Athie | Basterd | |
| Sahr Ngaujah | O-Z | |
| McCaul Lombardi | Danny | |
| Wass Stevens | Nickel | |
| Nick Sandow | Ray | |
| Anthony Ramos | Swisha | |
| Ray Iannicelli | Joe Puppy | |
| Daniel Stewart Sherman | Shmitty | |
| MC Lyte | DJ French Tips | |
| Cathy Moriarty | Nana | |
| Patrick Brana | Slaz | |
| Anne Suzuki | Manager | |
| Warren Bub | Mr. Bagadella | |
| John Sharian | Lou | |
| James Caulfield | Singing Electrician | |
| Adam Scarimbolo | Pony | |
| Dylan Blue | Drewsky | |
| Lois Jasper | Diner Waitress | |
| Johanna Tolentino | Swisha’s Mom | |
| Kirk Knight | Nomad | |
| Trevor Johnson | Trev | |
| Alexandra Moruzzi | Little Patti | |
| Besnik “Big Body Bes” Sadikay* | Benzo | |
| Robert Eckard | Nester | |
| Debbie Troche | Catering Waitress | |
| Vincenzo Viccaro | O-Z Security | |
| Brett Diggs | Promoter | |
| Bishop Nehru | Peter Jazzy | |
| Gregory Skyler Taylor | Yung Nurple | |
| Barrington Walters, Jr. | Rookie Monster Crowd Member 1 | |
| Anthony Samuels | Rookie Monster Crowd Member 2 | |
| Henry Lambert | Barfly | |
| Peter Columbia | Barfly | |
| Laura Costagliola | Barfly | |
| Sandra Bloom | Barfly | |
| Joe Marmo | Barfly | |
| Al Becker | Barfly | |
| Jim Lavin | Barfly | |
| John Chibbaro | Barfly | |
| Kevin McCauley | Barfly | |
| Ross Divito | Barfly | |
| Jeanne Schrager | Barfly | |
| Dennis Rees | Barfly | |
| Earl Greco | NJPD Blues Band Bassist | |
| Kevin Hudson | NJPD Blues Band Drummer | |
| Skip Fisher | NJPD Blues Band Keyboardist | |
| Miyako Bellizzi | OZ Rookie Monster Entourage | |
| Synmia Rosine | OZ Rookie Monster Entourage |
Production and Technical Credits
| Geremy Jasper | Director | |
| Geremy Jasper | Screenwriter | |
| Michael Gottwald | Producer | |
| Noah Stahl | Producer | |
| Rodrigo Teixeira | Producer | |
| Dan Janvey | Producer | |
| Daniela Taplin Lundberg | Producer | |
| Chris Columbus | Producer | |
| Lourenco Sant' Anna | Executive Producer | |
| Sophie Mas | Executive Producer | |
| Eleanor Columbus | Executive Producer | |
| Josh Penn | Executive Producer | |
| Jonathan Bronfman | Executive Producer | |
| Lon Molnar | Executive Producer | |
| Fernando Fraiha | Executive Producer | |
| Bill Benenson | Executive Producer | |
| Jonathan Montepare | Co-Producer | |
| Geremy Jasper | Song Writer | |
| Geremy Jasper | Composer | |
| Jason Binnick | Composer | |
| Federico Cesca | Director of Photography | |
| Brad Turner | Editor | |
| Meredith Lippincott | Production Designer | |
| Miyako Bellizzi | Costume Designer | |
| Jessica Kelly | Casting Director | |
| Rebecca Dealy | Casting Director | |
| Joe Rudge | Music Supervisor | |
| Manny Siverio | Stunt Coordinator | |
| Sara Blechman | Unit Production Manager | |
| Inna Braude | First Assistant Director | |
| Natasha Rivera | Second Assistant Director | |
| Gregory Skyler Taylor | Associate Producer | |
| Kristen Konvitz | Associate Producer | |
| Jeong Park | Still Photographer | |
| Khyber Jones | Additional Photography | |
| Heather Yancey | Art Director | |
| Sally Levi | Set Decorator | |
| Synmia Rosine | Wardrobe Supervisor | |
| Amy Wadford | Make up | |
| Jon Carter | Hairstylist | |
| Jim Morgan | Sound Mixer | |
| Katarina Dedicova | Location Manager | |
| Justin Stowell | Location Manager | |
| Kim Rideout | Script Supervisor | |
| Javian Le | Post-Production Supervisor | |
| Henry Hayes | First Assistant Editor | |
| Lee Schatzman | Second Assistant Editor | |
| Ryan Billia | Supervising Sound Editor | |
| John Moros | Dialogue Editor | |
| Beau Emory | Sound Editor | |
| David Forshee | Sound Effects Editor | |
| Ryan Billia | Re-recording Mixer | |
| Mark Szumski | Visual Effects Supervisor | |
| Alex Noble | Visual Effects Supervisor | |
| Logan Seaman | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Aspiring rapper Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$ is fighting an unlikely quest for glory in her downtrodden hometown in Jersey where her life is falling apart, Patti tries to reach the big time in the hip hop scene with original and affecting music. Cheered on by her grandmother and only friends, Jheri and Basterd, Patti also shoulders her mother’s heartaches and misfortunes.
Metrics
| Opening Weekend: | $67,599 (8.4% of total gross) |
| Legs: | 3.24 (domestic box office/biggest weekend) |
| Domestic Share: | 54.4% (domestic box office/worldwide) |
| Production Budget: | $1,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 14 opening theaters/303 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,066,868 |
Movie Details
| Domestic Releases: | August 18th, 2017 (Limited) by Fox Searchlight |
| International Releases: | September 1st, 2017 (Wide) (Netherlands)
September 1st, 2017 (Wide) (United Kingdom) September 1st, 2017 (Wide) (France) September 15th, 2017 (Wide) (New Zealand) September 15th, 2017 (Wide) (Australia) ... Show all releases |
| Video Release: | November 7th, 2017 by Fox Home Entertainment |
| MPA Rating: | R for language throughout, crude sexual references, some drug use and a brief nude image. (Rating bulletin 2472 (Cert #50990), 4/19/2017) |
| Running Time: | 109 minutes |
| Film festival: | Sundance Film Festival 2017 |
| Geographical setting: | New Jersey |
| Plot point: | Big Break, Dysfunctional Family, Musicians |
| Release detail: | Festival Acquisition |
| Social setting: | Hip Hop and Rap |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | TSG Entertainment, Fox Searchlight Pictures, RT Features, Stay Gold Features, Maiden Voyage Films, Department of Motion Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 40 | $67,599 | 14 | $4,829 | $67,599 | 1 | |
| Aug 25, 2017 | 37 | $102,258 | +51% | 59 | $1,733 | $194,652 | 2 |
| Sep 1, 2017 | 31 | $247,256 | +142% | 295 | $838 | $535,532 | 3 |
| Sep 8, 2017 | 40 | $66,970 | -73% | 189 | $354 | $721,466 | 4 |
| Sep 15, 2017 | 56 | $15,848 | -76% | 46 | $345 | $774,499 | 5 |
| Sep 22, 2017 | 74 | $5,557 | -65% | 11 | $505 | $790,620 | 6 |
| Sep 29, 2017 | 83 | $2,389 | -57% | 7 | $341 | $794,817 | 7 |
| Oct 6, 2017 | 92 | $1,231 | -48% | 6 | $205 | $797,534 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | - | $25,269 | 14 | $1,805 | $25,269 | 1 | ||
| Aug 19, 2017 | - | $25,471 | +1% | 14 | $1,819 | $50,740 | 2 | |
| Aug 20, 2017 | - | $16,859 | -34% | 14 | $1,204 | $67,599 | 3 | |
| Aug 21, 2017 | - | $5,452 | -68% | 14 | $389 | $73,051 | 4 | |
| Aug 22, 2017 | - | $7,418 | +36% | 14 | $530 | $80,469 | 5 | |
| Aug 23, 2017 | - | $6,177 | -17% | 14 | $441 | $86,646 | 6 | |
| Aug 24, 2017 | - | $5,748 | -7% | 14 | $411 | $92,394 | 7 | |
| Aug 25, 2017 | - | $38,353 | +567% | +52% | 59 | $650 | $130,747 | 8 |
| Aug 26, 2017 | - | $36,253 | -5% | +42% | 59 | $614 | $167,000 | 9 |
| Aug 27, 2017 | - | $27,652 | -24% | +64% | 59 | $469 | $194,652 | 10 |
| Aug 28, 2017 | - | $12,289 | -56% | +125% | 59 | $208 | $206,941 | 11 |
| Aug 29, 2017 | - | $16,304 | +33% | +120% | 59 | $276 | $223,245 | 12 |
| Aug 30, 2017 | - | $32,593 | +100% | +428% | 303 | $108 | $255,838 | 13 |
| Aug 31, 2017 | - | $32,438 | n/c | +464% | 303 | $107 | $288,276 | 14 |
| Sep 1, 2017 | - | $59,385 | +83% | +55% | 295 | $201 | $347,661 | 15 |
| Sep 2, 2017 | - | $96,721 | +63% | +167% | 295 | $328 | $444,382 | 16 |
| Sep 3, 2017 | - | $91,150 | -6% | +230% | 295 | $309 | $535,532 | 17 |
| Sep 4, 2017 | - | $61,134 | -33% | +397% | 295 | $207 | $596,666 | 18 |
| Sep 5, 2017 | - | $22,580 | -63% | +38% | 295 | $77 | $619,246 | 19 |
| Sep 6, 2017 | - | $20,331 | -10% | -38% | 295 | $69 | $639,577 | 20 |
| Sep 7, 2017 | - | $14,919 | -27% | -54% | 295 | $51 | $654,496 | 21 |
| Sep 8, 2017 | - | $18,171 | +22% | -69% | 189 | $96 | $672,667 | 22 |
| Sep 9, 2017 | - | $29,449 | +62% | -70% | 189 | $156 | $702,116 | 23 |
| Sep 10, 2017 | - | $19,350 | -34% | -79% | 189 | $102 | $721,466 | 24 |
| Sep 11, 2017 | - | $8,525 | -56% | -86% | 189 | $45 | $729,991 | 25 |
| Sep 12, 2017 | - | $9,597 | +13% | -57% | 189 | $51 | $739,588 | 26 |
| Sep 13, 2017 | - | $9,836 | +2% | -52% | 189 | $52 | $749,424 | 27 |
| Sep 14, 2017 | - | $9,227 | -6% | -38% | 189 | $49 | $758,651 | 28 |
| Sep 15, 2017 | - | $4,395 | -52% | -76% | 46 | $96 | $763,046 | 29 |
| Sep 16, 2017 | - | $6,592 | +50% | -78% | 46 | $143 | $769,638 | 30 |
| Sep 17, 2017 | - | $4,861 | -26% | -75% | 46 | $106 | $774,499 | 31 |
| Sep 18, 2017 | - | $2,104 | -57% | -75% | 46 | $46 | $776,603 | 32 |
| Sep 19, 2017 | - | $2,288 | +9% | -76% | 46 | $50 | $778,891 | 33 |
| Sep 20, 2017 | - | $3,246 | +42% | -67% | 46 | $71 | $782,137 | 34 |
| Sep 21, 2017 | - | $2,926 | -10% | -68% | 46 | $64 | $785,063 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 40 | $92,394 | 14 | $6,600 | $92,394 | 1 | |
| Aug 25, 2017 | 32 | $195,882 | +112% | 303 | $646 | $288,276 | 2 |
| Sep 1, 2017 | 31 | $366,220 | +87% | 295 | $1,241 | $654,496 | 3 |
| Sep 8, 2017 | 37 | $104,155 | -72% | 189 | $551 | $758,651 | 4 |
| Sep 15, 2017 | 56 | $26,412 | -75% | 46 | $574 | $785,063 | 5 |
| Sep 22, 2017 | 80 | $7,365 | -72% | 11 | $670 | $792,428 | 6 |
| Sep 29, 2017 | 85 | $3,875 | -47% | 7 | $554 | $796,303 | 7 |
| Oct 6, 2017 | 84 | $3,845 | -1% | 6 | $641 | $800,148 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/15/2017 | $15,046 | 21 | 21 | 43 | $32,142 | 10/30/2017 | |||
| France | 9/1/2017 | $193,746 | 0 | 0 | 0 | $333,979 | 6/28/2018 | |||
| Netherlands | 9/1/2017 | $16,062 | 27 | 27 | 27 | $38,970 | 9/5/2017 | |||
| New Zealand | 9/15/2017 | $331 | 2 | 2 | 2 | $331 | 9/18/2017 | |||
| United Kingdom | 9/1/2017 | $157,538 | 223 | 223 | 223 | $157,538 | 9/6/2017 | |||
| Rest of World | $107,982 | |||||||||
| International Total | $670,942 | 6/28/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Danielle Macdonald | Patti |
Supporting
| Bridget Everett | Barb | |
| Siddharth Dhananjay | Jheri | |
| Mamoudou Athie | Basterd | |
| Sahr Ngaujah | O-Z | |
| McCaul Lombardi | Danny | |
| Wass Stevens | Nickel | |
| Nick Sandow | Ray | |
| Anthony Ramos | Swisha | |
| Ray Iannicelli | Joe Puppy | |
| Daniel Stewart Sherman | Shmitty | |
| MC Lyte | DJ French Tips | |
| Cathy Moriarty | Nana | |
| Patrick Brana | Slaz | |
| Anne Suzuki | Manager | |
| Warren Bub | Mr. Bagadella | |
| John Sharian | Lou | |
| James Caulfield | Singing Electrician | |
| Adam Scarimbolo | Pony | |
| Dylan Blue | Drewsky | |
| Lois Jasper | Diner Waitress | |
| Johanna Tolentino | Swisha’s Mom | |
| Kirk Knight | Nomad | |
| Trevor Johnson | Trev | |
| Alexandra Moruzzi | Little Patti | |
| Besnik “Big Body Bes” Sadikay* | Benzo | |
| Robert Eckard | Nester | |
| Debbie Troche | Catering Waitress | |
| Vincenzo Viccaro | O-Z Security | |
| Brett Diggs | Promoter | |
| Bishop Nehru | Peter Jazzy | |
| Gregory Skyler Taylor | Yung Nurple | |
| Barrington Walters, Jr. | Rookie Monster Crowd Member 1 | |
| Anthony Samuels | Rookie Monster Crowd Member 2 | |
| Henry Lambert | Barfly | |
| Peter Columbia | Barfly | |
| Laura Costagliola | Barfly | |
| Sandra Bloom | Barfly | |
| Joe Marmo | Barfly | |
| Al Becker | Barfly | |
| Jim Lavin | Barfly | |
| John Chibbaro | Barfly | |
| Kevin McCauley | Barfly | |
| Ross Divito | Barfly | |
| Jeanne Schrager | Barfly | |
| Dennis Rees | Barfly | |
| Earl Greco | NJPD Blues Band Bassist | |
| Kevin Hudson | NJPD Blues Band Drummer | |
| Skip Fisher | NJPD Blues Band Keyboardist | |
| Miyako Bellizzi | OZ Rookie Monster Entourage | |
| Synmia Rosine | OZ Rookie Monster Entourage |
Production and Technical Credits
| Geremy Jasper | Director | |
| Geremy Jasper | Screenwriter | |
| Michael Gottwald | Producer | |
| Noah Stahl | Producer | |
| Rodrigo Teixeira | Producer | |
| Dan Janvey | Producer | |
| Daniela Taplin Lundberg | Producer | |
| Chris Columbus | Producer | |
| Lourenco Sant' Anna | Executive Producer | |
| Sophie Mas | Executive Producer | |
| Eleanor Columbus | Executive Producer | |
| Josh Penn | Executive Producer | |
| Jonathan Bronfman | Executive Producer | |
| Lon Molnar | Executive Producer | |
| Fernando Fraiha | Executive Producer | |
| Bill Benenson | Executive Producer | |
| Jonathan Montepare | Co-Producer | |
| Geremy Jasper | Song Writer | |
| Geremy Jasper | Composer | |
| Jason Binnick | Composer | |
| Federico Cesca | Director of Photography | |
| Brad Turner | Editor | |
| Meredith Lippincott | Production Designer | |
| Miyako Bellizzi | Costume Designer | |
| Jessica Kelly | Casting Director | |
| Rebecca Dealy | Casting Director | |
| Joe Rudge | Music Supervisor | |
| Manny Siverio | Stunt Coordinator | |
| Sara Blechman | Unit Production Manager | |
| Inna Braude | First Assistant Director | |
| Natasha Rivera | Second Assistant Director | |
| Gregory Skyler Taylor | Associate Producer | |
| Kristen Konvitz | Associate Producer | |
| Jeong Park | Still Photographer | |
| Khyber Jones | Additional Photography | |
| Heather Yancey | Art Director | |
| Sally Levi | Set Decorator | |
| Synmia Rosine | Wardrobe Supervisor | |
| Amy Wadford | Make up | |
| Jon Carter | Hairstylist | |
| Jim Morgan | Sound Mixer | |
| Katarina Dedicova | Location Manager | |
| Justin Stowell | Location Manager | |
| Kim Rideout | Script Supervisor | |
| Javian Le | Post-Production Supervisor | |
| Henry Hayes | First Assistant Editor | |
| Lee Schatzman | Second Assistant Editor | |
| Ryan Billia | Supervising Sound Editor | |
| John Moros | Dialogue Editor | |
| Beau Emory | Sound Editor | |
| David Forshee | Sound Effects Editor | |
| Ryan Billia | Re-recording Mixer | |
| Mark Szumski | Visual Effects Supervisor | |
| Alex Noble | Visual Effects Supervisor | |
| Logan Seaman | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.