Paul, Apostle of Christ (2018)
| Theatrical Performance | ||
| Domestic Box Office | $17,547,999 | Details |
| International Box Office | $8,530,501 | Details |
| Worldwide Box Office | $26,078,500 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $5,883,400 | |
| Blu-ray Sales (estimated) | $2,983,382 | |
| Total | $8,866,782 | |
| OpusData ID: 305150100 More info... | ||
| Further financial details... | ||
Synopsis
The story of two men. Luke, as a friend and physician, risks his life when he ventures into the city of Rome to visit Paul, who is held captive in Nero’s darkest, bleakest prison cell. But Nero is determined to rid Rome of Christians, and does not flinch from executing them in the grisliest ways possible. Before Paul’s death sentence can be enacted, Luke resolves to write another book, one that details the beginnings of “The Way” and the birth of what will come to be known as the church. Bound in chains, Paul’s struggle is internal. He has survived so much—floggings, shipwreck, starvation, stoning, hunger and thirst, cold and exposure—yet as he waits for his appointment with death, he is haunted by the shadows of his past misdeeds. Alone in the dark, he wonders if he has been forgotten… and if he has the strength to finish well. Two men struggle against a determined emperor and the frailties of the human spirit in order to live out the Gospel of Jesus Christ and spread their message to the world.
Metrics
| Opening Weekend: | $5,172,585 (29.5% of total gross) |
| Legs: | 3.39 (domestic box office/biggest weekend) |
| Domestic Share: | 67.3% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 5.2 times production budget) |
| Theater counts: | 1,473 opening theaters/1,746 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $23,037,771 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Wide) by Sony Pictures |
| International Releases: | March 22nd, 2018 (Wide) (Iraq)
March 22nd, 2018 (Wide) (Lebanon) March 22nd, 2018 (Wide) (Syria) March 22nd, 2018 (Wide) (Egypt) March 23rd, 2018 (Wide) (Philippines) ... Show all releases |
| Video Release: | June 12th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for some violent content and disturbing images. (Rating bulletin 2512 (Cert #51100), 1/31/2018) |
| Running Time: | 113 minutes |
| Cast, crew, or production detail: | Hagiography |
| Plot point: | Christians, Discrimination, Political Prisoner, Prison, Religious |
| Subgenre: | Faith-Based Drama |
| Target audience: | Faith-Based Film |
| Time period setting: | Ancient Rome |
| Source: | Based on Religious Text |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Affirm Films, Giving Films, Outside Da Box Films, Mandalay Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 8 | $5,172,585 | 1,473 | $3,512 | $5,172,585 | 1 | |
| Mar 30, 2018 | 10 | $3,457,864 | -33% | 1,473 | $2,347 | $11,488,702 | 2 |
| Apr 6, 2018 | 15 | $1,772,226 | -49% | 1,262 | $1,404 | $15,003,077 | 3 |
| Apr 13, 2018 | 18 | $611,693 | -65% | 581 | $1,053 | $16,394,992 | 4 |
| Apr 20, 2018 | 23 | $331,697 | -46% | 377 | $880 | $17,011,816 | 5 |
| Apr 27, 2018 | 30 | $104,607 | -68% | 177 | $591 | $17,276,253 | 6 |
| May 4, 2018 | 37 | $66,262 | -37% | 146 | $454 | $17,407,931 | 7 |
| May 11, 2018 | 43 | $50,472 | -24% | 112 | $451 | $17,499,876 | 8 |
| May 18, 2018 | 49 | $21,430 | -58% | 59 | $363 | $17,547,999 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 8 | $1,656,905 | 1,473 | $1,125 | $1,656,905 | 1 | ||
| Mar 24, 2018 | 8 | $1,878,039 | +13% | 1,473 | $1,275 | $3,534,944 | 2 | |
| Mar 25, 2018 | 8 | $1,637,641 | -13% | 1,473 | $1,112 | $5,172,585 | 3 | |
| Mar 26, 2018 | 8 | $618,346 | -62% | 1,473 | $420 | $5,790,931 | 4 | |
| Mar 27, 2018 | 8 | $913,192 | +48% | 1,473 | $620 | $6,704,123 | 5 | |
| Mar 28, 2018 | 9 | $680,812 | -25% | 1,473 | $462 | $7,384,935 | 6 | |
| Mar 29, 2018 | 9 | $645,903 | -5% | 1,473 | $438 | $8,030,838 | 7 | |
| Mar 30, 2018 | 10 | $1,220,265 | +89% | -26% | 1,473 | $828 | $9,251,103 | 8 |
| Mar 31, 2018 | 10 | $1,232,802 | +1% | -34% | 1,473 | $837 | $10,483,905 | 9 |
| Apr 1, 2018 | 10 | $1,004,797 | -18% | -39% | 1,473 | $682 | $11,488,702 | 10 |
| Apr 2, 2018 | 11 | $454,713 | -55% | -26% | 1,473 | $309 | $11,943,415 | 11 |
| Apr 3, 2018 | 10 | $545,439 | +20% | -40% | 1,473 | $370 | $12,488,854 | 12 |
| Apr 4, 2018 | 10 | $400,419 | -27% | -41% | 1,473 | $272 | $12,889,273 | 13 |
| Apr 5, 2018 | 10 | $341,578 | -15% | -47% | 1,473 | $232 | $13,230,851 | 14 |
| Apr 6, 2018 | 15 | $492,819 | +44% | -60% | 1,262 | $391 | $13,723,670 | 15 |
| Apr 7, 2018 | 15 | $752,940 | +53% | -39% | 1,262 | $597 | $14,476,610 | 16 |
| Apr 8, 2018 | 14 | $526,467 | -30% | -48% | 1,262 | $417 | $15,003,077 | 17 |
| Apr 9, 2018 | 12 | $189,573 | -64% | -58% | 1,262 | $150 | $15,192,650 | 18 |
| Apr 10, 2018 | 13 | $259,634 | +37% | -52% | 1,262 | $206 | $15,452,284 | 19 |
| Apr 11, 2018 | 15 | $175,784 | -32% | -56% | 1,262 | $139 | $15,628,068 | 20 |
| Apr 12, 2018 | 14 | $155,231 | -12% | -55% | 1,262 | $123 | $15,783,299 | 21 |
| Apr 13, 2018 | - | $164,252 | +6% | -67% | 581 | $283 | $15,947,551 | 22 |
| Apr 14, 2018 | - | $235,098 | +43% | -69% | 581 | $405 | $16,182,649 | 23 |
| Apr 15, 2018 | - | $212,343 | -10% | -60% | 581 | $365 | $16,394,992 | 24 |
| Apr 16, 2018 | - | $68,884 | -68% | -64% | 581 | $119 | $16,463,876 | 25 |
| Apr 17, 2018 | - | $86,106 | +25% | -67% | 581 | $148 | $16,549,982 | 26 |
| Apr 18, 2018 | - | $65,913 | -23% | -63% | 581 | $113 | $16,615,895 | 27 |
| Apr 19, 2018 | - | $64,224 | -3% | -59% | 581 | $111 | $16,680,119 | 28 |
| Apr 20, 2018 | - | $89,204 | +39% | -46% | 377 | $237 | $16,769,323 | 29 |
| Apr 21, 2018 | - | $130,701 | +47% | -44% | 377 | $347 | $16,900,024 | 30 |
| Apr 22, 2018 | - | $111,792 | -14% | -47% | 377 | $297 | $17,011,816 | 31 |
| Apr 23, 2018 | - | $39,514 | -65% | -43% | 377 | $105 | $17,051,330 | 32 |
| Apr 24, 2018 | - | $46,895 | +19% | -46% | 377 | $124 | $17,098,225 | 33 |
| Apr 25, 2018 | - | $39,356 | -16% | -40% | 377 | $104 | $17,137,581 | 34 |
| Apr 26, 2018 | - | $34,065 | -13% | -47% | 377 | $90 | $17,171,646 | 35 |
| Apr 27, 2018 | - | $27,973 | -18% | -69% | 177 | $158 | $17,199,619 | 36 |
| Apr 28, 2018 | - | $42,064 | +50% | -68% | 177 | $238 | $17,241,683 | 37 |
| Apr 29, 2018 | - | $34,570 | -18% | -69% | 177 | $195 | $17,276,253 | 38 |
| May 4, 2018 | - | $20,035 | -28% | 146 | $137 | $17,361,704 | 43 | |
| May 5, 2018 | - | $24,412 | +22% | -42% | 146 | $167 | $17,386,116 | 44 |
| May 6, 2018 | - | $21,815 | -11% | -37% | 146 | $149 | $17,407,931 | 45 |
| May 7, 2018 | - | $9,867 | -55% | 146 | $68 | $17,417,798 | 46 | |
| May 8, 2018 | - | $11,705 | +19% | 146 | $80 | $17,429,503 | 47 | |
| May 9, 2018 | - | $10,088 | -14% | 146 | $69 | $17,439,591 | 48 | |
| May 10, 2018 | - | $9,813 | -3% | 146 | $67 | $17,449,404 | 49 | |
| May 11, 2018 | - | $12,416 | +27% | -38% | 112 | $111 | $17,461,820 | 50 |
| May 12, 2018 | - | $18,619 | +50% | -24% | 112 | $166 | $17,480,439 | 51 |
| May 13, 2018 | - | $19,437 | +4% | -11% | 112 | $174 | $17,499,876 | 52 |
| May 14, 2018 | - | $5,308 | -73% | -46% | 112 | $47 | $17,505,184 | 53 |
| May 15, 2018 | - | $7,675 | +45% | -34% | 112 | $69 | $17,512,859 | 54 |
| May 16, 2018 | - | $8,044 | +5% | -20% | 112 | $72 | $17,520,903 | 55 |
| May 17, 2018 | - | $5,666 | -30% | -42% | 112 | $51 | $17,526,569 | 56 |
| May 18, 2018 | - | $5,084 | -10% | -59% | 59 | $86 | $17,531,653 | 57 |
| May 19, 2018 | - | $8,309 | +63% | -55% | 59 | $141 | $17,539,962 | 58 |
| May 20, 2018 | - | $8,037 | -3% | -59% | 59 | $136 | $17,547,999 | 59 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 9 | $8,030,838 | 1,473 | $5,452 | $8,030,838 | 1 | |
| Mar 30, 2018 | 10 | $5,200,013 | -35% | 1,473 | $3,530 | $13,230,851 | 2 |
| Apr 6, 2018 | 15 | $2,552,448 | -51% | 1,262 | $2,023 | $15,783,299 | 3 |
| Apr 13, 2018 | 18 | $896,820 | -65% | 581 | $1,544 | $16,680,119 | 4 |
| Apr 20, 2018 | 22 | $491,527 | -45% | 377 | $1,304 | $17,171,646 | 5 |
| Apr 27, 2018 | 32 | $170,023 | -65% | 177 | $961 | $17,341,669 | 6 |
| May 4, 2018 | 36 | $107,735 | -37% | 1,746 | $62 | $17,449,404 | 7 |
| May 11, 2018 | 42 | $77,165 | -28% | 112 | $689 | $17,526,569 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/18/2018 | $13,193 | 0 | 0 | 0 | $38,330 | 1/1/2019 | |||
| Australia | 3/29/2018 | $151,138 | 45 | 1 | 188 | $505,571 | 4/13/2026 | |||
| Brazil | 5/3/2018 | $734,289 | 366 | 526 | 1,700 | $3,060,417 | 8/7/2018 | |||
| Egypt | 3/22/2018 | $0 | 0 | 2 | 9 | $37,622 | 1/1/2019 | |||
| France | 5/2/2018 | $94,338 | 67 | 67 | 129 | $211,155 | 5/15/2018 | |||
| Iraq | 3/22/2018 | $0 | 0 | 1 | 5 | $7,331 | 1/1/2019 | |||
| Jamaica | 3/28/2018 | $3,580 | 4 | 4 | 4 | $3,580 | 1/1/2019 | |||
| Japan | 11/3/2018 | $31,702 | 9 | 9 | 65 | $280,945 | 2/6/2019 | |||
| Kenya | 3/30/2018 | $3,943 | 10 | 10 | 15 | $7,595 | 1/1/2019 | |||
| Lebanon | 3/22/2018 | $0 | 0 | 10 | 25 | $132,243 | 1/1/2019 | |||
| Mexico | 5/4/2018 | $267,236 | 0 | 0 | 0 | $898,053 | 5/21/2018 | |||
| New Zealand | 3/29/2018 | $1,212 | 4 | 7 | 17 | $18,746 | 6/5/2018 | |||
| Norway | 5/18/2018 | $3,427 | 3 | 3 | 11 | $13,796 | 6/20/2018 | |||
| Philippines | 3/23/2018 | $0 | 0 | 37 | 54 | $68,244 | 1/1/2019 | |||
| Poland | 5/4/2018 | $38,000 | 118 | 118 | 310 | $134,556 | 1/1/2019 | |||
| Slovakia | 4/6/2018 | $40,669 | 71 | 71 | 142 | $93,662 | 5/30/2018 | |||
| South Africa | 3/23/2018 | $0 | 0 | 14 | 36 | $87,020 | 6/11/2018 | |||
| South Korea | 10/31/2018 | $2,375 | 1 | 227 | 971 | $1,881,058 | 4/4/2026 | |||
| Spain | 3/23/2018 | $103,718 | 77 | 79 | 261 | $444,506 | 7/3/2018 | |||
| Syria | 3/22/2018 | $0 | 0 | 1 | 1 | $2,762 | 1/1/2019 | |||
| Trinidad | 3/28/2018 | $11,908 | 15 | 15 | 25 | $23,462 | 1/1/2019 | |||
| Rest of World | $579,847 | |||||||||
| International Total | $8,530,501 | 4/13/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| James Caviezel | Saint Luke | |
| James Faulkner | Saint Paul | |
| Olivier Martinez | Mauritius Gallas |
Supporting
| Joanne Whalley | Priscilla | |
| John Lynch | Aquila | |
| Yorgos Karamihos | Saul of Tarsus | |
| Antonia Campbell-Hughes | Irenica | |
| Alessandro Sperduti | Cassius | |
| Manuel Cauchi | Ananais | |
| Noah Huntley | Publius | |
| Kenneth Spiteri | Eubulus | |
| Alexandra Vino | Octavia | |
| Anthony Edridge | Severus | |
| Andre Agius | Stephen | |
| John Paul Pace | Christian Man | |
| Erica Muscat | Christian Woman | |
| Jacob Groth | Young Christian Man | |
| Henry Holland | Young Saul of Tarsus | |
| Nina Sultana | Little Girl | |
| Natalie Rossignaud | Young Girl | |
| Iskander El Hag Aisa | Christian Man 4 | |
| Daryl Luke Vassallo | Tarquin | |
| Vladislav Ilich | Judas | |
| Chris Dingli | Roman Doctor | |
| Mario Opinato | Balbus | |
| Anthony Ellul | Jewish Doctor | |
| Stephen Buhagiar | Jewish Man 1 | |
| Mikhail Basmadjian | Jewish Man 2 | |
| Husam Chadat | Gamaliel | |
| Edward Mercieca | High Priest | |
| Philip Mizzi | Elder | |
| Graham Charles | Roman Soldier | |
| Joe Azzopardi | Roman Thug | |
| Nora Jolie Eckermann | Caelia | |
| Sarah Michelle Attard | Beaten Woman | |
| Stephen Caruana | Beaten Man | |
| Nikovich Sammut | Market Grower / Roman by Burning Dummy | |
| Neil Martin | Roman Soldier 1 | |
| Jeremy Debattista | Roman Soldier 2 | |
| Luke Tabone | Prefect’s Office Guard 1 | |
| Aaron Fenech | Prefect’s Office Guard 2 | |
| Nick Mangion | Christian from Camp | |
| Morgan Chetcuti | Christian Tied to a Post | |
| Jonathan Aquilina | Thug 1 | |
| Jonathan Delia | Thug 2 | |
| Sean Zerafa | Roman Thug | |
| Ronald Abdilla | Angry Man 1 | |
| Robert Grima | Executioner | |
| Byron Sultana | Slave | |
| Zachary Caruana | Cassius’ Man | |
| Rudy Emanuel Catania | Prison Guard at Side Door | |
| Jesmond Said | Prison Guard with Lash | |
| Manwel Borg | Christian Victim 1 | |
| Miguel Cauchi | Christian Victim 2 | |
| Ana Luisa dos Santos Flor | Christian Victim 3 |
Production and Technical Credits
| Andrew Hyatt | Director | |
| Andrew Hyatt | Screenwriter | |
| Andrew Hyatt | Story by | |
| T.J. Berden | Story by | |
| David Zelon | Producer | |
| T.J. Berden | Producer | |
| Eric Groth | Executive Producer | |
| Rick Jackson | Executive Producer | |
| Harrison Powell | Executive Producer | |
| Jim Caviezel* | Executive Producer | |
| Gerardo Madrazo | Director of Photography | |
| Dave Arrowsmith | Production Designer | |
| Scott Richter | Editor | |
| Jan A. P. Kaczmarek | Composer | |
| Luciano Capozzi | Costume Designer | |
| Patricia DiCerto | Casting Director | |
| Simon Sansone | Line Producer | |
| Simon Sansone | Unit Production Manager | |
| Hristo Dimitrov | First Assistant Director | |
| Oana Ene | Second Assistant Director | |
| Steve Abela | Stunt Coordinator | |
| Ino Bonello | Art Director | |
| Craig Menzies | Set Decorator | |
| Aleksandar Bundalo | Sound Mixer | |
| Kenneth Cassar | Special Effects Supervisor | |
| Robert Grech | Special Effects | |
| Lesley Micallef | Special Effects | |
| Samuel Delia | Special Effects | |
| Wayne Galea | Special Effects | |
| Martina Zammit Maempel | Costume Supervisor | |
| Jackie Grima | Make-up and Hair Designer | |
| Mark Sansone | Location Manager | |
| Ryan Gatt | Script Supervisor | |
| David Townsend | Post-Production Supervisor | |
| Eric Fernandez | Assistant Editor | |
| Matthew Pullicino | Visual Effects Producer | |
| Amira Borg | Visual Effects Producer | |
| Cary Smith | Visual Effects Supervisor | |
| Tateum Kohut | Re-recording Mixer | |
| Jeremy B. Davis | Re-recording Mixer | |
| Mandell Winter | Supervising Sound Editor | |
| David Esparza | Sound Designer | |
| Larry Goeb | Dialogue Editor | |
| Richard Yawn* | Dialogue Editor | |
| Chato Hill | Dialogue Editor | |
| Ron Mellegers | Foley Mixer | |
| Ryan Lukasik | Foley Mixer | |
| Randy Wilson | Foley Mixer | |
| Jan A. P. Kaczmarek | Music Producer | |
| Rafal Paczkowski | Score Recordist | |
| Rafal Paczkowski | Score Mixer | |
| Curt Sobel | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of two men. Luke, as a friend and physician, risks his life when he ventures into the city of Rome to visit Paul, who is held captive in Nero’s darkest, bleakest prison cell. But Nero is determined to rid Rome of Christians, and does not flinch from executing them in the grisliest ways possible. Before Paul’s death sentence can be enacted, Luke resolves to write another book, one that details the beginnings of “The Way” and the birth of what will come to be known as the church. Bound in chains, Paul’s struggle is internal. He has survived so much—floggings, shipwreck, starvation, stoning, hunger and thirst, cold and exposure—yet as he waits for his appointment with death, he is haunted by the shadows of his past misdeeds. Alone in the dark, he wonders if he has been forgotten… and if he has the strength to finish well. Two men struggle against a determined emperor and the frailties of the human spirit in order to live out the Gospel of Jesus Christ and spread their message to the world.
Metrics
| Opening Weekend: | $5,172,585 (29.5% of total gross) |
| Legs: | 3.39 (domestic box office/biggest weekend) |
| Domestic Share: | 67.3% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 5.2 times production budget) |
| Theater counts: | 1,473 opening theaters/1,746 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $23,037,771 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Wide) by Sony Pictures |
| International Releases: | March 22nd, 2018 (Wide) (Iraq)
March 22nd, 2018 (Wide) (Lebanon) March 22nd, 2018 (Wide) (Syria) March 22nd, 2018 (Wide) (Egypt) March 23rd, 2018 (Wide) (Philippines) ... Show all releases |
| Video Release: | June 12th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for some violent content and disturbing images. (Rating bulletin 2512 (Cert #51100), 1/31/2018) |
| Running Time: | 113 minutes |
| Cast, crew, or production detail: | Hagiography |
| Plot point: | Christians, Discrimination, Political Prisoner, Prison, Religious |
| Subgenre: | Faith-Based Drama |
| Target audience: | Faith-Based Film |
| Time period setting: | Ancient Rome |
| Source: | Based on Religious Text |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Affirm Films, Giving Films, Outside Da Box Films, Mandalay Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 8 | $5,172,585 | 1,473 | $3,512 | $5,172,585 | 1 | |
| Mar 30, 2018 | 10 | $3,457,864 | -33% | 1,473 | $2,347 | $11,488,702 | 2 |
| Apr 6, 2018 | 15 | $1,772,226 | -49% | 1,262 | $1,404 | $15,003,077 | 3 |
| Apr 13, 2018 | 18 | $611,693 | -65% | 581 | $1,053 | $16,394,992 | 4 |
| Apr 20, 2018 | 23 | $331,697 | -46% | 377 | $880 | $17,011,816 | 5 |
| Apr 27, 2018 | 30 | $104,607 | -68% | 177 | $591 | $17,276,253 | 6 |
| May 4, 2018 | 37 | $66,262 | -37% | 146 | $454 | $17,407,931 | 7 |
| May 11, 2018 | 43 | $50,472 | -24% | 112 | $451 | $17,499,876 | 8 |
| May 18, 2018 | 49 | $21,430 | -58% | 59 | $363 | $17,547,999 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 8 | $1,656,905 | 1,473 | $1,125 | $1,656,905 | 1 | ||
| Mar 24, 2018 | 8 | $1,878,039 | +13% | 1,473 | $1,275 | $3,534,944 | 2 | |
| Mar 25, 2018 | 8 | $1,637,641 | -13% | 1,473 | $1,112 | $5,172,585 | 3 | |
| Mar 26, 2018 | 8 | $618,346 | -62% | 1,473 | $420 | $5,790,931 | 4 | |
| Mar 27, 2018 | 8 | $913,192 | +48% | 1,473 | $620 | $6,704,123 | 5 | |
| Mar 28, 2018 | 9 | $680,812 | -25% | 1,473 | $462 | $7,384,935 | 6 | |
| Mar 29, 2018 | 9 | $645,903 | -5% | 1,473 | $438 | $8,030,838 | 7 | |
| Mar 30, 2018 | 10 | $1,220,265 | +89% | -26% | 1,473 | $828 | $9,251,103 | 8 |
| Mar 31, 2018 | 10 | $1,232,802 | +1% | -34% | 1,473 | $837 | $10,483,905 | 9 |
| Apr 1, 2018 | 10 | $1,004,797 | -18% | -39% | 1,473 | $682 | $11,488,702 | 10 |
| Apr 2, 2018 | 11 | $454,713 | -55% | -26% | 1,473 | $309 | $11,943,415 | 11 |
| Apr 3, 2018 | 10 | $545,439 | +20% | -40% | 1,473 | $370 | $12,488,854 | 12 |
| Apr 4, 2018 | 10 | $400,419 | -27% | -41% | 1,473 | $272 | $12,889,273 | 13 |
| Apr 5, 2018 | 10 | $341,578 | -15% | -47% | 1,473 | $232 | $13,230,851 | 14 |
| Apr 6, 2018 | 15 | $492,819 | +44% | -60% | 1,262 | $391 | $13,723,670 | 15 |
| Apr 7, 2018 | 15 | $752,940 | +53% | -39% | 1,262 | $597 | $14,476,610 | 16 |
| Apr 8, 2018 | 14 | $526,467 | -30% | -48% | 1,262 | $417 | $15,003,077 | 17 |
| Apr 9, 2018 | 12 | $189,573 | -64% | -58% | 1,262 | $150 | $15,192,650 | 18 |
| Apr 10, 2018 | 13 | $259,634 | +37% | -52% | 1,262 | $206 | $15,452,284 | 19 |
| Apr 11, 2018 | 15 | $175,784 | -32% | -56% | 1,262 | $139 | $15,628,068 | 20 |
| Apr 12, 2018 | 14 | $155,231 | -12% | -55% | 1,262 | $123 | $15,783,299 | 21 |
| Apr 13, 2018 | - | $164,252 | +6% | -67% | 581 | $283 | $15,947,551 | 22 |
| Apr 14, 2018 | - | $235,098 | +43% | -69% | 581 | $405 | $16,182,649 | 23 |
| Apr 15, 2018 | - | $212,343 | -10% | -60% | 581 | $365 | $16,394,992 | 24 |
| Apr 16, 2018 | - | $68,884 | -68% | -64% | 581 | $119 | $16,463,876 | 25 |
| Apr 17, 2018 | - | $86,106 | +25% | -67% | 581 | $148 | $16,549,982 | 26 |
| Apr 18, 2018 | - | $65,913 | -23% | -63% | 581 | $113 | $16,615,895 | 27 |
| Apr 19, 2018 | - | $64,224 | -3% | -59% | 581 | $111 | $16,680,119 | 28 |
| Apr 20, 2018 | - | $89,204 | +39% | -46% | 377 | $237 | $16,769,323 | 29 |
| Apr 21, 2018 | - | $130,701 | +47% | -44% | 377 | $347 | $16,900,024 | 30 |
| Apr 22, 2018 | - | $111,792 | -14% | -47% | 377 | $297 | $17,011,816 | 31 |
| Apr 23, 2018 | - | $39,514 | -65% | -43% | 377 | $105 | $17,051,330 | 32 |
| Apr 24, 2018 | - | $46,895 | +19% | -46% | 377 | $124 | $17,098,225 | 33 |
| Apr 25, 2018 | - | $39,356 | -16% | -40% | 377 | $104 | $17,137,581 | 34 |
| Apr 26, 2018 | - | $34,065 | -13% | -47% | 377 | $90 | $17,171,646 | 35 |
| Apr 27, 2018 | - | $27,973 | -18% | -69% | 177 | $158 | $17,199,619 | 36 |
| Apr 28, 2018 | - | $42,064 | +50% | -68% | 177 | $238 | $17,241,683 | 37 |
| Apr 29, 2018 | - | $34,570 | -18% | -69% | 177 | $195 | $17,276,253 | 38 |
| May 4, 2018 | - | $20,035 | -28% | 146 | $137 | $17,361,704 | 43 | |
| May 5, 2018 | - | $24,412 | +22% | -42% | 146 | $167 | $17,386,116 | 44 |
| May 6, 2018 | - | $21,815 | -11% | -37% | 146 | $149 | $17,407,931 | 45 |
| May 7, 2018 | - | $9,867 | -55% | 146 | $68 | $17,417,798 | 46 | |
| May 8, 2018 | - | $11,705 | +19% | 146 | $80 | $17,429,503 | 47 | |
| May 9, 2018 | - | $10,088 | -14% | 146 | $69 | $17,439,591 | 48 | |
| May 10, 2018 | - | $9,813 | -3% | 146 | $67 | $17,449,404 | 49 | |
| May 11, 2018 | - | $12,416 | +27% | -38% | 112 | $111 | $17,461,820 | 50 |
| May 12, 2018 | - | $18,619 | +50% | -24% | 112 | $166 | $17,480,439 | 51 |
| May 13, 2018 | - | $19,437 | +4% | -11% | 112 | $174 | $17,499,876 | 52 |
| May 14, 2018 | - | $5,308 | -73% | -46% | 112 | $47 | $17,505,184 | 53 |
| May 15, 2018 | - | $7,675 | +45% | -34% | 112 | $69 | $17,512,859 | 54 |
| May 16, 2018 | - | $8,044 | +5% | -20% | 112 | $72 | $17,520,903 | 55 |
| May 17, 2018 | - | $5,666 | -30% | -42% | 112 | $51 | $17,526,569 | 56 |
| May 18, 2018 | - | $5,084 | -10% | -59% | 59 | $86 | $17,531,653 | 57 |
| May 19, 2018 | - | $8,309 | +63% | -55% | 59 | $141 | $17,539,962 | 58 |
| May 20, 2018 | - | $8,037 | -3% | -59% | 59 | $136 | $17,547,999 | 59 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 9 | $8,030,838 | 1,473 | $5,452 | $8,030,838 | 1 | |
| Mar 30, 2018 | 10 | $5,200,013 | -35% | 1,473 | $3,530 | $13,230,851 | 2 |
| Apr 6, 2018 | 15 | $2,552,448 | -51% | 1,262 | $2,023 | $15,783,299 | 3 |
| Apr 13, 2018 | 18 | $896,820 | -65% | 581 | $1,544 | $16,680,119 | 4 |
| Apr 20, 2018 | 22 | $491,527 | -45% | 377 | $1,304 | $17,171,646 | 5 |
| Apr 27, 2018 | 32 | $170,023 | -65% | 177 | $961 | $17,341,669 | 6 |
| May 4, 2018 | 36 | $107,735 | -37% | 1,746 | $62 | $17,449,404 | 7 |
| May 11, 2018 | 42 | $77,165 | -28% | 112 | $689 | $17,526,569 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/18/2018 | $13,193 | 0 | 0 | 0 | $38,330 | 1/1/2019 | |||
| Australia | 3/29/2018 | $151,138 | 45 | 1 | 188 | $505,571 | 4/13/2026 | |||
| Brazil | 5/3/2018 | $734,289 | 366 | 526 | 1,700 | $3,060,417 | 8/7/2018 | |||
| Egypt | 3/22/2018 | $0 | 0 | 2 | 9 | $37,622 | 1/1/2019 | |||
| France | 5/2/2018 | $94,338 | 67 | 67 | 129 | $211,155 | 5/15/2018 | |||
| Iraq | 3/22/2018 | $0 | 0 | 1 | 5 | $7,331 | 1/1/2019 | |||
| Jamaica | 3/28/2018 | $3,580 | 4 | 4 | 4 | $3,580 | 1/1/2019 | |||
| Japan | 11/3/2018 | $31,702 | 9 | 9 | 65 | $280,945 | 2/6/2019 | |||
| Kenya | 3/30/2018 | $3,943 | 10 | 10 | 15 | $7,595 | 1/1/2019 | |||
| Lebanon | 3/22/2018 | $0 | 0 | 10 | 25 | $132,243 | 1/1/2019 | |||
| Mexico | 5/4/2018 | $267,236 | 0 | 0 | 0 | $898,053 | 5/21/2018 | |||
| New Zealand | 3/29/2018 | $1,212 | 4 | 7 | 17 | $18,746 | 6/5/2018 | |||
| Norway | 5/18/2018 | $3,427 | 3 | 3 | 11 | $13,796 | 6/20/2018 | |||
| Philippines | 3/23/2018 | $0 | 0 | 37 | 54 | $68,244 | 1/1/2019 | |||
| Poland | 5/4/2018 | $38,000 | 118 | 118 | 310 | $134,556 | 1/1/2019 | |||
| Slovakia | 4/6/2018 | $40,669 | 71 | 71 | 142 | $93,662 | 5/30/2018 | |||
| South Africa | 3/23/2018 | $0 | 0 | 14 | 36 | $87,020 | 6/11/2018 | |||
| South Korea | 10/31/2018 | $2,375 | 1 | 227 | 971 | $1,881,058 | 4/4/2026 | |||
| Spain | 3/23/2018 | $103,718 | 77 | 79 | 261 | $444,506 | 7/3/2018 | |||
| Syria | 3/22/2018 | $0 | 0 | 1 | 1 | $2,762 | 1/1/2019 | |||
| Trinidad | 3/28/2018 | $11,908 | 15 | 15 | 25 | $23,462 | 1/1/2019 | |||
| Rest of World | $579,847 | |||||||||
| International Total | $8,530,501 | 4/13/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| James Caviezel | Saint Luke | |
| James Faulkner | Saint Paul | |
| Olivier Martinez | Mauritius Gallas |
Supporting
| Joanne Whalley | Priscilla | |
| John Lynch | Aquila | |
| Yorgos Karamihos | Saul of Tarsus | |
| Antonia Campbell-Hughes | Irenica | |
| Alessandro Sperduti | Cassius | |
| Manuel Cauchi | Ananais | |
| Noah Huntley | Publius | |
| Kenneth Spiteri | Eubulus | |
| Alexandra Vino | Octavia | |
| Anthony Edridge | Severus | |
| Andre Agius | Stephen | |
| John Paul Pace | Christian Man | |
| Erica Muscat | Christian Woman | |
| Jacob Groth | Young Christian Man | |
| Henry Holland | Young Saul of Tarsus | |
| Nina Sultana | Little Girl | |
| Natalie Rossignaud | Young Girl | |
| Iskander El Hag Aisa | Christian Man 4 | |
| Daryl Luke Vassallo | Tarquin | |
| Vladislav Ilich | Judas | |
| Chris Dingli | Roman Doctor | |
| Mario Opinato | Balbus | |
| Anthony Ellul | Jewish Doctor | |
| Stephen Buhagiar | Jewish Man 1 | |
| Mikhail Basmadjian | Jewish Man 2 | |
| Husam Chadat | Gamaliel | |
| Edward Mercieca | High Priest | |
| Philip Mizzi | Elder | |
| Graham Charles | Roman Soldier | |
| Joe Azzopardi | Roman Thug | |
| Nora Jolie Eckermann | Caelia | |
| Sarah Michelle Attard | Beaten Woman | |
| Stephen Caruana | Beaten Man | |
| Nikovich Sammut | Market Grower / Roman by Burning Dummy | |
| Neil Martin | Roman Soldier 1 | |
| Jeremy Debattista | Roman Soldier 2 | |
| Luke Tabone | Prefect’s Office Guard 1 | |
| Aaron Fenech | Prefect’s Office Guard 2 | |
| Nick Mangion | Christian from Camp | |
| Morgan Chetcuti | Christian Tied to a Post | |
| Jonathan Aquilina | Thug 1 | |
| Jonathan Delia | Thug 2 | |
| Sean Zerafa | Roman Thug | |
| Ronald Abdilla | Angry Man 1 | |
| Robert Grima | Executioner | |
| Byron Sultana | Slave | |
| Zachary Caruana | Cassius’ Man | |
| Rudy Emanuel Catania | Prison Guard at Side Door | |
| Jesmond Said | Prison Guard with Lash | |
| Manwel Borg | Christian Victim 1 | |
| Miguel Cauchi | Christian Victim 2 | |
| Ana Luisa dos Santos Flor | Christian Victim 3 |
Production and Technical Credits
| Andrew Hyatt | Director | |
| Andrew Hyatt | Screenwriter | |
| Andrew Hyatt | Story by | |
| T.J. Berden | Story by | |
| David Zelon | Producer | |
| T.J. Berden | Producer | |
| Eric Groth | Executive Producer | |
| Rick Jackson | Executive Producer | |
| Harrison Powell | Executive Producer | |
| Jim Caviezel* | Executive Producer | |
| Gerardo Madrazo | Director of Photography | |
| Dave Arrowsmith | Production Designer | |
| Scott Richter | Editor | |
| Jan A. P. Kaczmarek | Composer | |
| Luciano Capozzi | Costume Designer | |
| Patricia DiCerto | Casting Director | |
| Simon Sansone | Line Producer | |
| Simon Sansone | Unit Production Manager | |
| Hristo Dimitrov | First Assistant Director | |
| Oana Ene | Second Assistant Director | |
| Steve Abela | Stunt Coordinator | |
| Ino Bonello | Art Director | |
| Craig Menzies | Set Decorator | |
| Aleksandar Bundalo | Sound Mixer | |
| Kenneth Cassar | Special Effects Supervisor | |
| Robert Grech | Special Effects | |
| Lesley Micallef | Special Effects | |
| Samuel Delia | Special Effects | |
| Wayne Galea | Special Effects | |
| Martina Zammit Maempel | Costume Supervisor | |
| Jackie Grima | Make-up and Hair Designer | |
| Mark Sansone | Location Manager | |
| Ryan Gatt | Script Supervisor | |
| David Townsend | Post-Production Supervisor | |
| Eric Fernandez | Assistant Editor | |
| Matthew Pullicino | Visual Effects Producer | |
| Amira Borg | Visual Effects Producer | |
| Cary Smith | Visual Effects Supervisor | |
| Tateum Kohut | Re-recording Mixer | |
| Jeremy B. Davis | Re-recording Mixer | |
| Mandell Winter | Supervising Sound Editor | |
| David Esparza | Sound Designer | |
| Larry Goeb | Dialogue Editor | |
| Richard Yawn* | Dialogue Editor | |
| Chato Hill | Dialogue Editor | |
| Ron Mellegers | Foley Mixer | |
| Ryan Lukasik | Foley Mixer | |
| Randy Wilson | Foley Mixer | |
| Jan A. P. Kaczmarek | Music Producer | |
| Rafal Paczkowski | Score Recordist | |
| Rafal Paczkowski | Score Mixer | |
| Curt Sobel | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.